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Michael Tessler

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By Michael Tessler

During the 2016 vice presidential debate, then Governor Mike Pence said “…the old Russian bear doesn’t die, he just hibernates.” This would-be proverb struck a chord with me and led me on a several month research expedition to further understand the collapse of the Soviet Union. How could a global superpower disappear from the Earth with just a few strokes of a pen?

Today, I’m reminded of another hibernating bear — California. Though sparsely mentioned in our textbooks, there were 25 days in 1846 when a sovereign Republic of California existed. Like-minded Californians rose up against Mexico in what is known as the Bear Flag Revolt. Their state flag to this day still proudly waves a grizzly bear above the words “California Republic.” Shortly thereafter they were annexed by the United States and became an integral part of our country.

How does this relate? Well, on Dec. 26, 1991, the Soviet Union dissolved. Its centralized government oversaw 15 Soviet republics that were partially self-governed, not so dissimilar from the function of our state governments. People thought it impossible, but the massive Soviet superpower was toppled (with relative ease) and was replaced with 15 sovereign nations. It raises the terrifying prospect: If it happened there, could it happen here? That brings us back to the other sleeping bear.

Hypothetically, if California were an independent republic, it would have the world’s sixth-largest economy. Its population is greater than that of neighboring Canada. Its agriculture industry surpasses that of any other American state. Its national guardsmen and women are composed of 18,000 soldiers and 4,900 air force personnel. In addition there are over 190,100 Californians enlisted in the United States military and reserves, which is roughly the size of the United Kingdom’s standing military.

There is a growing #CalExit movement that would grant California its autonomy following a voting referendum in 2018. Just three weeks into the Trump Administration, and one out of three Californians are in favor of secession according to a recent poll. This number is alarming, to say the least. In an age when populism rules, when the United Kingdom could exit the European Union and the United States could elect Donald Trump … the prospect is not just hypothetical but a reality we must address.

Californians, like many Americans, are feeling increasingly disenfranchised by the current administration and the congressional gerrymandering that has occurred nationwide. For the second time in 16 years, the winner of the popular vote, the winner in the State of California, was not selected president.

For years, California, unlike many states, has given more tax dollars to the federal government than it has received in return. Fundamentally bankrolling other states and paying for military campaigns are things Californians are staunchly against. Whether or not their grievances are justifiable is a determination for you, the reader. They should, however, be taken seriously, just as Brexit should have been and all populist movements of the past.

Without California, the United States as we know it would fall into disarray. Its electoral votes and ample congressional seats maintain the Democratic Party’s ability to remain competitive. To my Republican and/or conservative readers, I’m sure that sounds wonderful, but we must consider the larger picture. Without competition, our federal government becomes dangerously lopsided. No matter who the supermajority, accountability decreases and entire segments of our society would feel underrepresented. Political isolation has never ended well for any country, look no further than the Soviet Union for that lesson.

Just because we are the United States does not mean we are immune to collapse. Our nation’s bond was forged in the fires of wars. To each man his colony was his country. It took leadership, it took George Washington and Abraham Lincoln to unify us and maintain our nation. Today one can’t help but feel we’ve grown very far apart. How we can we pledge our lives and property to one another if we’re unwilling to show at minimum decency and respect?

Our federal government should strive to make separation an unjustifiable cause. To accomplish that requires patriotism over partisanship, rights over might, leadership not power plays and genuine liberty and justice for all. Disagreements are a natural and healthy part of democracy, but will get us nowhere if we treat compromise as a cuss word. No matter who maintains the majority, the views of the minority must be heard and represented.

President Trump is in a unique position to mend the wounds of a divided land. To cement a legacy far superior than that of any great wall or golden tower. He is the leader of a fractured state, one in which so easily the political majority could enforce its rule upon the minority. He must show himself to be humbled and practice civility and respect with his opposition. In return, they must learn to do the same. They must be brought to the table rather than fired for sharing opposing views.

That’s what separates an American president from a Soviet premier. His actions moving forward are paramount to ensuring the survival of the union as we know it.

No child should ever ask: “What was it like to grow up in the former United States?”

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For an audio version of this article, see above.

Whether you love him or hate him, take a moment to reflect

By Michael Tessler

Michael Tessler

This piece is not an evaluation of the president’s legislative accomplishments or failures. or even his politics — but rather a reflection of the very personal impact the 44th president had on one 15-year-old boy from Port Jefferson.

It was 2008 and I was just coming of age. Then I saw him on television, delivering his iconic “Yes We Can” speech. In that moment Barack Obama instilled in me a genuine sense of hope, a firm belief that in the course of human history it is possible to make a lasting difference. His words transformed my perception of our Constitution. No longer was it a thing of antiquity, but rather something tangible, something alive, and worthy of any sacrifice to protect.

