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Smithtown Center for the Performing Arts

By Heidi Sutton

Just in time for the holidays, the Smithtown Center for the Performing Arts kicks off its 18th season with a production of the classic family musical “Annie” through Jan. 20. Last seen on the Smithtown stage back in 2010, the show returns with fervor with a whole new cast, albeit a lovable favorite, and brims with hope, optimism and dreams.

With book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin, “Annie” the musical premiered on Broadway at the Alvin Theatre (now the Neil Simon Theatre) in 1977. Since then, the award-winning show has toured around the world and serving as inspiration for many stage, film and television adaptations.

Loosely based on the adventures of Little Orphan Annie, a comic strip created by Harold Gray in the 1920s, “Annie” tells the story of a spunky 11-year-old who has been living at the New York Municipal Orphanage for Girls since her parents dropped her off there when she was an infant with half a locket and a note promising to come back for her. As the years pass Annie grows restless waiting for their return and runs away a lot, testing the patience of the ill-tempered and downright cruel Miss Hannigan who runs the orphanage.

“That was 1922 and this is 1933 – they must’ve got stuck in traffic!” Miss Hannigan says sarcastically.

As the holidays roll around, billionaire Oliver Warbucks sends his personal secretary Grace Farrell to the orphanage to choose one lucky orphan to spend Christmas at his mansion. The secretary chooses the rambunctious curly-haired redhead, who quickly steals the hearts of Farrell, Warbucks and the entire household staff. When the billionaire hears Annie’s story, he offers a $50,000 reward to help find her parents, attracting every swindler out there including Miss Hannigan’s shady brother Rooster and his girlfriend Lily. Will their scheme be foiled? Will Annie find her real parents?

Directed by Tommy Ranieri, the uber-talented cast embraces the ever-optimistic script and runs with it. The role of the orphans are double cast, with a Red and Green Cast. Last Saturday afternoon’s performance, performed by the Green Cast, featured a wonderful Paige Mathers as Annie (a role shared with Gabby Blum), perfectly capturing her character’s pluckiness, toughness and determination. Mathers’ versions of “Maybe” and “Tomorrow” are delivered perfectly. 

Annie’s fellow orphans, played by Cassidy Gill, Catalina A. Kreitzman, Adrienne Porti, Alexa Oliveto, Alexandra Mitnick and Jenna Hammelman, are terrific as well, most evident in the big number, “It’s a Hard-Knock Life.”

Joe Morris is perfectly cast as Oliver Warbucks and shines in “NYC” and “I Don’t Need Anything But You.” The bond he shares with Annie is charming and sweet. 

While the ensemble serves as the supporting cast for the show, they have plenty of time to shine on their own — especially Jeremy Hudson who changes roles quicker than changing clothes. It was nice to see him back on SPAC’s stage.

Erica Giglio Pac steals the spotlight as the cantankerous and boozy Miss Hannigan. Her vocals on “Little Girls” are pitch perfect and her wishful thinking rendition of “Easy Street” with Ryan Cavanagh as Rooster Hannigan and Alyson Gannon as Lily St. Regis leaves the audience wanting more. 

And there is a lot more, with a tap dancing Santa Claus, an appearance by President Franklin D. Roosevelt (Doug Vandewinckel) and, amazingly, Shamus, the sweet cocker spaniel who played Sandy in the theater’s 2010 production, reprises his role as Annie’s lovable sidekick.

Choreography by Ryan Cavanagh is excellent, especially in the big numbers like “NYC” and “It’s a Hard-Knock Life” which uses wet mops as props.

Designed by Tim Golebiewski, the set is most impressive as it rolls and turns on wheels. The orphanage, with its many bunk beds, is transformed into a back alley, the entryway of Oliver Warbuck’s mansion and the Oval Office of the White House. Long creme-colored silk curtains are draped to hide the different props and give the scenes an expensive and festive feel. 

The full orchestra brings a wonderful richness to the classic songs, under the direction of Melissa Coyle, while the beautiful period costumes by Ronald Green III, complete with Annie’s iconic red dress, tie the whole production together in a big holiday bow. 

