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Linda May

By Heidi Sutton

tale of redemption, an epic battle of good and evil, teen romance, the bonds of friendship — these topics and more will be explored as Theatre Three celebrates 50 years of “Broadway on Main Street” with a revival of the six most popular shows in the theater’s history.

The season opens with a thrilling and chilling adaption of “Jekyll & Hyde: The Musical” by Paul Hadobas with book and lyrics by Leslie Bricusse and music by Frank Wildhorn featuring additional songs like “I Need to Know” and additional material which were cut from the original Broadway show.

Jeffrey Sanzel, who directed the theater’s 2005 production, returns to the helm to create a beautifully haunting show that is not to be missed.

Based on Robert Louis Stevenson’s 1886 gothic novella, “The Strange Case of Dr. Jekyll and Mr. Hyde,” the classic story follows Dr. Henry Jekyll’s ill-fated quest to find a cure for his father’s mental illness. Years of experiments have produced a chemical formula that Jekyll is convinced can “separate the good and evil” from the human soul … “to help the tortured mind of man.” All he needs is a human test subject.

When his request to inject the formula into a patient at a mental hospital is turned down by the Board of Governors, a decision they will later regret, Jekyll feels he has no choice but to experiment on himself. The noble attempt to help those that cannot help themselves backfires and gives life to an evil alter ego, Edward Hyde, who terrorizes the citizens of London after dark.

From the moment Hyde makes an appearance, he seeks revenge for Jekyll and methodically hunts down the members of the Board of Governors and with a crack of the neck or a stab in the side they fall one by one. Jekyll remembers little of the murders, praying “they are merely nightmares,” but eventually Hyde “comes out of the shadows” and becomes an addiction, causing Jekyll to lose self-control in an emotional climactic ending.

In his Theatre Three debut, Alan Stentiford is simply incredible in the dual role of Dr. Jekyll and Mr. Hyde. The actor’s transition from respected doctor to psychotic madman will make the tiny hairs on the back of your neck stand up. After each injection, the actor morphs into a rabid creature who slinks and lurks about in the dark, peering out through his unkempt hair with wild eyes. And wait until you hear him sing! Stentiford’s split-personality faceoff in “Confrontation” is mesmorizing and his opening night performance of “This Is the Moment” brought the house down.

Tamralynn Dorsa plays Jekyll’s loving and always supportive fiancée Emma Carew. Dorsa shines in this angelic role and her rendition of “Once Upon a Dream” is magical.

TracyLynn Conner is equally impressive as prostitute Lucy Harris who Jekyll befriends during a visit to the seedy drinking establishment, The Red Rat. It is her that Hyde visits the most often until his jealousy consumes him. Her emotional performance of “No One Knows You I Am” is wonderful.

Another standout in the show is Steven Uihlein in the role of Simon Stride, a former boyfriend of Carew, who has made it his personal mission to see Jekyll fail at every turn. Andrew Lenahan is also one to watch. As John Utterson, Jekyll’s friend and attorney, Lenahan gives a brilliant performance in “His Work and Nothing More.”

The beautiful costumes and wigs by Chakira Doherty meld perfectly with the evocative choreography by Nicole Bianco and the Victorian set, designed by Randall Parsons features Dr. Jekyll’s laboratory. Kudos also to musical director Jeffrey Hoffman, whose seven-piece orchestra keeps perfect pace and tune.

Jeffrey Sanzel has assembled an incredible cast and crew to kick off the theater’s golden anniversary and they all deserve a big round of applause. Happy anniversary Theatre Three! It’s time to relish the well-deserved spotlight.

The cast of ‘Jekyll & Hyde’: Melanie Acampora, Bryan Bowie, TracyLynn Conner, Dennis Creighton, Anthony D’Amore, Lindsay DeFranco, Tamralynn Dorsa, Emily Gates, Eric J. Hughes, Heather Kuhn, Michelle LaBozzetta, Krystal Lawless, Andrew Lenahan, George Liberman, Linda May, Stephanie Moreau, Douglas Quattrock, Jim Sluder, Alan Stentiford, James Taffurelli, Briana Ude, Steven Uihlein, and Ryan Worrell

Theatre Three, 412 Main St., Port Jefferson presents “Jeykll & Hyde: The Musical” through Oct. 26. Contains adult themes and situations. The 2019-20 Mainstage season continues with Charles Dickens’ “A Christmas Carol” from Nov. 16 to Dec. 28, “Driving Miss Daisy” from Jan. 11 to Feb. 1, “Joseph and the Amazing Technicolor Dreamcoat” from Feb. 15 to March 21, “Steel Magnolias” from April 4 to May 2 and “Grease” from May 16 to June 21. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

 

By Heidi Sutton

From now through June 22, children and adults alike are invited to follow the yellow brick road on Main Street in Port Jefferson (yes, there is an actual yellow road painted on the sidewalk) through the double doors of Theatre Three to see a wondrous stage version of L. Frank Baum’s “The Wizard of Oz.”

