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Theater Review: Theatre Three’s shining jewel, the annual Festival of One-Act Plays, returns

by Heidi Sutton - March 4, 2022

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After a two-year delay because of COVID, the Festival of One-Act Plays returns to Theatre Three in all its glory. Now in its 23rd year, the One-Acts are a wonderful opportunity for audiences to watch actors hone their craft up close and personal on the theater’s Second Stage. The festival opened last Sunday for a 10-performance run.

Festival founder and Executive Artistic Director Jeffrey Sanzel was tasked with selecting six original works from over 500 submissions and then selected an uber talented cast to tell their story. Fantastic costumes designed by Jason Allyn (with special mention to The Beat Goes On) tie it all together resulting in an incredible evening of live theater.

“For the first time on any stage, these works come to life,” said Sanzel. “How challenging and exciting to present a unique universe in the space of no more than 25 minutes—and often as short as ten…” in a two-hour marathon in the cozy setting of The Ronald F. Peierls Theatre on the Second Stage, a space so intimate that “there is no wall. There is no division.”

The show opens with Philip Darg’s Confessions of a Successful Playwright, a hilarious look at One-Act Festivals of all things. Wade Lawson (Stephen T. Wangner) meets up with a reporter (Tamralynn Dorsa) for an interview to share his struggles, triumphs, determination and eventual obsession to becoming the most produced, but least known, playwright in history.

Next up is The Turn-Around, by Cary Pepper. In a constant battle with his next door neighbor Lester’s many assault rifles and gun range, Robert (Antoine Jones) approaches Lester (Steve Ayle), with a change of heart in their ongoing war over the Second Amendment. The Turn-Around addresses one of today’s hot button issues from a wickedly humorous point-of-view.

The first half concludes with the darkest offering of the evening. Joshua Young’s disturbing Bad China shows Nos (Steven Uihlein) asking for a favor from his sister, Reba (Brittany Lacy), which she keeps from her husband, Del (Evan Teich). A brutal portrait of the opioid crisis is played out within a dysfunctional family, where choices lead to harrowing results.

After a brief intermission, the show continues with Benign Departures, Tony Pasqualini’s vision of a national health crisis from a catastrophic perspective. Set some fifty years in the future, Dr. Elizabeth Baker (Tamralynn Dorsa) visits the homeless Maggie Elmer (Mary Ellin Kurtz) and a battle of wills ensues in which the two very different people find a common ground and a deeper understanding.

Ariana Rose’s comedy The Beat Goes On takes a peek at what goes on inside a display case at the Smithsonian, as various musical containers vie for superiority. Hilarity ensues as Cass (Sari Feldman), Trax (Steve Ayle), L.P. (Antoine Jones), Cee Dee (Brittany Lacey), and Dayta (Steven Uihlein) all hope for a transfer to the newer adjacent display case, leaving the audience in stitches.

The evening closes with Frank Tangredi’s Play Date, a whimsical look at fatherhood from two very different perspectives. The elderly Lou Gershwin (Bradlee Bing) just had a child with his second wife who is 30 years younger and 15-year-old Tyler Hill (Eric J. Hughes) gets limited visitation rights with his child. Meeting at a park bench, the two fathers share their stories and connect in a poignant, charming story.

With an excellent lineup and incredible cast, this festival is not to be missed. Get your ticket before they’re sold out.

Sponsored by Lippencott Financial Group, Theatre Three, 412 Main St., Port Jefferson will present The 23rd annual Festival of One-Act Plays through April 2. Please note: The plays contains adult language and subject matter. Parental discretion is advised. Running time is two hours with one 15-minute intermission. All seats are $20. To order, call the box office at 631-928-9100 or visit www.theatrethree.com

All photos by Peter Lanscombe/Theatre Three Productions, Inc.

Theater Review: Theatre Three presents the world premiere of ‘Dorothy’s Adventures in Oz’

by Heidi Sutton - March 4, 2022

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By Heidi Sutton

Extra! Extra! Read all about it! Theatre Three in Port Jefferson has a brand new children’s show and it’s over the rainbow!

First published in 1900 as a children’s book titled The Wonderful Wizard of Oz by L. Frank Baum, the story of Dorothy Gale and her three travel companions in the Land of Oz has given rise to many sequels, spin-offs and adaptations including radio shows, musicals and the iconic 1939 MGM film starring a 16-year-old Judy Garland.

Now Theatre Three presents a brand new take on the classic tale with the world premiere of the family-friendly musical Dorothy’s Adventures in Oz. While the message stays the same, the show features over 10 original song and dance numbers as it travels down the Yellow Brick Road.

We first meet Dorothy at the L. Frank Baum Central School in Harrison Corner. As the editor of the Baum Bugle, she is on deadline trying to get the paper out when a big storm approaches. A wind knocks her down and when she awakens she finds herself in Munchkinland.

