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Nicole Bianco

The three little kittens

By Heidi Sutton

What do three crooning kittens, a droll dog, a rascally rabbit and a pushover penguin have in common? They all want to be on the radio in Theatre Three’s latest children’s theater treat, “The Three Little Kittens.”  

The cast of ‘The Three Little Kittens’

Written by Jeffrey Sanzel and Kevin Story, the musical, which was last presented in 2013,  incorporates the beloved Mother Goose nursery rhyme but goes beyond losing the mittens, finding the mittens, eating pie, soiling and then washing the mittens and then the big finale, eating more pie. These kittens want more — they have hopes and dreams, don’t you know. In other words, this production is too cute for words.

Lucy, Ricky and Ethel Whiska aspire to become a singing trio on the radio while their neighbor Barker Doggone, who keeps losing his collar, etc. dreams of becoming a stand-up comic. Their favorite radio show is “The Bonanza Hour” on WPET Radio with Harry Hoppit, a white rabbit who was made famous by radio penguin Waddles Greenway but has let success go to his head. “I’m Harry Hoppit – be impressed” he tells his adoring fans.

Barker and Mama Doggone

When Mother Whiska and Mama Doggone bring home a flyer from the radio station announcing open auditions, the kittens and pup jump at the chance. Will they be able to turn their dreams into reality or will Harry Hoppit’s jealousy get in the way?

Directed by Sanzel, the nine-member cast embrace the clever script and do an incredible job. Each character’s personality is bold and distinct and perfectly executed.

Michelle LaBozzetta as Lucy, Eric J. Hughes as Ricky and Emily Gates as Ethel shine as the Whiska kittens while Steven Uihlein as Barker the dog steals the show with his funny jokes and wit. His constant distractions – “Squirrel!” – are doggone hilarious and the young audience during last Sunday’s performance couldn’t get enough. Their group number, “Dogs and Cats Like You and Me,” is a personal favorite.

Brielle Levenberg and Ginger Dalton as the moms make a great team, pretending not to like each other in front of others “out of tradition,” but are secretly the best of friends while Douglas J. Quattrock juggles the role of radio producer and providing piano accompaniment with ease (great accent!).

Harry Hoppit and Waddles Greenway

Andrew Lenahan plays the role of antagonist Harry Hoppit to a tee and has the best lines. “What can I say but me, me, me.” Beautifully delivered, Lenahan’s solo, “Looking Out for Number One,” perfectly describes the rabbit’s agenda. “… So if I ruffle some feathers and pull on some tails, what does it matter if others fail?” Don’t worry – he gets his comeuppance.

The strongest performance comes from Nicole Bianco who tackles the difficult role of Waddles Greenway the penguin with aplomb. Mercilessly bullied by Harry Hoppit, the hapless bird holds her own and treats the audience to a wonderful tap dance number, “The One and Only,” in the second act.

The entire production has a nostalgic 1940s feel and pays homage to the Golden Age of Radio. With the ultimate message that friendship is the greatest bond and that dreams really can come true, “The Three Little Kittens” is purrfectly adorable. Don’t miss it. Meet the cast in the lobby after the show.

Theatre Three, 412 Main St., Port Jefferson presents “The Three Little Kittens” through March 23. All seats are $10. Children’s theater continues with “The Adventures of Peter Rabbit” from April 12 to 27 and a Mainstage production of “The Wizard of Oz” (call for ticket prices) from May 18 to June 22. For more information, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

From left, Brian Gill, Christina Muens, Abigail McCabe (on chair) and TracyLynn Conner in a scene from ‘Nine’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

By Heidi Sutton

Theatre Three continues its 49th season with the Broadway smash hit musical “Nine.” With book by Arthur Kopit and music and lyrics by Maury Yeston, the award-winning show is based on the semi-autobiographical 1963 film of Italian film director/screenwriter Federico Fellini’s life, titled “8½.”

Clockwise from top left, TracyLynn Conner, Christina Muens, Abigail McCabe and Brian Gill in a scene from ‘Nine’
Photo by Peter Lanscombe, Theatre Three Productions Inc.

Directed by Jeffrey Sanzel, the musical follows the artistic journey of celebrated Italian director Guido Contini (Brian Gill) and his quest to find an idea for his next film. His last three films have been flops and he has an extreme case of writer’s block. A movie contract has been signed with his producer Liliane La Fleur (Debbie D’Amore) but there is no script. Should he write a Western? A Bible-inspired epic? A documentary? The stakes are high and time is running out.

