Tags Posts tagged with "‘Man of La Mancha’"

‘Man of La Mancha’

The cast of ‘Man of La Mancha’

By Rita J. Egan

The cast and crew of John W. Engeman Theater’s “Man of La Mancha” have set off on a quest resulting in a production worthy of Broadway. The musical opened at the theater Sept. 13, and on the night of the press opening, Sept. 15, theatergoers filled the venue looking forward to the reincarnation of the perennial favorite.

“Man of La Mancha” debuted off-Broadway in 1965 and went on to win five Tony Awards. Written by Dale Wasserman with music by Mitch Leigh and lyrics by Joe Darion, the Northport version is masterfully directed by Peter Flynn.

Taking its cue from literature, the musical takes the story of “Don Quixote” written by Miguel de Cervantes and sets it to music. In the play, which takes place during the Spanish Inquisition at the end of the 16th century, Cervantes is in prison waiting for his trial. Upon his arrival, his fellow prisoners try to take his belongings, including the manuscript of the story he is writing. 

Richard Todd Adams (Don Quixote) and Carlos Lopez (Sancho Panza) in a scene from ‘Man of La Mancha’

Following the tradition of prisoners putting newcomers on trial, Cervantes is charged with being an idealist, and a mock trial begins. The writer, in an attempt to defend himself, has his fellow prisoners play the characters in “Don Quixote.” Through their re-creations, audience members meet Alonso Quijano, the aging man who believes he’s a knight-errant and calls himself Don Quixote. Quijano and his squire Sancho Panza embark on a journey where they meet an array of characters including Aldonza the bitter serving woman and prostitute at an inn who Quixote envisions as a virtuous lady.

Michael Bottari and Ronald Case have gone above and beyond with the detailed set design of a dungeon on the Engeman stage, and Kurt Alger has done an excellent job with costumes, especially with the Knight of Mirrors’ gear in the second act. Choreographed by Devanand Janki, the musical contains high-energy dance numbers that complement the stellar production. The actors and the orchestra, under the musical direction of Julianne Merrill, are in top form during every number.

Richard Todd Adams as Miguel de Cervantes/Don Quixote is charismatic as the main character who takes his fellow prisoners on a fictional journey. His deep, rich vocals are perfect on every song. When he sings “Dulcinea,” upon meeting Aldonza and sees her as a pure, good woman, his voice has the potential to make many swoon. He also stops the show with his delivery of “The Impossible Dream.”

Janet Dacal plays Aldonza with the right amount of sullenness but yet perfectly portrays the character’s softening later in the musical. Her singing, especially her solos, “What Does He Want of Me?” and “Aldonza” are filled with power and emotion.

Carlos Lopez is a delightful and charming Sancho Panza and lends a good amount of comedic relief including during his solos “I Really Like Him” and “A Little Gossip.”

Janet Dacal (Aldonza) and Carlos Lopez (Sancho Panza)

All of the ensemble members do a fantastic job, and each has time to shine in the spotlight. Morgan Anita Wood, Garfield Hammonds and Phyllis March are wonderful during “I’m Only Thinking of Him.” Deven Kolluri does a great job as the cynical Duke and Dr. Carrasco. In the prison scenes where he plays Duke, he portrays the character’s disdain for Cervantes perfectly. His vocals are strong when he joins Wood, Hammonds and March on “We’re Only Thinking of Him.”

Joshua Wayne Oxyer, Cody Mowrey, Juan Luis Espinal, Enrique Cruz DeJesus and Diego Gonzalez as the Muleteers sound fantastic together on the number “Little Bird, Little Bird.” Bruce Winant easily goes back and forth from the tough governor to the kind innkeeper, and Mowrey garners some laughs as the barber who tries to understand Quixote’s delusions. 

The story of “Don Quixote” and “Man of La Mancha” is more than a tale of a man gone mad battling a windmill he thinks is a giant. It’s about seeing the good in people and the world even when strife seems to prevail. Cervantes and Don Quixote look to escape the realities of life by searching for the good in all things and people, and their attitudes are contagious. It’s obvious the cast gets this message as they seamlessly go from conveying doubtfulness over their new dungeon mate to showing hope in the impossible dream by the end. For theater lovers on a quest for a musical that has it all, the Engeman’s “Man of La Mancha” is a dream.

The John W. Engeman Theater at Northport, located at 250 Main St, Northport presents “Man of La Mancha” through Oct. 28. Running time is approximately 2.5 hours with a 15-minute intermission and tickets are $73; $78 for Saturday evening performances. Free valet parking is available. For more information, call 631-261-2900 or visit www.engemantheater.com.