Her news stand has landed on the Wicked Witch of the North causing her demise. When confronted by the Wicked Witch of the West, Dorothy is protected by Glinda the Good Witch who gives her those famous ruby slippers and sends her down the Yellow Brick Road to the Emerald City to find the Wizard of Oz who can help her get home.

Along the way Dorothy meets a Scarecrow who wants a brain, a Tinman who yearns for a heart, and a Lion who longs for courage. The three join her on her quest and the adventure begins.

Directed by Jeffrey Sanzel, the cast of nine adult actors embrace the wonderful script and run with it. Incredibly all of the scenes from the iconic movie are there: the talking apple trees, the poppies, meeting the Wizard, the flying monkeys, the Winkies and the melting scene, with several actors playing multiple roles.

With a wonderful singing voice, Katie Lemmen is perfectly cast as the sweet yet determined Dorothy who learns many lessons on her journey. Sari Feldman knocks it out of the park as the limber Scarecrow with a great tap dance number titled “I Think” and Steven Uihlein is excellent in the role of the Tinman who keeps rusting up.

However, it is Finn MacDevitt, in the role of that fraidy-cat Lion terrified of his own tail, who draws the most laughs and is simply divine. His “I’m a Lion” solo is terrific.

Toto, played by the incomparable and adorable Shay Francis Feldman, makes a well-behaved appearance in the first and final scene.

Stephanie Moreau and Josie McSwane make a wicked good pair as Glinda and the Wicked Witch of the West, Jason Furnari is a wise Wizard, Liam Marsigliano is a hilarious Winkie and Heather Rose Kuhn’s winged monkey is charming.

The song and dance numbers choreographed by Sari Feldman and accompanied on piano by Douglas J. Quattrock are energetic, creative and fun with special mention to “Pitta-Pat” and “Poppies!”

The astounding special effects with the lighting and sound, the awesome props (wait until you see the crystal ball!) coupled with the impressive polished costumes by Jason Allyn are the icing on the cake.

A fun afternoon for the entire family, Dorothy’s Adventures in Oz is a wonderful reminder that “there’s no place like home!”

Theatre Three, 412 Main St., Port Jefferson presents Dorothy’s Adventures in Oz through March 26. Children’s theatre continues with The Adventures of Peter Rabbit from April 16 to May 7 and Snow White and the Seven Dwarfs from May 28 to June 18. All seats are $10. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Theater Review: Theatre Three’s Puss in Boots is a delightful ‘tail’

by Heidi Sutton - January 20, 2022

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Every five years or so, Theatre Three’s Children’s Theatre reaches into its vault filled with scripts and pulls out a gem. This time it’s a musical twist on the classic story of Puss In Boots. The show opened on Jan. 16.

Although there have been many versions of the European fairy tale over the centuries, the most well known is The Master Cat or Puss in Boots from The Fairy Tales of Charles Perrault in 1697. When Puss was reintroduced in Shrek 2 in 2004, a whole new generation was smitten.

Now the clever ‘tail’ returns to Theatre Three’s MainStage with a fresh score and choreography and does not disappoint. Written by Jeffrey Sanzel and Douglas J. Quattrock, the show was first performed in 1991 and has withstood the test of time.

In the kingdom of King Vexmus, a kind-hearted young man named Christopher lives on a farm with his father and his two brothers, Shank and Amos. Every day his brothers force him to work the fields while they take naps. When their father dies, Shank and Amos inherit the farm while Christopher gets his father’s cat Puss and is promptly kicked out.

With no food, money or a place to live, Christopher begins to lose hope until he discovers that Puss can talk. He confides in the cat that he has fallen in love with the king’s beautiful daughter, Princess Anafazia, who he met briefly when her entourage drove past the farm (in a great flashback scene). Puss agrees to help in the name of love and hatches a scheme to have Christopher pose as the rich and mysterious Marquis of Carabas to win Anafazia’s heart. Will everything go as planned? Will there be a happy ending?

Directed by Sanzel, the fast-paced show is wonderful on so many levels. Steven Uihlein is perfectly cast in the role of Christopher and also serves as storyteller. His plight gains the sympathy of the audience right away. Liam Marsigliano and Jason Furnari make a great comedic team as Amos and Shank. Their futile attempt to farm the land after Christopher leaves is hilarious.

Michelle LaBozzetta, in the role of Puss, the cat of all trades, steals the show with her energetic and flamboyant personality. In one of the cutest scenes, her character acquires her famous boots by causing a ruckus outside Shank and Amos’s door.

Sanzel and Josie McSwane are excellent in the roles of the bickering King Vexmus and Queen Ida (or should I say Queen Ida and King Vexmus) who in the end agree to disagree. Haley Saunders is terrific as the spoiled Princess Anafazia, who quickly reveals that this royal’s beauty is only skin deep. Rachel Max as Ida and Louisa Bikowski as Missy, the no nonsense wives of Shank and Amos, and Heather Rose Kuhn as the sweet Julia, Princess Anafazia’s lady-in-waiting, are a fine supporting cast.