As if Contini didn’t have enough to worry about, his wife Luisa (Christina Muens) is considering leaving him, his naive mistress Carla (Abigail McCabe) thinks he wants to marry her, and his muse, movie star Claudia Nardi (TracyLynn Conner) is getting tired of being cast in the same type of roles and is about to walk away.

To try to clear his head, Contini and his wife take a trip to the Fontane di Luna spa in Venice. Worried about deadlines, his producer tracks him down at the spa and insists he write a musical. Improvising on the spot, the director chooses to his own life experiences and relationships to create a Casanova-inspired flick and hires the staff at the spa to be the cast.

As the film begins to take shape, fantasy and reality are intertwined as Contini has constant flashbacks  — when he was a little boy (played by the adorable Brayden E. Bratti) with his mother (Linda May), and his many affairs, all in an attempt to seek cinematic inspiration.

In the role of Guido Contini, said to be one of the most demanding roles in musical theater, Brian Gill brilliantly leads the talented cast of “Nine” on a 2½-hour thought-provoking musical romp.

Accompanied by a seven-piece band led by Jeffrey Hoffman, the musical numbers are perfectly executed, with special mention to “Guido’s Song, “Folies Bergeres,” “Ti Voglio Bene/Be Italian” and the “Grand Canal.”

The top-notch choreography by Nicole Bianco, the beautiful costumes by Ronald Green III, the impressive set by Randall Parsons and the masterful lighting by Robert W. Henderson Jr., which lets the audience know what is real and what is flashback, ties it all together nicely. 

Theatre Three, 412 Main St., Port Jefferson will present “Nine The Musical” on the Mainstage through March 23. Please note, “Nine” contains adult themes and situations. Parental discretion advised. The 2018-19 Mainstage season continues with “The Miracle Worker” from April 6 to 28 and “The Wizard of Oz” from May 18 to June 22. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

In Theatre Three’s latest children’s show, the audience is invited to enter the magical world of “Jack & the Beanstalk” or “The Boy Who Cried Giant!” Written by Jeffrey Sanzel and Kevin F. Story, the musical combines the classic English fairy tale with the well-known fable “The Boy Who Cried Wolf” to produce a most entertaining afternoon.

Jack (Eric J. Hughes) lives with his mother (Ginger Dalton) and his best friend Filpail the Cow (Nicole Bianco). Although he is a nice boy, Jack tends to exaggerate and has told so many tall tales that no one believes him anymore. “Someday your stories are going to get you in trouble,” warns his mother. Jack also receives a visit from the Fairy Mary Goodwing (Michelle LaBozzetta) who tries to convince him to “always tell the truth and you will be true to yourself.”

One day his mother tells him that they have no other choice than to sell Filpail to Butcher Blackstone (Steven Uihlein). On the way to the market Jack and his cow bump into two gypsies, Marco and Margot (Andrew Lenahan and Brielle Levenberg), who claim they want to buy Filpail for “cowpanionship” and trick Jack into trading her for some magic beans.

Jack’s mother is furious when she finds out what happened and throws the beans away. A giant beanstalk suddenly appears, and when Jack climbs it he discovers a castle in the sky occupied by a cranky giant, the giant’s wife (Suzie Dunn), a golden harp and a hen that lays golden eggs. But with Jack’s poor track record, will anyone believe him?

Under the direction of Jeffrey Sanzel, an energetic cast of eight adult actors play multiple roles during this thrilling adventure. From the first musical number, “Ballad of Jack’s Device/Song of Boasting,” accompanied on piano by Douglas Quattrock, you know you’re in for a fun treat.

Costume designers Teresa Matteson and Toni St. John have outdone themselves this time with colorful outfits; “giant” props, including a three-foot-long sneaker; and a beanstalk that magically grows all the way to the ceiling. The creative and polished choreography by Nicole Bianco pulls it all together nicely.

Come in out of the cold and warm up with the magic of “Jack & the Beanstalk!” Audiences of all ages will love this wonderful show. Meet the cast in the lobby after the show for photos. 