All photos by Michael DeCristofaro

Stephen Treglia as Sancho Panza and Michael Bertolini as Don Quixote’ in a scene from ‘Man of La Mancha’ Photo by Courtney Braun

By Kyle Barr

 

In the conflict between cynical realism and colorful idealism, “Man of La Mancha” is fully in support of the latter even while being so close to giving into the former. It is a production that teeters on this line even in the most silly of circumstances, and it is this fine line that requires quite a lot from everyone involved from music to set design to acting so that the meaning does not get confused.

It is good then that the Smithtown Center for the Performing Arts is up to the challenge.

Michael Bertolini as Don Quixote’ in a scene from ‘Man of La Mancha’ Photo by Courtney Braun

While classic productions like “Man of La Mancha” (a 1960s Broadway production ran for over 2,000 performances) give local theaters the opportunity to perform something familiar, these shows can have the side effect of giving the impression that it is “amateur hour.” However, the SPAC, even on its opening night, not only manages to have a show with great performances on every level, but it also manages to capture the depth and heart of the play.

The story first centers upon the “bad poet and idealist” Miguel de Cervantes who, along with his manservant, is arrested by the Spanish Inquisition under the charge of foreclosing on a church. In prison, all their possessions are taken by the other inmates, including the tough yet sympathetic “Governor,” who declares they will put on a mock trial for Cervantes and that if he is found guilty everything including his precious manuscript will be taken or burned.

The aging gentleman declares he wishes to present his trial in the form of a play about a man named Alonso Quijana, who has become so fed up with the evil of the world and has spent so much time around books on ancient chivalry that he goes insane, dons a breastplate and helmet and makes himself a knight errant named Don Quixote. He has the other inmates act out characters throughout his defense, all while time is ticking down before he must meet his real trial in front of the Inquisition.

The cast of ‘Man of La Mancha’. Photo by Courtney Braun

What is remarkable about the production, and what director Kenneth J. Washington and the other folks at the SPAC have managed to convey, is how well the theme and meaning builds over time. At first the audience must agree with the inmates, thinking Cervantes is an idiot idealist who has little excuse for his actions. Slowly it is clear through the obtuse silliness of Don Quixote that Cervantes might have a point, and eventually it is clear the production is a metanarrative about theater and fiction itself.

It is a theme expressed even by the set design, headed by resident designer Tim Golebiewski. At first the set seems well designed, with good work on the foreground and the paintings of stonework that seems truly lifelike. But it all seems a little dull and gray, easily blending into each other.

However, this works to the play’s themes. The audience is there inside this dungeon, and just like the inmates the place is dull and harrowing. Once Don Quixote is on stage, running around with broken lance and bent sword, both inmates and audience imagine a more colorful scene much in the way that Quixote seems to imagine it. It is all enhanced by lighting designer Chris Creevy who does a fine job on the subtle hints of lighting to fit the scene.

Of course, this setup would not work at all unless the actors convey that they too are being transported into Cervantes’ world, and on opening night last Saturday the entire cast went above and beyond what was expected.

Stephen Treglia as Sancho Panza and Michael Bertolini as Don Quixote’ in a scene from ‘Man of La Mancha’ Photo by Courtney Braun

While actors are often expected to play multiple parts on the stage throughout a play, lead Michael Bertolini has the harder job of switching between Cervantes, Quixote and Quijana often in the middle of a scene. Nevertheless, he manages it flawlessly, with each character having a distinct presence on stage. Cervantes is composed and gentlemanly, while Quixote is loud, boisterous while cripplingly old. It was a joy to watch Bertolini put on makeup right on stage, quickly transforming himself into another character in a scene only usually reserved for behind the stage.

SPAC veteran Brianne Boyd, who plays Alonsa, the kitchen wench of the local inn, fills her roll with a great melancholy that is pitch perfect, not to mention her voice that captures that loneliness and hopelessness especially in her song “It’s All the Same,” which musical director Melissa Coyle and choreographer Danielle Nigro must have spent countless hours getting just right. The song stands out as the most memorable and affecting number of the entire production.

The other standouts of the cast are easily Stephen Treglia as the manservant Sancho Panza, the unflappable sidekick to both Cervantes and Quixote, and Steve Ayle, his first time at the SPAC, as both the Duke and Dr. Carrasco, who has a stern face when talking of the merits of cynicism and realism over idealism.

If you have never seen “Man of La Mancha,” then SPAC’s production is a great introduction to the magnificent story. If you have seen La Mancha before, then this is a good way to remember why you loved it so much.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown will present “Man of La Mancha” through Oct. 22. Tickets are $35 adults, $32 seniors, $20 students with valid ID. To order, call 631-724-3700 or visit www.smithtownpac.org.

Social

9,389FansLike
0FollowersFollow
1,154FollowersFollow
33SubscribersSubscribe