Choreographed by Sari Feldman and accompanied on piano by Douglas Quattrock, the 12 musical numbers are the heart of the show, with special mention to the duets “Puss in Boots” with Puss and Christopher and “Take a Moment for Yourself” with Puss and Julia, and the lively group number, “Song of the Marquis of Carabas.”

The charming costumes, designed by Jason Allyn, from the royal gowns in shades of lavender complete with wigs and crowns to the peasant garb in hues of brown, tie the story together perfectly. And wait until you see Puss’s fierce and fabulous outfit!

This special show doesn’t come around often. Catch a performance before it’s gone.

Running time is one hour and 20 minutes with a 15 minute intermission. Meet the entire cast in the lobby on your way out for a keepsake photo.

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Theatre Three, 412 Main St., Port Jefferson presents Puss In Boots on Jan. 22, 29 and Feb. 5 at 11 a.m. and Jan. 23 at 3 p.m. Children’s theatre continues with Dorothy’s Adventures In Oz from Feb. 23 to March 26 with a sensory friendly performance on Feb. 27 and The Adventures of Peter Rabbit from April 16 to May 7 with a sensory friendly performance on April 24. All seats are $10. For more information or to order, call 631-928-9100 or visit www.theatrethree.com

‘Barnaby Saves Christmas’ has a special holiday message for all

by Heidi Sutton - November 25, 2021

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By Heidi Sutton

The holidays have officially arrived with the return of Barnaby Saves Christmas at Theatre Three. Celebrating its 17th anniversary, the endearing musical, written by Douglas Quattrock and Jeffrey Sanzel, tells the tale of a little elf named Barnaby and his reindeer friend Franklynne’s quest to save Christmas.

It’s Christmas Eve and Santa’s workshop is a flurry of activity as elves Sam, Crystal and Blizzard make last minute preparations before they join Santa and his reindeer in delivering presents. The newest elf, Barnaby, is busy finishing a special request from Santa — a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest.

When everyone else leaves on Santa’s sleigh, Barnaby soon realizes that the stuffed bear has been left behind and convinces Franklynne the littlest reindeer to help him track down Santa and give him the present.

Along the way they meet Sarah and her nephew Andrew and learn about Hanukkah, the Festival of Lights, and try to foil villain S.B. Dombulbury and his partner in crime Irma’s plan to steal Christmas by stuffing up all the chimneys with coal.

While the script, score and lighting are pure perfection, director Jeffrey Sanzel has added other elements to the show to keep it fresh and exciting. This year the gorgeous new costumes by Jason Allyn take center stage with revamped choreography by Sari Feldman and the final scene is streamed live on Facebook.

This year’s stellar cast of nine adult actors put on a great show. Eric J. Hughes is back as Barnaby, a little elf “whose dreams are twice his size.” Sari Feldman returns as a feisty Franklynne, a role that was originally written for her back in 2004. Jason Furnari (the original Barnaby) is hilarious in the role of head elf Sam while newcomers Josie McSwane (Blizzard the Elf) and counterpart Katie Lemmen (Crystal the Elf) spend most of their time being hypnotized by S.B. (Spoiled Brat) Dombulbury (an incredible Steven Uihlein). Still yearning for a song-writing career, audience favorite Dana Bush is back as Irma for the 17th year in a row.

Rounding out the cast, a phenomenal Phyllis March reprises her dual role as the forgetful Mrs. Claus and Sarah and newcomer Finn MacDevitt tackles the role of Andrew and Santa Claus with ease.

The most wonderful parts of the show are the musical numbers by Douglas Quattrock with special mention to Hughes’ solo “Still With a Ribbon on Top,” “Miracles” by March (accompanied on guitar by MacDevitt) and the rousing finale, “Wouldn’t You Like to Be Like Barnaby?”

With the special message that Christmas lies within our hearts, the show spreads holiday cheer for children and adults alike. Add this one to your wish list.

Souvenir elves and reindeer are available for purchase before the show and during intermission and the entire cast will be in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson presents Barnaby Saves Christmas through Dec. 26. Children’s theater continues with Puss-In-Boots from Jan. 15 to Feb. 5, 2022 and a brand new production of Dorothy’s Adventures in Oz from Feb. 23 to March 26, 2022. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Theater Review: Get into the spirit of the season with ‘A Kooky Spooky Halloween’

by Heidi Sutton - October 14, 2021

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October is such a great time of year with the lovely weather, the changing leaves, mums, pumpkin and apple picking and trick or treating. It also means the return of the holiday treat A Kooky Spooky Halloween at Theatre Three. With emphasis on the power of friendship and the importance of helping others, the original musical, written by Jeffrey Sanzel and Steve McCoy, runs through Oct. 30.

