Tags Posts tagged with "Michelle LaBozzetta"

Michelle LaBozzetta

By Heidi Sutton

Who doesn’t love a good fairy tale, especially one like “Cinderella,” which is reputed to be one of the most adapted and re-interpreted children’s stories of all time?

To the delight of all the little princesses out there, Theatre Three in Port Jefferson kicks off its 2019-20 children’s theater season with an original musical retelling of the “rags to riches” tale through Aug. 9. With book, music and lyrics by Douglas J. Quattrock, this version of “Cinderella” combines Charles Perrault’s classic tale with Mark Twain’s “The Prince & the Pauper” to produce a lovely afternoon at the theater.

Perrault (Steven Uihlein) serves as narrator as well as “squire to the sire” and transports audiences to the kingdom of King Charming (Andrew Lenahan) who wishes to retire to Boca Raton and pass the crown to his son, Prince Charming (Matt Hoffman). However, the king feels that his son should get married first and invites all eligible maidens to a royal ball.

The squire delivers the invitations to the home of Cinderella (Meg Bush) who after 300 years is still being treated badly by her stepmother Lady Jaclyn (Nicole Bianco) and stepsisters Gwendolyn (Michelle LaBozzetta) and Madeline (Krystal Lawless). When Cinderella asks if she can go to the ball, her stepmother tells her she has to do all her chores first, including washing the cat, but we all know how that ends. 

Left behind while the step meanies go to the ball, the poor girl is visited by her fairy godmother, Angelica (Emily Gates) who cooks up a beautiful gown and sends her on her way.

Meanwhile, the prince concocts a plan to switch places with the squire in hopes of meeting a girl who will like him “for who he is, not what he is.” Things go horribly wrong at the ball, thanks to the ill-mannered stepsisters, and it ends before Cinderella can get there. When she finally arrives, Cinderella is greeted by a squire (the prince) who asks her to dance because “the band is paid till 1.” Will she take him up on his offer? Will they waltz the night away?

Directed by Jeffrey Sanzel, the eight-member cast does an excellent job in portraying this adorable story. One of the funniest scenes is when the prince and squire show up at Cinderella’s house with the glass slipper and the stepsisters and even stepmother try it on with the same result: “I think it’s on. All hail the queen! Ouch, take it off!”

Accompanied on piano by Douglas J. Quattrock, all of the sweet musical numbers are wonderfully choreographed by Nicole Bianco, with a special nod to “Please, Mother, Please!” and “A Girl Like Me (and a Boy Like You).” 

The costumes, designed by Teresa Matteson and Toni St. John, are flawless, from the royal garbs worn by the king and prince to the fancy gowns worn at the ball. The wings on the fairy godmother even light up — a nice touch. Lighting design by Steve Uihlein along with some special effects pull it all magically together.

If you’re looking for something to do with the kids for the summer, Theatre Three’s “Cinderella” fits the bill perfectly. Souvenir wands are sold before the show and during intermission. Meet the cast in the lobby after the show.

Theatre Three, 412 Main St. in Port Jefferson presents “Cinderella” through Aug. 9. Children’s theater continues with “Pinocchio” from Aug. 2 to 10; and “A Kooky Spooky Halloween” from Oct. 5 to 26. All seats are $10. For more information or to order, call 631-928-9100 or visit www.theatrethree.com. See more photos online at www.tbrnewsmedia.com.

Photos by Peter Lanscombe, Theatre Three Productions Inc.

By Heidi Sutton

Spring is in the air and that means the return of one of the most adorable children’s shows on the planet — “The Adventures of Peter Rabbit” at Theatre Three in Port Jefferson. Written by Jeffrey Sanzel and the late Brent Erlanson, with music by Kevin F. Story, the show is based on “The Tale of Peter Rabbit” by Beatrix Potter.

Published in 1901, the story and its endearing illustrations were inspired by Potter’s pet rabbits, Benjamin Bouncer and Peter Piper. It has been translated into 36 languages, and with 45 million copies sold, is one of the best-selling books of all time.

Going against his mother’s wishes, Peter Rabbit (Eric J. Hughes) is always sneaking into Mr. McGregor’s garden to satisfy his insatiable appetite for parsley, tomatoes and string beans. His partner in crime, cousin Benjamin Bunny (Steven Uihlein), is just as naughty, eating all the carrots he can find and this constant marauding is testing the farmer’s patience. It’s a cat and mouse, or should I say, farmer and hare game that is about to go terribly wrong.

