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Long Island native getting folksy with it

by Alex Petroski - February 19, 2016

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kirsten-maxwell-w — Kirsten Maxwell recently won a singer-songwriter competition in Florida. Photo by Ken Farrell

Huntington High School graduate Kirsten Maxwell, 23, was like all other high school students at the end of her senior year. When she graduated in 2010, the singer-songwriter didn’t know what she’d pursue at SUNY Potsdam in the fall.

“Both of my parents majored in music, but it didn’t occur to me that that was a path,” Maxwell said in a phone interview.

Her high school music teacher, Jason Giachetti, encouraged Maxwell to capitalize on her musical talent for a career.

She said Giachetti helped her put together a repertoire of songs and gave her music theory lessons every day at 7 a.m.

The hard work put into her foundation has paid off. After graduating from SUNY Geneseo in 2014 with a creative writing degree, she was a winner at the annual South Florida Folk Festival Singer-Songwriter competition in Fort Lauderdale in January.

That win may not come as a surprise to those familiar with her abilities. Giachetti, who is in his 16th year at Huntington High School, said he heard Maxwell sing for the first time during a vocal contest. Maxwell was in the chorus, but he said he didn’t know how talented she was until then, and told her she had to pursue a career in music.

“I’m just unbelievably proud of her,” Giachetti said in a phone interview. “For an educator of any sort, seeing one of their students really follow their dreams, it’s a dream come true.”

Maxwell’s path to a music career began long before high school, however. Her mother was an opera singer and her father was a conductor, and Maxwell said she grew up singing. When she was 12, she learned how to play the guitar and started writing some of her own songs.

“I’ve been writing ever since,” Maxwell said. She released her first album, entitled “Crimson,” independently in 2015. The album was part of a “healing process” following a particular relationship, she said, and its tone has a distinctive contemporary folk sound.

She is touted on her website as the “love child” of “Joni Mitchell and Gordon Lightfoot … raised with the help of godmothers Judy Collins and Maria Muldaur.” In her quest to make a living out of music, Maxwell said she’ll define her success by being not only financially stable, but also by being mentioned in the same breath as some of the iconic 1960s folksinging women.

“Things have changed, but I’d love to have the kind of career and image and respect that they’ve gained over the years,” she said.

Those who have heard her don’t hesitate to heap praise on the up-and-coming artist and her talent.

Jon Stein, who hosts a folk music-focused podcast called “The Hootenanny Cafe,” is a fan of Maxwell, according to her website.

“I never thought I’d ever hear a voice as angelic and mesmerizing as I did when I first listened to Joan Baez some 50 years ago, but then I heard the voice, songs and melodies of Kirsten Maxwell,” Stein said.

Maxwell credits her upbringing in Huntington as building a foundation for her music career, and now she will get to perform for the community that raised her. She is slated to perform a live show at the Huntington Public Library on March 25.

“It’s definitely significant in the fact that I have sort of a hometown pride and connection, growing up [and] being in the area,” she said.

Lookalike to perform John Denver tribute at Theatre Three

by TBR Staff - February 4, 2016

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Singer/songwriter to take fans down a road of memories

Ted-Vigil-3w-prev — John Denver tribute artist Ted Vigil. Photo by Heather Bunker

By Rita J. Egan

On Feb. 13, music lovers will be traveling country roads, and not-so country roads, to Theatre Three in Port Jefferson when the venue presents Ted Vigil: A Tribute to John Denver.

John Denver tribute artist Ted Vigil. Photo by Heather Bunker

For the last few years, Ted Vigil has been touring the country with the tribute show and providing the late singer’s fans a night of musical memories. When Douglas Quattrock, the theater’s group sales coordinator and director of development and marketing, and Vivian Koutrakos, managing director, found out the singer was interested in performing on Long Island, they watched a video of him and were extremely impressed.

Quattrock said that Vigil not only physically resembles the late singer but also perfectly captures how Denver would sing and perform right down to every intonation. “I was blown away because I grew up with his music,” he said.