My sense of purpose and my role in our democracy cemented itself in those early days of 2008. At 15 I found myself going to school in a blazer adorned with Obama/Biden ’08 and button sporting an Afro worthy of the Jackson 5. My teachers were endlessly amused at the sight. Some of my skeptical peers would ask me: “If you’re not old enough to vote, why do you care?”

On Tuesday, Nov. 4, 2008, at 15 (and a half) I hurried back from Drama Club rehearsal with my best friend Jonathan to watch the poll results come in. This was the first election I had ever volunteered for. My family huddled around our television, my

anxieties and nerves were relentless, and then they called it — “Barack Obama has been elected the 44th president of the United States of America.” Despite having not yet lived through a full decade, tears streamed from my eyes. My country, our country, the greatest country on Earth, had just elected its first African-American president.

In that moment I saw the unending potential of America that our founders envisioned so long ago in Philadelphia. During his inaugural address, his tone changed. Like every commander-in-chief he was inheriting the weight of the most powerful office in the world. So he called upon me, as he did all Americans, to not become complacent in the future of our union — and so my work began.

Though I didn’t know it at the time, I had established what would later become known as the International Youth Congress — an organization whose aim it was to answer that question: “If you’re not old enough to vote, why do you care?”

No generation chooses to inherit the world, we just do. Despite not having a vote, our voices were no less diminished. For six years our organization grew: helping passing legislation, providing education and resources for young people around the world and eventually building a network of youth leaders from six different continents and over 20 separate countries. We were making that great hypothetical “change” possible. From as far as Rwanda, to Pakistan and Spain we gathered together to chart a common vision for the future based on our shared sense of humanity.

In these past eight years we’ve all grown up and have taken it upon ourselves to serve our communities, nation and world — whether working for the United Nations, Foundation of Economic Education, United States Senate, European Youth Parliament, International Labour Organization, the White House or this very publication. That spark would have never been lit had it not been for a certain presidential candidate with a funny name and big ears.

No legislative accomplishment or disagreement will ever measure up to the enormous inspiration Barack Hussein Obama delivered not just to me but to millions of young people around the world. His time in office has come to its constitutional conclusion, but for those whom he has inspired … we’re just getting started.

Though as I grow older my politics have changed and evolved, and we don’t always see eye to eye, I will always be grateful for that timeless creed bestowed upon a generation raised in a weary era of uncertainty — Yes We Can. Thank you Mr. President, wishing you and your family nothing but happiness in the many years ahead.

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Far left, historian Georgette Grier-Key; second from left, teacher Monica Consalvo; second from right, alum Michael Tessler; and, far right, Mayor Margot Garant with seventh-grade students from the Port Jefferson Middle School. Photo from Monica Consalvo

​MAKING HISTORY: On Dec. 22, seventh-grade students of the Port Jefferson Middle School attended an assembly that focused on how the village’s residents aided the efforts of the Patriots in winning the Revolutionary War. Port Jefferson Mayor Margot Garant, historian Georgette Grier-Key and alum Michael Tessler engaged the students in a fascinating display of how the Culper Spy Ring operated as well as having the opportunity to view Loyalist soldier Nehemiah Marks’ letter informing his comrades that Phillips and Nathaniel Roe, among others, helped supply Setauket-based spy Caleb Brewster with information to pass on to the Patriots.

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Felicity Jones leads the cast of the newest edition to the ‘Star Wars’ saga. Photo courtesy of Disney

THE EXPERIENCE

By Michael Tessler

Ever wish you could celebrate Christmas each and every day? That’s how I can best describe my childhood dream of receiving a new “Star Wars” film each and every year. What seemed like an impossibility back then has suddenly become an astonishing reality. Thanks to Disney’s acquisition of every creative thought mustered by George Lucas, fans can now enjoy an annual installment of the most successful film franchise in cinema history.

At AMC Loews 17 in Stony Brook on Friday, Nick Acampora and his daughters Elizabeth and Melanie sat together in anticipation for the premiere of Gareth Edwards’ “Rogue One: A Star Wars Story.” “We’ve got a family connection with the Force,” joked Acampora, a Port Jefferson resident and community historian. Though all smiles, his daughters were bitterly divided between which was their favorite “Star Wars” film (of course, we all know it should be “The Empire Strikes Back”). Despite some debate, all could agree that “Star Wars” is the perfect escape from reality.

