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Toni St. John

‘The most important day I remember in all my life is the one on which my teacher, Anne Mansfield Sullivan, came to me. I am filled with wonder when I consider the immeasurable contrast between the two lives which it connects.’   — Helen Keller

By Heidi Sutton

Theatre Three continues its 49th season with William Gibson’s beautiful play “The Miracle Worker,” the inspirational story of Helen Keller and her teacher Annie Sullivan.

Born in Alabama in 1880, Helen Keller was afflicted with an unknown illness (possibly scarlet fever) at the age of 19 months that left her deaf, blind and mute. By the age of 7, she had become frustrated in her dark and silent world and frequently threw tantrums to get what she wanted. 

In a final attempt to help her before having her institutionalized, her parents reached out to the Perkins School for the Blind, which sent its top student, 20-year-old Annie Sullivan, to live with the family and teach the child sign language. Helen would later recount that the day she met Sullivan was her “soul’s birthday.”

Expertly directed by Bradlee E. Bing (“12 Angry Men”), the dramatic production keeps the audience fixated from the beginning — a darkened stage where we hear Helen’s parents realize what has happened to their baby — to the final climactic water-pump scene where we all feel a lump in our throats.

From the moment Sullivan arrives, Helen is determined to fight her every step of the way. Used to being spoiled, she sees no need to learn the alphabet or eat with a utensil. The tumultuous relationship between teacher and pupil is played out in the physically violent scenes choreographed by Steven Uihlein. Forks and spoons and plates of food are often strewn about the stage, and the two often engage in outright brawls on the floor. It is exhausting to watch but also succeeds in revealing Sullivan’s determination to show Helen how to communicate through “a light of words.”

Not making any headway and with constant interference from the family, Sullivan moves Helen to the seclusion of the garden shed. Given only two more weeks to make a breakthrough, she tells the girl, “Now I have to teach you one word — everything.”

Eleven-year-old Cassandra La Rocco is superb as Helen, while Jessica Mae Murphy (“The Addams Family”) is outstanding as Sullivan in the roles made famous by Patty Duke and Anne Bancroft.

The supporting cast is equally impressive, with powerful performances by Michael Newman as Helen’s Civil War veteran father, Captain Keller; Susan Emory as her overindulgent mother, Kate; Eric J. Hughes as the half-brother James; Linda Pentz as Aunt Ev; and Cameron Turner and Meredith Szalay as servants Percy and Viney.

The elaborate set by Randall Parsons; costumes by Teresa Matteson and Toni St. John; and lighting design by Stacey Boggs tie everything together to produce a wonderful evening at the theater. The standing ovation on opening night was well deserved. Don’t miss this show. It will leave a lasting impact on your heart and soul.

Theatre Three, 412 Main St., Port Jefferson will present “The Miracle Worker” through April 28. Running time is 2 hours with a 15-minute intermission. The Mainstage season closes with “The Wizard of Oz” from May 18 to June 22. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 and up. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions Inc.

The cast of ‘The Princess Who Saved a Dragon’

By Heidi Sutton

Now through Aug. 9, Theatre Three’s Children’s Theatre presents the world premiere of “The Princess Who Saved a Dragon.” With book by Jeffrey Sanzel and music by Douglas J. Quattrock, the show combines magic, music, dance and a clever script to create an original fairy tale that is simply delightful.

It’s Princess Abigail’s 21st birthday, and her mother, the absent minded Queen Marjorie, has sent out birthday party invitations to everyone in the kingdom (including all eligible bachelors) — everyone except a wicked witch named Wicked Faery. 

The cast of ‘The Princess Who Saved a Dragon’

When the witch realizes she’s been left out of the festivities, she feels slighted and, after calling 1-800-Dragon, summons a fire-breathing serpent to wreak havoc on the land. The queen decrees that whoever slays the dragon may marry the princess. Will a brave knight come forth to save the day?

Directed by Sanzel, the seven-member cast does a wonderful job portraying the story, all the while emphasizing the importance of “just be who you are.” Michaela Catapano (Princess Abigail) gives us a modern version of a warrior princess, confident and brave and not in a rush to get married. Ginger Dalton (Queen Marjorie) is terrific as her forgetful mother, Nicole Bianco is perfectly cast as the Wicked Faery and Steven Uihlein draws the most laughs in the role of the scaly dragon who has a penchant for flowers. (“I’m a gardener, not a fighter.”) 

Andrew Lenahan as Knight Night, the dragon slayer, and Matt Hoffman as his squire, Julius Pleasant, make a great tag team; and jack-of-all-trades Aria Saltini plays over seven supporting roles throughout the show with ease.

Accompanied on piano by Quattrock and choreographed by Bianco, the song and dance numbers are fresh and exciting, especially Lenahan and Hoffman’s duet “The Night Knight Night Came to Be,” Catapano and Uihlein’s duet,“To Be Me” and the fun hip-hop/rap “Spell to Raise a Dragon” by Bianco.

From left, Nicole Bianco and Michaela Catapano in a scene from the show.

Costumes by Teresa Matteson and Toni St. John hit their mark, from Princess     Abigail’s armor and sword to a shimmering dragon outfit to a purple and black witch costume complete with an impressive set of horns.

Now putting a twist on well-known fairy tales is Sanzel’s forte, but this particular “princess and dragon” scenario is so topsy-turvy that nothing is what it seems and hilarity ensues. Although the tale involves a witch and big flying reptile and is told with the use of stage smoke and flashing lights, there is nothing scary about it.

During last Friday’s opening performance, the children in the audience embraced the new show as giggles and laughter filled the theater. When the dragon, aka Scales, appeared at the end of the first act, the excited youngsters pointed and yelled, “I see it! I see it!” And when the cast made its way up the aisles to the lobby for photos after the show, they were greeted with high fives and hugs, a true testament to the magic of live theater.

Theatre Three, 412 Main St., Port Jefferson will present “The Princess Who Saved a Dragon” on July 13, 14, 20, 21, 27, 28 and Aug. 9 at 11 a.m. and Aug. 3 at 1:30 p.m. Children’s theater continues with “Alice’s Most Decidedly Unusual Adventures in Wonderland” from Aug. 3 to 11 and “Kooky Spooky Halloween” from Oct. 6 to 27. Booster seats are available and costumes are encouraged. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions Inc.