Preferring rock music when he was younger, creating a John Denver tribute show wasn’t always the musical road Vigil was on. However, he couldn’t escape many noticing the resemblance to Denver, who died in a plane crash in 1997. He was only 53.

“I get it every day. I get it at the grocery store. I get it when I’m jogging with my ski hat on. It’s the first thing that my mother-in-law said when I met her 30 years ago: ‘You kind of look like John Denver’,” Vigil said in a recent phone interview.

When he began performing as a teenager in Olympia, Washington, Vigil would sing and play drums with local rock bands. The entertainer said the resemblance to Denver wasn’t as obvious when he was younger. He admitted he used to have big ’80s hair — “permed and ratted up. I definitely had a different look going on,” he said.

Vigil said that while his style of music was different from Denver’s, he was familiar with the singer’s songs because his mother would play the musician’s 8-tracks in her car.

While Vigil always enjoyed performing, after he got married and had children he took a break from the stage and worked as a truck driver. Through the years, his music style also changed. “As I got older I kind of started moving away from the harder rock and started listening to other stuff,” he said.

Once his children were older, Vigil started performing again, and the Denver look-alike found his musical style meshing with the legend’s more and more.

‘It’s the first thing that my mother-in-law said when I met her 30 years ago: You kind of look like John Denver.’ — Ted Vigil

In 2006 he, along with thousands of contestants from 28 states, New Zealand, Australia and Canada entered the Talent Quest 2006 contest in Laughlin, Nevada. He arrived at the contest prepared to participate in the rock/pop category where he sang the Led Zeppelin song,“Rock and Roll,” and the Guns N’ Roses hit, “Sweet Child O’ Mine.” When he arrived, someone suggested he also enter the country category.

While he didn’t win in rock/pop, he walked away with first place in the country category singing Denver’s “Annie’s Song” and “Rocky Mountain High.” While he was in Nevada, many commented on how he resembled the late singer, and after that he entered and won the KOMO TV 4’s Northwest Afternoon Celebrity Look-Alike Contest.

At his appearance at Talent Quest, he caught the attention of a pilot and sound engineer that both had worked with Denver, and they encouraged him to do a tribute show. His first one was in 2006, and by 2009, he was touring all over the states.

In 2010 Steve Weisberg, a former lead guitar player with Denver, began to perform on stage with Vigil. The singer said while touring for four years with Weisberg, who passed away in 2015, he learned a lot about Denver, and during downtime on the road, the guitar player would share with him how the late singer would approach songs.

“He was fun to play with and people loved him. He told stories and jokes on stage about his experience working with John. I really miss Steve,” the singer said.

Vigil admitted that even though he knew a few guitar chords, he needed to learn more for the tribute show, because Denver was an accomplished guitar player. Once he learned the songs on the instrument, he said he was blown away by the technicality.

“It was really a challenge for me to learn these songs on the guitar. I didn’t realize how great a guitar player John was. Also, how difficult it was to sing in a more quiet tone, and you have that voice control, you have the long extended notes, and with all the bravado and all that, it’s really beautiful. John used his voice like an instrument. He was just a really technical singer,” Vigil said.

The singer, who also is a songwriter, released an album in 2010 with his own and Denver’s songs. Currently, he is working on his next CD with all original tunes. He said performing Denver’s songs has affected his performances overall. “John has definitely influenced me a lot as far as style and just being a more rounded singer, instead of screaming rock ‘n roll stuff,” he said.

Vigil, who had the opportunity to play at Denver’s Windstar Foundation in Aspen before it dissolved, is looking forward to the intimate setting of Theatre Three. The singer, who has performed both solo and with a seven-piece band, said he’ll be bringing his solo show to the theater. While he enjoys performing with a band, he feels in some settings the audience can hear the lyrics better when there are less instruments, which he finds fitting for Denver’s music. “I think John’s music really was emotional, and it really hits the heart,” the singer said.

Vigil said he will perform at Theatre Three many of the songs that music lovers remember of Denver’s including “Rocky Mountain High,” “Take Me Home, Country Roads,” “Annie’s Song” and “Thank God I’m a Country Boy.” He also enjoys performing “Grandma’s Feather Bed,” “Like a Sad Song” and “Poems, Prayers and Promises,” which weren’t played on the radio as much as the legend’s other songs.