Theatre Three, located at 412 Main St., Port Jefferson will present “Jack & the Beanstalk” through Feb. 23. Children’s Theatre continues with “The Three Little Kittens” from March 2 to 23 and “The Adventures of Peter Rabbit” from April 13 to 27. All seats are $10. For more information or to order, call 928-9100 or visit www.theatrethree.com.

By Heidi Sutton

Barnaby, Santa and Franklynne in a scene from the show.

This weekend the Village of Port Jefferson will celebrate its 23rd annual Charles Dickens Festival. Among the many events to attend this year will be Theatre Three’s production of “Barnaby Saves Christmas.” Written 15 years ago by Douglas Quattrock and Jeffrey Sanzel, the adorable musical, with its wonderful score and dance numbers, is the perfect way for families with young children to kick off the holiday season.

It’s Christmas Eve at the North Pole and Barnaby, the smallest elf in Elf School, is busy making a toy that Santa requested — a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest. When he realizes that Santa has left without it, he enlists the help of Franklynne, the littlest reindeer, to track down Santa and give the toy to him.

S.B. Dombulbury is up to his old tricks again!

During their adventures they meet Sarah and Andrew who teach them about Hanukkah and the Festival of Lights. They also bump into the sneaky S.B. Dombulbury and his henchperson Irma who are trying to ruin Christmas by stuffing all the chimneys with coal.

As director, Sanzel has assembled an outstanding cast to convey the story.

Eric Hughes returns for his third year as Barnaby, perfectly capturing his character as just wanting to fit in, and Michelle LaBozzetta tackles the role of Franklynne (It’s spelled with two n’s and a y — that makes it a girl’s name!) with just the right amount of spunkiness one would expect from a flying fawn. Andrew Lenahan is incredible in the dual role of Santa and Andrew, and Ginger Dalton is charming as both a slightly confused Mrs. Claus and Sarah.

Nicole Bianco and K.D. Guadagno play Crystal and Blizzard, two of Santa’s elves who are constantly hypnotized by S.B. Dombulbury to help him carry out his evil plan and at one point chase Barnaby and Franklynne through the audience like zombies in one of the funniest moments in the show. As a special treat, Jason Furnari, who originated the role of Barnaby, plays Sam the stressed-out head elf. However, it is the comedy tag team of Steven Uihlein as S.B. (spoiled brat) Dombulbury and Dana Bush as Irma that steal the show with their many antics. Their journey to redemption is heartfelt.

Santa’s elves, Barnaby, Sam, Blizzard and Crystal

The nine songs, accompanied by Quattrock on piano, are delightful, with special mention to “Miracles” and “Within Our Hearts.” The costumes, designed by Teresa Matteson and Toni St. John, are fun and festive as is the choreography by Bianco, and the special effects through the use of lighting is magical.

With the underlying message to “be the very best you can be,” “Barnaby Saves Christmas” is a beautiful story of hope, miracles and love. Don’t miss this one.

Souvenir elf and reindeer dolls will be available for purchase during intermission. Stay after the show for a photo with Santa Claus if you wish — the $5 fee goes to support the theater’s scholarship fund — and meet the rest of the cast in the lobby. Running time is one hour and 10 minutes with one intermission. Booster seats are available.

Theatre Three, 412 Main St., Port Jefferson will present “Barnaby Saves Christmas” through Dec. 29. Children’s theater continues with “Jack & the Beanstalk” from Jan. 19 to Feb. 23. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

JAZZ HANDS The cast of 'A Kooky Spooky Halloween'

By Heidi Sutton

With Halloween just around the corner, Theatre Three has all the bases covered. While mature audiences enjoy a creepy and spooky “The Addams Family,” young theatergoers can have fun as well with an adorable show titled “A Kooky Spooky Halloween.” The original musical written by Jeffrey Sanzel and Steve McCoy returns to the theater for the second year in a row through Oct. 27.

A scene from the show

The story centers around a friendly ghost named Abner (Steven Uihlein) who has just graduated from Haunting High School and is given a medallion of invisibility. Abner is immediately assigned to haunt Aberdeen’s Boarding House, famously known for being the most haunted house in Harrison County U.S.A and for serving the best toast. There are only two rules he has to follow — he can only haunt at night and he can’t lose the medallion or he’ll be seen by the living.