First published in 1900 as a children’s book titled “The Wonderful Wizard of Oz,” the classic story has given rise to many sequels, spin-offs and adaptations including radio shows, musicals and the iconic 1939 MGM film starring a 16-year-old Judy Garland.  

When Dorothy Gale from Kansas is swept away by a tornado, she is dropped in the Land of Oz and must make her way to the Emerald City to ask the Wizard to help her and her dog Toto get home. Along the way she befriends alternate versions of her family and neighbors including The Scarecrow, The Tinman and Cowardly Lion who protect her from the Wicked Witch of the West who wants Dorothy’s magic ruby slippers.

Theatre Three’s stage version, adapted by John Kane with music and lyrics by Harold Arlen and E.Y. Harburg, follows the original MGM screenplay, leaving in additional verses to the songs, secondary script and musical numbers like “The Jitterbug” that didn’t make the final cut in the film. We learn the backstory about The Tinman (a bit macabre) and The Cowardly Lion (think “The Lion King”) and why the Winkies always chant “Oh wee-Oh, we-ohhhhh um.” The result is a fresh take on a beloved favorite.

Presenting a mainstage production of “The Wizard of Oz” with numerous sets, song and dance numbers and costume changes is not an easy feat, but Director Jeffrey Sanzel has assembled a talented cast of over 30 actors who pull it off with ease.

Ashley Ferraro is perfectly cast as Dorothy and her rendition of “Somewhere Over the Rainbow” is enchanting. Dorothy’s faithful pet Toto is played by the adorable Miss Mia Donatuti who elicits many “Oh my’s” from the audience every time her four paws hit the stage or she peaks out of the basket.

So nice to see Jim Sluder back on Theatre Three’s stage, this time as Dorothy’s favorite, The Scarecrow, who is convinced he has no brain. Eric J. Hughes plays The Tinman who has plenty of heart but tends to rust a lot and Andrew Lenahan is the perfect Cowardly Lion and gives us a glorious performance of “If I Only Had the Nerve.” 

Linda May is outstanding as Almira Gulch/ Wicked Witch of the West. Close your eyes and you’ll swear Margaret Hamilton is on stage. May’s rendition of the famous line “I’ll get you my pretty, and your little dog too!” followed by that shrill cackle will send chills down your spine. 

Special mention should be made of The Munchkins, who, with their high little giggles, are a sweet addition to the story. Their big number, “Munchinkland,” complete with The Lollipop Kids and The Lullaby League, brings the house down.

The sets, designed by Randall Parsons, are impressive as well. Large painted panels slide back and forth, revealing the different scenes while posters depicting the cover and pages from the storybook adorn the edges of the stage. Taking a cue from the 1939 film, Uncle Henry and Auntie Em’s Kansas farm uses muted colors of browns and greens and then, in true Technicolor fashion, Dorothy and Toto arrive in Munchkinland where every color in the rainbow is utilized. 

In a stroke of genius, Sanzel uses flower umbrellas as props which, when opened, are the perfect hiding spot for Munchkins and make for a beautiful field of poppies. And wait until you see the special effects!

Accompanied by a powerhouse orchestra led by conductor Jeffrey Hoffman, the show’s big musical numbers are wonderfully choreographed by Jean P. Sorbera. Costumes by Chakira Doherty are a work of art.

In the end, the adventures of Dorothy, The Scarecrow, The Tin Man and The Cowardly Lion reinforce the power of friendship and that there really is no place like home.

In his director’s notes, Sanzel writes, “In our mind’s eye, we see this unusual quartet, arms linked, traveling down an unknown road. And herein lies the heart: The emphasis is in the journey. Growth comes from the venture and the efforts we make not just for ourselves but for those who walk the road with us.”

Dedicated to the faithful and young at heart, L. Frank Baum’s “The Wizard of Oz” closes out Theatre Three’s 2018-19 season as a vibrantly colorful rainbow. Don’t miss this wonderful family show.