Just a few rows away were two grown men named Mike, a father/son duo, both wearing expressions of childlike wonder in anticipation for the new film. The elder Mike had enjoyed the original “Star Wars” film (later titled “A New Hope”) back in 1977 when he first saw it in theaters. The “Jedi master” and his “padawan” have been to every “Star Wars” premiere together since “Attack of the Clones,” released in 2002. They take enormous pride in having a better relationship than their “Star Wars” counterparts Luke Skywalker and Darth Vader.

Sitting next to me was my childhood best friend Matthew and, in spirit, my late best friend Brandon. For us, “Star Wars” was more than just a film series, it was the basis for our friendship. Countless days in the backyard were spent dueling with plastic toy light sabers, building the LEGO Millennium Falcon brick by brick, and arguing for hours over fan theories and proper pronunciations of Jedi names. As Darth Vader appeared on screen for the first time in over a decade in “Rogue One,” Matthew and I paused for a moment, looking at one another. For that brief second we saw each other not as adults but as the little boys we once knew a long time ago … in a galaxy far, far away.

THE (SPOILERIFIC) REVIEW

By Kevin Redding

“Rogue One,” the first in what promises to be a series of Star Wars-related anthology films, is a risky experiment in that its plot — based on the first two paragraphs of the original’s opening crawl — requires it to forever change the way we watch “A New Hope.”

In telling the story of how the plans needed to destroy the Death Star wound up in the hands of Princess Leia and eventually kick-start the adventures of a blonde farm kid named Luke, “Rogue One” is of course a prequel, which is a dirty word among many “Star Wars” fans.

But Disney, for the most part, knows what the diehards want to see — practical sets and creatures, Tie fighters and X-wings, and the (ridiculously satisfying, vicious and get-on-your-feet-and-growl-like-a-wookie-worthy) return of the biggest, baddest villain in the galaxy, among other familiar faces. The last half of “Rogue One” sets up the start of “A New Hope” masterfully, so much so that if the closing credits of the former and opening crawl of the latter were eliminated, it would work seamlessly as one long adventure.

But I definitely thought it took a while for “Rogue One” to reach its great moments. As we spend time with a ragtag team of new characters, I couldn’t help but want to see what the old standbys were up to instead. This “Star Wars Story” centers on Jyn Erso (Felicity Jones), a slightly dull heroine whose father unwillingly engineered the planet-destroying weaponry on the Death Star while under the diabolic eye of the Empire’s Imperial Commander Orson Krennic (Ben Mendelsohn).

As Erso later finds out, her father intentionally compromised the Death Star so it could easily be destroyed (by Luke in “A New Hope”), thus cleverly correcting one of the biggest plot holes in the original film: Why would the Empire build this elaborate, clearly-expensive space station that can be blown to smithereens so easily?!

Erso finds herself the resilient leader of a group of Rebels who band together to get the job done. Alongside her is Cassian Andor (Diego Luna), who’s sort of the no-fun straight man throughout, K-2SO (perfectly voiced by Alan Tudyk), a reprogrammed Imperial droid that doesn’t know any better than to say exactly what’s on its mind (or in its circuits) to marvelous and hilarious effect, Chirrut Imwe (Donnie Yen), a Force-sensitive blind warrior who takes down a lot of stormtroopers with little to no effort and is by far the best new addition to the “Star Wars” universe of the human bunch, Baze Malbus (Jiang Wen), Chirrut’s loyal partner, and Bodhi Rook (Riz Ahmed), a former Imperial pilot gone rogue.

It’s great to see the inclusion of Bail Organa (Jimmy Smits, reprising his role from the prequel trilogy) and some of the Rebel pilots from the original that were implemented into the spectacular battle scenes on display here. Where the film really shines, however, is in the villain department. Personally, I was blown away at how Edwards and company resurrected the late-great Peter Cushing through a stunning display of CGI and motion capture to give Grand Moff Tarkin, the ruthless Imperial leader in “A New Hope,” a substantial role.

But what brought me to the theater in the first place was knowing that I’d be seeing Darth Vader be Darth Vader on the big screen again, in all his James Earl Jones-voiced glory. It’s really incredible and overwhelming to see. His two scenes, while extremely short, are worth the price of admission, especially the one in the final moments of the film, which will forever change how we see him in the rest of the saga. If nothing else, “Rogue One” reclaims Vader as the powerful and dangerous threat we were always told he was, and then some.

THE VERDICT

“Rogue One’s” greatest attribute is that it somehow manages to make “A New Hope” an even greater film. Admittedly, the first thing I did when I got home was rewatch the 1977 classic. This connective tissue provides compelling emotional subtext to the famed original opening crawl. While a bit clunky in its pacing and struggle to give us new characters to really feel for, “Rogue One” has proven “Star Wars” can survive outside the saga, delivering to fans compelling stories that only further embellish the brilliance of Lucas’ original vision. And if you don’t like this one so much, just wait until next year … and the year after that…and the year after that.