But Abner has a secret — he is afraid of the dark, which is “like a vampire who’s afraid of necks!” according to his best friend Lavinda the Witch (Michelle LaBozzetta). She promptly gives him a night-light to wear and promises to help him with his haunting duties.

When Abner and Lavinda arrive at the boarding house, they find Ma Aberdeen (Ginger Dalton), the finest toast maker in the land, and her boarders, Kit Garret (Nicole Bianco) and the Petersons — Paul the periodontist (Andrew Lenahan), his wife Penelope (Chrysovalantou Tsoumpelis) and their son Pip (Eric J. Hughes), whose alliterations using words that start with the letter P are positively perplexing, in the kitchen getting ready for Halloween.

When Pip puts on a pumpkin pullover and starts to tell pumpkin jokes (okay I’ll stop), Abner puts a speed spell on the group, making them stuff Halloween goodie bags, do jumping jacks, quack like a duck, sing and dance in fast motion. He then casts a spell to make them get stuck to each other.

Abner casts a speed spell

In a sudden twist of events, fellow graduate and ghost with a grudge Dora Pike (Beth Ladd) shows up and steals Abner’s night-light and medallion of invisibility and hides them in Black Ridge Gulch, the deepest, darkest gorge in the entire world (where it’s really, really dark). Now visible, Abner must try to convince the boarders, who are still stuck to each other, to help him and Lavinda get his property back. Will they help him? And will Abner be able to overcome his fear of the dark?

Directed by Sanzel, the eight-member adult cast delivers an energetic performance that touches on the power of friendship and the importance of helping others.

Accompanied on piano by Douglas Quattrock and choreographed by Bianco, the song and dance numbers are terrific, especially “Into the World I Go” by Abner, the downright creepy “It Will All Fade to Black” by Dora, the sweet “A Witch Is a Person” by Lavinda and the fun group number, “It’s Ma Who Makes the Toast.”

The end result is a hauntingly fun afternoon that children and parents will love.

Snacks and beverages are available for purchase during intermission and booster seats are available. Costumes are encouraged and souvenir cat, pumpkin, vampire and ghost dolls will be available for purchase before the show and during intermission for $5. Meet the cast in the lobby for photos on your way out.

Theatre Three, 412 Main St., Port Jefferson will present “A Kooky Spooky Halloween” through Oct. 27. Children’s theater continues with “Barnaby Saves Christmas” from Nov. 23 to Dec. 29. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

The cast of 'The Addams Family'. Photo by Brian Hoerger

By Heidi Sutton

Halloween is still a few weeks away, but there’s something creepy and kooky and altogether spooky going on at Theatre Three that’s not to be missed.

The theater opens its 49th season with the musical comedy “The Addams Family,” a nostalgic trip down memory lane for fans of this atypical clan, and judging by the packed house on opening night, that amounts to quite a few.

Created by Charles Addams, the lovable, albeit macabre, family first appeared in a New Yorker comic strip in 1938 but truly came to life in the 1960s ABC television series starring John Astin and Carolyn Jones as Gomez and Morticia. The two film versions in the 1990s paved the way for the Broadway musical in 2010 starring Nathan Lane and Bebe Neuwirth.

The cast of ‘The Addams Family’. Photo by Brian Hoerger

Last Saturday’s opening performance began as it should, with the audience snapping their fingers or clapping their hands to the iconic theme song, and suddenly they appeared — all the familiar, eccentric characters we have all come to love — Gomez (Matt Senese), Morticia (TracyLynn Conner), Uncle Fester (Rick Grossman), Grandma (Ginger Dalton), Wednesday (Jessica Murphy), Pugsley (Max Venezia), Lurch (James Taffurelli) and Thing and Cousin Itt (both played by Cameron Turner). What followed was a fun, wonderful evening of live theater.

Directed by Jeffrey Sanzel, the show opens, most fittingly, in the family cemetery (“Oh the intoxicating smell of the graveyard!”) as the family lets their ancestors out of a mausoleum to celebrate what it is to be an Addams. It is here that we see the first of many “Thriller”-inspired musical numbers, expertly choreographed by Nicole Bianco, that dominate the show.