“My favorite songs are some of the side B record songs where they didn’t get a lot of airplay but they are just beautiful songs,” he said.

The singer will also perform a couple of his own pieces, including “Sing My Songs,” which he wrote as a tribute to Denver and other popular singers who have passed away.

Vigil is grateful to be touring and meeting so many interesting people and sharing their memories of Denver. He believes music is an important part of life. “It’s such a wonderful thing — music. It really helps people I think emotionally and spiritually and mentally to cope with life because life is hard,” he said.

Theatre Three, 412 Main Street, Port Jefferson, will present Ted Vigil: A Tribute to John Denver on Saturday, Feb. 13, at 8 p.m. Tickets are $35 per person. For more information, visit www.theatrethree.com or call 631-928-9100.

Sound Symphony Orchestra to hold annual Family Concert

Arts & Entertainment

by Giselle Barkley - January 28, 2016

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sound-symphony-w — The Sound Symphony Orchestra’s Family concert will feature music from ‘Peter and the Wolf’ and ‘Frozen.’ File photo

The Sound Symphony Orchestra is putting a twist on a classic family-friendly composition. Nearly every year the orchestra holds its family concert, and this year is no exception with its unique rendition of “Peter and the Wolf — Lost in the Museum!” this Sunday at the Comsewogue School District’s John F. Kennedy Middle School, 200 Jayne Blvd., Port Jefferson Station.

“We’ve built an extended narrative around Peter and the Wolf. So while the kids and their families are going to be hearing the story of “Peter and the Wolf” in its entirety, we’ve embedded it in a larger story,” said Dorothy Savitch, music director and conductor of the orchestra.

The original “Peter and the Wolf” symphony was written by Russian composer Sergei Prokofiev in 1936 with the intent to cultivate “musical tastes in children from the first years of school.” The story follows a young boy named Peter, a bird, a cat and a duck on an adventure to catch a devilish wolf.

However, the Sound Symphony Orchestra’s rendition depicts a boy of the same name whose drawing of a wolf comes to life and jumps into a painting during a trip to the art museum. The orchestra helps bring the paintings and the story to life alongside narrator Comsewogue School District Superintendent Joseph Rella, as Peter gets lost during his quest for the wolf.

According to Savitch, the orchestra hopes to excite children and spark their imaginations by incorporating paintings from the Brooklyn Museum.

“I think by letting our imaginations go, by allowing different kinds of art to speak to each other and speak to us, we can better express ourselves,” Savitch said.

“Frozen” will also get its five minutes of fame as the orchestra highlights portions of the film in the concert, which is always a big hit among younger audiences. Savitch added that “kids always start singing along with all the melodies they know so well.”

But viewers of all ages won’t simply be entertained but also treated to passes to the Brooklyn Museum upon request. The Brooklyn Museum donated 125 passes to the orchestra in light of the concert. Those interested in exploring the museum and finding the painting incorporated in “Peter and the Wolf — Lost in the Museum!” can get a pass at the door once the concert ends. Children can also receive handouts with games and puzzles based on the concert.

While children do not perform in the orchestra, the 65-member ensemble has a variety of musicians from 17 to around 80 years old. Savitch said some orchestra musicians have served the ensemble for around 30 years. Now, they have several generations of family members who perform for the ensemble. Savitch started working with the orchestra around 20 years ago.

For Savitch, the concert’s story line hits a sweet spot. “For me and for many people [in the orchestra], the composition was our doorway into loving classical music.”

Residents can see Peter find his wolf and a way home on Sunday, Jan. 31, at the John F. Kennedy Middle School’s auditorium at 2 p.m. Tickets are $10 for adults, $5 for seniors and students and will be sold at the door. Admission is free for children 12 years old and under. For more information, call 631-827-9022.

