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The Arts

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When people look back to spring 2020, they remember how the COVID-19 pandemic shut things down. Zoom became a regular form of communication, visits to grandparents were done in a drive-thru fashion and many people anxiously awaited their stimulus checks.

While those checks from the U.S. government were sent, some people needed the money more than others. 

Many people lost their jobs, their businesses and their livelihoods. In fact, according to the U.S. Bureau of Labor Statistics, in February 2020 — just before the pandemic hit the States — unemployment was at 3.5%. Just two months later, as the virus began to spread rapidly, unemployment rates skyrocketed to nearly 15%.

But what many people might not realize is how impacted the local arts were during this time. 

We as a society leaned on our first responders out in the trenches. We listened to our elected officials on the news every day hoping to hear something good. We shopped locally to help our business-owning neighbors. 

However, something that we all enjoy one way or another — the arts — was shattered and not much was being done to help our local artists, performers and creators. 

According to Johns Hopkins University research, as of December 2021, the percentage of job losses at nonprofit arts organizations remained more than three times worse than the average of all nonprofits. 

Artists/creatives were — and remain — among the most severely affected segment of the nation’s workforce. The arts are a formidable industry in the U.S. — $919.7 billion (pre-COVID) that supported 5.2 million jobs and represented 4.3% of the nation’s economy.

And now, nearing two years since the 2020 shutdowns, artists on Long Island are voicing how it felt. Many believe that significant relief funding was not given to the arts and related nonprofits despite the impact they have on Long Island’s economy.

Think about it. How many of us love to see a show at the local theater? How many of us hang artwork from nearby artists on our walls? How many of us enjoy live music as we dine at our favorite eateries? 

Those people had jobs, too. 

Sometimes we forget that the people working after a typical 9-to-5 shift are working, too. What some may call a hobby is a way of life for thousands of people.

We still have a way to go, and unfortunately COVID will haunt us for a very long time in more ways than one. But the next time you’re out to dinner with a friend, drop a tip in the guitar player’s case. Splurge on a drawing from a local artist and support your neighborhood theater. 

The arts helped us during the pandemic. We found solace in other people’s creations. Now it’s time to pay back the artists and show them how much they are needed, wanted and loved.

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A scene from ‘The Killing Fields of Dr. Haing S. Ngor.’ Photo from PJDC

The arrival of cooler weather signals the start of a perennial favorite, the Port Jefferson Documentary Series.

Supported by the Greater Port Jefferson-Northern Brookhaven Arts Council and grants from the New York State Council on the Arts and the Suffolk County Film Commission, the PJDS begins its 22nd season on Monday, Sept. 21, at Theatre Three in Port Jefferson. The fall series, which will run through Oct. 27, marks the program’s 11th anniversary and the 22nd season of documentaries.

“We are very, very excited,” Lyn Boland, co-director of the film committee that has arranged the documentary series since 2005, said in a recent phone interview. Along with Boland, the committee — nicknamed the Film Ladies — includes co-director Barbara Sverd, Wendy Feinberg, Honey Katz, Phyllis Ross and Lorie Rothstein.

Seven award-winning documentaries will be featured this season, each complemented by a guest speaker who will answer questions at the end of the screening. This year’s selections will explore topics such as genocide, drug cartels, the online black market, art, tradition, cartoons and government cover-ups.

The process of choosing the documentaries is labor-intensive.“[The volunteer committee] gathers the movies from several different sources,” Boland explained. The members go to film festivals like the Hamptons International Film Festival and “try to personally grab one of the directors from one of those films. … We did that with ‘Meet the Patels,’ which was at the Hamptons last fall, and we showed it in the spring and it’s opening in theaters in September. So that’s like the dream sequence.”

‘Peggy Guggenheim: Art Addict,’ Photo from PJDC
‘Peggy Guggenheim: Art Addict,’ Photo from PJDC

Other festivals they regularly attend include the Tribeca Film Festival, the Stony Brook Film Festival and the American Film Institute’s festival in Washington, D.C. “So we try to go to festivals, we keep an eye on what’s going on in the news and we keep an eye long distance on the big festivals like Toronto, Sundance,” Boland added. “We also get a lot of emails from documentary organizations.”

The committee aims to screen films that people could not easily find elsewhere, so they avoid films that are streaming on services like Amazon or on television, for example.

When selecting the films, “We look for a great story that needs to be told,” Boland said. “We look for a film that’s well made because we really want to keep the standards up. We look for a subject that we haven’t shown too much of; something that’s new. We look for balance in the season. We also have to worry about our budget, being sure that we can afford the speaker and afford the distribution fee.”

Boland is most excited about the screening of the action-drama “Cartel Land.” She called the film — whose credits include executive producer Kathryn Bigelow, who directed “The Hurt Locker” and “Point Break”  — “an amazing story.”

“For a documentary to come out and be picked up by somebody who is as famous as she is and who is a feature director, it’s just an additional testament to how amazing this film is.”

