Tags Posts tagged with "The Long Island Museum"

The Long Island Museum

Photo by Anthony White

The fourth annual Culper Spy Day was held Saturday, Sept. 15 offering participants self-guided tours of 24 locations in the Three Village area and Port Jefferson including eight more spots than previous years.

Margo Arceri, founder of the event and owner of Tri-Spy Tours, was pleased with this year’s turnout of more than 800 visitors.

Margo Arceri speaks to visitors about Culper Spy Abraham Woodhull at his gravesite in the Setauket Presbyterian Church Cemetery during the event. Photo by Michael Rosengard

“Culper Spy Day has grown beyond my wildest dreams,” she said. “From Manhattan to Montauk, attendees get to learn and understand just how the Culper Spy Ring helped change the course of the Revolution. These were ordinary people who did extraordinary things. Without the hard work and efforts of each individual
organization and their volunteers, it would not be what it is today.”

Tri-Spy Tours, the Three Village Historical Society, The Ward Melville Heritage Organization and The Long Island Museum hosted the  day with more than 40 organizations participating. Ticketholders experienced Revolutionary War encampments; docent-led tours of historic homes, churches and cemeteries; blacksmith demonstrations; Colonial cooking; children’s activities; invisible ink demonstrations, a TURN memorabilia auction and more.

From left, Major Benjamin Tallmadge (Art Billadello) and Abraham Woodhull (Beverly C. Tyler) read a copy of The Royal Gazette dated July 21, 1780 on the grounds of the Sherwood-Jayne Farm in East Setauket as Big Bill the Tory, aka William Jayne II (David Burt), looks on. Billadello is wearing a dragoon coat from the AMC television series ‘TURN’ that will be auctioned off at Gallery North’s Studio during Culper Spy Day. Photo by Heidi Sutton

 ‘Lucky is the child who listens to a story from an elder and treasures it for years.’

Barbara Russell, Town of Brookhaven Historian 

By Heidi Sutton

Margo Arceri first heard about George Washington’s Setauket spies from her Strong’s Neck neighbor and local historian, Kate W. Strong, in the early 1970s. Arceri lights up when talking about her favorite spy, Anna Smith Strong. 

“Kate W. Strong, Anna Smith Strong’s great-great-granddaughter, originally told me about the Culper Spy Ring when I used to visit her with my neighbor and Strong descendant Raymond Brewster Strong III. One of her stories was about Nancy (Anna Smith Strong’s nickname) and her magic clothesline. My love of history grew from there,” she said.

Five years ago Arceri approached the Three Village Historical Society’s President Steve Hintze and the board about conducting walking, biking and kayaking tours while sharing her knowledge of George Washington’s Long Island intelligence during the American Revolution.

Today, Arceri runs Tri-Spy Tours in the Three Village area, which follows in the actual footsteps of the Culper Spy Ring. “I wanted to target that 20- to 60-year-old active person,” she said.  “I have to thank AMC’s miniseries “TURN” because 80 percent of the people who sign up for the tour do so because of that show,” she laughs. 

It was during one of those tours that Arceri came up with the idea of having a Culper Spy Day, a day to honor the members of Long Island’s brave Patriot spy ring who helped change the course of history and helped Washington win the Revolutionary War.

The Brewster House, considered to be the oldest house in the Town of Brookhaven, will be open for tours on Culper Spy Day.

“Visiting places like the Brewster House, which is owned by The Ward Melville Heritage Organization, the grave site of genre artist William Sidney Mount at the Setauket Presbyterian Church cemetery (whose paintings are at The Long Island Museum) and the Country House, which every one of the spies visited,” Arceri thought “there has to be a day designated to celebrating all these organizations in the Three Village and surrounding areas; where each of us can give our little piece of the story and that’s how Culper Spy Day developed.”

After a successful three-year run, the fourth annual Culper Spy Day will be held on Saturday, Sept. 15 from 9 a.m. to 4 p.m. offering self-guided tours of 24 locations including eight new spots for the ultimate Culper Spy Day experience. “The more the merrier,” laughs Arceri.

One new event you won’t want to miss is an interactive tour at the Sherwood-Jayne Farm in East Setauket where you’ll experience a different spin on George Washington’s Culper Spy Ring. Maintained by Preservation Long Island, the property boasts a 1700s saltbox home, apple orchard, barn, an ice house, corn crib, a pasture and nature trail.

According to Darren St. George, education and public programs director at Preservation Long Island, the farm was originally owned by the Jayne family.