Directed by Sanzel, the show is fast-paced and action-packed with so many wonderful scenes often taking place off stage and among the audience. Flopsy, Mopsy and Cottontail (Nicole Bianco, K.D. Guadagano and Michelle LaBozzetta) spend much of their time looking for their wayward brother and cousin throughout the theater and enlist the young audience’s help to find them before Mrs. Rabbit (Elizabeth Ladd) comes back from the market and the McGregors (Andrew Lenahan and Emily Gates) chase Peter and Benjamin down the aisles in an attempt to save their garden.

Over the years, I’ve seen this show at least 10 times, but this latest production is the best one yet. Perhaps it is because the cast is able to utilize the Mainstage set of “The Miracle Worker,” adding Peter’s bedroom for the first time and giving the show more dimension. Maybe it is the revamped choreography by Nicole Bianco or the creative lighting by Steven Uihlein. Possibly it is the boundless enthusiasm from the cast, drawing their energy from the constant giggles and laughs from the children and parents in the audience or that the songs are by now classic and timeless. 

Whatever the reason, this gem of a show is like a fine wine and just gets better with age.

Souvenir bunnies are sold before the show and during intermission for $5. Join the entire cast in the lobby for a meet and greet on your way out.

Theatre Three, 412 Main St., Port Jefferson will present “The Adventures of Peter Rabbit” through April 27 with special performances during spring break. After a brief hiatus, children’s theater continues with “Cinderella” from July 6 to 27 followed by “Pinocchio” from Aug. 2 to 10. Tickets are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lancombe, Theatre Three Productions Inc.

By Heidi Sutton

From Mainstage productions to children’s theater, to concerts and film screenings, comedy shows and improv, Theatre Three always has a lot to offer. However, it is the Festival of One-Act Plays that many look forward to each year with eager anticipation. 

Showcasing six original works selected from 425 submissions, the 22nd annual festival opened last weekend for a nine-performance run in the intimate setting of The Ronald F. Peierls Theatre on the second stage. 

Directed by Jeffrey Sanzel, each short play is exciting; some dark, some funny, some sad, with lots of twists and turns. It is the unknown, the unfamiliar that makes it all so entertaining to watch. 

The show kicks off with Tom Slot’s “Playlist to Have a Crisis To.” Teenager Alexis (Nicole Bianco) has just hit a burglar dressed in a Santa Claus suit (Stephen T. Wangner) with an encyclopedia and he’s on the floor unconscious. She calls her girlfriend Tanya (Michelle LaBozzetta)to come over to wait for the police to arrive. When the man wakes up he claims to be the real Santa Claus. He knows things only Santa would know, but everyone knows he’s only a legend, right? And if he is real, will Alexis always be known as the girl who beat up Father Christmas?

Next up is “For a Moment in the Darkness, We Wait” by Libby Leonard, the touching story of two gay men, the older Bernard (Douglas Quattrock) and teenager Connie (Ryan Schaefer) struggling to hide their sexual identity in New York City the 1940s. You feel their pain, their frustration and their sadness in this emotional performance. 

The mood lightens greatly with “Perfectly Normal” by J. Joseph Cox, a hilarious look at the changing workplace. Antoine Jones, Suzie Dunn, Steve Wagner, Nicole Bianco and Ginger Dalton star in this delightful comedy. There’s a new boss in town and we hear of the workplace changes from breakroom gossip. “He swept in here like the Gestapo!” Employees are disappearing, Human Resources is boarded up, cavity searches are being conducted, and the final blow, coffee has been replaced by tea. This is normal?

“Family by Numbers” by Arianna Rose is the heartbreaking story of a family that loses a son in a hiking accident. Beautifully written, it  begins when the parents first meet, get married, raise three boys and then struggle with their tragic loss and one less number. Powerful performances all around by Steve Ayle, Linda May, Dylan Robert Poulos, Steven Uihlein and Ryan Schaefer.

After intermission, Rich Orloff’s “The Unforgivable Sin of Forgiveness” takes the stage. A wife (TracyLynn Conner) confesses to her husband (Antoine Jones) that she has been having an affair for three years. His response? “I know.” Taken aback, the wife turns the tables and demands to know why he hasn’t let on that he knew all this time. “You lied to your wife when all these years I’ve been faithful six days out of seven?” she exclaims in disbelief.