Homegrown band on verge of musical stardom

by Alex Petroski - January 15, 2016

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GnarlyKarma_Drummer_JarrodBeyer_Petroski_1-12-16w — Drummer Jarrod Beyer plays at a Gnarly Karma rehearsal on Jan. 12. Photo by Alex Petroski

Rocking out is the name of the game for a Huntington-based band of driven twentysomethings who are preparing for their biggest show yet.

On Saturday, Jan. 23, they’ll be headlining The Bitter End, a Manhattan music venue that has hosted the likes of Stevie Wonder, Lady Gaga and Bob Dylan.

“It’s awesome,” Jarrod Beyer, the band Gnarly Karma’s drummer, said in an interview Tuesday. “We’re all ready for the task. This is what we’ve been working for, big shows in the city.”

Initially, Beyer said the Greenwich Village venue only offered the band a weeknight spot. However, just a few weeks later, the person in charge of The Bitter End’s booking called Beyer to tell him he had heard some of their music and felt that they were weekend quality, and would have the opportunity to headline a Saturday night show.

“It’s definitely a lot of excitement,” bassist Ryan McAdam said about the gig. “I always get a little nervous a couple of minutes before, just waiting to go on stage. We put a lot of work in, so we always feel pretty comfortable going into the shows. I’m pretty confident we’re going to bang out a great set.”

Bassist Ryan McAdam, lead singer Mike Renert and saxophonist Billy Hanley practice at a Gnarly Karma rehearsal on Jan. 12. Photo by Alex Petroski

It turns out the Huntington community set the perfect stage for this band to come together.

Beyer, 25, graduated from John Glenn High School in Elwood in 2008, and first met Mike Renert, the band’s 29-year-old lead singer and guitarist, through a mutual friend about four years ago.

“When you play music with someone, you know in the first 30 seconds if it’s going to work, and that just happened,” Renert said about the first time he and Beyer got together to jam. “It was one of the first times in my life that I … was just like, ‘Hey, I have this song,’ and I started playing, and he played, and it was like, ‘Whoa, that’s the first song and that was exactly what I wanted to hear.’ And it just went from there.”

Renert and Beyer’s natural chemistry inspired them to expand. Beyer had been in another band as a teenager — he called 24-year-old McAdam, another John Glenn graduate from Huntington whom he had experience with.

“He came through, and he gelled with us perfectly,” Beyer said of McAdam.

The band was still missing a little something, so when Beyer heard that Billy Hanley, 25, a saxophone player who Beyer had played with in the John Glenn High School jazz band, was running a record studio in the area, suddenly there were four bandmates.

Gnarly Karma released their first studio album, “Classic Breeze,” via iTunes in September 2015. The group has a familiar but unique sound — they could be described as a distant cousin of The Dave Matthews Band, with a punk edge.

The guys credited their small-town upbringing as a vital ingredient in their success.

“It’s very small, so you know everybody, even if you don’t want to know everybody,” Beyer said. “So it’s kind of cool that, as we got more progressive into music, people who we haven’t talked to in a long time are coming to our shows and supporting us.”

Popular acoustic concert series heads west

by Ellen Barcel - December 9, 2015

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Butchers-Blind-w — Butchers Blind will be one of the last bands performing at the Sunday Street Concert series' old venue. Photo from Charlie Backfish

By Ellen Barcel

The University Cafe at Stony Brook University will be closing early in 2016 due to renovations of the Student Union, but that doesn’t mean that the wonderful series of Sunday Street Concerts, which have been held there for more than a decade, will be ending.

First, going out with a really special performance, the Sunday Street Concert series will present its final show at the University Cafe on Saturday, Dec. 12, which will include Butchers Blind, Chris Connolly and Bryan Gallo, beginning at 7:30 p.m. Tickets are $10.

“For our last hurrah at the cafe, we’re presenting some of Long Island’s finest young musicians in a very special evening to benefit WUSB-FM and the Sunday Street Series as it moves to its new venue,” said Sunday Street Concert series producer Charlie Backfish.

Then, changes will take place. One is that the venue itself will change, effective 2016. Future concerts will be held down the road in the Gillespie Room of the Carriage Museum at the Long Island Museum, in Stony Brook. Wine, beer and cider will be available there.