“The property was purchased by Mathias Jayne in 1730 [who built a lean-to saltbox dwelling] which is eventually passed down to William Jayne II in 1768 who expands the house after his second marriage,” he said, continuing, “[William] was involved with local government, he was a constable, so he had some stature and clout in the community and it was nice to have a more substantial home.”

However, when the Revolutionary War broke out, Jayne chose to remain a Loyalist and a steadfast supporter of the crown.

Meet Big Bill the Tory at the Sherwood-Jayne Farm in East Setauket on Culper Spy Day and learn the TRUTH about George Washington’s pesky band of renegade spies! Photo by Darren St. George, Preservation Long Island

“William Jayne II was a known Tory in the neighborhood,” said St. George. “Long Island was occupied by many Tories, many people still supported the king and didn’t want to upset the status quo, but as the war concluded, most Torys moved to Canada or Connecticut or they turned their back on the king entirely, but Jayne doesn’t. He still stays a Tory, he has his reputation and still thrives in the community,” eventually acquiring the nickname Big Bill the Tory.

When Jayne passed away, the home remained in the family until it was sold in 1908 to Preservation Long Island’s founder, Howard C. Sherwood, who used the home to showcase his many antiques. It was placed on the National Register of Historic Places in 2009.

During Culper Spy Day, ticketholders will be able to take part in a 20-minute guided tour of the first floor of the home, specifically the Jayne Parlor (which was added after the Revolutionary War), the Sherwood Living Room (which was the original 1730 home) and the Tap Room (kitchen/dining room).

One of the more interesting features of the home are the original late-18th-century hand-painted floral wall frescoes on the walls of the Jayne Parlor. Commissioned by William Jayne II, they were rediscovered underneath wallpaper by Sherwood in 1916 who had them restored by well-known artist Emil Gruppé. “One small panel was left untouched so that you can see how it’s weathered through the years,” St. George pointed out during a recent tour.

The home contains artifacts that specifically relate to the American Revolution, including paneling on the fireplace wall and shutters on a bar in the Tap Room that came from the Tallmadge House of Setauket, believed to be the birthplace of Colonel Benjamin Tallmadge, a founding member of the spy ring who would become George Washington’s chief intelligence officer.

As a special treat, Big Bill the Tory, portrayed by David Burt, will make a guest  appearance during each tour and share his views on the Culper Spy Ring and the noble intentions of King George III. “He’ll explain what life has been like for him as a Loyalist — the other side of the story that we’re really not hearing too much of,” explained St. George.

Parking will be in the field next to the property and visitors are asked to line up at the back door for the tour, which will be ongoing from 9 a.m. to 4 p.m. Apple cider and donuts will be available for purchase.

Arceri’s favorite part of the day is “seeing all these different organizations coming together as a whole. It really is our Revolutionary story,” she said. “Everywhere you turn in the Three Villages you are looking at an artifact, and as the historical society believes, the community is our museum and that I would really love to put on the forefront of people’s minds.”

Admission is $25 adults, $5 children ages 6 to 12 and may be purchased in advance at the Three Village Historical Society (TVHS), 93 North Country Road, Setauket, by calling 631-751-3730 or by visiting www.tvhs.org. Veterans and children under the age of 6 are free. 

Tickets may be picked up at the TVHS from Sept. 11 to 15. At that time, participants will receive a bracelet and a copy of the Culper Spy Day map with all event listings and include access to 24 Culper Spy Ring locations. If available, tickets on the day of the event may be purchased at the historical society.

Participating organizations: 

The fourth annual Culper Spy Day is presented by Tri-Spy Tours, the Three Village Historical Society, the Long Island Museum and The Ward Melville Heritage Organization in collaboration with the Benjamin Tallmadge District of the Boy Scouts; Campus Bicycle; Caroline Church of Brookhaven; Country House Restaurant; Custom House; Discover Long Island; Drowned Meadow Cottage Museum; East Hampton Library, Long Island Collection; Emma S. Clark Memorial Library; Fairfield Historical Society, Fairfield Museum & History Center; Frank Melville Memorial Park; Fraunces Tavern® Museum; Gallery North; History Close at Hand; Huntington Historical Society; Huntington Militia; Joseph Lloyd Manor House; Ketcham Inn Foundation; Northport Historical Society; Old Methodist Church; Paumanok Tours; Port Jefferson Chamber of Commerce; Port Jefferson Free Library; Preservation Long Island; Raynham Hall Museum; Rock Hall Museum; Setauket Elementary School; Setauket Harbor Task Force; Setauket Neighborhood House; Setauket Presbyterian Church; Sherwood-Jayne Farm; Stirring Up History; Stony Brook University Libraries, Special Collections; Stony Brookside Bed and Bike Inn; Three Village Community Trust; The Three Village Inn; Times Beacon Record News Media; and the Underhill Society of America Inc. 