The storyline revolves around Wednesday who is all grown up and has fallen in love with a “normal boy,” Lucas Beineke (Matt Paredi) from Ohio (“the swing state!”), and wants to bring him and his parents, straight arrow Mal (Steve Ayle) and the perfectly rhyming Alice (Linda May), over for one “normal night.” She confides in her father that she wants to marry Lucas and makes him promise not to tell her mother yet, putting Gomez in several hilarious sticky situations and leading up to his solo, “Trapped (like a corpse in the ground).”

Matt Senese as Gomez and Jessica Murphy as Wednesday. Photo by Brian Hoerger

Uncle Fester, on the other hand, recruits the ancestors to find out if this is really true love, and if so, to help it along. Dressed in ghostly white costumes, they float in and out of every scene as they spy on the family’s affairs.

As the Beineke family arrive, they are invited to take part in the family game, Full Disclosure, during which everyone takes a sip from a sacred chalice and reveals something they’ve never told anyone. When Pugsley steals a magical potion from Grandma (“One swig of that and Mary Poppins turns into Madea!”) and pours it in the chalice, the evening takes a dark and eventful turn.

Accompanied by an outstanding eight-member band led by Jeffrey Hoffman, the 20 musical numbers perfectly tie the storyline together.   The costumes by Chakira Doherty are wonderful, especially for the ghoulish ancestors, and the Gothic set, cleverly designed by Randall Parsons includes panels that swivel and rotate to reveal different scenery. As the actors sing their solo or duet, they move toward the edge of the stage as the curtain closes, allowing the set to be quickly changed for the next scene.

With exceptional vocals, the entire cast become fully immersed in their individual character. The chemistry between Gomez and Morticia is as alive as ever. Morticia: “I feel darkness and grief and unspeakable sorrow.” Gomez: “I love it when you speak sexy, Cara Mia.” 

Matt Senese as Gomez and TracyLynn Conner as Morticia. Photo by Peter Lanscombe

Although she’s in love, Wednesday’s inner darkness makes several appearances, and Uncle Fester is as lovable as ever (yes, he is still in love with the moon.) Pugsley secretly loves to be tortured (electrocuted to be precise) by his big sister, Grandma is still wacky and Lurch is still grunting; but in the end they are just one big family that has to deal with every day issues just like everyone else.

In his director’s notes, Sanzel sums it up perfectly. “The ultimate message of ‘The Addams Family’ musical is to find out who you are so you can be true to yourself. Whether vacationing in the sewers of Paris, starting out in a new marriage or finding the spark in an old one, or flying to your true love (‘To the moon, Alice!’), the Addams Family and ‘The Addams Family’ remind us to ‘live before we die.’”

Go see this wonderful show. You’ll find much to cherish.

Stay after the performance for a photo with the cast on stage if you wish — the $5 donation goes to support the theater’s scholarship fund.

Theatre Three, 412 Main St., Port Jefferson will present “The Addams Family” through Oct. 27. Tickets are $35 adults, $28 seniors and students and $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

From left, The March Hare, The Dormouse and The Mad Hatter invite Alice to a Mad Tea Party in a scene from the show.

By Heidi Sutton

Alice and the Cheshire Cat

Oh my ears and whiskers! For too short a time, Theatre Three’s Children’s Theatre will present the musical “Alice’s Most Decidedly Unusual Adventures in Wonderland,” a modern twist on the Lewis Carroll classic novel of a girl named Alice who falls down a rabbit hole and has a most peculiar experience. Although the story is over 150 years old, it has remarkable staying power and is considered to be one of the best examples of the literary nonsense genre.

Written by Jeffrey Sanzel and Kevin F. Story, the show opens on a rainy day at Camp Lackaday Woods. The campers are bored and the lodge counselor tries to keep them entertained indoors with a sing-along. One of the campers named Alice (Meg Bush) sees a white rabbit (Heather Kuhn) appear and follows it, only to fall down a rabbit hole and meet The Cheshire Cat (Mark Jackett). “Which way should I go?“ she asks him. “It matters not where you go. When you get there you’ll find yourself here,” is the grinning reply, setting the tone for what’s to follow — a mind-bending production that’s simply delightful.

Alice meets The Caterpillar in a scene from the show.