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents “Annie” through Jan. 20. Running time is approximately 2½ hours with one intermission. Tickets are $40 adults, $36 seniors, $25 students. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.

All photos by James Gorman

Seaweed on a stick? Not for Alex!

By Heidi Sutton

It’s been 14 years since the world was first introduced to Alex the Lion, Marty the Zebra, Melman the giraffe and Gloria the hippo in DreamWork’s computer-animated comedy “Madagascar.” Since its release, there have been two sequels, a spinoff (“Penguins of Madagascar”) and more recently a stage adaptation.

The latter opened at the Smithtown Center for the Performing Arts last weekend in the form of “Madagascar A Musical Adventure Jr.,” a show for kids performed by kids, and the end result is a fabulous afternoon of live theater. Sitting in the balcony during last Saturday’s performance, I was quickly reminded of just how clever and funny and entertaining this story is.

Living the good life at the Central Park Zoo, Alex (Hunter Pszybylski), Gloria (Gianna Oppedisano) and Melman (Jacob Christie) help Marty (Thomas Lau) celebrate his 10th birthday. When asked to make a wish, Marty wishes he can go back to the wild (aka Connecticut). Moments later he escapes with “cute and cuddly” penguins, Rico (Ari Spiegel), Kowalski (Hannah Waller), Private (Laurie Kratochvil) and Skipper (Max Lamberg) who are determined to get back to Antarctica “where we belong, on the ice.”

When Marty’s friends go looking for him, the entire group is cornered in the halls of Grand Central Station by the zookeepers and tranquilized. When they awaken, they find themselves in crates on a ship headed to a wildlife preserve in Africa. When the penguins escape their confinement and seize the ship, their antics cause the crates to fall overboard and the four friends wash up on the shores of Madagascar.

There they are met by King Julien (Zachary Podair), his sidekick Maurice (Emily Warner) and a tribe of ring-tailed lemurs who hope that Alex can protect them from the terrible foosa, cat-like animals that “are always trespassing, interrupting our parties and ripping our limbs off!” However, when Alex’s stomach starts rumbling and the lemurs can only offer him seaweed on a stick, things take a turn for the worse.

Expertly directed by Tommy Ranieri, the young cast (19 in all) do an excellent job bringing the personalities of these zany characters to life in this musical about the importance of friendship.

The songs are executed perfectly with special mention to “Relax, Be Cool, Chill Out,” “Best Friends,” “Steak,” and the big dance number “Living in Paradise” with fresh choreography by Ryan Cavanagh.

Costumes are simple but cleverly designed by Ronald Green III with the outfits matching the zoo animal’s colors with an orange wig for Alex’s mane, while his monochromatic friend Marty sports a mohawk. The set, used from the current main stage production, features panels that change to reveal different scenery and the show uses fog and incredible sound effects in telling the story.

The finale, a rousing rendition of “I Like to Move It” led by King Julien himself, is the icing on the cake. Meet the main cast in the lobby after the show for photos and autographs.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown, presents “Madagascar Jr.” through Oct. 27. Up next is a main stage production of “Annie” from Nov. 9 to Jan. 20 and then children’s theater continues with “Shrek the Musical Jr.” For more information, call 631-724-3700 or visit www.smithtownpac.org.

All photos by Courtney Braun

The Cast of Beatlemania

Back by popular demand, The Cast of Beatlemania returns to the Smithtown Center for the Performing Arts, 2 East Main St., Smithtown on Saturday, Aug. 31 at 8 p.m. Enjoy a night with John, Paul, George and Ringo as they sing all the classics. Tickets are $40 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.

Back row, from left, Anthony M. Panarello, Angelina Mercurio (understudy for Veronica Fox) and Brody Hampson; front row, from left, Luke Hampson and Ryan Cavanagh. Photo by Tommy Ranieri

By Heidi Sutton

Fresh off the massive children’s theater production of Hans Christian Andersen’s “The Little Mermaid Jr.,” the Smithtown Center for the Performing Arts scales things down with a musical retelling of Andersen’s “The Emperor’s New Clothes.” The show opened last weekend and runs through Aug. 18.

