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Ryan Cavanagh

By Heidi Sutton

Just in time for the holidays, the Smithtown Center for the Performing Arts kicks off its 18th season with a production of the classic family musical “Annie” through Jan. 20. Last seen on the Smithtown stage back in 2010, the show returns with fervor with a whole new cast, albeit a lovable favorite, and brims with hope, optimism and dreams.

With book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin, “Annie” the musical premiered on Broadway at the Alvin Theatre (now the Neil Simon Theatre) in 1977. Since then, the award-winning show has toured around the world and serving as inspiration for many stage, film and television adaptations.

Loosely based on the adventures of Little Orphan Annie, a comic strip created by Harold Gray in the 1920s, “Annie” tells the story of a spunky 11-year-old who has been living at the New York Municipal Orphanage for Girls since her parents dropped her off there when she was an infant with half a locket and a note promising to come back for her. As the years pass Annie grows restless waiting for their return and runs away a lot, testing the patience of the ill-tempered and downright cruel Miss Hannigan who runs the orphanage.

“That was 1922 and this is 1933 – they must’ve got stuck in traffic!” Miss Hannigan says sarcastically.

As the holidays roll around, billionaire Oliver Warbucks sends his personal secretary Grace Farrell to the orphanage to choose one lucky orphan to spend Christmas at his mansion. The secretary chooses the rambunctious curly-haired redhead, who quickly steals the hearts of Farrell, Warbucks and the entire household staff. When the billionaire hears Annie’s story, he offers a $50,000 reward to help find her parents, attracting every swindler out there including Miss Hannigan’s shady brother Rooster and his girlfriend Lily. Will their scheme be foiled? Will Annie find her real parents?

Directed by Tommy Ranieri, the uber-talented cast embraces the ever-optimistic script and runs with it. The role of the orphans are double cast, with a Red and Green Cast. Last Saturday afternoon’s performance, performed by the Green Cast, featured a wonderful Paige Mathers as Annie (a role shared with Gabby Blum), perfectly capturing her character’s pluckiness, toughness and determination. Mathers’ versions of “Maybe” and “Tomorrow” are delivered perfectly. 

Annie’s fellow orphans, played by Cassidy Gill, Catalina A. Kreitzman, Adrienne Porti, Alexa Oliveto, Alexandra Mitnick and Jenna Hammelman, are terrific as well, most evident in the big number, “It’s a Hard-Knock Life.”

Joe Morris is perfectly cast as Oliver Warbucks and shines in “NYC” and “I Don’t Need Anything But You.” The bond he shares with Annie is charming and sweet. 

While the ensemble serves as the supporting cast for the show, they have plenty of time to shine on their own — especially Jeremy Hudson who changes roles quicker than changing clothes. It was nice to see him back on SPAC’s stage.

Erica Giglio Pac steals the spotlight as the cantankerous and boozy Miss Hannigan. Her vocals on “Little Girls” are pitch perfect and her wishful thinking rendition of “Easy Street” with Ryan Cavanagh as Rooster Hannigan and Alyson Gannon as Lily St. Regis leaves the audience wanting more. 

And there is a lot more, with a tap dancing Santa Claus, an appearance by President Franklin D. Roosevelt (Doug Vandewinckel) and, amazingly, Shamus, the sweet cocker spaniel who played Sandy in the theater’s 2010 production, reprises his role as Annie’s lovable sidekick.

Choreography by Ryan Cavanagh is excellent, especially in the big numbers like “NYC” and “It’s a Hard-Knock Life” which uses wet mops as props.

Designed by Tim Golebiewski, the set is most impressive as it rolls and turns on wheels. The orphanage, with its many bunk beds, is transformed into a back alley, the entryway of Oliver Warbuck’s mansion and the Oval Office of the White House. Long creme-colored silk curtains are draped to hide the different props and give the scenes an expensive and festive feel. 

The full orchestra brings a wonderful richness to the classic songs, under the direction of Melissa Coyle, while the beautiful period costumes by Ronald Green III, complete with Annie’s iconic red dress, tie the whole production together in a big holiday bow. 

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents “Annie” through Jan. 20. Running time is approximately 2½ hours with one intermission. Tickets are $40 adults, $36 seniors, $25 students. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.

All photos by James Gorman

Back row, from left, Anthony M. Panarello, Angelina Mercurio (understudy for Veronica Fox) and Brody Hampson; front row, from left, Luke Hampson and Ryan Cavanagh. Photo by Tommy Ranieri

By Heidi Sutton

Fresh off the massive children’s theater production of Hans Christian Andersen’s “The Little Mermaid Jr.,” the Smithtown Center for the Performing Arts scales things down with a musical retelling of Andersen’s “The Emperor’s New Clothes.” The show opened last weekend and runs through Aug. 18.

Written and composed by the award-winning duo of Lynn Ahrens and Stephen Flaherty (“Seussical”), the “fractured fairytale” takes the 19th-century Danish author’s best known story and adds song and dance to create a delightfully charming treat.

At only 14 years old, Emperor Marcus the Third is nervous to take the throne. After all, he’s only finished Chapter 1 of “How to Be an Effective Emperor”! To make matters worse, the kingdom’s river is starting to overflow and a hole in the road is getting wider. The villagers come to Marcus for help, but the newbie has difficulty making decisions. When the palace’s mop boy Arno suggests he dress the part, Marcus becomes obsessed with his royal attire.