Magic wands are sold before the show and during intermission and photos with Dorothy, Toto, The Tinman, The Cowardly Lion and The Scarecrow are available after the show. Donations are being accepted for St. Jude’s Children’s Hospital. Also, take a chance at a raffle to win Almira Gulch’s bicycle. 

Theatre Three, located at 412 Main St., Port Jefferson will present “The Wizard of Oz” on the Mainstage through June 22 with a special evening start time of 7 p.m., Saturday matinees at 2 p.m. and Sunday matinees at 3 pm. Running time is 2 hours 10 minutes with a 15-minute intermission. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, please call 631-928-9100 or visit www.theatrethree.com.

All photos by Brian Hoerger, Theatre Three Productions Inc.

By Heidi Sutton

From Mainstage productions to children’s theater, to concerts and film screenings, comedy shows and improv, Theatre Three always has a lot to offer. However, it is the Festival of One-Act Plays that many look forward to each year with eager anticipation. 

Showcasing six original works selected from 425 submissions, the 22nd annual festival opened last weekend for a nine-performance run in the intimate setting of The Ronald F. Peierls Theatre on the second stage. 

Directed by Jeffrey Sanzel, each short play is exciting; some dark, some funny, some sad, with lots of twists and turns. It is the unknown, the unfamiliar that makes it all so entertaining to watch. 

The show kicks off with Tom Slot’s “Playlist to Have a Crisis To.” Teenager Alexis (Nicole Bianco) has just hit a burglar dressed in a Santa Claus suit (Stephen T. Wangner) with an encyclopedia and he’s on the floor unconscious. She calls her girlfriend Tanya (Michelle LaBozzetta)to come over to wait for the police to arrive. When the man wakes up he claims to be the real Santa Claus. He knows things only Santa would know, but everyone knows he’s only a legend, right? And if he is real, will Alexis always be known as the girl who beat up Father Christmas?

Next up is “For a Moment in the Darkness, We Wait” by Libby Leonard, the touching story of two gay men, the older Bernard (Douglas Quattrock) and teenager Connie (Ryan Schaefer) struggling to hide their sexual identity in New York City the 1940s. You feel their pain, their frustration and their sadness in this emotional performance. 

The mood lightens greatly with “Perfectly Normal” by J. Joseph Cox, a hilarious look at the changing workplace. Antoine Jones, Suzie Dunn, Steve Wagner, Nicole Bianco and Ginger Dalton star in this delightful comedy. There’s a new boss in town and we hear of the workplace changes from breakroom gossip. “He swept in here like the Gestapo!” Employees are disappearing, Human Resources is boarded up, cavity searches are being conducted, and the final blow, coffee has been replaced by tea. This is normal?

“Family by Numbers” by Arianna Rose is the heartbreaking story of a family that loses a son in a hiking accident. Beautifully written, it  begins when the parents first meet, get married, raise three boys and then struggle with their tragic loss and one less number. Powerful performances all around by Steve Ayle, Linda May, Dylan Robert Poulos, Steven Uihlein and Ryan Schaefer.

After intermission, Rich Orloff’s “The Unforgivable Sin of Forgiveness” takes the stage. A wife (TracyLynn Conner) confesses to her husband (Antoine Jones) that she has been having an affair for three years. His response? “I know.” Taken aback, the wife turns the tables and demands to know why he hasn’t let on that he knew all this time. “You lied to your wife when all these years I’ve been faithful six days out of seven?” she exclaims in disbelief.

The final and longest act, “The Making of Medea’s Medea” by Chas Belov, is where the production of Medea’s modern-day retelling of her own story of revenge is played out on Theatre Three’s Mainstage while being turned into a documentary. We meet Medea, Jason, the actors that play them, the actors that play the part of the employees at Theatre Three, psychologists, Greek playwrights and more. The entire cast takes part with special mention to Linda May as the heartbroken and vengeful Medea.

With an excellent lineup and incredible cast, this festival is not to be missed. Get yourself a ticket before they sell out.

Sponsored by Lippencott Financial Group, Theatre Three, 412 Main St., Port Jefferson will present the 22nd annual Festival of One-Act Plays through May 5. Running time is 2 hours with a 15-minute intermission. All seats are $20. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

What is art and what is not? Ultimately art is in the eye of the beholder, yes? But what if your two best friends don’t agree with you? Which is more important? Friendship or art? These are just a few of the questions explored in Theatre Three’s latest offering, “Art” by Yasmina Reza (“God of Carnage”). The one-act drama runs on the Main stage through Feb. 2.