The star of the show is a nice ghost named Abner Perkins (Steven Uihlein) who has just graduated from Haunting High School. Awarded a medallion of invisibility, he is given the coveted assignment of haunting Ma Aberdeen’s Boarding House, famously known for being the most haunted house in Harrison County U.S.A … and for serving the best toast! Abner must abide by two rules — he can only haunt at night and he can’t lose the medallion or he’ll become visible and lose his powers.

There’s only one problem — Abner is afraid of the dark, which is “like a vampire who’s afraid of necks!” according to his best friend Lavinda the Witch (Alanna Rose Henriquez). She gives him a night light as a graduation present and promises to help him adjust to his ghostly duties.

When Abner and Lavinda arrive at the boarding house, they find the Petersons — Paul (Liam Marsigliano), his wife Penelope (Stephanie Moreau) and son Pip (Darren Clayton) — and Kit Garret (Heather Rose Kuhn), who has just come “from a small town to the big city with a suitcase in my hand and hope in my heart,” in the kitchen helping Ma Aberdeen (Ginger Dalton), the finest toast maker in the land, prepare treat bags for Halloween.

In one of the funniest moments in the show, Abner casts a speed spell on the group, making them dance, sing, spin like a top, quack like a duck and do jumping jacks in fast motion. His final spell of the night is to have them “join together like birds of a feather.”

Things are going hauntingly well until fellow graduate Dora Pike (Beth Ladd) appears out of thin air. Filled with jealousy, (she was hoping to be assigned to Ma Aberdeen’s boarding house) Dora steals Abner’s night light and medallion and threatens to drop them into Black Ridge Gulch, the deepest, darkest gorge in the entire world (where it’s really, really dark).

Still stuck to each other, the group can now see Abner who must convince them to help him retrieve his medallion and undo the spell. What follows is a “Golden Goose” moment throughout the theater that will leave you in stitches!

Peppered with Halloween riddles and jokes, the show is wonderful on so many levels. Directed by Jeffrey Sanzel, the 8-member adult cast know their target audience well and deliver standout performances with special mention to Ginger Dalton as Ma Aberdeen, a character she has played since the musical originated in 2017. I can’t imagine anyone else playing that role.

Accompanied on piano by Douglas Quattrock and choreographed by Sari Feldman, the song and dance numbers are the heart of the show, especially “Into the World I Go” by Abner, “A Witch Is a Person” by Lavinda, and the fun group numbers, “A Need for Speed” and “It’s Ma Who Makes the Toast.”

Jason Allyn’s gorgeous costumes are on fleek, from the ghosts dressed from head to toe in flowing white and the witch’s purple dress and pointy hat, to the Peterson’s coordinating orange and black outfits and the spooky lighting design by Steven Uihlein sets the mood and ties everything together perfectly.

Halloween is always such a fun holiday for children. This year, make it extra special and take them to see A Kooky Spooky Halloween. They’ll love you for it.

Snacks and beverages are available for purchase during intermission and costumes are encouraged. Souvenir cat, pumpkin, Frankenstein, Dracula and ghost dolls will be available for purchase before the show and during intermission for $5. Meet the entire cast in the lobby for a group photo.

Theatre Three, 412 Main St., Port Jefferson presents A Kooky Spooky Halloween on Saturdays, Oct. 9, 16, 23 and 30 at 11 a.m. and Sunday, Oct. 17 at 3 p.m. Children’s theatre continues with Barnaby Saves Christmas from Nov. 20 to Dec. 26, Puss-In-Boots from Jan. 15 to Feb 5, and a brand new production, Dorothy’s Adventures in Oz, from Feb. 23 to March 26. All seats are $10 and COVID protocols are in place. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Theater Review: ‘Grease’ rocks at Theatre Three!

by Barbara Anne Kirshner - September 24, 2021

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By Barbara Anne Kirshner

Do you ever think back to your teenage years, to the time you were hanging out at the beach, local candy store or park and you turned around to stare into the eyes of the most gorgeous person you’ve ever seen? That snapshot is lodged somewhere in the deep recesses of your mind, but when you allow it to surface, you get that sweet nostalgia of those “Summer Nights.”

Grease, now rockin’ the rafters at Theatre Three, is that journey down memory lane with 1950’s Pink Lady jackets, Greasers and Greased Lightnin’. It explores the innocence of youth, the pangs of first love and the teenage psyche when everything was a crisis and monumental. This effervescent romp brimming with electrifying familiar songs ignites the audience making it difficult not to jump up, dance and sing along with the spirited ensemble.

The team of Jim Jacobs and Warren Casey wrote the book, music and lyrics with the original concept derived from Jacobs’ personal experiences at William Taft High School in Chicago. The name was changed to Rydell High in deference to the pop 50’s singer Bobby Rydell. Grease was first produced at the Kingston-Mines Theatre Company, Chicago in 1971, then went to Off-Broadway before moving to Broadway closing on April 13, 1980. The show received seven Tony Nominations in 1972.