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Scrooge (Jeffrey Sanzel) encounters the Ghost of Christmas Yet to Come for the first time. Photo by Brian Hoerger, Theatre Three Productions Inc.

By Michael Tessler

Jeffrey Sanzel as Scrooge & Jessica Contino as Ghost of Christmas Past. Photo by Brian Hoerger, Theatre Three Productions., Inc.
Jeffrey Sanzel as Scrooge & Jessica Contino as Ghost of Christmas Past. Photo by Brian Hoerger, Theatre Three Productions., Inc.

Though the holidays are usually filled with joy, they’re certainly not without their own special breed of stress, which seems to melt away as Theatre Three gifts our community with a profound and magical experience that allows us to escape into the marvelous imaginative world of the late, great Charles Dickens. Theatre Three provides more than just a distraction — it provides unparalleled delights that will stir up the best childlike emotions in each of us.

Jeffrey Sanzel, the show’s director, faces the unique challenge of annually reimagining “A Christmas Carol.” He seamlessly completes this task with his usual grace and confidence. For over 30 years the show has been a must-see tradition for Long Island families and visitors. Sanzel’s vision shines brighter than ever as he masterfully directs his cast. While the story remains the same, its characters are all the more captivating because of the great direction he provides.

What’s most impressive is that not only does Sanzel direct, but he also stars in the iconic role of Ebenezer Scrooge. For those unfamiliar with the classic Dickens novel, Scrooge is a man whose greed supersedes his humanity. One night he is visited by the ghost of his former business partner, Jacob Marley (Steven Uihlein) who informs him that hell awaits him if he doesn’t change his ways. This propels him on an unlikely journey of self-reflection and change.

Sanzel plays not only an older Scrooge, but a younger more lively version of himself. His ability to change physicality and characters instantly is one of his most impressive qualities, and there are plenty!

Douglas J. Quattrock as Bob Cratchit & Jeffrey Sanzel as Scrooge in a scene from 'A Christmas Carol'. Photo by Brian Hoerger, Theatre Three Productions, Inc.
Douglas J. Quattrock as Bob Cratchit & Jeffrey Sanzel as Scrooge in a scene from ‘A Christmas Carol’. Photo by Brian Hoerger, Theatre Three Productions, Inc.

Bob Cratchit, played by the ever-so-gentle Douglas Quattrock, is beyond endearing. There’s a righteousness and goodness about this man that can be felt genuinely by the audience. Cratchit, who works as a clerk for the elderly Mr. Scrooge, endures considerable workplace trauma to make sure his family is fed and taken care of. Despite his hard work, his youngest son, Tiny Tim, remains at the precipice of death. Quattrock will have you grinning cheek to cheek as he embraces his wife played with love by Suzie Dunn and the rest of the family.

Jeffrey Sanzel as Scrooge & Jessica Contino as Ghost of Christmas Past in a scene from 'A Christmas Carol'. Photo by Brian Hoerger, Theatre Three Productions, Inc.
Jeffrey Sanzel as Scrooge & Jessica Contino as Ghost of Christmas Past in a scene from ‘A Christmas Carol’. Photo by Brian Hoerger, Theatre Three Productions, Inc.

Alongside Cratchit is the kind-hearted and abandoned nephew of Scrooge, Fred Halliwell. There’s a certain glee in Dylan Poulos’ performance. He’s almost infused with the spirit of Christmas itself, which I suppose would make sense as he also plays the Ghost of Christmas Yet to Come! Halliwell seeks nothing more than to rekindle a relationship with his past by getting to know his only living relative, dear Uncle Scrooge. What he doesn’t realize is that his eyes are the same eyes as his departed mother, a painful reminder for old Ebenezer. Fan Scrooge Halliwell (Megan Bush/Sophia Knapp) lives and breathes in certain sequences, and perfectly portrays the love between two close siblings.

Among my favorite cast members is the larger-than-life Fezziwig, played with great fervor by George Liberman. He’s joined alongside his stage wife, played by Ginger Dalton. These two form a comedic pair that will have you smiling as wide as the horizon! There’s something so whimsical about watching Fezziwig’s ball unfold on-stage: the dancing, the singing, everything. Watching you can’t help but feel that you’re up there with them. My favorite part of this sequence is watching the curmudgeon Scrooge transform into a spruce young man who woos and proposes to Fezziwig’s daughter, Belle, played by a belle of extraordinary talent, Emily Gates.