During her “unusual adventures” Alice takes part in a “What’s Your Name” contest with The Caterpillar (Nicole Bianco); has a tea party with The Mad Hatter (Steven Uihlein), The March Hare (Kayla Jones) and The Dormouse (Julianna Bellas); hitches a ride with The White Knight (Matt Hoffman); meets Tweedledee (Jones) and Tweedledum (Hoffman); and is invited to a game of croquet by The Queen of Hearts (Ginger Dalton). When the kingdom’s tarts go missing, Alice is accused of stealing and must stand trial. Will she be found guilty by the queen and lose her head?

Of course, a show like this would not be possible without the supporting cast — members of the theater’s Preteen and Advanced Preteen summer acting workshop who play numerous roles including a deck of cards, flowers and contestants in a game show. The entire cast does a fantastic job.

Alice meets the Queen of Hearts.

Directed by Sanzel, the script is filled with riddles and jokes and the musical numbers, accompanied on piano by Douglas Quattrock, are terrific, especially “Tea!” by Uihlein (“We’re all mad here!”) and “Off With Their Heads” by Dalton (“Nothing cheers me up like a good clean chop!”).

Yes, the play is lots of nonsense, as Alice would say, but it sure is fun to watch. Don’t even try to figure it all out. It’s time to throw logic out the window and just sit back, relax and enjoy the show.

Buy a snack or beverage during intermission. Booster seats are available. Meet the cast in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson will present three more performances of “Alice’s Most Decidedly Unusual Adventures in Wonderland” on Aug. 10 at 11 a.m. and Aug. 11 at 11 a.m. and again at 2 p.m. 

Children’s Theatre continues with “Kooky Spooky Halloween” from Oct. 6 to 27 and “Barnaby Saves Christmas” from Nov. 23 to Dec. 29. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions Inc.

The cast of ‘The Princess Who Saved a Dragon’

By Heidi Sutton

Now through Aug. 9, Theatre Three’s Children’s Theatre presents the world premiere of “The Princess Who Saved a Dragon.” With book by Jeffrey Sanzel and music by Douglas J. Quattrock, the show combines magic, music, dance and a clever script to create an original fairy tale that is simply delightful.

It’s Princess Abigail’s 21st birthday, and her mother, the absent minded Queen Marjorie, has sent out birthday party invitations to everyone in the kingdom (including all eligible bachelors) — everyone except a wicked witch named Wicked Faery. 

The cast of ‘The Princess Who Saved a Dragon’

When the witch realizes she’s been left out of the festivities, she feels slighted and, after calling 1-800-Dragon, summons a fire-breathing serpent to wreak havoc on the land. The queen decrees that whoever slays the dragon may marry the princess. Will a brave knight come forth to save the day?

Directed by Sanzel, the seven-member cast does a wonderful job portraying the story, all the while emphasizing the importance of “just be who you are.” Michaela Catapano (Princess Abigail) gives us a modern version of a warrior princess, confident and brave and not in a rush to get married. Ginger Dalton (Queen Marjorie) is terrific as her forgetful mother, Nicole Bianco is perfectly cast as the Wicked Faery and Steven Uihlein draws the most laughs in the role of the scaly dragon who has a penchant for flowers. (“I’m a gardener, not a fighter.”) 

Andrew Lenahan as Knight Night, the dragon slayer, and Matt Hoffman as his squire, Julius Pleasant, make a great tag team; and jack-of-all-trades Aria Saltini plays over seven supporting roles throughout the show with ease.

Accompanied on piano by Quattrock and choreographed by Bianco, the song and dance numbers are fresh and exciting, especially Lenahan and Hoffman’s duet “The Night Knight Night Came to Be,” Catapano and Uihlein’s duet,“To Be Me” and the fun hip-hop/rap “Spell to Raise a Dragon” by Bianco.

From left, Nicole Bianco and Michaela Catapano in a scene from the show.

Costumes by Teresa Matteson and Toni St. John hit their mark, from Princess     Abigail’s armor and sword to a shimmering dragon outfit to a purple and black witch costume complete with an impressive set of horns.

Now putting a twist on well-known fairy tales is Sanzel’s forte, but this particular “princess and dragon” scenario is so topsy-turvy that nothing is what it seems and hilarity ensues. Although the tale involves a witch and big flying reptile and is told with the use of stage smoke and flashing lights, there is nothing scary about it.

During last Friday’s opening performance, the children in the audience embraced the new show as giggles and laughter filled the theater. When the dragon, aka Scales, appeared at the end of the first act, the excited youngsters pointed and yelled, “I see it! I see it!” And when the cast made its way up the aisles to the lobby for photos after the show, they were greeted with high fives and hugs, a true testament to the magic of live theater.