The final and longest act, “The Making of Medea’s Medea” by Chas Belov, is where the production of Medea’s modern-day retelling of her own story of revenge is played out on Theatre Three’s Mainstage while being turned into a documentary. We meet Medea, Jason, the actors that play them, the actors that play the part of the employees at Theatre Three, psychologists, Greek playwrights and more. The entire cast takes part with special mention to Linda May as the heartbroken and vengeful Medea.

With an excellent lineup and incredible cast, this festival is not to be missed. Get yourself a ticket before they sell out.

Sponsored by Lippencott Financial Group, Theatre Three, 412 Main St., Port Jefferson will present the 22nd annual Festival of One-Act Plays through May 5. Running time is 2 hours with a 15-minute intermission. All seats are $20. To order, call 631-928-9100 or visit www.theatrethree.com.

The three little kittens

By Heidi Sutton

What do three crooning kittens, a droll dog, a rascally rabbit and a pushover penguin have in common? They all want to be on the radio in Theatre Three’s latest children’s theater treat, “The Three Little Kittens.”  

The cast of ‘The Three Little Kittens’

Written by Jeffrey Sanzel and Kevin Story, the musical, which was last presented in 2013,  incorporates the beloved Mother Goose nursery rhyme but goes beyond losing the mittens, finding the mittens, eating pie, soiling and then washing the mittens and then the big finale, eating more pie. These kittens want more — they have hopes and dreams, don’t you know. In other words, this production is too cute for words.

Lucy, Ricky and Ethel Whiska aspire to become a singing trio on the radio while their neighbor Barker Doggone, who keeps losing his collar, etc. dreams of becoming a stand-up comic. Their favorite radio show is “The Bonanza Hour” on WPET Radio with Harry Hoppit, a white rabbit who was made famous by radio penguin Waddles Greenway but has let success go to his head. “I’m Harry Hoppit – be impressed” he tells his adoring fans.

Barker and Mama Doggone

When Mother Whiska and Mama Doggone bring home a flyer from the radio station announcing open auditions, the kittens and pup jump at the chance. Will they be able to turn their dreams into reality or will Harry Hoppit’s jealousy get in the way?

Directed by Sanzel, the nine-member cast embrace the clever script and do an incredible job. Each character’s personality is bold and distinct and perfectly executed.

Michelle LaBozzetta as Lucy, Eric J. Hughes as Ricky and Emily Gates as Ethel shine as the Whiska kittens while Steven Uihlein as Barker the dog steals the show with his funny jokes and wit. His constant distractions – “Squirrel!” – are doggone hilarious and the young audience during last Sunday’s performance couldn’t get enough. Their group number, “Dogs and Cats Like You and Me,” is a personal favorite.

Brielle Levenberg and Ginger Dalton as the moms make a great team, pretending not to like each other in front of others “out of tradition,” but are secretly the best of friends while Douglas J. Quattrock juggles the role of radio producer and providing piano accompaniment with ease (great accent!).

Harry Hoppit and Waddles Greenway

Andrew Lenahan plays the role of antagonist Harry Hoppit to a tee and has the best lines. “What can I say but me, me, me.” Beautifully delivered, Lenahan’s solo, “Looking Out for Number One,” perfectly describes the rabbit’s agenda. “… So if I ruffle some feathers and pull on some tails, what does it matter if others fail?” Don’t worry – he gets his comeuppance.

The strongest performance comes from Nicole Bianco who tackles the difficult role of Waddles Greenway the penguin with aplomb. Mercilessly bullied by Harry Hoppit, the hapless bird holds her own and treats the audience to a wonderful tap dance number, “The One and Only,” in the second act.

The entire production has a nostalgic 1940s feel and pays homage to the Golden Age of Radio. With the ultimate message that friendship is the greatest bond and that dreams really can come true, “The Three Little Kittens” is purrfectly adorable. Don’t miss it. Meet the cast in the lobby after the show.

Theatre Three, 412 Main St., Port Jefferson presents “The Three Little Kittens” through March 23. All seats are $10. Children’s theater continues with “The Adventures of Peter Rabbit” from April 12 to 27 and a Mainstage production of “The Wizard of Oz” (call for ticket prices) from May 18 to June 22. For more information, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

By Heidi Sutton

In Theatre Three’s latest children’s show, the audience is invited to enter the magical world of “Jack & the Beanstalk” or “The Boy Who Cried Giant!” Written by Jeffrey Sanzel and Kevin F. Story, the musical combines the classic English fairy tale with the well-known fable “The Boy Who Cried Wolf” to produce a most entertaining afternoon.