Jane Jacobs interview at Washington Square Rally,1960. Photo courtesy of LIM
The Long Island Museum, 1200 Route 25A, Stony Brook will host a lecture titled Anthony Flint & Wrestling with Moses on Sunday, August 19 at 2 p.m. Journalist and author Anthony Flint, senior fellow at The Lincoln Institute of Land Policy, will discuss his book, “Wrestling with Moses: How Jane Jacobs Took on New York’s Master Builder and Transformed the American City” and then will lead visitors on an introspective journey into the battle between Moses and activist Jane Jacobs. Afterward, visit the Robert Moses exhibition to gain additional insight into Moses’ life and times. This program is free with regular museum admission. NO RESERVATIONS NECESSARY. For more information, call 631-751-0066.

Major Benjamin Tallmadge (Art Billadello) gives visitors a brief history about the Culper Spy Ring at a previous event.

On Saturday, Sept. 15 from 9 a.m. to 4 p.m., The Long Island Museum and The Ward Melville Heritage Organization in Stony Brook and the Three Village Historical Society and Tri-Spy Tours in Setauket will host a day of spy-related tours and activities for the 4th annual Culper Spy Day. 

The event is named for the Culper Spy Ring founded by Benjamin Tallmadge of Setauket, which provided Gen. George Washington with the information he needed to turn the tide of the American Revolution.

The Setauket Presbyterian Church will be open for tours during the event.

Visitors can learn what really happened while enjoying docent-led tours of historic homes, churches and cemeteries, Colonial cooking and blacksmithing demonstrations, reenactments, walking and bicycle tours, Anna Smith Strong’s famed clothesline, invisible ink demonstrations, a children’s book signing, time period music, military drills, a TURN memorabilia live auction and sale, mill grinding demonstrations and many more family-friendly activities in the Three Villages and along the North Shore.

In addition, Revolutionary War artifacts, including George Washington’s original letters to members of his spy ring will be on display in the Stony Brook University Library Special Collections. Ticket holders will have a chance to meet Benjamin Tallmadge, Abraham Woodhull, Samuel Culper Sr. and Anna Smith Strong as well.  

The Three Village Inn in Stony Brook will feature a spy breakfast (cost is $10 per person plus tax and tip and reservations are required)  and the Country House Restaurant, also in Stony Brook, will serve up a spy-themed lunch (not included in Spy Day ticket price). Call 631-751-0555 for breakfast and 631-751-3332 for lunch reservations. The Three Village Historical Society will also be offering snacks and lunch at its Tavern on the Field. 

Build your own Revolutionary War story and see history come to life at this fun-filled event. 

Tickets, which may be purchased at www.tvhs.org, are $25 for adults and $5 for children ages 6 to 12. Children under the age of 6 and veterans will receive free admission. Wristbands for entry and maps with the event listings and a schedule of activities can be picked up at the Three Village Historical Society at 93 North Country Road in Setauket from Sept. 10 through Sept. 15. Tickets are good for admission to most participating organizations for Saturday and Sunday, Sept. 15 and 16, and at The Long Island Museum through Sept. 23.

For more information, please visit www.culperspyday.com.

‘Dutch Plate and Tulips,' watercolor

Artist Statement:

’ My goal is to design a watercolor that is an exciting, moving feast that celebrates my heritage. I paint objects that have deep personal meaning, attempting to push the medium by layering colors so the painting is saturated with richness, depth and clarity.’   Eleanor Meier

By Irene Ruddock

Eleanor Meier

Setauket artist Eleanor Tyndall Meier is a contemporary realist still life painter. A former art educator, her work has been published in the New York Times, New Art International and Splash: Watercolor Discoveries. Meier has received many awards in juried exhibitions, both nationally and internationally, and she is a signature member of the Baltimore Watercolor Society as well as exhibiting with the Rhode Island, Houston and Adirondack Watercolor Societies.

A former president of the Catherine Lorillard Art Club, Meier is currently on the advisory council at Gallery North and the steering committee of The Long Island Museum’s LIMarts, where she was chosen to be August’s 2018 Artist of the Month at the museum’s Visitors Center.

I recently had the opportunity to interview Meier as she prepares to move her art studio to Centerport.

You have a breathtaking array of awards and accomplishments. What do you consider your most meaningful? 