Theatre Three, 412 Main St., Port Jefferson will present “The Princess Who Saved a Dragon” on July 13, 14, 20, 21, 27, 28 and Aug. 9 at 11 a.m. and Aug. 3 at 1:30 p.m. Children’s theater continues with “Alice’s Most Decidedly Unusual Adventures in Wonderland” from Aug. 3 to 11 and “Kooky Spooky Halloween” from Oct. 6 to 27. Booster seats are available and costumes are encouraged. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions Inc.

The three bears, from left, discover Goldilocks sleeping in Baby Bear’s bed.

By Heidi Sutton

Summer is just around the corner, making for the perfect opportunity to review safety and stranger danger protocols with young children. Theatre Three’s latest show, “Goldilocks — Is That You?” accomplishes just that through the magic of live theater.

The cast of ‘Goldilocks — Is That You?’

The original musical, written by Jeffrey Sanzel and Kevin F. Story, is an interpretation of one of the most popular fairy tales of all time, “Goldilocks and the Three Bears” by Robert Southey, and encompasses all of the beloved characters from the original story plus a few colorful new ones.

In this production, Papa Bear, Mama Bear and Baby Bear are show biz bears who have retired from the circus and are now living in a house in the country. It’s the first of the month and the banker, Billy de Goat Gruff, has come to collect the rent money, which they don’t have. The grouchy goat gives them until the end of the day or they will be kicked out. While their porridge is cooling down, the bears decide to go for a walk to think of ways to come up with the rent.

In the meantime, Goldilocks, a Campfire Bluebird Pioneer Scout Girl who lives with her grandmother Granny Locks, sets off to her cousin’s house to deliver cookies. She ends up at the bear family’s house by mistake and lets herself in. In one of the funniest scenes of the show, Goldilocks tastes the three bowls of porridge, sits in the three chairs and tries out the three beds, choosing Baby Bear’s bed in which to take a nap.

When Granny Locks realizes that Goldilocks has not arrived at her destination, she seeks the help of local forest ranger Wolf Hunter to find the missing girl. They arrive at the bear’s house just as Baby Bear realizes that “someone’s been sleeping in my bed, and she’s still there!” Luckily for Goldilocks the bears are friendly — they even know Granny Locks from their circus days when she was Eloise of the Flying Trapeze. 

But all’s not well. The banker still wants his rent money, so the group puts on a show to help young people learn about safety to raise the funds. Soon all the children in the audience are learning about the importance of staying safe and that “strangers can mean danger — so don’t talk to strangers.”

Eric J. Hughes, Nicole Bianco and Jessica Contino play the three showbiz bears in ‘Goldilocks — Is That You?’

Expertly directed by Sanzel, the talented cast of seven adults put on a charming and funny show, evident by the constant giggles from the young audience at last Saturday’s opening performance. Meg Bush is perfectly cast as the sweet and innocent Goldilocks and Dylan Robert Poulos, channeling his inner Gilbert Godfrey, is hilarious in the role of Billy de Goat Gruff. Eric J. Hughes, Nicole Bianco and Jessica Contino tackle the roles of the three bears and do a fine job, especially Contino as the adorable Baby Bear. Ginger Dalton plays a fun Granny Locks and Steven Uihlein as the superhero Wolf Hunter, Forest Ranger (“Wherever there’s trouble or danger, you’ll find Wolf Hunter, Forest Ranger!”) is an audience favorite.  

The musical numbers, accompanied on piano by Steve McCoy, are delightful; the choreography by Nicole Bianco, which incorporates baton twirling, ballet and tap, are fresh and exciting; and the costumes, by the design team of Teresa Matteson and Toni St. John, are amazing, especially on the bears and Billy De Goat Gruff. 

All in all, the play can be compared to a great  big bear hug and is just right for young children from beginning to end. Meet the cast in the lobby for photos after the show.

Theatre Three, located at 412 Main St., Port Jefferson will present “Goldilocks — Is That You?” on June 2 and 9 at 11 a.m. with a sensory-sensitive performance on June 3 at 11 a.m. Children’s theater continues with “The Princess Who Saved the Dragon” from July 6 to Aug. 9 and “Alice’s Most Decidedly Unusual Adventures in Wonderland” from Aug. 3 to 11. Tickets are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions, Inc.