This story of teenage love centers around greaser Danny Zuko and innocent Sandy Dumbrowski who have a summer romance that ends as the new school year begins. To the surprise of both, they bump into each other on the first day of school. But this reunion is awkward at first. Danny, leader of a greaser gang, is not what Sandy thought he was and Danny doesn’t want his gang to know he fell for this prim girl. Supported by a cast of exuberant characters and bursting with hits, this show has continued to delight audiences for decades.

The success of the 1978 movie version launched John Travolta and Olivia Newton-John into movie history and their performances are etched in our brains making it a monumental task for other actors to compare, but Jon Sawyer Coffin as Danny and Jenna Kavaler as Sandy are charismatic. The moment Coffin struts down the aisle in his seductive first entrance, he has the audience eating out of his hands. Kavaler, with her sweet smile, emits wholesomeness and her floating soprano wraps Hopelessly Devoted to You with emotion. We are with this Sandy right from the start and cheer for her and Danny to get together.

Director Jeffrey Sanzel has assembled a dazzling ensemble of supporting characters with Pink Ladies, Rizzo (Rachel Greenblatt), Jan (Alanna Rose Henriquez), Marty (Heidi Jaye) and Frenchie (Michelle LaBozzetta). They are the cool girls hanging out with the super cool Burger Palace Boys, Kenickie (Steven Uihlein), Doody (C.J. Russo), Roger (Eric J. Hughes) and Sonny (Darren Clayton). This powerhouse company attacks the rock and roll score with vigorous dancing and stunning voices.

There are many stand out performances. Greenblatt’s Rizzo is dynamic as she grasps the audience with her cynical teasing of Sandy in Look at Me, I’m Sandra Dee, then exposes her vulnerable side with There Are Worse Things I Could Do. Jaye’s Marty portrays sophistication beyond her years and her Freddie My Love is such fun. LaBozzetta’s bubble-headed Frenchie flunks out of beauty school, but finds guidance from her Teen Angel played with animated elan by Londel Collier. The not so cool Jan (Henriquez) teams up with the jokester Roger (Hughes) for a comical Mooning. And, of course, we can’t have Grease without a hot rod, so suddenly taking center stage is Kenicke’s dream car replete with big round headlights prompting the Burger Palace Boys into a lively Greased Lightnin’.

Costumes by Ronald Green III from Pink Lady jackets to black leather jackets mirror the personalities of the characters. Sandy is wrapped in white cardigan over pastel full skirt as opposed to Rizzo’s tight-fitting reds and blacks. The dream sequence of Beauty School Drop Out is a delight with silver curlers piled on the girls’ heads and the entire company swathed in silver beauty parlor capes.

Nicole Bianco’s choreography is bouncy and artistic with many dance routines ending in gorgeous tableaus. Born to Hand-Jive with its synchronized sequences is frenetic.

The multi-level set design by Randall Parsons allows action to flow seamlessly. Lighting design by Robert W. Henderson, Jr. sets the mood from bright to sultry and provides flawless continuity.

Music director, Jeffrey Hoffman, and his four-piece band underscores the fun with their sparkling orchestration. A standout is Bill Kinslow’s sexy saxophone in There Are Worse Things I Can Do.

Theatre Three is celebrating its 51st season of bringing fine entertainment to Long Island audiences by kicking off the festivities with the world’s most popular musical, Grease. Come join in the fun!

Theatre Three, 412 Main St., Port Jefferson presents Grease through Oct. 30. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For COVID protocols, please visit the website at www.theatrethree.com. For more information, call 631-928-9100.

All photos by Brian Hoerger/Theatre Three Productions, Inc.

Theater Review: Isn’t it Fantastick! Theatre Three reopens with fan favorite

by Barbara Anne Kirshner - July 22, 2021

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Main Streets all across our great nation are home to local theatres with their sparkling neon lights inviting us in to enjoy the enchantment of musicals, comedies and dramas. However last March, due to an unprecedented pandemic that forced the entire world to shut down, theatres suddenly fell into darkness, becoming specters of their former selves. But recently one by one those extinguished lights were turned back on once more illuminating Main Streets as they proudly announce the resurrection of live theatre.

Theatre Three, housed in that distinguished 160-year-old historic building in Port Jefferson, reopened its Mainstage doors on July 16th with the heartwarming fan favorite, The Fantasticks.

Kudos to Jeff Sanzel for celebrating the comeback of live theatre with this much loved classic. We need to escape into an endearing romantic musical right now and Theatre Three delivers. The message of The Fantasticks, that we can all survive and grow, is especially meaningful as we rise once more from a world ravaged by.

This allegorical tale is loosely based on the 1894 play The Romancers (Les Romantiques) by Edmond Rostand. Tom Jones (libretto and lyrics) and Harvey Schmidt (music) created a show that holds the distinction of being the world’s longest running musical having premiered at the Sullivan Street Playhouse off-Broadway on May 3, 1960 accumulating 17,162 performances before it closed on January 13, 2002, after 42 years. A revival opened August 23, 2006 at The Theater Center off-Broadway where it ran through June 4, 2017.