After retiring from a career of teaching art to high school students, many of whom are dear friends today, I had the opportunity to paint and make art a daily activity, to exhibit and to develop friendships with other committed artists. Using skills developed as a teacher I now find a special fulfillment in planning research trips to galleries, colleges, museums and other art centers.

How do you design your compositions? 

‘Kimono and Apples,’ watercolor

I paint large still life tableaux that are filled with treasured objects arranged on patterned and textured fabrics. The images consist of solid forms that reflect shifting nuances with webs of shadow. Using themes such as kimonos, Delft china, silver Revere bowls, cups and saucers, colored glass, white objects — whatever deeply moves me and excites the mind’s eye. I try to design the arrangements so that the painting will be infused with a sense of myth, mystery and magic. 

How do you choose the objects for your paintings? 

I use objects that have been passed from generation to generation, objects that have the potential for significance because of past association. They may be grand or humble, glistening or tarnished, but they must animate the surface, breathing energy and vigor into my compositions. 

Is there another art form that you enjoy? 

Since the human figure is one of the most enduring themes in the visual arts, I find that drawing from the live model inspires all my artistic endeavors. I find it is a needed exercise to sharpen the vision, improve eye-hand coordination and to energize the right side of the brain.

Are there artists from whom you draw your inspiration? 

I admire the works of Dine, Demuth, O’Keefe, Rothko, Beal and Freckleton. I have studied Dine’s work, noting that he selects an object that has meaning to him, uses it and transforms it into an exciting icon. I am drawn to the richness and luminous color in Rothko’s paintings, the use of the diagonal in the exciting compositions of Beal and Freckelton, the delicacy of a Demuth apple and the singular focus as found in an O’Keefe flower. I also attend galleries, studios and museums in New York City, Houston, Italy and Geneva — wherever in the world I travel.

Can you tell us about the Catherine Lorillard Art Club?

‘Cups and Plates,’ watercolor

The organization is a 130-year-old organization of women artists started by a bequest from Catherine Lorillard Wolfe, who was the only female on the board of founders of the Metropolitan Museum. The club exhibits yearly at the National Arts Club and the Salmagundi Club, attracting world class women artists. As an artist working alone, I find that being involved with this prestigious art organization has given me the opportunity to befriend many dedicated professionals and to share ideas which stimulate the creative process.

You are on the steering committee for LIMarts, an art group associated with The Long Island Museum. What can you tell us about that? 

Working with the innovative Neil Watson, executive director of the museum, has been fun. His interest in giving Long Island artists opportunities to exhibit their work has been exciting and inspiring. I am honored to have been chosen to be Artist of the Month and will be exhibiting at The Long Island Museum’s Visitor Center, 1200 Route 25A, Stony Brook through the month of August.

Soon you will be moving to Centerport. What will you miss most about this area?

I will always be involved in this area. The Three Villages and surrounding towns have become a vibrant area for art on Long Island. The many museums, galleries and artist studios have all raised the presence of art, making it an important center for art exhibits, art talks and art education. It is an exciting community in which to live and I am happy to have a small part in its new presence on the art map of Long Island. 

As a leader in the art world, what has art meant to you over the years? 

Art has always been my life and passion. I now have the time to paint every day, to exhibit, to work on various art-related committees, to plan art trips to the city and other venues. It makes life happy and fulfilling.

Suzanne Bona

WSHU Public Radio will present a special concert at The Long Island Museum, 1200 Route 25A, Stony Brook on Sunday Aug. 5 at 3 p.m. in celebration of the 30th anniversary of Sunday Baroque, the station’s program of Baroque and early music.

Sunday Baroque host and flutist Suzanne Bona and pianist Brenda Moore Miller will perform works by Bach, Handel and more. The concert, which will be held in the Carriage Museum’s Gillespie Room, will be followed by a meet and greet with the musicians. Tickets are $30 and are available online only at www.wshu.org.

Robert Moses featured in Fortune Magazine in 1938. Photo by Fernand Bourges/courtesy of The LIM

By Kyle Barr

This summer, visitors to The Long Island Museum’s Visitors Center can enjoy The Land of Moses: Robert Moses and Modern Long Island, an exhibit dedicated to the legacy of the man responsible for the development of many of Long Island’s bridges, parks, highways and more. 

Presenting a major exhibit on Robert Moses meant trying to understand who he truly was, beyond many of the long-held concepts of the controversial 20th-century builder/planner and unelected official.

‘Southern State Parkway,’ watercolor on paper, circa 1930 by Samuel Rothbort. Image courtesy of The Long Island Museum

Though Moses wanted his story to be known through the pages of his own autobiography called “Public Works, A Dangerous Trade,” it was another book, a thick tome titled “The Power Broker” by Robert Caro, that defined his legacy, that of a callous and conceded individual who simply did not care who he ruined in his pursuit of his next, great project.