Scrooge (Jeffrey Sanzel) with a very ‘cheeky’ Ghost of Christmas Present (Bobby Montaniz).
Scrooge (Jeffrey Sanzel) with a very ‘cheeky’ Ghost of Christmas Present (Bobby Montaniz). Photo by Brian Hoerger, Theatre Three Productions, Inc.

All three spirits are truly splendid. Jessica Contino shines as the Ghost of Christmas Past, bringing Scrooge on a journey that forces him to reconcile many of the mistakes and heartbreaks a long life will bring. Bobby Montaniz nails perfectly the essence of the Ghost of Christmas Present, and while he’s not a giant, his impressive voice certainly sounds like he is! His deep laughter will echo in your belly all through the evening!

Finally the Ghost of Christmas Yet to Come may be the most visually impressive puppetry I’ve seen at Theatre Three yet (and they pulled out an actual dragon for “Shrek!”). This massive and haunting figure must be at least 15 feet tall and is adorned in a black tattered cloak and hood and is perfectly embellished by the brilliant lighting layout by Robert Henderson.

In addition to an incredible cast and superb lighting, this is one of the most beautiful sets I’ve ever seen. There’s a craftsmanship that far exceeds your usual stage show, and not only does it show but genuinely adds to the ambiance of the production. I’ve got nothing but praise for Randall Parsons, the show’s production designer and his costume counterpart Bonnie Vidal.

There are many additional names in the cast and crew who are deserving of praise, especially the incredibly talented children who alternate each night and demonstrate a professionalism and talent well beyond their years. Give yourself and your loved ones a gift that is truly made of magic. Go see “A Christmas Carol.”

Theatre Three, 412 Main St., Port Jefferson will present “A Christmas Carol” through Dec. 31. All tickets are $20 in November and range from $20 to $35 in December. To order, call 631-928-9100 or visit www.theatrethree.com.

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Michael Tessler, far left, at the Icon Oscars at Walt Disney's Hollywood Studios in Orlando, Florida. Photo from Michael Tessler

Transcript:

[Movie trailer voice] In a world, on an island … a long island, there is a man, a curly-haired man, on a bold and courageous journey to create the best column ever written. Will this Jonah-Hill-looking fellow overcome his childhood lisp, will he make audiences laugh, find out in the next exciting chapter of OPEN MIKE: The Column.

To quote the late great Robin Williams, “I do voices.”  What does that even mean? [Yoda voice] Ermm, master of voices I am, make you laugh I shall [Yoda laugh]. This fascination of mine first manifested itself at the young age of 5, shortly after my youngest sister was born, leaving me with a horrendous case of middle child syndrome. My parents literally learned to tune out my voice, leaving me with no option but to invent and discover new ones.

My first real character voice was an impersonation of my Uncle Jean Pierre. His thick Parisian accent was like nothing I had ever heard before. So I began to replicate it. Weeks later and after a few thousand attempts, I figured it out. My face scrunched upward, my nose lunged toward the sky, and his voice came out of mouth — (in heavy French accent) [French laughter] “Bonjour my name Jean Pierre, and I am proud Frenchman!” this caricature version of my uncle became a hit at family parties.

From then on my range of voices grew 10-fold. Every movie I watched, every video game I played, every foreign accent I heard, I absorbed and replicated. Character voices became an outlet for this otherwise socially awkward child. There’s no better feeling than brightening a room and having the power to produce laughter. No matter your age there’s no way not to laugh at the dueling Michael Myers characters Shrek/Fat Bastard bursting into a room shouting: “Get in my belly, you stupid fat donkey!”

Voices weren’t always for an audience though. Most of the time they were just for me. One year while re-watching the  “Muppet’s Christmas Carol” (arguably the greatest film ever made), I became obsessed with learning the Muppet voices — starting with Kermit, Fozzie Bear, Beaker, Dr. Bunsen Honeydew, and inevitably Miss Piggy. Learning Miss Piggy was the first time I ever made the connection between voices and voice actors. Frank Oz, who famously gave life to Master Yoda in “The Empire Strikes Back” also played the sassy frog-loving pig we know and loathe. [In Yoda voice, then Miss Piggy voice] “Ermm, pigs, pigs lead to pork, pork leads to bacon, and bacon leads to the dark side, Kermie, don’t you love mwah?” How stunning, to hear how the voices connect to one another.

  But truthfully with time and practice anybody can do a line or two. What distinguishes professionals from amateurs is the ability to carry out any kind of dialogue, conveying any kind of emotions, and being able to do so without a second thought. Rehearsing this looks like pure insanity but is beyond rewarding. My favorite example is of Andy Serkis, who played the dual personalities of Gollum in “Lord of the Rings.” “Frodo’s our friend! Yes Yes! GOLLUM! GOLLUM! Stupid fat Hobbit(es)!” After hearing his voice, I knew I needed to up my game.