Simplicity accompanied by theatricality are key elements to The Fantasticks and are exquisitely displayed through the light romance of a girl and the boy next door against a backdrop of minimal set by Randall Parsons with a small platform, two benches, two trunks, streetlight and a piano. Lighting design by Robert Henderson, Jr. helps create the intimacy, the magical moonlight and the reality that comes with the sun.

Director Jeffrey Sanzel has assembled a versatile cast with actors called upon to not only sing, dance and act but play musical instruments.

Steve McCoy is captivating as the swashbuckling narrator El Gallo who weaves an irresistible spell immersing us in this timeless tale. With the beautifully melodic and pivotal song “Try to Remember,” he entreats us to return to a time of innocence “When life was slow and oh, so mellow” and if we remember then “follow, follow, follow.” He is the conjurer creating romance, then mischief.

The Mute portrayed by Michelle LaBozzetta provides the only concrete tones to this intentionally abstract show. She is the wall separating the houses; she gracefully throws confetti into the air representing the change of seasons and she passes out props.

Meg Bush as Luisa/The Girl with her operettic soprano in addition to her ability to play both the flute and guitar is unique. Her Luisa personifies innocence. She is the dreamer, the moonstruck girl who pleads, “I am special. Please, God, please, don’t let me be normal.” We can’t help but empathize. Matthew Hoffman as Matthew/The Boy with his resonant tenor adds a depth of emotion to Jone’s lyrics. His seductive saxophone embraces Schmidt’s jazzy score.

Kyle Imperatore as Bellamy/The Girl’s Father and Jeffrey Hoffman, Hucklebee/The Boy’s Father give delightfully comedic performances as their pretense of a feud tricks their children into falling in love. Hoffman is a multi-talented force who smoothly transforms from musical conductor and pianist to Hucklebee and back again.

The fathers know all too well that the feud must appear to finally come to an end. They enlist El Gallo to “kidnap” Luisa so Matt can be her hero by rescuing her. To assist in staging this first class abduction, El Gallo calls upon The Old Actor (Henry) played by Jeffrey Sanzel and his sidekick, The Man Who Dies (Mortimer) played by Steven Uihlein. Their antics are so much fun the moment they climb out of their costume box.

It is interesting to note that Tom Jones played the role of The Old Actor in the original Off-Broadway production and in the 2006 revival Jones recreated the role in addition to directing as Sanzel is doing in this production.

Chakira Doherty’s costumes help to reinforce the mood from Luisa’s floating dress emphasizing the innocent, dream-like quality to El Gallo’s dashing long black coat. Sari Feldman’s choreography supplies the right touch of theatricality particularly in the frenzied “The Abduction Ballet” and the frenetic “Round and Round.”

Theatre Three’s production of The Fantasticks is charming and entertaining with catchy songs that you leave the theatre singing.

Theatre Three, 412 Main St., Port Jefferson presents The Fantasticks on Fridays and Saturdays at 7 p.m. and Sundays at 3 p.m. through Aug. 15. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Theater Review: One more time in the garden patch — ‘The Adventures of Peter Rabbit’ returns to Theatre Three

by Heidi Sutton - July 15, 2021

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Excitement was in the air as Theatre Three celebrated its reopening on July 10 with The Adventures of Peter Rabbit. Addressing the audience, director Jeffrey Sanzel said, “This is our very first theater performance since March 15 of last year. This is also our favorite children’s show of all time and I know you’re going to like it.”

Well, that was an understatement.

For the next hour and 20 minutes the young theatergoers were treated to the mischievous adventures of Peter Rabbit and his cousin Benjamin Bunny … and loved every minute of it.

Written by Jeffrey Sanzel and the late Brent Erlanson, the original musical is loosely based on one of the best-selling books of all time, The Tale of Peter Rabbit by Beatrix Potter, and features all of the beloved characters in the story. The eight adult cast members know their target audience well and keep them well entertained.

Cast:

Peter Rabbit: Eric J. Hughes

Benjamin Bunny: Steven Uihlein

Mrs. Rabbit: Elizabeth Ladd

Flopsy: Meg Bush

Mopsy: Alyssa Montes

Cotton-Tail: Heather Rose Kuhn

Mr. McGregor: Darren Clayton

Mrs. Mcgregor: Linda May

The audience is whisked away to the countryside home of Mrs. Rabbit and her four bunnies who live next to Mr. and Mrs. McGregor. While Flopsy, Mopsy and Cotton-Tail listen to their mother by staying inside and doing their chores, Peter and Benjamin spend the day sneaking into Mr. McGregor’s garden to satisfy their insatiable appetite for lettuce, tomatoes, cucumbers, parsley and string beans. The many trips to the garden patch eventually wear down the farmer’s patience, resulting in a great chase with a narrow escape.