Jack (Eric J. Hughes) lives with his mother (Ginger Dalton) and his best friend Filpail the Cow (Nicole Bianco). Although he is a nice boy, Jack tends to exaggerate and has told so many tall tales that no one believes him anymore. “Someday your stories are going to get you in trouble,” warns his mother. Jack also receives a visit from the Fairy Mary Goodwing (Michelle LaBozzetta) who tries to convince him to “always tell the truth and you will be true to yourself.”

One day his mother tells him that they have no other choice than to sell Filpail to Butcher Blackstone (Steven Uihlein). On the way to the market Jack and his cow bump into two gypsies, Marco and Margot (Andrew Lenahan and Brielle Levenberg), who claim they want to buy Filpail for “cowpanionship” and trick Jack into trading her for some magic beans.

Jack’s mother is furious when she finds out what happened and throws the beans away. A giant beanstalk suddenly appears, and when Jack climbs it he discovers a castle in the sky occupied by a cranky giant, the giant’s wife (Suzie Dunn), a golden harp and a hen that lays golden eggs. But with Jack’s poor track record, will anyone believe him?

Under the direction of Jeffrey Sanzel, an energetic cast of eight adult actors play multiple roles during this thrilling adventure. From the first musical number, “Ballad of Jack’s Device/Song of Boasting,” accompanied on piano by Douglas Quattrock, you know you’re in for a fun treat.

Costume designers Teresa Matteson and Toni St. John have outdone themselves this time with colorful outfits; “giant” props, including a three-foot-long sneaker; and a beanstalk that magically grows all the way to the ceiling. The creative and polished choreography by Nicole Bianco pulls it all together nicely.

Come in out of the cold and warm up with the magic of “Jack & the Beanstalk!” Audiences of all ages will love this wonderful show. Meet the cast in the lobby after the show for photos. 

Theatre Three, located at 412 Main St., Port Jefferson will present “Jack & the Beanstalk” through Feb. 23. Children’s Theatre continues with “The Three Little Kittens” from March 2 to 23 and “The Adventures of Peter Rabbit” from April 13 to 27. All seats are $10. For more information or to order, call 928-9100 or visit www.theatrethree.com.

By Heidi Sutton

Barnaby, Santa and Franklynne in a scene from the show.

This weekend the Village of Port Jefferson will celebrate its 23rd annual Charles Dickens Festival. Among the many events to attend this year will be Theatre Three’s production of “Barnaby Saves Christmas.” Written 15 years ago by Douglas Quattrock and Jeffrey Sanzel, the adorable musical, with its wonderful score and dance numbers, is the perfect way for families with young children to kick off the holiday season.

It’s Christmas Eve at the North Pole and Barnaby, the smallest elf in Elf School, is busy making a toy that Santa requested — a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest. When he realizes that Santa has left without it, he enlists the help of Franklynne, the littlest reindeer, to track down Santa and give the toy to him.

S.B. Dombulbury is up to his old tricks again!

During their adventures they meet Sarah and Andrew who teach them about Hanukkah and the Festival of Lights. They also bump into the sneaky S.B. Dombulbury and his henchperson Irma who are trying to ruin Christmas by stuffing all the chimneys with coal.

As director, Sanzel has assembled an outstanding cast to convey the story.

Eric Hughes returns for his third year as Barnaby, perfectly capturing his character as just wanting to fit in, and Michelle LaBozzetta tackles the role of Franklynne (It’s spelled with two n’s and a y — that makes it a girl’s name!) with just the right amount of spunkiness one would expect from a flying fawn. Andrew Lenahan is incredible in the dual role of Santa and Andrew, and Ginger Dalton is charming as both a slightly confused Mrs. Claus and Sarah.

Nicole Bianco and K.D. Guadagno play Crystal and Blizzard, two of Santa’s elves who are constantly hypnotized by S.B. Dombulbury to help him carry out his evil plan and at one point chase Barnaby and Franklynne through the audience like zombies in one of the funniest moments in the show. As a special treat, Jason Furnari, who originated the role of Barnaby, plays Sam the stressed-out head elf. However, it is the comedy tag team of Steven Uihlein as S.B. (spoiled brat) Dombulbury and Dana Bush as Irma that steal the show with their many antics. Their journey to redemption is heartfelt.