The cast of ‘Curtains’

By Heidi Sutton

Theatre Three closes out its 48th season with a rousing revival of the musical comedy whodunit “Curtains.” The show, which opened on the Mainstage last Saturday night, will keep the audience guessing, and laughing, right up to until the very end.

With book by Rupert Holmes and music and lyrics by John Kander and Fred Ebb (both of “Chicago” and “Cabaret” fame), the eight-time Tony-nominated show had a successful Broadway run starring David Hyde Pierce (who won a Tony for his performance) from 2007 to 2008. Now the hilarious musical comes to Port Jefferson and does not disappoint.

A scene from ‘Curtains’

The play takes place at the Colonial Theater in Boston in 1959. A theater troupe is performing a new cowboy musical “Robbin’ Hood!” (think “Oklahoma!”) on opening night. As the ensemble performs the final act, “Wide Open Spaces,” it is clear that the star of the show, Jessica Cranshaw (Meg Bush) is a complete mess — singing out of tune, missing dance steps and flubbing her lines. (“I was distracted all night by a man waving his hands at me,” she laments. “That was the conductor,” the director mutters.) 

A few minutes after the final curtain Cranshaw collapses and is rushed to the hospital. It is later discovered that she has been murdered. “Now she has a conflict — she’s dead.”

Lt. Frank Cioffi (Steve McCoy) of the Boston Police Department, a homicide detective who happens to be a musical theater buff, is assigned to the case. The entire company is suspect, so he immediately places them on lockdown, barring them from leaving the theater until the case is solved.

The reviews are in!

The reviews come pouring in and they are brutal, especially from the Boston Globe. The producers decide to invite the newspaper’s critic, Daryl Grady (Andrew Gasparini), back when the show has been revamped.

The crew immediately starts reworking the songs and improving the scenes, with more than the occasional input from Detective Cioffi. “I’ve done a little community theater,” he admits modestly. “In ‘Midsummer Night’s Dream,’ my Bottom was very well-received.” He is also distracted by one of the actresses, Niki (Jenna Kavaler) and their blossoming relationship is fun to watch.

In the meantime, a second victim, co-producer Sidney Bernstein (Lon Shomer) is found hanging from the rafters, Bernstein’s wife, Carmen (Mary Ellin Kurtz) is shot at and Cioffi is pushed off a catwalk and narrowly survives. The plot thickens.

As the show progresses, Cioffi starts peeling away the layers of this “family” to uncover romantic relationships, jealousy, blackmail, rocky family dynamics and infidelity. Will he be able to solve the crime in time or will the entire company be picked off one by one?

A scene from ‘Curtains’

Singing, dancing and clever humor abound in this production that showcases a cast of 23 uber-talented actors directed by Jeffrey Sanzel. The high-energy performances, choreographed by Whitney Stone, are exhausting to watch but the cast pulls them off with ease. The musical numbers, accompanied by a live orchestra led by Jeffrey Hoffman, are a nice blend of show tunes and love songs. The costumes and wigs designed by Chakira Dohertyn are fun, especially the cowboy and cowgirl outfits; and the Western-themed set, designed by Randall Parson, ties the whole show together nicely. 

The incredible cast also features Nicole Bianco, Christopher M. Fretto, Dylan Robert Poulos, James Taffurelli, James Schultz, Tracylynn Conner, Matt Senese, Melanie Acampora, Eric J. Hughes, Lindsay DeFranco, Kyle Breitenbach, Cassidy O’Brien, Steven Uihlein, Alex Esquivel, Jeffrey Pangurn and Kiernan Urso.

If you’re looking for a fun night out, don’t miss “Curtains.” Griswold’s Cafe, located on the lower level of the theater, will be open before the show and during intermission for a snack or beverage, and take a chance on a 50/50 raffle. You may win big! Running time is two and a half hours with one 15-minute intermission.

Theatre Three, 412 Main St., Port Jefferson will present “Curtains” through June 23. Contains mature content. After a brief hiatus, the 2018-19 Mainstage season will open with “The Addams Family” from Sept. 15 to Oct. 27. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Brian Hoerger, Theatre Three Productions Inc.