The show is adorable on so many levels. Like two peas in a pod, Peter and Benjamin produce the most laughs with their antics and Flopsy, Mopsy and Cotton-Tail spend most of their time looking for their wayward brother. And for some strange reason, the audience will walk away with a craving for bread and milk and blackberries.

The show is also a lesson in ingenuity. Trapdoors on stage become rabbit holes used by Peter and Benjamin to hide. An attempt to reclaim Peter’s socks and shoes and jacket and hat from a scarecrow in the garden turns into a scene from Mission Impossible complete with perilous stunts and spotlights. And when Peter retells the great chase to his family, the entire scene is reenacted in slow motion — a most spectacular feat.

Audience interaction is a big part of the show as the actors spend as much time in the aisles of the theater as on stage. When searching for Peter and Benjamin, Flopsy, Mopsy and Cotton-Tail run around asking the children if they’ve seen them (“They’re right behind you!”). When Benjamin Bunny tried to jump onto the stage over and over again during last Saturday’s performance, the children called out words of encouragement (“You can do it Benjamin!). He took the stairs.

With excellent choreography by Nicole Bianco, the musical numbers, accompanied on piano by Doug Quattrock, are catchy and fun, with special mention to “One More Time Around,” “Run, Peter, Run!” and the hip hop number, “Peter’s Socks.” The final number incorporates all of the songs in a super mega-mix extravaganza.

Best suited for ages 3 to 8, The Adventures of Peter Rabbit is the perfect choice to celebrate Theatre Three’s reopening and the return of live theater. Your kids will love it.

Souvenir bunnies in various colors will be sold before the show and during intermission for $5 (proceeds will help maintain the historic building) and the entire cast is in the lobby after the show for a meet-and-greet.

Theatre Three, 412 Main St., Port Jefferson presents The Adventures of Peter Rabbit on Saturdays at 11 a.m. through Aug. 14. Children’s theater continues with A Kooky Spooky Halloween from Oct. 9 to 30 and Barnaby Saves Christmas from Nov. 20 to Dec. 26. All seats are $10. To order, call the box office at 631-928-9100 or visit www.theatrethree.com.

Follow the breadcrumbs to Theatre Three for a sweet ‘Hansel and Gretel’

by Heidi Sutton - March 5, 2020

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By Heidi Sutton

When the Brothers Grimm published their Children’s and Household Tales in 1812, they probably had no idea that stories such as the cautionary Hansel and Gretel, would have such staying power. While Disney hasn’t gotten its hold on it yet, the folk tale has held its own over the years, most famously through opera (by composer Engelbert Humperdinck), and with recent revivals on the big screen (Hansel and Gretel: Witch Hunters and the even darker Gretel & Hansel).

Now Theatre Three takes us back into the forest for a light-hearted and funny original retelling of Hansel and Gretel with a big surprise at the end that’s sure to satisfy every child’s sweet tooth.

Written by Jeffrey Sanzel and Douglas Quattrock, with a brand new score by Quattrock, it follows Hansel and Gretel who are living with their father, a woodcutter, and detached stepmother. The family is starving and the stepmother blames the children. She gives her husband an ultimatum: “Either dump them in the forest or dump them in the forest!” The children overhear and gather white rocks to guide them back home. When her plan fails, the stepmother takes the reins and leads them back into the forest. This time Hansel leaves a trail of breadcrumbs (he eats the rocks by mistake) and the children become lost.

As Gretel goes to find a path home, Hansel is kidnapped by Scrimshaw and Harvis, henchmen working for a child-eating witch who lives in a candy house. The witch promptly gets to work fattening Hansel up with cake, cookies and donuts. When Gretel trys to rescue him, the witch puts her to work cooking and cleaning. When the witch gets too close to the oven, Gretel has a decision to make. Will she push her in or find another way to get out of this mess?

Jeffrey Sanzel directs a brilliant adult cast of six in this delightful retelling of the beloved story. While the story of Hansel and Gretel isn’t all lollipops and gumdrops — after all, there is a wicked witch who preys on children — there are no scary moments in the show and everyone learns a lesson about the importance of family. Nicole Bianco is perfectly cast in the dual role of stepmother and witch and delivers her lines softly, albeit sarcastically (“These kids are monsters!”), and never raises her voice. Her opening solo, “Stepmother’s Lament,” is hilarious.

Michelle LaBozzetta as Gretel and Eric J. Hughes as Hansel give standout performances. LaBozzetta’s character is strong-willed, confident and brave while Hughes plays a carefree, clueless and sweet little brother. Their duets, “Stones Along the Way” and “Hansel’s Dinner” are perfectly executed. Steven Uihlein in the unpopular role of the father who goes along with his wife’s plans, does a fine job, as always. His character’s guilt in his solo “Lost” and at the end of the show is palpable.

Although not part of the original story, Darren Bruce Clayton and Ryan Worrell, in the role of Scrimshaw and Harvis, entertain the audience by incorporating the Charleston, ballet and hip hop in their dance numbers, “Out of Step” and “Harvis and Scrimshaw.” What a treat!