Written and composed by the award-winning duo of Lynn Ahrens and Stephen Flaherty (“Seussical”), the “fractured fairytale” takes the 19th-century Danish author’s best known story and adds song and dance to create a delightfully charming treat.

At only 14 years old, Emperor Marcus the Third is nervous to take the throne. After all, he’s only finished Chapter 1 of “How to Be an Effective Emperor”! To make matters worse, the kingdom’s river is starting to overflow and a hole in the road is getting wider. The villagers come to Marcus for help, but the newbie has difficulty making decisions. When the palace’s mop boy Arno suggests he dress the part, Marcus becomes obsessed with his royal attire.

Outfit after outfit produced by Deena the Royal Clothesmaker is rejected. Seizing an opportunity, a swindler named Maurice weasels his way inside the palace and offers to make magic clothes that are “invisible to fools and liars.” Ignoring the counsel of his Royal Advisor William, the emperor gives Maurice the green light and begins plans to hold a parade to show off his new wardrobe. Will someone get Marcus out of this royal mess, or will he reveal more than he bargains for?

Tommy Ranieri directs and choreographs a talented quintet of actors that grab this comedic masterpiece by its royal coattails and run with it, effectively producing something very special.

Luke Hampson is exceptional as the clueless new ruler; Veronica Fox and Anthony M. Panarello do an excellent job portraying worrywarts Deena and William who fear they will lose their jobs because they can’t see the magic clothing; and Brody Hampson plays the role of con artist perfectly.

But it is Ryan Cavanagh in the role of Arno who steals every scene he is in and quickly becomes an audience favorite. In the end, it is he who teaches Marcus the important lesson of “it’s not what’s on the outside but what’s on the inside that counts.”

The wonderful songs tie the show together, with special mention to “The Ancestor Song,” “Only a Guy Like You,” “How Am I Ever Gonna Get To Sleep?” and “Invisible.”

The show offers no special effects or fancy sets, just good old-fashioned live theater the way it was meant to be. The actors are funny and entertaining and are as devoted to making the audience reflect as to making them laugh. Hans Christian Andersen would be proud.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents “The Emperor’s New Clothes” through Aug. 18. Children’s theater continues with “Madagascar: A Musical Adventure Jr.” from Sept. 14 to Oct. 27 and “Shrek the Musical Jr.” from Feb. 1 to March 1. All seats are $18. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.

By Rita J. Egan

Theatergoers will be delighted to come and meet those dancing feet at the Smithtown Center for the Performing Arts. The musical “42nd Street” debuted at the theater July 6.

Based on the novel by Bradford Ropes and 1933 film of the same name, the musical premiered on Broadway in 1980. During its nine-year run, it won several Tony Awards, including Best Musical. In 2001 the production was revived on Broadway and went on to win the Tony Award for Best Revival and others. Filled with memorable musical numbers, “42nd Street” features the book by Michael Stewart and Mark Bramble, lyrics by Al Dubin and Johnny Mercer and music by Harry Warren.

As for the Smithtown production, it’s expertly directed and choreographed by Ryan Nolin. Tap dancing is one of the focal points of this musical, and each of the actors should be applauded for their skillful and delightful tap dancing throughout the show.

Set during the height of the Great Depression, the story centers around the fictional musical “Pretty Lady“ directed by Julian Marsh, and young Peggy Sawyer’s journey from a young starry-eyed girl from Allentown to the star of the show after the musical’s lead actress, Dorothy Brock, is injured.

Courtney Braun as Peggy is endearing as the naive starlet and sounds terrific during “Young and Healthy,” “About a Quarter to Nine” and “42nd Street.” Jon Rivera plays Marsh, the no-nonsense director, with the right amount of authoritative tone. It is during the second act that he really gets to show off his musical chops with a wonderful version of “Lullaby of Broadway,” and displays his comedic side when he shows Peggy how to greet a love interest convincingly for a scene she is rehearsing.