According to the exhibit’s co-curator, Joshua Ruff, director of collections and interpretations and chief curator at The LIM, “That became the portrait that Moses spent the rest of his life fighting. He wanted to get things done, and back then the way to get things done was to accumulate power.”

Close to 37 years after his death, Moses remains a controversial figure. In his decades spanning career, he was in charge of cultivating nearly 2.5 million acres of parkland in New York state, building 13 bridges and completing 135 miles of parkway on Long Island. Those parkways, originally intended to be used for “pleasure driving,” now exist as often congested strips of road that connect Long Island’s east and west ends.

Ruff, who organized the show along with Assistant Curator Jonathan Olly, spent the past several months researching and gathering the more than 170 items for use in The Land of Moses exhibit. On display is Moses’ oblong desk and typewriter along with many of the original models used when Moses was in charge of building the Verrazano-Narrows Bridge and designing the 1964 World’s Fair along with many paintings, historical photographs and film and audio clips. “What we try to get into with this exhibition is you can go back much earlier in his career and see much controversy, but maybe just not as necessarily at the public level,” said Olly during a recent tour of the exhibit. “He was very press savvy, and he was often able to control the terms of the public perception.”

Moses held sway in multiple unelected positions throughout his reign, from head of the New York City Planning Commission to president of the Long Island State Parks Commission. Ruff said that, at his height, Moses held more power as an unelected public official than most other elected officials at that time.

The “master builder” never shied away from the public space and was quick to get his picture taken with influential figures; and the exhibit shows Moses with many famous people from Walt Disney to President John Kennedy. He wasn’t a man to shy away from controversy either. Quotes from Moses are posted high up on the exhibit’s walls. One reads: “As long as you’re on the side of the parks, you’re on the side of the angels. You can’t lose.” Another reads: “Those who can, build. Those who can’t, criticize.”

Though many perceptions of Moses have been formed from his description in “The Power Broker,” the museum curators wanted to offer a more nuanced, historical view of the man. “His ideas endured — because how do you deal with a lot of people living in a confined space?,” explained Ruff. “They need people to be able to move from one space to another. What about recreation? He was interested in the quality of life for the greatest number of people.”

Though Moses built this lasting infrastructure, he did so sometimes in nefarious ways. Building the roadways as he intended often put the work straight through some poor, yet vibrant, neighborhoods; and while he might have paid to move suburban houses out of the way of progress, he would easily make near-unilateral decision to tear down poor and minority neighborhoods to build his highways.

‘No Exit,’ acrylic on linen, 2006, by Margery Caggiano. Image courtesy of The Long Island Museum

This ties into many allegations of racism that people like Caro have made of Moses. Ruff and Olly said that reality is more complicated. “It’s been a controversial topic in academia,” Ruff said. “Robert Moses, in some ways, undeniably made some racist decisions in his career and his work, such as putting highways through poor areas. His thought process was it cost less to demolish a poor neighborhood than it was to demolish a rich neighborhood, so it would cost less to the taxpayer.”

There are allegations that Moses specifically built bridges along his parkways too low for buses (which were often used by poorer minority communities) from the city to pass under, just so they wouldn’t walk on Moses’ many beaches and parks. The museum curators don’t put too much credence to that claim. “There’s no evidence that states that this was a decision to make it so poor people couldn’t get to the beaches,” Olly said. “The reason really was about aesthetics and economics. What Moses wanted was this idea of ‘Ribbon Parks,’ for use in pleasure driving. Having buses or public transportation on the roads was unacceptable. He didn’t think this was the road that people in 20, 30 years would be commuting to work on.”

Olly added that buses were able to go to Jones Beach, Heckscher State Park and other parks since the beginning, and there are bus advertisements from the time that prove it.

“In many ways, [‘The Power Broker’] was the last word in many instances in a lot of things Moses — it’s one of the best biographies of an American public official ever written, but on this particular argument its on shaky ground,” Ruff said.

Moses’ power declined in the late 1960s. Perhaps his biggest failure was his inability in the 1970s to finalize the building of a cross-sound bridge from Oyster Bay to the town of Rye up in Westchester County. Many locals protested building the bridge over concerns of increased traffic congestion and potential environmental impacts. 

After Caro released his book in 1974, Moses spent the rest of his days contesting the allegations made in the book until his death in 1981 at the age of 92 from heart disease.

