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Tim Golebiewski

The cast of ‘Pinkalicious The Musical’. Photo by Courtney Braun

By Heidi Sutton

Main Street in Smithtown was overrun by a sea of children dressed in their best pink attire last Saturday afternoon as they lined up to see the Smithtown Center for the Performing Arts’ latest offering, the ever popular “Pinkalicious The Musical.”

The play, based on the first in a series of children’s books by sisters Elizabeth and Victoria Kann, tells the story of Pinkalicious Pinkerton, a little girl who loves to eat pink cupcakes and adores everything pink. “It’s a color like no other!” she exclaims.

One day, despite her parent’s warnings, Pinkalicious eats one too many of the sweet treat and wakes up the next morning with Pinkatitis — a condition that turns her pink from head to toe, giving a whole new meaning to “you are what you eat.” A visit to the doctor confirms the rare affliction that can only be cured with a healthy diet of green food. Will Pinkalicious follow the doctor’s orders or will she remain “a perfectly positive hue” of pink forever? Can one live on cupcakes alone?

Directed by Tommy Ranieri, the five-member teenage cast delivers a well-paced and entertaining performance with lots of audience participation. Allison Lane is terrific as Pinkalicious, playing the part with just the right amount of perkiness, and is quickly adored by the young audience members. Anthony Panarello, who clearly loves being on stage and in the spotlight, plays a delightful Mr. Pinkerton; and Brittany Hughes, as the cellphone-addicted Mrs. Pinkerton, shines. David Reyes plays the role of Peter, Pinkalicious’ annoying brother, with confidence; and Colleen Curry tackles the dual role of  Pinkalicious’ best friend Alison and Dr. Wink with ease.

As with any musical, the songs, composed by John Gregor, are the heart of the show. With wonderful costumes by Ronald Green III, standouts include “Cupcake Dream,” where Pinkalicious dreams her family and best friend are pink cupcakes, and “Buzz Off,” where Pinkalicious is mistaken for a pink flower by a bunch of bees.

The wonderful set by Tim Golebiewski, from a bedroom and kitchen to the doctor’s office, is just the frosting on the cupcake.

In the end, the moral of the story is that too much of a sweet thing is never good. You may not turn pink, but you’ll get sick, and, although green vegetables may not be your favorite food, they are good for you and you should eat them. Oh, and you can’t get sick from loving the color pink.

So grab the kiddies and take them to a performance of “Pinkalicious The Musical” — they’ll be tickled pink!

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present “Pinkalicious The Musical” on Saturdays at 2 p.m. and Sundays at 11 a.m. through Aug. 19. Running time is 1 hour and 15 minutes with intermission and booster seats are available. Meet the entire cast in the lobby for photos and autographs after the show. Children’s theater continues with “Mary Poppins Jr.” from Sept. 15 to Oct. 28 and “‘Twas the Night Before Christmas” from Nov. 17 to Dec. 30. All seats are $15. To order, call 631-724-3700 or visit www.smithtownpac.org.

By Kyle Barr

It is a real testament to the late, great Freddie Mercury and the band Queen that their songs sit so squarely in the public zeitgeist. “We Are the Champions” is still the go-to sports song for anybody’s home team, and “Bohemian Rhapsody” is that one song that, when played 50 times on a road trip, still never gets old.

It also means that the show “We Will Rock You,” which held its Northeastern regional premiere opening at the Smithtown Center for the Performing Arts on July 7, really needed to encapsulate just what Mercury and Queen meant to culture just before the turn of the century. Thankfully, the talented 18-member cast at SPAC managed to pull it off with ease.

With book by Ben Elton, the story takes place 300 years in the future in a vague dystopian world where all music but that which is produced by the corporation is banned. All those living on the iPlanet, as it is called, exist under the thumb of the Globalsoft Corporation, headed by the stiff-necked Khashoggi (Dylan Bivings) and the raucous Killer Queen (the-great-as-always Brianne Boyd). Two young rebels, Galileo (Andrew Murano) and Scaramouche (Danielle Nigro) are captured by Globalsoft right out of high school for being too out of the mainstream. This leads them on a quest to find the rebels called The Bohemians and then to find the true meaning of rock and roll and set the world free.

Featuring more than 20 hit Queen songs, the show is accompanied by a live band, with Melissa and Craig Coyle on keyboard, Chad Goodstein and Mike Lawshé on guitar, Rob Curry on bass and Jim Waddell on drums. At first it’s hard to tell from where the band is playing. They are not on stage, nor on the balcony. It is well worth staying until the end to see exactly where these band members were cleverly hid.