Tamralynn Dorsa is stunning as temperamental diva Dorothy and shines vocally, especially singing “I Know Now” and “About a Quarter to Nine.” Ryan Cavanagh is charming as Billy Lawlor, the young actor who has his eyes on Peggy, and gives a powerful performance during “Young and Healthy” and “Dames.” 

Scott Earle and Ann Marie Finnie provide the right amount of comedic relief as the show’s songwriters Bert Barry and Maggie Jones, and Finnie’s vocals take front and center during her parts in “Go Into Your Dance,” “Getting Out of Town” and “Shuffle Off to Buffalo.” Alex Pinals plays Andy Lee, the choreographer of “Pretty Lady,” and is perfect for the role with smooth dance moves of his own, and Veronica Fox as Anytime Annie provides a nice amount of sass.

Rounding out the cast perfectly are Erich Grathwohl as Abner Dillon, Brendan Noble playing Pat Denning, Karina Gallagher as Lorraine Flemming, Nicolette Minella in the role of Phyllis Dale and Michael Sherwood easily taking on multiple roles. The colorful, 1930s-inspired outfits, designed by Ronald Green III, and the band led by musical director Melissa Coyle tie it all together nicely.

From the lead actors to the ensemble, everyone is spectacular in the numbers the musical has become known for through the decades. Right from the start, the cast impresses with their dancing feet in the opening number “Audition.” Vocally “We’re in the Money,” “Shuffle Off to Buffalo” and “42nd Street” are the stand out numbers they were meant to be thanks to the talented cast. 

Just like the 1933 movie, this production of “42nd Street” is a feel-good piece that has arrived just in time for a fun summer treat.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown, will present “42nd Street” through Aug. 18. Performances are 8 p.m. Thursdays, Fridays, and Saturdays and 3 p.m. on Sundays. Running time is approximately two hours with a 15-minute intermission. Tickets range from $22 to $38. For more information, visit www.smithtownpac.org or call 631-724-3700. 

Photos by Lisa Schindlar

By Rita J. Egan

On Saturday, May 18, the Smithtown Center for the Performing Arts debuted “Les Misérables School Edition,” and its only flaw is the title. With exceptionally talented teenagers and preteens, the production resembles that of a main-stage musical.

Luke Ferrari and Leah Kelly

Based on the novel by Victor Hugo, with book by Alain Boublil, music by Claude-Michel Schonberg and lyrics by Herbert Kretzmer and Boublil, the musical digs into the depths of human nature. A myriad of emotions is explored from despair, fear and loathe to love, hope and forgiveness. The young actors in the Smithtown production have the skill and talent to take on the complex characters, and they seem to understand what drives them, which is essential when it comes to a classical musical such as this one.

“Les Misérables” opened in New York City in 1987 and ran until 2003, making it the fifth-longest show on Broadway. Two revivals on the Great White Way followed, one from 2006 to 2008 and another from 2014 to 2016.

Aubrey Alvino and Zak Ketchum

Set in the early 19th century in France, “Les Misérables” follows Jean Valjean who is released from prison after serving 19 years for stealing a loaf of bread for his sister’s starving child. While Valjean at first feels hopeless for a second chance, the kindness of a bishop inspires him to break his parole and live a new life. While continually avoiding the wrath of police inspector Javert, Valjean goes on to become a successful factory owner, who grants the dying wish of Fantine by giving her daughter Cosette a better life. In later years, Valjean becomes a protective father who resists letting his daughter go as she falls in love with Marius, a young idealist and revolutionist.

In the Smithtown production, directed by Cara Brown, Luke Ferrari is outstanding as Valjean. He captures the former prisoner’s despair and anger earlier in the show and later in the play begins to soften as a more mature and paternal Valjean. His singing is flawless in every song, especially during “Bring Him Home” in the second act when he appeals to God to keep Marius safe.