Though he remains controversial, Moses made a definite and lasting impact on Long Island. Ruff said that while his public perception changed over time, Moses was the catalyst that really created the Long Island identity. “People like to think about how his career ended — of how Caro’s book changed a lot of the perception about him,” Ruff said. “But he played a leading role in the 20th century, and we wanted to put an emphasis of his work specifically on Long Island.”

Related programs at the LIM

Summer Thursday 

Enjoy a free self-guided tour of The Land of Moses on Thursday, July 19 from 6 to 8 p.m. Sample wine and tasty treats on museum grounds. Coolers and picnics welcome. 

Author Talk

Journalist and author Anthony Flint will speak about his book, “Wrestling with Moses:  How Jane Jacobs Took on New York’s Master Builder and Transformed the American City,” on Sunday, Aug. 19 from 2 to 3:30 p.m. Flint will lead the audience on an introspective journey into the battle between Moses and activist Jane Jacobs.  Afterward, visit the Robert Moses exhibition to gain additional insight into Moses’ life and times. This event is free with museum admission.

The Long Island Museum, 1200 Route 25A, Stony Brook will present The Land of Moses: Robert Moses and Modern Long Island in the Visitors Center through Oct. 28. Museum hours are Thursday to Saturday from 10 a.m. to 5 p.m., Sunday from noon to 5 p.m. Admission is $10 adults, $7 seniors, $5 ages 6 to 17. For more information on ticket prices or for more information, call 631-751-0066 or visit www.longislandmuseum.org.

by -
0 114
Photo by Beverly C. Tyler

By Beverly C. Tyler

Holiday shopping at the stores that help give our historic communities a sense of place just makes good sense. The upcoming holiday season is a good time to purchase a few of the wonderful gifts and books about the local area and to pay a relaxing visit to a few nearby not-for-profit shops that deserve our special support.

Three Village Historical Society History Center & Gift Shop, 93 North Country Road, Setauket

The society’s gift shop was expanded to complement the exhibit SPIES! How a Group of Long Island Patriots Helped George Washington Win the Revolution. There you will find gifts including many books, booklets and pamphlets on local history. A local favorite is “General Washington’s Commando: Benjamin Tallmadge in the Revolutionary War” by Richard F. Welch. I already knew a lot about Tallmadge, but I couldn’t put Welch’s book down. It’s well researched, organized and interesting. Other books of note include “Washington’s Spies: The Story of America’s First Spy Ring” by Alexander Rose, the consultant for the AMC series “TURN,” a dramatization of the Setauket-based Culper Spy Ring. Selene Castrovilla’s books bring the Revolutionary War to life and the illustrations will delight both children and adults. “Upon Secrecy” tells the story of the Long Island-based Culper Spy Ring. “Revolutionary Friends: General George Washington and the Marquis de Lafayette” brings to life the relationship between Washington and Lafayette. Everyone of every age should read this moving account of two real American treasures. Her latest book “Revolutionary Rogues” is the story of the lives and relationships between John Andre, British officer and intelligence chief, and Benedict Arnold, a successful American general who became our most well-known traitor. The gift shop is open Monday through Friday, 10 a.m. to 3 p.m. and the gift shop and exhibits are open every Sunday from 1 to 4 p.m. (Closed Dec. 24 and 31.) For more information, call 631-751-3730 or visit www.tvhs.org.

At Gallery North residents can find artistic presents. Photo by Beverly C. Tyler

Gallery North, 90 North Country Road, Setauket

The gallery is diagonally across the street from the historical society. It is easy to park at one and walk across the street to the other. The entire gallery is a gift shop with many beautiful paintings and gift pieces by local artists for sale. The current exhibit is Deck the Halls. Local artists and artisans have created beautiful paintings, drawings, handmade jewelry, pottery, glass, decorations, bags, cards and much more. Gallery North also is showcasing a diverse range of Long Island art and has Holiday POP-UP Shopping. On Thursdays, Dec. 7, 14 and 21, from 4 to 7 p.m., join them for a glass of wine and refreshment while you meet the artists and shop. Each Thursday evening a different selection of artists and artisans will be offering their hand-crafted gifts, jewelry, art and more. Gallery North is open Wednesday through Saturday, 10 a.m. to 5 p.m. and Sunday noon to 5 p.m. through Dec. 22. For more information, call 631-751-2676 or visit www.gallerynorth.org.