Santa’s elves, Barnaby, Sam, Blizzard and Crystal

The nine songs, accompanied by Quattrock on piano, are delightful, with special mention to “Miracles” and “Within Our Hearts.” The costumes, designed by Teresa Matteson and Toni St. John, are fun and festive as is the choreography by Bianco, and the special effects through the use of lighting is magical.

With the underlying message to “be the very best you can be,” “Barnaby Saves Christmas” is a beautiful story of hope, miracles and love. Don’t miss this one.

Souvenir elf and reindeer dolls will be available for purchase during intermission. Stay after the show for a photo with Santa Claus if you wish — the $5 fee goes to support the theater’s scholarship fund — and meet the rest of the cast in the lobby. Running time is one hour and 10 minutes with one intermission. Booster seats are available.

Theatre Three, 412 Main St., Port Jefferson will present “Barnaby Saves Christmas” through Dec. 29. Children’s theater continues with “Jack & the Beanstalk” from Jan. 19 to Feb. 23. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

By Heidi Sutton

It’s beginning to look a lot like Christmas, especially at Theatre Three in Port Jefferson. Beautifully decorated for the holidays, the historic theater is currently presenting its annual production of Charles Dickens’ “A Christmas Carol,” a community treasure that is celebrating its 35th season. 

Based on Charles Dickens’ 1843 novel of the same name, the story is a familiar one that needs to be retold often as a reminder to keep the spirit of Christmas in our hearts all year round. 

Adapted for the stage by Theatre Three’s Executive Artistic Director Jeffrey Sanzel, it tells the tale of Ebenezer Scrooge (Sanzel), a man who has allowed himself to succumb to the mighty dollar and lives in the world of business. When we meet Scrooge for the first time, he is a bitter and stingy and feared man who has a particular abhorrence for Christmas and charity. He considers the poor and needy to be lazy. “I cannot afford to make idle people merry,” he sneers.

It is only when he is visited by the ghost of his business partner Jacob Marley (Andrew Lenahan) on Christmas Eve that he is given a shot at redemption. Enveloped in the chains he has forged in life, Marley tells Scrooge he will be visited by three spirits — the ghosts of Christmas past, present and future, who eventually help him discover the true meaning of Christmas and save his immortal soul.

With the Ghost of Christmas Past (Michelle LaBozzetta) we visit Scrooge as a young boy, left alone at boarding school for Christmas; as an apprentice at Fezziwig’s where he falls in love with Belle; and the exact point when he meets Marley (“and so it began”) and his life begins to unravel.

A “cheeky” Ghost of Christmas Present (Stephen Wangner) brings Scrooge to his clerk Bob Cratchit’s (Douglas Quattrock) home where he sees an ailing Tiny Tim and to his nephew Fred Halliwell’s (Steven Uihlein) home to understand how his late sister’s son feels about him.

Finally, the daunting Ghost of Christmas Yet to Come (Steven Uihlein) shows Scrooge the shadows of what is yet to come, including his own death and how those around him are affected. The harrowing experience is exactly what the miser needs to turn his life around. 

The Victorian set and costumes designed by Randall Parsons, lighting by Robert W. Henderson Jr., musical direction by Brad Frey and the many special effects produce a beautifully executed well-oiled machine with powerful performances from the entire cast. 

Arrive a little early and be treated to a selection of Christmas carols by the actors in the lobby and stay afterward for a photo keepsake with Scrooge. The $5 fee goes to support the theater’s scholarship fund.

Theatre Three, 412 Main St., Port Jefferson will present Charles Dickens’ “A Christmas Carol” through Dec. 29. Please note all evening shows begin at 7 p.m. Tickets are $20 per person through November; $35 adults, $28 seniors and students in December. For more information or to order tickets, call 631-928-9100 or visit www.theatrethree.com.

All photos by Brian Hoerger

The cast of 'The Addams Family'. Photo by Brian Hoerger

By Heidi Sutton

Halloween is still a few weeks away, but there’s something creepy and kooky and altogether spooky going on at Theatre Three that’s not to be missed.

The theater opens its 49th season with the musical comedy “The Addams Family,” a nostalgic trip down memory lane for fans of this atypical clan, and judging by the packed house on opening night, that amounts to quite a few.