Angelina Mercurio, center, as Fantine

Hunter Pszybylski is the perfect choice for Javert as he seems to portray the stern character with ease. The actor’s voice is mature beyond his years, and he knows how to command the spotlight, which is his during his solos “Stars” and “Soliloquy (Javert’s Suicide).”

Angelina Mercurio is wonderful as Fantine and delivers a heartbreaking solo with “I Dreamed a Dream,” and she and Ferrari sound incredible during “Come to Me (Fantine’s Death).” Zak Ketcham makes for a handsome Marius, and he proves to be another strong vocalist on all his songs including “Empty Chairs at Empty Tables” where he beautifully captures the heartbreak of surviving the tragedy of losing his friends at the barricades.

Aubrey Alvino also captures the heartbreak of Eponine’s experience as she yearns for Marius who only has eyes for Cosette. Her solo “On My Own” during the May 19 show was a tearjerker, and her duo with Ketcham “A Little Fall of Rain” was just as lovely.

Leah Kelly is the naive Cosette, and her vocals are sweet and delightful, especially during “A Heart Full of Love.” Gabby Blum, who plays a young Cosette, performs a perfect “Castle on a Cloud.” Luke Hampson, as Thénardier, and Alexa Adler, as Madame Thénardier, are delightful as the greedy and crafty innkeeper and his wife. The pair play an essential role in the musical to provide some comedic relief, and both actors know how to garner a good number of chuckles from the audience.

All of the cast members provide superb vocals and exceptional performances, which are front and center during numbers such as “At the End of the Day,” “ABC Cafe/Red and Black,” “Lovely Ladies,” “Drink With Me” and “Do You Hear the People Sing.” Everyone on stage and behind the scenes of “Les Misérables School Edition” should be proud of the production, and with this kind of young, local talent, the future looks bright for regional theater.

With only six performances left, the Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present “Les Misérables School Edition” through June 2. All tickets are $20. For more information, visit www.smithtownpac.org or call 631-724-3700.

All photos by Courtney Braun

By Rita J. Egan

Stand back, theatergoers, “Evita” is in town. On Saturday, May 11, the award-winning musical opened at the Smithtown Center for the Performing Arts.

“Evita” revolves around the controversial life of María Eva Duarte de Perón, who went from poverty to a success as an Argentine film and radio star. Her marriage to Juan Perón, a military leader who became the country’s president in 1946, thrust her further in the spotlight until her death at 33 in 1952.

When the audience first meets Evita, she is an ambitious teenager in 1934 who wants to leave the small city of Junin to travel to Buenos Aires with Agustin Magaldi, a tango singer. Soon after her arrival in the big city, she leaves Magaldi and sleeps her way to the top before meeting Col. Perón at a charity concert. While not accepted by the upper class after her marriage to Perón, Evita sees herself as the champion of the “descamisados,” the working class.

The musical, which features lyrics by Tim Rice and music by Andrew Lloyd Webber, first premiered on Broadway in 1979 with Patti LuPone as Evita and Mandy Patinkin as Che. It went on to win seven Tony Awards, including best musical in 1980. The production inspired the 1996 movie starring Madonna (Evita), Antonio Banderas (Che) and Jonathan Pryce (Perón) and was revived on Broadway in 2012 with Argentine actress Elena Roger and singer Ricky Martin as Che.

In the Smithtown production, Laura Laureano plays Evita, and the young actress possesses the poise and maturity needed to handle the role of the strong woman. Her vocals are powerful on all of the musical’s memorable favorites including “Buenos Aires,” “Don’t Cry for Me Argentina” and “Rainbow High.” Her performance of “Lament” at the end of Act II is an emotional one that will have audience members reaching for their tissues.

Dylan Bivings plays a suave Che. The character serves as the musical’s narrator, and Bivings proves to be a strong lead on various numbers. He shines during “And the Money Kept Rolling In (And Out)” and his duet with Laureano, “High Flying Adored.” Dennis Creighton was perfect as Perón, delivering the role with the right amount of tenderness that helps audience members understand just how much this man loved Eva. Creighton’s tenor singing voice is ideal for his solos.