Long Island Museum, 1200 Route 25A, Stony Brook

The gift shop in the Visitors Center includes books and prints on The Long Island Museum’s exhibits and permanent collections. There are also jewelry, pottery and hand-blown glass items made by local artists as well as hand-turned wood items by local artist Harry Wicks. The Visitors Center includes a temporary display of Revolutionary War items and the gift shop offers children’s Revolutionary War era gift items. The Visitors Center and gift shop are open Thursday to Saturday 10 a.m. to 5 p.m., Sunday noon to 5 p.m., closed Dec. 24 and 25. For more information, visit www.longislandmuseum.org.

Reboli Center, 64 Main St., Stony Brook.

The Reboli Center opened a year ago in the former bank building on Main Street in Stony Brook. On display are a large collection of wonderful paintings by Joe Reboli. Around the Reboli Center are four sculptures by Long Island artist/sculptor David Haussler. The current exhibit Tis the Season features Reboli paintings of the beauty of winter. In the design shop, there are wonderful art and craft items available to purchase for gifts as well as giclée prints of some Reboli paintings and artwork by Doug Reina, Jim Molloy and Pam Brown as well as David Ebner furniture and interesting items from a variety of artists. Stop in and see all the Reboli Center has to offer. The Reboli Center is open Tuesday through Saturday 11 a.m. to 5 p.m. and Sundays 1 to 5 p.m. Thursdays have extended hours to 8 p.m. through Dec. 21. For more information, call 631-751-7707 or visit www.rebolicenter.org.

St. James General Store, 516 Moriches Road, St. James

This old-fashioned general store is run by the Suffolk County Parks Department, Division of Historical Services. There are two floors of 19th- and 20th-century goods and lots of homemade goodies. They have an extensive collection of old-style candies, many date back to the 19th century. Be sure to try one of their delicious molasses pops.

The Visitors Center at The Long Island Museum in Stony Brook includes a temporary display of Revolutionary War items and the gift shop offers children’s Revolutionary War era gift items. Photo by Beverly C. Tyler

On the second floor are books on Long Island covering many local communities, and lots of interesting children’s books. This is one good, close-by, independent book store. The back room has an extensive collection of ornaments, some of which are reproductions of antique decorations. Back on the first floor, there is a large selection of toys, dolls and games for children that also harken back to the 19th century. The St. James General Store is open every day from 10 a.m. to 5 p.m. Call 631-854-3740.

There are lots of unusual gifts at these four gift shops. If you are buying a gift for someone, you will undoubtedly find something to suit every taste. There are many other excellent local shops in the Stony Brook Village Shopping Center and Setauket and East Setauket. In the Village of Port Jefferson, along and around Main Street and East Main Street are many delightful and unusual shops and restaurants. A special one in Port Jefferson is Secret Garden Tea Room on Main Street. Have a cup of tea, maybe a scone and jam or a delicious lunch and look over their selection of unusual and tea-based gifts. Open 11 a.m. to 4:30 p.m., Sundays, 11 a.m. to 3 p.m. Closed Tuesday and Wednesday. For more information or reservations call 631-476-8327 or visit www.thesecretgardentearoom.com.

Finding a special or unusual gift is not only a good idea, it also supports our local businesses and brings us closer together as a community, and you never know who you will run into by shopping locally.

Beverly C. Tyler is Three Village Historical Society historian and author of books available from the society at 93 North Country Road, Setauket. For more information, call 631-751-3730 or visit www.tvhs.org.

TIME TO GET CREATIVE

The Long Island Museum, 1200 Route 25A, Stony Brook will host two holiday workshops on Sunday Dec. 10. The first, Jewelry Making at 11 a.m., will be led by Nancy Golder who will help you create two pieces of jewelry with a bold holiday statement.

The second, Botanical Arrangements at 2 p.m., will be led by members of the North Suffolk Garden Club who will show you how to use seasonal greens and traditional decorations to create a beautiful centerpiece for your garden.

Fees are $25 ($20 members) per workshop or $45 ($35 members) for both and include materials, use of tools and museum admission. Tea and cookies will be served between sessions. To register, please call 631-751-0066, ext. 212.

A portion of Sunrise Highway during Hurricane Gloria, 1985. Photo from LIM
Exhibit examines the many facets of dangerous storms

By Rita J. Egan

Five years after Hurricane Sandy hit the shores of Long Island, and as our country continues to recover from recent hurricanes, the new exhibit, In Harm’s Way, at The Long Island Museum in Stony Brook delves into the effect such storms can have on communities.

The aftermath of Hurricane Sandy, Oct. 30, 2012. Photo by Edward Kent

Nancy Solomon, executive director of Long Island Traditions, an organization dedicated to preserving local traditions and heritage, curated the exhibit. Through artifacts, hands-on activities, photographs and paintings dating back to the 1938 hurricane nicknamed “Long Island Express” and earlier, Solomon has created various vignettes where museum visitors can discover how residents and government agencies prepared and recovered from natural disasters through the decades.