Created by Charles Addams, the lovable, albeit macabre, family first appeared in a New Yorker comic strip in 1938 but truly came to life in the 1960s ABC television series starring John Astin and Carolyn Jones as Gomez and Morticia. The two film versions in the 1990s paved the way for the Broadway musical in 2010 starring Nathan Lane and Bebe Neuwirth.

The cast of ‘The Addams Family’. Photo by Brian Hoerger

Last Saturday’s opening performance began as it should, with the audience snapping their fingers or clapping their hands to the iconic theme song, and suddenly they appeared — all the familiar, eccentric characters we have all come to love — Gomez (Matt Senese), Morticia (TracyLynn Conner), Uncle Fester (Rick Grossman), Grandma (Ginger Dalton), Wednesday (Jessica Murphy), Pugsley (Max Venezia), Lurch (James Taffurelli) and Thing and Cousin Itt (both played by Cameron Turner). What followed was a fun, wonderful evening of live theater.

Directed by Jeffrey Sanzel, the show opens, most fittingly, in the family cemetery (“Oh the intoxicating smell of the graveyard!”) as the family lets their ancestors out of a mausoleum to celebrate what it is to be an Addams. It is here that we see the first of many “Thriller”-inspired musical numbers, expertly choreographed by Nicole Bianco, that dominate the show.

The storyline revolves around Wednesday who is all grown up and has fallen in love with a “normal boy,” Lucas Beineke (Matt Paredi) from Ohio (“the swing state!”), and wants to bring him and his parents, straight arrow Mal (Steve Ayle) and the perfectly rhyming Alice (Linda May), over for one “normal night.” She confides in her father that she wants to marry Lucas and makes him promise not to tell her mother yet, putting Gomez in several hilarious sticky situations and leading up to his solo, “Trapped (like a corpse in the ground).”

Matt Senese as Gomez and Jessica Murphy as Wednesday. Photo by Brian Hoerger

Uncle Fester, on the other hand, recruits the ancestors to find out if this is really true love, and if so, to help it along. Dressed in ghostly white costumes, they float in and out of every scene as they spy on the family’s affairs.

As the Beineke family arrive, they are invited to take part in the family game, Full Disclosure, during which everyone takes a sip from a sacred chalice and reveals something they’ve never told anyone. When Pugsley steals a magical potion from Grandma (“One swig of that and Mary Poppins turns into Madea!”) and pours it in the chalice, the evening takes a dark and eventful turn.

Accompanied by an outstanding eight-member band led by Jeffrey Hoffman, the 20 musical numbers perfectly tie the storyline together.   The costumes by Chakira Doherty are wonderful, especially for the ghoulish ancestors, and the Gothic set, cleverly designed by Randall Parsons includes panels that swivel and rotate to reveal different scenery. As the actors sing their solo or duet, they move toward the edge of the stage as the curtain closes, allowing the set to be quickly changed for the next scene.

With exceptional vocals, the entire cast become fully immersed in their individual character. The chemistry between Gomez and Morticia is as alive as ever. Morticia: “I feel darkness and grief and unspeakable sorrow.” Gomez: “I love it when you speak sexy, Cara Mia.” 

Matt Senese as Gomez and TracyLynn Conner as Morticia. Photo by Peter Lanscombe

Although she’s in love, Wednesday’s inner darkness makes several appearances, and Uncle Fester is as lovable as ever (yes, he is still in love with the moon.) Pugsley secretly loves to be tortured (electrocuted to be precise) by his big sister, Grandma is still wacky and Lurch is still grunting; but in the end they are just one big family that has to deal with every day issues just like everyone else.

In his director’s notes, Sanzel sums it up perfectly. “The ultimate message of ‘The Addams Family’ musical is to find out who you are so you can be true to yourself. Whether vacationing in the sewers of Paris, starting out in a new marriage or finding the spark in an old one, or flying to your true love (‘To the moon, Alice!’), the Addams Family and ‘The Addams Family’ remind us to ‘live before we die.’”

Go see this wonderful show. You’ll find much to cherish.

Stay after the performance for a photo with the cast on stage if you wish — the $5 donation goes to support the theater’s scholarship fund.

Theatre Three, 412 Main St., Port Jefferson will present “The Addams Family” through Oct. 27. Tickets are $35 adults, $28 seniors and students and $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

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