There’s literally voice recordings on my phone of every character you can possibly imagine, communicating with one another! That’s my favorite part honesty, having great historical figures and pop culture icons interacting with one another. For example:

Richard Nixon: I don’t know Bill, that wife Hillary of yours strikes me as a real crook.

Bill Clinton: Oh Rich Nixon you are so funny. If candidates were metaphorical fast food items, my wife Hillary would be a Big Mac.

Jack Kennedy: Do you mind if I chime in here? Rich you look like you sweating again.

Richard Nixon: I bet you think you’re SO hysterical Jack Kennedy.

Fozzie Bear: Wakka Wakka!

Richard Nixon: Why is there a Muppet in this scene!

Kermit: Sorry about that everybody, wrong sketch! Although while we’re here, I’d lobby you about an issue I’m passionate about, it’s not easy green!

Bernie Sanders: Hello, adorable green frog. My name Senator Bernard Senators and the top 1 percent of mammals are being treated better than 99% percent of all amphibians. I like to wave my arms in the air like an inflatable tube man at a used car dealership.

… scene!

In my life I’ve been blessed to have performed in front of thousands of people. One of the most rewarding experiences was performing a musical parody of Disney characters on a stage once graced by Mark Hamill (Luke Skywalker, The Joker), Billy Dee Williams (Lando Calrissian, Harvey Dent), Jim Cummings (Winnie the Pooh, Tigger), Warwick Davis (Wicket, Professor Flitwick) and so many other vocal greats. There is nothing more magical than the look in a child’s eyes when they hear their favorite character speak to them, calling them by name. One can only hope it inspires them the same way my [in accent] French Uncle Jean Pierre did!

So, as my former employer Mickey Mouse would always say, “Thanks folks, see ya real soon! Buh-bye!”

TBR Interactive: This column is the first in our interactive series. Hear the column come to life by scanning the QR code or use the link featured below.

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From left, Rachel Greenblatt, Brittany Lacey, Jenna Kavaler and Amanda Geraci in a scene from ‘Legally Blonde: The Musical.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.

By Michael Tessler

“Legally Blonde” is the sort of film I’d usually enjoy bundled up in a blanket on a cold winter day, perhaps while digging into a pint of Ben and Jerry’s, laughing loudly to myself. And yet Saturday night at Theatre Three in Port Jefferson I found myself sharing in that same wholesome joy surrounded by hundreds of others equally filled with laughter and milewide smiles. “Legally Blonde: The Musical” doesn’t shy away from its film roots but rather embraces them, incorporating songs and themes that deliver the story like never before!

Jeffrey Sanzel, the show’s director, continues to demonstrate a mastery of theater worthy of Broadway or the West End. This is not a compliment I deliver lightly, but it is so rightfully deserved. His ability to transcend genre and create flawless spectacles of comedy, drama, music and dance have stunned me continuously through the many shows I’ve now reviewed. Not once have I left the theater’s Athena Hall without being uplifted or captivated by the raw, genuine emotions neatly packed within the confines of a Theatre Three production.

Brittany Lacey as Elle Woods in Legally Blonde: The Musical. Photo by Brian Hoerger
Brittany Lacey as Elle Woods in Legally Blonde: The Musical. Photo by Brian Hoerger

“Legally Blonde,” while a light-hearted romp, was certainly no exception to that rule. After a long and difficult week I found myself leaving the theater feeling lighter than air. Not even for a moment is the beautiful illusion of theater ruined, undoubtedly because of Sanzel’s magic touch. His actors are so well-paced, so well-trained, a truly regimented troupe of thespians. Their stage comes to life.

Our protagonist is the stuff of “Greek” legend, and by that I mean she’s the president of the Delta Nu sorority at UCLA. Elle Woods, your quintessential popular blonde stereotype, is awaiting an overdue dinner with her longtime college boyfriend (played with lovable arrogance by Chris Brady) whom she expects to propose. Hilarity ensues as quite the opposite happens. Without spoiling too much, Elle begins on an unlikely adventure to Harvard Law School, a place not exactly known to be fashion forward!

This show is filled to the brim with comedic caricatures playing on our preconceived notions in a delightful way. From the hunky UPS man played to comedic perfection by Kyle Breitenbach to the rude, snobby, love-to-hate law student Vivienne Kensington played impressively by Caitlin Nofi, to the “blood in the water” lawyer Professor Callahan played by Theatre Three veteran Steve McCoy.