The end result is a charming and imaginative production of Hansel and Gretel that should be added on your family’s to do list. Stay for a meet and greet with the cast in the lobby after the show.

Theatre Three, 412 Main St., Port Jefferson presents Hansel and Gretel on March 7, 14 and 21 at 11 a.m. and March 15 at 3 p.m. with a sensory-sensitive performance on March 8 at 11 a.m. Children’s Theater continues with The Adventures of Peter Rabbit from April 8 to 25 and Snow White and the Seven Dwarves from May 23 to June 6. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions, Inc.

Go, go, go see ‘Joseph and the Amazing Technicolor Dreamcoat’ at Theatre Three

by Heidi Sutton - February 20, 2020

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By Heidi Sutton

It was hard to discern who was having more fun during last Saturday night’s opening of “Joseph and the Amazing Technicolor Dreamcoat” at Theatre Three – the audience or the actors. The fast-paced family-friendly show, with lyrics by Tim Rice and music by Andrew Lloyd Webber, is told almost entirely in song and makes for a wonderful time at the theater.

Directed by Jeffrey Sanzel, the musical opens where the Narrator (Sari Feldman) is telling a group of children the biblical story of Joseph from the Book of Genesis, about a young man who lives in Canaan with his father Jacob and his 11 brothers.

A predictor of dreams, Joseph is his father’s favorite (he reminds him of his late wife), causing much resentment and jealousy among the remaining brothers. When Jacob gifts Joseph a “coat of many colors,” the brothers decide that they must get rid of the chosen son once and for all and sell him into slavery to passing Ishmaelites who take him back to Egypt. They tell their grief-stricken father that Joseph was killed in an accident.

Joseph becomes a household slave to a wealthy man named Potiphar but is soon accused of seducing his wife and thrown in jail. He is eventually summoned by the Pharaoh to analyze his recurring dream, and in turn saves Egypt from a seven-year drought. Back in Canaan his brothers are not so lucky and are starving to death. They decide to go to Egypt to ask the Pharaoh for help but encounter Joseph instead. Will he seek revenge or find it in his heart to forgive?

Supported by an uber talented cast (38 in all), C.J. Russo is brilliant as Joseph and shines in his solos “Any Dream Will Do” and “Close Every Door.” Sari Feldman is terrific in the exhausting role of Narrator, shadowing Joseph and keeping his spirits up as he faces bad luck at every turn and leads the cast in an inspiring “Go, Go, Go Joseph.” Douglas Quattrock is hilarious in the duel role of Jacob and Potiphar and draws the most laughs with his perfect comedic timing.

Choreographed by Jean P. Sorbera, the many wonderful dance numbers in this huge production are each embraced by the cast with gusto, from the jaw-dropping country-western hoe-down “One More Angel in Heaven” featuring Kiernan Urso, the reggae inspired “Benjamin Calypso” with Londel Collier, the exotic Egyptian dance number “Potiphar” with Nicole Bianco and the too funny “Those Canaan Days” with Steven Uihlein. It is Andrew Lenahan’s Elvis-inspired “Poor, Poor Pharaoh”/”Song of the King,” however, that steals the show and brings the house down.

The many colorful costumes designed by Ronald Green III, the live orchestra directed by Gregory P. Franz, incredible lighting by Robert W. Henderson Jr. and beautiful set by Randall Parsons tie it all together perfectly. Don’t miss this one.

Theatre Three, 412 Main St., Port Jefferson presents “Joseph and the Amazing Technicolor Dreamcoat” through March 21. The theater continues its 50th season with Robert Harling’s “Steel Magnolias” from April 4 to May 2 followed by the ’50s rock ‘n’ roll musical “Grease” from May 16 to June 21. Tickets are $35 adults, $28 students and seniors, $20 children ages 5 to 12. Wednesday matinees are $20. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe/ Theatre Three Productions, Inc.

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Steven Uihlein

Theater Review: Theatre Three’s shining jewel, the annual Festival of One-Act Plays, returns

Theater Review: Theatre Three presents the world premiere of ‘Dorothy’s Adventures in Oz’

Theater Review: Theatre Three’s Puss in Boots is a delightful ‘tail’

‘Barnaby Saves Christmas’ has a special holiday message for all

Theater Review: Get into the spirit of the season with ‘A Kooky Spooky Halloween’

Theater Review: ‘Grease’ rocks at Theatre Three!

Theater Review: Isn’t it Fantastick! Theatre Three reopens with fan favorite

Theater Review: One more time in the garden patch — ‘The Adventures of Peter Rabbit’ returns to Theatre Three

Cast:

Follow the breadcrumbs to Theatre Three for a sweet ‘Hansel and Gretel’

Go, go, go see ‘Joseph and the Amazing Technicolor Dreamcoat’ at Theatre Three

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