The first five documentaries will be screened on Mondays at Theatre Three, 412 Main St., Port Jefferson, at 7 p.m. The last two will be screened at the Charles B. Wang Center on the Stony Brook University campus at 6 p.m., also on Mondays. Doors open one half-hour before showtime. Tickets for all films are $7 and will be sold at the door. Admission is free for undergraduate students at the Stony Brook screenings.

The group is always looking for volunteers of all ages to help out at the event.

“We want this to go on beyond us and it would be great to have enough volunteers to have a continuing staff that keeps renewing itself,” Boland said.

For more information or to volunteer, call 631-473-5220 or visit www.portjeffdocumentaryseries.com.

Film schedule
• The fall season will kick off at Theatre Three with “Deep Web” on Sept. 21 at 7 p.m. The documentary reveals the inside story of Ross William Ulbricht, the convicted 30-year-old entrepreneur accused of being the “Dread Pirate Roberts,” creator and operator of the online black market Silk Road. Winner of Best International Feature at the Global Visions Festival, the film explores “how the brightest minds and thought leaders behind the deep web are now caught in the crosshairs of the battle for control of a future inextricably linked to technology, with our digital rights hanging in the balance.” Narrated by Keanu Reeves, the guest speaker will be director Alex Winter, who played Bill S. Preston, Esq. alongside Reeves in “Bill and Ted’s Excellent Adventure.”

An image from ‘Love Marriage in Kabul.’ Photo from PJDC
An image from ‘Love Marriage in Kabul.’ Photo from PJDC

• The second film in the series, “Very Semi-Serious” by Leah Wolchock, to be screened on Sept. 28 at 7 p.m. at Theatre Three, delves into the history of The New Yorker magazine’s cartoons and gives a behind-the-scenes look at the cartoon department. Cartoon editor Bob Mankoff provides “revealing access to his weekly pitch meetings where aspiring and established cartoonists present their work, and where pride is left behind, as hundreds of submitted cartoons get rejected.” It is the winner of the best Bay Area documentary feature at the Golden Gate Awards following the San Francisco International Film Festival. Guest speaker will be New Yorker cartoonist and former Stony Brook resident George Booth, who is featured in the film.

“Cartel Land,” to be screened on Oct. 5 at 7 p.m. at Theatre Three, focues on the Mexican drug war, especially vigilante groups fighting Mexican drug cartels. The film focuses on Tim “Nailer” Foley, the leader of volunteer border patrol group Arizona Border Recon, and Dr. José Mireles, a Michoacán-based physician who leads the Autodefensas, one of the vigilante groups. Matthew Heineman won the Best Director Award and Special Jury Award for Cinematography for the film in the U.S. Documentary Competition at the 2015 Sundance Film Festival. The guest speaker will be producer Tom Yellin.

The fourth film, titled “The Russian Woodpecker,” will be screened at Theatre Three on Oct. 12 at 7 p.m. The documentary follows Ukranian artist Fedor Alexandrovich, who believes the catastrophic Chernobyl nuclear disaster of 1986 was an elaborate government cover-up designed to mask a failed 8-billion-ruble antenna, known as the “Russian Woodpecker,” intended to interfere with Western radio frequencies and located near the radioactive site. Rich with Soviet history and the stories of the area’s former residents, this documentary chronicles the history of one of the most chilling events of our time as well as Alexandrovich’s attempts to spread the word of his theory. Winner of the World Documentary Grand Prize at the Sundance Film Festival. Director Chad Gracia will be the guest speaker of the evening.

• The series continues on Oct. 19 with a screening of “Peggy Guggenheim: Art Addict” at Theatre Three at 7 p.m. Director Lisa Immordino Vreeland uses recently unearthed audio recordings from 1978-79 of the art collector’s last interviews and archival photos to create a portrait of one of the most powerful women in the history of the art world. The film premiered at the Tribeca Film Festival this spring. Guest speakers will be producers Dan Braun and David Koh. Gallery North in Setauket is co-sponsoring the event.

“The Killing Fields of  Dr. Haing S. Ngor,” to be screened at the Charles B. Wang Center at Stony Brook University on Oct. 26 at 6 p.m., is seen through the eyes of one of the most well-known survivors of the Cambodian genocide, Dr. Haing S. Ngor. The film recently won the Best Documentary Audience Award at the Los Angeles Asian Pacific Film Festival. The guest speaker will be Dr. Ngor’s niece, Sophia Ngor Demetri, who escaped from Cambodia with Dr. Ngor and appears in the film, and his nephew, Wayne Ngor, who narrates the film.

• The final film in the series, “Love Marriage in Kabul,” will be screened at the Charles B. Wang Center at Stony Brook University on Nov. 2 at 6 p.m. The film follows the quest of an Afghan-Australian woman, Mahboba Rawi, as she “passionately negotiates and challenges old traditions” to make a love marriage happen in Kabul. The film provides a rare glimpse into the courtship and marriage customs of Afghanistan. In English and Persian with English subtitles, this film was the winner of the Audience Choice Award at the Sydney Film Festival. The guest speaker, via Skype, will be producer Pat Fiske.