A second change is that the concerts will be open to all ages. “That’s particularly good news because we have had parents wanting to bring their children to shows but had to say ‘no’ due to the university policy for the cafe,” said Backfish.

The Sunday Street Concert series will welcome Sloan Wainwright on Jan. 17 to its new venue at the Long Island Museum. Photo from Charlie Backfish

A third change is sponsorship. “This new direction for us is an interesting partnership between the Sunday Street Series, WUSB Radio (90.1 FM, the university’s own radio station), the Greater Port Jefferson Arts Council and the Long Island Museum,” said Backfish. “LIM has been expanding their programming to include music (the North Shore Pro Musica is already holding their concerts there), the GPJAC supports live performances in our area, and the Sunday Street Series of WUSB was seeking a new venue in order to continue. This all was a perfect match.”

Backfish, who is the director of field experience and student teaching in the Department of History at SBU, also hosts the radio station’s Sunday Street morning program, from 9 a.m. to noon. featuring acoustic, folk and singer-songwriter music.

“I’ve had a lot of performers joining me on air during my radio program, Sunday Street, on Sunday mornings on WUSB. Norm Prusslin, the former general manager of WUSB, suggested thinking about having some of these artists follow up a radio appearance with a show at the University Cafe, at that time a new venue,” he said. “It seemed like a very good idea and the result has been this series, which has now had 175 shows during its existence.”

What will not change is the great lineup of musicians who will be performing. The first concert of the new year is scheduled for Sunday, Jan. 17, at 3 p.m. when Sloan Wainwright, known for a variety of American music styles including pop, folk, jazz and blues, will be performing. Tickets are $22 in advance, $27 at the door (cash only), if available. “Sloan Wainwright is a great singer whose amazing alto voice powers songs of others as well as her own songs. No surprise since she is part of a well-known musical family, with her brother Loudon Wainwright, and her nephew Rufus and nieces Martha and Lucy,” added Backfish.

The second scheduled 2016 performance will be on Sunday, Jan. 31, at 3 p.m. when Willie Nile will be performing. Advance sales are $25, $30 at the door (cash only), if available. “Willie Nile is a legendary figure on the rock music scene who came to prominence with a debut album hailed by critics. He writes powerfully and always delivers high-energy performances … Since his most recent album is a collection of his songs played on a grand piano, we’re looking forward to Willie making use of the grand piano in the Gillespie room at LIM,” said Backfish.

Another thing that won’t change includes the annual Dylan show. “Our annual celebration of Bob Dylan’s birthday in May has always been special since we assemble a group of musicians who are devotees of Dylan’s work … We’ll continue this tradition at the LIM on Saturday, May 21, at 7 p.m.,” said Backfish. “Coincidentally, the museum at the time will be presenting a traveling exhibition from the Rock and Roll Museum and Hall of Fame,” he added.

The future schedule includes the Scottish band, The Paul McKenna Band in March, Ian Matthews and Plainsong in a tribute to Richard Farina in April and John Gorka, also in April. For details and tickets for the 2016 performances go to www.sundaystreet.org or www.gpjac.org.

The museum, which curates a large number of Setauket artist William Sidney Mount’s paintings, is a very appropriate venue for concerts. Mount not only had many musical themes in his paintings but also played the violin himself as well as designing a violin. “You can almost hear echoes of” him at the museum, noted Backfish.

The Sunday Street Concerts received a warm “reception from the folks at the Long Island Museum,” he added. “I’m really happy we were able to do this. The people at the LIM … want to expand their music — it’s very timely.” Backfish noted that the movement to the Long Island Museum really “expands what the museum does since they already are the venue for North Shore Pro Musica’s concerts.”

The move to the LIM “parallels some of the things they will be doing. For example, an exhibit on traveling music festivals … It couldn’t be better timing,” noted Backfish, adding, “We’re delighted that the LIM has been so supportive in enabling us to continue this series in a great new venue.”