Tim Golebiewski, who directed last year’s very fine production of “Young Frankenstein,” returns this year to showcase his talents for stimulating musical sequences and cutting humor. This time the stage is set with what appears to be a very simple layout, just a two-level affair with a white screen hanging above it all. Yet this display holds more than a few surprises. 

Golebiewski and Chris Creevy, the head of lighting design, must have had a lot of fun setting up the LED lights all around the stage, whose multiple colors coordinate with a projector screen behind the stage. Every musical performance has a corresponding color and video that plays in time to the music. It’s a surprising sensation seeing the performance and video, like attending both a musical and rock concert all at once.

Danielle Nigro and Andrew Murano in a scene from the show

In a production such as this, where the story is not much more than a vehicle to get to the next Queen song, the vocal quality is probably the biggest selling point and the cast is very much up to the task. 

Nigro does a great job with the punk-styled, quick-mouthed Scaramouche, and she is great both in lead vocals in songs like “Somebody to Love” and in chorus in songs like “Under Pressure.” Mark Maurice, as Brit, and Courtney Braun, as Oz, are both absolutely hilarious, especially with Maurice’s random bouts of martial arts. Their duet on “I Want It All” is fun and energetic. Terrific in last year’s SPAC performance of “Man of La Mancha,” Boyd  pulls out all the stops with her usual considerable stage presence. She’s a perfect fit for the part of Killer Queen, especially with such loud and sometimes racy renditions of “Play the Game” and “Fat Bottomed Girls.”

If you have even a passing interest in Queen, Freddie Mercury or rock in general, then this is a great night outing to rekindle that old rebel rocker spirit.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present “We Will Rock You” through Aug. 19. Parental discretion is advised. Tickets range from $25 to $38. For more information, visit www.smithtownpac.org or call 631-724-3700.

Photos courtesy of SPAC

By Heidi Sutton

With quirky worlds and peculiar creatures, some familiar and some not, Dr. Seuss’ enchanting stories have entertained children and adults for generations. Now the Smithtown Center for the Performing Arts brings some of those most memorable tales to the theater’s stage with a Kids Performing for Kids production of “Seussical Jr.” The show opened on St. Patrick’s Day and runs through the end of April.

Kieran Brown as Jojo and Luke Ferrari as the Cat in the Hat in a scene from ‘Seussical Jr.’

With book, music and lyrics by Lynn Ahrens and Michael Flaherty, the show combines “Horton Hears a Who,” “Horton Hatches the Egg” and “Miss Gertrude McFuzz” with all their wonderful characters into a two-hour fantasmical musical adventure; in essence, creating the perfect respite on a chilly March afternoon.

Andrew Murano (“Shakespeare in Love”) directs an incredibly talented young cast of 23 actors, ranging from the age of 8 to 18, in bringing the magical world of Dr. Seuss to life in perfect rhyme, and oh, how magical it is!

From the moment the Cat in the Hat (Luke Ferrari) pops out of a trap door on the stage and belts out “Oh the Thinks You Can Think (When You Think About Seuss),” the show takes off and never loses momentum. Ferrari’s feline character serves as narrator and transports the audience from the Jungle of Nool with Horton the elephant and Gertrude the girl-bird, to the microscopic city of Who-ville with Jojo to, in the second act, the Circus McGurkus, with singing, dancing and uplifting messages.

While the entire cast does a great job, the main characters are simply outstanding. Michael Loccisano shines as Horton and his recurring solo, “Horton Hears a Who,” where a person’s a person no matter how small, is heartfelt. Kieran Brown is a natural as Jojo and his incredible talent is unveiled in “It’s Possible.” Other standouts include Brooke Miranda (Gertrude,) Lorelai Mucciolo (Sour Kangaroo) and Leah Kelly as Mayzie. Their futures as actors look promising indeed.

A nice touch is how the cast utilizes the aisles and even the balcony to convey the story. Designed by Ronald Green III, the costumes are lively and colorful and the set, constructed by Tim Golebiewski, look as if they’ve jumped right off the pages of one of Seuss’ books. The “Green Eggs and Ham” finale is just the cherry on top.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present “Seussical Jr.” through April 29 with special Spring Break Days from April 2 to 6 at 1 p.m. Booster seats are available and there is a 15-minute intermission. Meet the Cat in the Hat, Horton, Gertrude and Jojo in the lobby for photos after the show. Children’s theater continues with “Willy Wonka Jr.” from May 19 to June 17 and “Mary Poppins Jr.” from Sept. 15 to Oct. 28. All seats are $15. To order, call 631-724-3700 or visit www.smithtownpac.org.

All photos by Danielle Nigro

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