Anthony Arpino as Magaldi also shined vocally during “On This Night of a Thousand Stars.” During the number “Santa Evita” on opening night, Zoe Avery played the child who approaches Evita, and Avery’s singing was delightful as she hit every note sweetly and perfectly. The actress alternates the role with Dori Ahlgrim.

Lauren Tirado, as the mistress, delivered a standout performance of “Another Suitcase in Another Hall.” The scene is a heartbreaking moment in the life of a character that the audience only meets once, and it’s essential that a vocalist digs deep when performing this song, so it can be understood that Evita will stop at nothing and will even throw another woman out on the streets. Tirado’s superb vocals proved she has the talent to deliver such an emotional number.

All of the ensemble members also deserve a round of applause for their outstanding vocals and impressive dancing. Ronald Green III has masterfully directed a cast that proves a musical lover doesn’t need to head into the city to take in a Broadway-quality show. Green has also outdone himself with the period costumes, especially with Laureano’s gown during the balcony scene when she sings “Don’t Cry for Me Argentina.”

Adding to the Broadway-like magic were the talented musicians led by conductor Melissa Coyle and scenic and video designer Tim Golebiewski. The set designed by Golebiewski and constructed by TJ Construction, Russ Bakunus and Clark Services is simple yet elegant and incorporates five small screens that display pictures of Eva and Perón through the years that complement the musical perfectly without being distracting.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present “Evita” through June 23. Performances are 8 p.m. Thursdays, Fridays, and Saturdays and 3 p.m. on Sundays. Tickets range from $25 to $38. For more information, visit www.smithtownpac.org or call 631-724-3700.

All photos by Courtney Braun/ Smithtown Center for the Performing Arts

Lauren Tirado and David DiMarzo in a scene from 'South Pacific'

By Heidi Sutton

The Smithtown Center for the Performing Arts continues its 17th season with Rodgers & Hammerstein’s musical “South Pacific.” Based on James Michener’s Pulitzer Prize-winning book, “Tales of the South Pacific,” which highlighted his Navy experience fighting the Japanese in the South Pacific during World War II, the show debuted on Broadway in 1949 and is still captivating audiences today, in part because of its familiar score and cautionary theme of bigotry.

Samm Carroll, center, and cast sing ‘I’m Gonna Wash That Man Right Outa My Hair’

Directed by Ronald Green III, the story centers on two romances — that of Nellie Forbush (Samm Carroll), an American nurse from Arkansas and self-described “hick from the sticks” who falls head over heels in love with French plantation owner Emile De Becque (Jon Rivera)  — and Marine lieutenant Joe Cable (David DiMarzo) from Philadelphia and his young Tonkinese girlfriend, Liat (Lauren Tirado). Both relationships eventually suffer as racial and cultural prejudices rear their ugly heads.

Forbush struggles to accept her new man’s mixed-race children with his first wife, while Cable weighs the social consequences should he marry his Asian sweetheart. In Cable’s solo, “You’ve Got to Be Carefully Taught,” he tries to explain where these prejudices come from. “…You’ve got to be taught, before it’s too late, before you are six, or seven, or eight, to hate all the people, your relatives hate…”

Supporting characters, including petty officer Luther Billis (Anthony Panarello) and Liat’s mother, Bloody Mary (Ava Anise Adams) help to tie the stories together nicely.

The songs are the heart of the show, and you’ll still be humming them at work days after, especially “Bali Ha’i,” “Younger Than Springtime,” “I’m Gonna Wash That Man Right Outa My Hair” and “Some Enchanted Evening.”

Jon Rivera performs ‘This Nearly Was Mine’ in ‘South Pacific’

Rivera is perfectly cast as the handsome Frenchman, Emile, and his beautiful singing voice can be most compared to Andrea Bocelli. At last Saturday’s opening performance, Rivera captured many hearts with his rendition of “This Nearly Was Mine.”

Carroll is equally outstanding, full of energy and every bit the “cockeyed optimist.” Her smile is infectious and she quickly becomes an audience favorite.