“We are very fortunate to be involved in this,” said Neil Watson, executive director of the LIM. “This is our second season of North Shore Pro Musica. The museum is a cultural hub. We are trying to engage as many people as we can, create as many experiences as possible. I was interested in creating a singer/songwriter series after Pro Musica. When Charlie came to us about losing their space, the collaboration with him grew — a great marriage. We have a wonderful space and sound system and Charlie has the experience booking the talent. I’d like to do a jazz series in the future. We are beyond thrilled, so happy about it. People can experience the museum not only through their eyes but their ears.”

Regarding the future LIM music exhibit beginning in May, Watson noted, “It’s an opportunity to look at culture … All festivals were a lightning rod for more than just music.” He added that during the exhibit there will be talks, panel discussions and additional music.

Backfish will welcome Watson and Joshua Ruff, director of collections and interpretation of the museum, as his guests on Sunday morning, Dec. 13, on his show on WUSB (90.1 FM and wusb.fm) to discuss the partnership of the Sunday Street Series with the Long Island Museum.

The Long Island Museum of American Art, History and Carriages is located at 1200 Route 25A in Stony Brook. It is a Smithsonian affiliate. For further information on the museum, visit www.longislandmuseum.org or call 631-751-0066.

20th annual Charles Dickens Festival brings the fun

by TBR Staff - December 7, 2015

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Port Jefferson was crawling with costumed characters and Christmas spirit on Saturday and Sunday for the 20th annual Charles Dickens Festival.

Residents and visitors took rides on horse-drawn carriages, met Santa Claus, heard music from the 19th century and checked out a puppet parade.

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Long Island kid boogies on Broadway in School of Rock musical

by Victoria Espinoza - November 25, 2015

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School-of-rock-boy_02w — Brandon Niederauer plays during a show. Photo from Gary Niederauer.

This young boy from Dix Hills sure knows how to rock.

Brandon Niederauer, 12, has only been playing the guitar for four short years, but he has already had more career milestones than most kids his age.

Brandon has already played on The Ellen DeGeneres Show, with the Allman Brothers Band, and at The New Orleans Jazz and Heritage Festival. But his most recent accomplishment is perhaps his most impressive.

Brandon Niederauer plays during a show. Photo from Gary Niederauer

This December, he will be in Andrew Lloyd Webber’s newest musical on Broadway: “School of Rock-The Musical.” Brandon said he first became interested in playing the guitar after seeing the original movie, “School of Rock.”

After competing against more than 50 musicians to get the part and going through an eight-week workshop, Brandon said he got the call that he had gotten the role while he was playing basketball with his brother.

“All the kids and adults in the cast get along really well,” Brandon said in an email. “We have a lot of fun playing pranks and joking around. We are like a family.”

As for working with legendary composer Webber, Brandon said he has already taught him a lot.

“School of Rock — The Musical” officially opens on Dec. 6 at the Winter Garden Theatre.

This month, Brandon performed on The Late Show with Stephen Colbert to promote the musical.

According to Brandon, when Webber was asked to be a guest on the show, the producers thought it would be a good idea to have him on the show as well.

“I was very honored to play the whole set with such an amazing band,” Brandon said. “I was one of the band. There is something special about that. They showed me the music and set list right before the show and I had so much fun playing and fitting it.”

Brandon Niederauer in "School of Rock — The Musical." Photo from Gary Niederauer. — Brandon Niederauer in “School of Rock — The Musical.” Photo from Gary Niederauer.

Brandon will also be performing with his cast in The Macy’s Thanksgiving Day Parade this year on the Gibson guitar float.

“Being on the Gibson float is a dream come true,” Brandon said. “I saw that float a year ago and said, ‘I want to do that.’”

Brandon’s father, Gary Niederauer, said he knew right away that his son had special talents.

“I knew after the first lesson,” Niederauer said in an email. “Everything was easy and natural for him. He knew where all the scales were after only being taught one.”

As for seeing his son up on stage, Niederauer said he delivers every single time.

“It is thrilling to be able to watch your son create amazing sound from nothing with other amazing advanced musicians,” he said. “I really can’t believe it. He has no fear and loves to perform for an audience.”