Brittany Lacey and Brett Chizever in a scene from 'Legally Blonde: The Musical' byPhoto by Brian Hoerger
Brittany Lacey and Brett Chizever in a scene from ‘Legally Blonde: The Musical’ byPhoto by Brian Hoerger

At the show’s center is actress Brittany Lacey. Her performance as Elle Woods is local theater at its finest. Her voice both powerful and soft, her delivery of lines so expressive and authentic, and most impressively her ability to dance in flawless precision while belting notes that require two and a half lungs. Many times throughout the production, I wondered if the show’s original writers had somehow met Lacey and based the show’s protagonist after her. Casting could not have been better. She’s accompanied by the awkwardly lovable Emmett played with a special tenderness by Brett Chizever. Before the show’s end you’ll love these two!

Randall Parsons has built a set of simplistic brilliance, the entire stage enclosed by an ever-changing border of glowing lights complemented perfectly with Robert W. Henderson’s lighting design. Shining in the spotlight is the brightest pinks I’ve ever seen with gorgeous costumes by Su Jung Weaver. All these elements are coordinated seamlessly by stage manager Peter Casdia. Jeffrey Hoffman, the show’s musical director, expertly leads a “Greek” chorus and a cast of superb vocal talents. From the show’s opening number, “Omigod You Guys,” to the more touching “Ireland” it seems there was not a mark to be missed! Don’t miss out on seeing this show. I guarantee it’ll take a “chip off your shoulder!”

Theatre Three, 412 Main St., Port Jefferson kicks off its 47th Mainstage season with “Legally Blonde: The Musical” through Oct. 29. Tickets range from $20 to $35. For more information, call 631-928-9100 or visit www.theatrethree.com.

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By Michael Tessler

Covered in ash, crawling through rubble, debris and fire — we found hope. Watching as brave heroes marched into towers set aflame — we found courage. Seeing an American flag rise above a hellish landscape of melted steel, blood and death — we found unity.

Our nation, at least for a moment, stood as one. Though shattered, our hearts pounded together in perfect rhythm. We knew that we would overcome the horrors seared into our memory that dreadful September day. Americans, by nature, do that — overcome. We rebuild, we remember and we defend our great American experiment. For more than two centuries we’ve fought for that noble concept, despite all odds and adversities. No enemy foreign or domestic has ever been able to change that simple and profound truth.

Thomas Butler from Kings Park, right, made the ultimate sacrifice while saving others on 9/11. Photo from Michael Tessler
Thomas Butler from Kings Park, right, made the ultimate sacrifice while saving others on 9/11. Photo from Michael Tessler

My memory of that day is the clearest of my entire childhood. For so many years I’ve loved heroes I’ve never met. Mourned at the reading of names: the mothers, fathers, daughters and sons. They often come to mind, especially their families, whose loss remains profound and ever present.

Fifteen years later we’ve strayed far from that national singularity, that special comfort knowing that even in the chaos, we have one another. Today it feels that we are torn so far apart that I can barely recognize the America I love.

In this time of darkness, I’m reminded of wisdom bestowed upon us by the greatest generation, in a time not so dissimilar from our own: “… the only thing we have to fear, is fear itself.” Perhaps our nation is still reeling in forgotten grief. Or maybe we’ve lost our national innocence and have given into the cynicism. Perhaps a decade of violence with no end has rendered us apathetic to the world at large, but I refuse to believe that is true or permanent. There will never be a clear path forward, but it must be clear that there is a path forward.

We do not have to agree with one another to show civility, we do not have to hate to protect ourselves, and we must not allow fear to dictate our lives. Those who perished represented nearly every facet of the American people. Their religions, race, sexual orientation, gender, hopes, dreams and aspirations in no way diminished the gaping hole we felt from their loss. They were people, they were our American kin, and we must ensure that “never forget” is not just a Hallmark slogan but an eternal call to action.

We are Americans. We will crawl through ash, rubble, debris and fire to give one another hope. We will march up towers aflame to give one another courage. We will raise an American flag above a landscape however hellish to let the world know that we are the UNITED States of America and that “a government of the people, by the people, for the people, shall not perish from the earth.”

In loving memory of Thomas M. Butler, the hero I never knew.

Michael Tessler is the Special Projects Manager for TBR News Media.