Outfit after outfit produced by Deena the Royal Clothesmaker is rejected. Seizing an opportunity, a swindler named Maurice weasels his way inside the palace and offers to make magic clothes that are “invisible to fools and liars.” Ignoring the counsel of his Royal Advisor William, the emperor gives Maurice the green light and begins plans to hold a parade to show off his new wardrobe. Will someone get Marcus out of this royal mess, or will he reveal more than he bargains for?

Tommy Ranieri directs and choreographs a talented quintet of actors that grab this comedic masterpiece by its royal coattails and run with it, effectively producing something very special.

Luke Hampson is exceptional as the clueless new ruler; Veronica Fox and Anthony M. Panarello do an excellent job portraying worrywarts Deena and William who fear they will lose their jobs because they can’t see the magic clothing; and Brody Hampson plays the role of con artist perfectly.

But it is Ryan Cavanagh in the role of Arno who steals every scene he is in and quickly becomes an audience favorite. In the end, it is he who teaches Marcus the important lesson of “it’s not what’s on the outside but what’s on the inside that counts.”

The wonderful songs tie the show together, with special mention to “The Ancestor Song,” “Only a Guy Like You,” “How Am I Ever Gonna Get To Sleep?” and “Invisible.”

The show offers no special effects or fancy sets, just good old-fashioned live theater the way it was meant to be. The actors are funny and entertaining and are as devoted to making the audience reflect as to making them laugh. Hans Christian Andersen would be proud.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents “The Emperor’s New Clothes” through Aug. 18. Children’s theater continues with “Madagascar: A Musical Adventure Jr.” from Sept. 14 to Oct. 27 and “Shrek the Musical Jr.” from Feb. 1 to March 1. All seats are $18. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.

By Rita J. Egan

Theatergoers will be delighted to come and meet those dancing feet at the Smithtown Center for the Performing Arts. The musical “42nd Street” debuted at the theater July 6.

Based on the novel by Bradford Ropes and 1933 film of the same name, the musical premiered on Broadway in 1980. During its nine-year run, it won several Tony Awards, including Best Musical. In 2001 the production was revived on Broadway and went on to win the Tony Award for Best Revival and others. Filled with memorable musical numbers, “42nd Street” features the book by Michael Stewart and Mark Bramble, lyrics by Al Dubin and Johnny Mercer and music by Harry Warren.

As for the Smithtown production, it’s expertly directed and choreographed by Ryan Nolin. Tap dancing is one of the focal points of this musical, and each of the actors should be applauded for their skillful and delightful tap dancing throughout the show.

Set during the height of the Great Depression, the story centers around the fictional musical “Pretty Lady“ directed by Julian Marsh, and young Peggy Sawyer’s journey from a young starry-eyed girl from Allentown to the star of the show after the musical’s lead actress, Dorothy Brock, is injured.

Courtney Braun as Peggy is endearing as the naive starlet and sounds terrific during “Young and Healthy,” “About a Quarter to Nine” and “42nd Street.” Jon Rivera plays Marsh, the no-nonsense director, with the right amount of authoritative tone. It is during the second act that he really gets to show off his musical chops with a wonderful version of “Lullaby of Broadway,” and displays his comedic side when he shows Peggy how to greet a love interest convincingly for a scene she is rehearsing.

Tamralynn Dorsa is stunning as temperamental diva Dorothy and shines vocally, especially singing “I Know Now” and “About a Quarter to Nine.” Ryan Cavanagh is charming as Billy Lawlor, the young actor who has his eyes on Peggy, and gives a powerful performance during “Young and Healthy” and “Dames.” 

Scott Earle and Ann Marie Finnie provide the right amount of comedic relief as the show’s songwriters Bert Barry and Maggie Jones, and Finnie’s vocals take front and center during her parts in “Go Into Your Dance,” “Getting Out of Town” and “Shuffle Off to Buffalo.” Alex Pinals plays Andy Lee, the choreographer of “Pretty Lady,” and is perfect for the role with smooth dance moves of his own, and Veronica Fox as Anytime Annie provides a nice amount of sass.

Rounding out the cast perfectly are Erich Grathwohl as Abner Dillon, Brendan Noble playing Pat Denning, Karina Gallagher as Lorraine Flemming, Nicolette Minella in the role of Phyllis Dale and Michael Sherwood easily taking on multiple roles. The colorful, 1930s-inspired outfits, designed by Ronald Green III, and the band led by musical director Melissa Coyle tie it all together nicely.

From the lead actors to the ensemble, everyone is spectacular in the numbers the musical has become known for through the decades. Right from the start, the cast impresses with their dancing feet in the opening number “Audition.” Vocally “We’re in the Money,” “Shuffle Off to Buffalo” and “42nd Street” are the stand out numbers they were meant to be thanks to the talented cast. 

Just like the 1933 movie, this production of “42nd Street” is a feel-good piece that has arrived just in time for a fun summer treat.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown, will present “42nd Street” through Aug. 18. Performances are 8 p.m. Thursdays, Fridays, and Saturdays and 3 p.m. on Sundays. Running time is approximately two hours with a 15-minute intermission. Tickets range from $22 to $38. For more information, visit www.smithtownpac.org or call 631-724-3700. 

Photos by Lisa Schindlar