When asked about any plans for the future, Brandon said there’s nothing concrete.

“I have been a guitar player, singer, writer — now I’m acting on Broadway,” he said. “I really have no plan. Things have been happening on their own, so whatever it is, I just want it to be fun!”

Local library to host American roots artist Marc Berger

by TBR Staff - November 4, 2015

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Marc-Berger-w — Marc Berger photo by Jill McCracken

By Stacy Santini

Mocha buttes rising upward from the soil, vistas framing breathtaking views of distant snow-capped mountains, Indian-traveled sandstone underfoot, rock formations resembling Donatello sculptures, rushing rivers and sienna sunsets; visually, there is no place comparable to the American West.

It is hard to imagine that beauty such as this can be as relevant cinematically in song and just song alone, but lyric-ace Marc Berger has managed to capture this imagery with his album RIDE and will be sharing it with the community at a free concert at North Shore Public Library in Shoreham on Nov. 6 at 7 p.m.

Berger’s relationship with the West began while studying law at Rutgers University. When he was 21, he embarked on a cross country journey that would alter his life and career path for ever. Berger describes this catharsis, “Probably because I grew up in the Northeast, I had a strong desire to go out West when I travelled, and the effect it had on me was staggering. I explored the Mojave Desert, Yosemite, all of it, and I came home transformed. Every year for 5 years, making this journey was an integral part of my existence. On each drive I went further inward. At that time, there were no distractions, no cell phones and such. It was a beautiful thing.”

As a result of his travels, he began to write songs about his experiences. Success welcomed Berger early on. His first attempt at his to music publishing firms found him signing a contract. Along the way, icons like Richie Havens befriended him and were very interested in his work. Havens recorded Berger’s song “The Last One” in 1982 and it received much attention.

It was not long before Berger realized that if he wanted to truly make a contribution to the culture he was living in, he needed to sing. “After Richie did my song, I got to thinking about how singing my own lyrics would be the only true expression of myself, and so I willed myself to sing and perfect my voice,” says Berger.

Berger’s roots run deep within the music industry. He has opened for Bob Dylan and other equally impressive bands and musicians. Collaborating with him on his next album, starting in December, will be world class instrumentalists such as Tony Garnier, bass player for Bob Dylan and Paul Simon; Joe Flood, mandolin and fiddler for Levon Helm; and Eric Ambel, guitarist for Joan Jett. Garnier can also be heard on several tracks on RIDE.

Joe Wawrzyniak from Jersey Beat calls the new album “Supremely tuneful and colorful … One can almost taste the dust and feel the desolation of the wide- open prairies while listening to this exquisitely harmonic gem.”

With RIDE, Berger’s passion for the West and his music are palpable, “I don’t think of it as music, but as art, and the art form is secondary to the artist. It is a vehicle to communicate a personality that is only the artist. The most challenging part of this was getting the recording equipment to be pictorial; meaning that I did not want you to just hear a song and picture a band, I wanted you to actually see the great American West, be there present in it,” he said.

With songs such as “Montana,” “Nobody Gonna Ride on the Railroad” and “Heavenly Ancients,” Berger accomplishes just that.

Accompanying Marc next weekend on bass is Rich DePaolo, an extraordinary talent himself. “It is Marc’s vision for sure. I have been working with him for over fifteen years. He is very focused as an artist and clear as to how he wants his vision realized. It is a jot to be a part of this,” he said in describing the collaboration.

North Shore Public Library is a venue that never disappoints when it comes to its concert series. “I am a fan of the American West. Marc’s song, ‘Heavenly Ancients’ on RIDE brought me back to being on the desert floor and glaring up at the sky. His music really captured the awe of the landscape,” said librarian Lorena Doherty.

“I have been doing adult programs here for some time now, bringing in multicultural programs and classical music. Having Marc Berger come here is unique and different. It is very exciting as I am finding that independent musicians have great appeal. We had an amazing turnout for ‘Miles to Dayton’ and I expect the same for Marc,” she added.