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Members of New York’s Third Regiment line up for battle. Photo by Talia Amorosano
Sumpawams Creek play colonial tunes on the front lawn of Emma Clark Library. Photo by Talia Amorosano
A costumed docent gives a tour of the Setauket Presbyterian Church. Photo by Talia Amorosano
Art Billadello talks to visitors about the significance of the Setauket Presbyterian Church. Photo by Talia Amorosano
The Simkus family from Mount Sinai wear Culper Spy T-shirts in celebration of the event. Photo by Talia Amorosano
Volunteers Michael Silvaggio and Niki Nassiri of Setauket. Photo by Talia Amorosano
Michael Tessler speaks to a group about the history of the Culper Spy Ring. Photo by Talia Amorosano
Carolyn Emerson and Lisa DeVerna of Emma S. Clark Library with Culper Spy-themed books. Photo by Talia Amorosano
Culper spy Austin Roe (Daniel Overin) poses for a photo with young eventgoer. Photo by Talia Amorosano

History came alive on July 23 at the second annual Culper Spy Day, a collaboration of 18 organizations including Tri-Spy Tours, the Three Village Historical Society, The Long Island Museum, the Ward Melville Heritage Organization and Stony Brook University’s Special Collections. Hundreds of community members endured the heat to come out and learn about the amazing story behind George Washington’s Setauket Culper Spy Ring. Activities, which took place in Setauket, Stony Brook and Port Jefferson, included tours, battle reenactments, colonial cooking demonstrations, live music, crafts and more.

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The Brewster House in Setauket will host ‘To Spy or Not to Spy’ on June 18. Photo by Dr. Ira D. Koeppel

By Michael Tessler

“I only regret that I have but one life to give for my country” are the immortal words (supposedly) spoken by American hero and spy Nathan Hale. After he was hung by the British in 1776 for treason and espionage, his words of resilience and patriotism inspired our young nation.

No one was inspired more than his best friend, Yale classmate and Setauket local — Benjamin Tallmadge. This well-educated student turned Continental soldier used the death of his friend to inspire the creation of a secret spy ring that played an important role in the American Revolution and helped bring the British Empire to its knees.

In conjunction with the I LOVE NY Path Through History weekend, the Ward Melville Heritage Organization’s Youth Corps Theater Troupe will present a theatrical performance on Saturday, June 18, showing the creation of the Culper Spy Ring in, fittingly, the oldest standing home in the Town of Brookhaven, the Brewster House, circa 1665, in Setauket which was home to six generations of Brewsters.

According to the WMHO’s website, Joseph Brewster operated the house as a tavern and general store during the American Revolution, entertaining British troops. American Patriot Caleb Brewster, cousin of Joseph Brewster and presumably a frequent visitor to the house, was a member of George Washington’s Culper Spy Ring.

Deborah Bourdeau, the coordinator of the project, has been helping this wonderful company of young teens in their production of “To Spy or Not to Spy: That Is the Question!” originally written in 2012 by Professor Lauren Kaushansky of Stony Brook University.

Though the title sounds simple enough, the premise is both fascinating and enlightening. The production explores the annals of local lore while delving into the moral dilemmas of the time. Simply put: How does one abandon one’s country, while assuming the role of traitor and secret agent? This internal dialogue comes to life in a well-paced theatrical skit that resurrects some of our greatest local heroes: Benjamin Tallmadge (Amanda Dagnelli), Abraham Woodhull (Suraj Singh), Anna Smith Strong (Leah Cussen), Austin Roe (Aleena Siddiqui), Caleb Brewster (Ethan Winters) and Joseph Brewster (Emily Wicks).

Though the actors are young, they bring incredible talent to this living history stage show. Emily Wicks, a member of the Ward Melville Heritage Organization Youth Corps, had the great idea of bringing the show from its original stage at the Educational & Cultural Center in Stony Brook Village to the historic Brewster House. This venue adds a wonderful depth to the show, as the home and tavern have been returned to their former glory. Their setup is unique (unintentionally inspired by the Tony-winning production “Fun Home”) in that you’re looking in rather than at. It makes for a very special viewing experience.

What’s so inspiring about this production is that it’s almost entirely led by youth. Young people coming together to tell an important and often forgotten part of our national story and local history. There’s a maturity well beyond their years that left me feeling both prideful and impressed. It’s a show you won’t want to miss and a story that needs to be heard.

Performances of “To Spy or Not to Spy: That Is the Question!” will be held in the Brewster House, 18 Runs Road, Setauket, on June 18 at 1 p.m. and again at 2:30 p.m. Tickets are $4 adults, $2 children under 12. Promptly after the show, teen tour guides will provide free tours of the Brewster House. For reservations, call 631-751-2244 or visit www.wmho.org.

The Ward Melville Heritage Organization’s Youth Corps, based in Stony Brook, is a volunteer group for youth ages 11 to 17 who participate in stewardship projects in historic and environmental preservation. For more information on how to join or help visit them at: wmho.org/youth-corps.

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