“It’s really about how we have coped and prepared for storms both on a personal level and on a community level through history up to the present and looking forward,” Solomon said.

The curator said In Harm’s Way is an exhibit she’s been working on for a few years. Before Sandy hit Long Island, she was working on an exhibit about boaters and boatyards and talking to those who worked and lived along the coastlines.

“During Sandy I said to myself these people are going to have to cope with a lot of damage and to think forward to how they are going to prepare for this [in the future] since these storms are becoming more frequent,” she said. “And I thought of that while [Sandy] was happening. Chances are there are things they know that other people might benefit from, as well as things they don’t know that we might learn from that have happened over the last 100 years.”

Solomon, who has a M.A. degree in Folklore and American Studies from George Washington University and is an active member of the American Folklore Society, said the title of The Long Island Museum exhibit came about after talking to a fisherman who explained to her that those who work on the water have many ways of monitoring conditions to get out of harm’s way. “Ordinary people have tremendous knowledge, and we can learn from those things,” she said.

Solomon said one story she was told was about a boat captain who noticed the barometer went down one full point in an hour, signifying a tremendous drop in atmospheric pressure, during Hurricane Carol in 1954. While he used a ham radio to alert other captains to head back to shore, they didn’t heed his warning. While his crew made it back safely to Jones Inlet, the others didn’t. Solomon said the story had a big impact on her.

“That was my first major understanding that there are things that you have to pay attention to,” she said. “You have to pay attention to bird migration. You have to pay attention to fish migration because they are natural warning signs that fisherman are keenly aware of as well as people who live in places like Fire Island.”

A 1938 clock with a watermark from the “Long Island Express” hurricane. Photo by Rita J. Egan

Visitors to the exhibit will find it separated into three sections. The first — Looking Backwards — includes museum objects and items from personal collections from the 1938 Long Island Express to the 1991 Halloween nor’easter. Among the pieces are damaged items from 1938 including a clock that was mounted high on a garage wall that still bears the watermark from the Long Island Express hurricane.

A second section is dedicated to the hurricanes Irene, Lee and Sandy that occurred in 2011 and 2012 and their impact on Long Island and upstate New York. A featured artifact is a piece of the Long Beach boardwalk. Another piece that is a favorite of Solomon’s is a bay house, built by museum staff member Joseph Esser, where visitors can see what measures one can take to protect themselves when in harm’s way, including the use of bags filled with sand or clamshells.

The last section of the exhibit, Looking Forwards, focuses on solutions such as flood-proof homes and new technologies. There is also an interactive table where museum-goers can build their own home or community, taking into account safety measures for those who live along the coastline.

The museum’s curator Joshua Ruff compared the timely subject of battling storms to how generals and military planners talk about how the last war is still being fought as a new one is starting.

“I think that the exhibition really does a wonderful a job of looking at recent memory and looking at how memories have been guiding experiences for Long Islanders storm after storm after storm,” Ruff said.

Neil Watson, director of the museum, said he is pleased with the collaboration with Long Island Traditions and the exhibit that he said is informative and entertaining due to being visually stimulating. “For our museum to do a show that is focused on Long island and has a global overreach, I think is really terrific,” he said. “It’s what we do. It’s the mission of the museum to have an exhibit of this caliber, especially at this time given what’s happened recently, it’s become almost a timeless problem.”

The remnants of a steeple from the Old Whaler’s Church in Sag Harbor destroyed by the 1938 hurricane. Photo by Rita J. Egan

Watson said the narrative is personal for everybody and the objects included in the exhibit are varied and effective. “They really give you a sense of place,” he said. “They put you in the moment as opposed to looking at a photograph of a house. So, I think in that way it’s a very ambitious installation of the exhibition, and it’s very effective. It’s pretty wonderful in that way.”

Solomon hopes that visitors will think about how waterfront and coastline communities are changing after viewing the exhibit. During her research, she said she learned a lot about the importance of high dunes and how hardening the shoreline may not be the best approach. “I hope they start asking questions of planners and our public agencies about the rationale for doing things and when there might be some better ways,” she said.

The Long Island Museum will host In Harm’s Way until Dec. 31. Special programs include the symposium “In Harm’s Way: Past, Present and Future” Oct. 28, a panel discussion “Learning from our Neighbors” Nov. 12 and the curator’s gallery tour Dec. 3. The museum is located at 1200 Route 25A in Stony Brook. For more information call 631-751-0066 or visit www.longislandmuseum.org.