North Shore Public Library is located at 250 Route 25A in Shoreham. For more information, please call 631-929-4488.

Harvest Fest is a scary good time

by TBR Staff - October 26, 2015

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It was a howling good time at the Port Jefferson Harvest Festival on Sunday, Oct. 25. Dogs came out in their best costumes to celebrate Halloween a little early and there were woodcarving demonstrations and activities for kids.

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Father-daughter duo takes stage by storm

by Giselle Barkley - October 26, 2015

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Sound-Beach-Pet_Sept_2015_01_barkleyw — Sal and Gina Mingoia perform at the Sound Beach civic’s Pet Adopt-A-Thon on Saturday, Sept. 26, at the outside of the Hartlin Inn. Photo by Giselle Barkley

Sal Mingoia grew up in a musical family, and now, so does his 17-year-old daughter and performer in crime, Gina.

The daddy-daughter duo began performing together five years ago after Sal Mingoia invited his daughter to one of his gigs. Gina Mingoia showed an interest in music at a very young age, according to her father, and her interest sparked his idea to invite his then 12-year-old daughter to the bar where he was scheduled to perform.

“I’m nobody’s warm-up act,” Sal Mingoia said.

Since then, the Shoreham pair took the stage together — Sal Mingoia on the guitar and vocals and Gina Mingoia as the lead singer — performing country and original songs the daughter writes. While Sal Mingoia is no stranger to the music scene, as he started performing in bands at 14 years old, he and his wife Denise never thought their daughter would perform.

“She was the shyest kid,” her mother said. “She would be hiding here behind me.”

The first time their daughter sang for an audience was during a family event. Her mother remembered her sitting on a chair in front of the refrigerator looking at a sheet of music as she played the guitar and sang for her family. This was before a teacher made her a lead character in a school play, which helped Gina Mingoia combat her shy demeanor.

Last year, her voice and determination took her as far as “The Voice.” After auditioning for the show last July, the judges told her to come back and they would automatically put her through to the second round. She has yet to go back and try out.

For Sal Mingoia, entering the music scene was not as nerve-wracking. His father was a jazz guitar player before he passed away, and although Sal Mingoia never received formal lessons, his father tapped into his musical abilities when he was a child. The father’s three brothers and sisters are also musically inclined. Family functions like birthdays and holidays such as Christmas are never a dull moment for the Mingoia family as each event allows the family to perform together.

While singing is fun for the family and the daddy-daughter duo alike, practicing and performing is a balancing act for Sal Mingoia and his daughter. The summer months are busier for the pair as they regularly perform at the Baiting Hollow Golf Club. However, during the academic year Gina Mingoia, a Shoreham-Wading River student, balances school and other activities while her father’s availability is more limited, as he also serves as a Suffolk County policeman and a performer for a folk rock band.

“It’s not easy — I have to schedule myself a few days in advance,” Mingoia said regarding scheduling practice with his daughter.

The two admitted that practices can be stressful.

“Singing is easy, you just have to hear the song once and then you can sing,” Gina Mingoia said. “But to learn the guitar part, you have to play around with [the song] and find the notes you’re looking for. It stresses me out when he doesn’t know what he’s going to do ahead of time.”

Finding appropriate songs to perform is another issue. When it comes to performing cover songs, the pair needs to find a song that works for them, both musically and lyrically. The song must be appropriate for the two to sing, but they also need to transform the piece. On the radio, the music incorporates several instruments, background singers and other levels, but for the daughter and her father, it’s just them and a guitar.

Performing at sensitive events like fundraisers for Gina Mingoia’s former friend, Tom Cutinella, a Shoreham-Wading River High School football player who died last year after suffering a fatal injury from a collision during a game, are also difficult. The two usually “feel out the crowd” to see what songs might work best.

While the duo figures out their plan as they practice for gigs, Sal Mingoia said he doesn’t mind if his daughter goes solo.

“For me, I’m just kind of her back-up band,” he said. “I think it’s a unique thing that it’s a father-daughter thing. Not too much of that is happening, but if someone wanted to sign her and throw me aside, that’s perfectly fine.”

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