The period costumes by Green, an eight-piece band led by conductor Melissa Coyle, and the wonderful choreography by Milan McGouldrick add to the production’s polish to produce one enchanted evening.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present Rodgers & Hammerstein’s “South Pacific” through April 28. Tickets are $38 adults, $34 seniors, $25 students. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.

By Heidi Sutton

From “The Snow Queen” to “The Princess and the Pea,” Hans Christian Andersen’s fairy tales have touched the hearts of millions. A bronze statue in Copenhagen, Denmark, pays homage to his most popular story, “The Little Mermaid.” A major tourist attraction since its unveiling in 1913, it depicts a mermaid sitting on a rock looking longingly toward land.

Now Andersen’s beloved tale, or should I say tail, heads to the Smithtown Center for the Performing Arts in the form of Disney’s “The Little Mermaid Jr.,” a colorful musical production based on the animated film.

The timing is perfect. Along with running during spring break, the Disney film is celebrating its 30th anniversary this year and a live-action remake is currently in development.

In a magical underwater kingdom, the beautiful young mermaid princess, Ariel, longs to leave her ocean home — and her fins — behind and live in the world above, much to her father King Triton’s dismay.

In exchange for her voice, Ariel bargains with the sea witch, Ursula, to become human and have the chance to win the love of Prince Eric, who she recently saved from a terrible storm. With her friends, Scuttle, Sebastien and Flounder, Ariel must fulfill her bargain with Ursula, but things do not always go as planned.

With music by Alan Menken, book by Doug Wright and lyrics by Howard Ashman and Glenn Slater, the musical is an enchanting look at the sacrifices we all make for love and acceptance.

Christine Boehm directs a cast of young actors ages 11 to 18 through an absolutely divine production. From the shimmering costumes to the seaworthy set accented with huge pieces of coral, to the fantastic lighting and special effects, every scene is perfectly executed.

The big ensemble numbers, “Under the Sea” and “Kiss the Girl,” showcase the incredible choreography by Courtney Braun.

Courtney Sullivan is lovely in the title role, effectively portraying a girl who is torn between obeying her father and following her dreams. And just wait until you hear her sing! Sullivan’s rendition of “Part of Your World” during last Saturday’s performance was mesmerizing.

Speaking of singing, the very handsome Hunter Pszybylski brings a whole new dimension to Prince Eric with his amazing solos, “Her Voice” and “One Step Closer,” and captures the hearts of the audience from the get go.

Supporting characters are also given the opportunity to shine. Raquel Sciacca is just adorable as Flounder, a role she shares with Gabby Blum, and Ari Spiegel is terrific as the crabby crustacean Sebastian who is tasked with keeping an eye on Ariel. Hailey Elberg as Scuttle the Seagull also deserves accolades for her number “Human Stuff” — squawk!

However, it is Erika Hinson as the meanie Ursula who steals the show. Her rendition of “Poor Unfortunate Souls” during last Saturday’s show brought the house down.

Take it from someone who has reviewed a lot of plays — make SPAC’s “The Little Mermaid Jr.” a part of your world. Running time is 90 minutes with one 15-minute intermission. Booster seats are available. Stay after to meet Princess Ariel and Prince Eric in the lobby for photographs.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present Disney’s “The Little Mermaid Jr.” through April 28 with special spring break performances from April 22 to 26 at 1 p.m.

Up next, catch one of only seven performances of “Les Miserables” Teen Edition from May 18 to June 2 and a summer production of “The Emperor’s New Clothes” from July 13 to Aug. 28. All seats are $18. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.

Photos by Courtney Braun

*This article has been revised to correct the name of the actress who played the role of Flounder during the March 16 performance. We regret the error.

Billy Winn

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present its 7th annual Irish Comedy Night on Saturday, March 16 at 8 p.m. Join them for an uproarious night of stand-up featuring Billy Winn, Bryan McKenna, Rob Ryan, Sean Donnelly, Steve Shaffer and Vincent McElhone. Tickets are $40 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.