From left, Antoine Jones, Matt Senese and Steve Kyle in a scene from ‘Art’. Photo by Brian Hoerger

The French play premiered in Paris in 1994. Translated by Christopher Hampton, it opened in London’s West End in 1996, and then headed to Broadway two years later for a 600 performance run. The original New York cast featured Alan Alda, Victor Garber and Alfred Molina. By the time the show closed in 1999, it had garnered many awards including a Tony for Best Play and the Lawrence Olivier Award for Best Comedy.

Serge (Steve Ayle), Marc (Antoine Jones) and Yvan (Matt Senese) have been best friends for the last 15 years. A dermatologist by profession, Serge decides to start collecting art and purchases a contemporary painting for $50,000. The modern artwork is 3 feet by 4 feet and has a white background with “fine white diagonal lines” (if you look closely —— very closely). 

He is eager to show it off when Marc comes over, handling it ever so carefully as he brings it out for air.  At first Marc tries to be polite and says nothing as Serge has him look at the painting from different angles but finally can’t control himself. “You paid $50,000 for this white s—?” Marc asks in disbelief and their friendship takes a dark turn.

When Yvan is shown the painting, he is rather ambivalent about it. “I didn’t like the painting … but I didn’t actually hate it,” he reports back to Marc. “Well, of course not, You can’t hate what’s invisible! You can’t hate nothing!” exclaims Marc, who is getting more agitated by the minute. 

The cast of ‘Art’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

Although he has more pressing things to worry about like planning a wedding with his fiancé turned “bridezilla,” Yvan finds himself playing referee and trying to diffuse the situation. In the end, however, the argument is not really about a painting but about friendship, its boundaries and how we should treat and speak to each other. 

Director Linda May has assembled the crème de la crème of actors to relate this comedy. Steve Ayle (“12 Angry Men,” “I Hate Hamlet” ) is the quintessential Serge, Antoine Jones (Festival of One-Act Plays, “A Chrismas Carol”) is exemplary  in the role of Marc while Matt Senese (‘The Addams Family”) is hilarious as Yvan. The three work perfectly together to produce a wonderful evening of live theater. 

Theatre Three, 412 Main St., Port Jefferson will present “Art” on the Mainstage through Feb. 2. Running time is 1 hour 30 minutes with no intermission. Contains adult language. The season continues with the musical “Nine” from Feb. 23 to March 23 and “The Miracle Worker” from April 6 to 28. Tickets are $35 adults, $28 seniors and students, $20 children. To order, call 631-928-9100 or visit www.theatrethree.com.

The cast of 'The Addams Family'. Photo by Brian Hoerger

By Heidi Sutton

Halloween is still a few weeks away, but there’s something creepy and kooky and altogether spooky going on at Theatre Three that’s not to be missed.

The theater opens its 49th season with the musical comedy “The Addams Family,” a nostalgic trip down memory lane for fans of this atypical clan, and judging by the packed house on opening night, that amounts to quite a few.

Created by Charles Addams, the lovable, albeit macabre, family first appeared in a New Yorker comic strip in 1938 but truly came to life in the 1960s ABC television series starring John Astin and Carolyn Jones as Gomez and Morticia. The two film versions in the 1990s paved the way for the Broadway musical in 2010 starring Nathan Lane and Bebe Neuwirth.

The cast of ‘The Addams Family’. Photo by Brian Hoerger

Last Saturday’s opening performance began as it should, with the audience snapping their fingers or clapping their hands to the iconic theme song, and suddenly they appeared — all the familiar, eccentric characters we have all come to love — Gomez (Matt Senese), Morticia (TracyLynn Conner), Uncle Fester (Rick Grossman), Grandma (Ginger Dalton), Wednesday (Jessica Murphy), Pugsley (Max Venezia), Lurch (James Taffurelli) and Thing and Cousin Itt (both played by Cameron Turner). What followed was a fun, wonderful evening of live theater.

Directed by Jeffrey Sanzel, the show opens, most fittingly, in the family cemetery (“Oh the intoxicating smell of the graveyard!”) as the family lets their ancestors out of a mausoleum to celebrate what it is to be an Addams. It is here that we see the first of many “Thriller”-inspired musical numbers, expertly choreographed by Nicole Bianco, that dominate the show.

The storyline revolves around Wednesday who is all grown up and has fallen in love with a “normal boy,” Lucas Beineke (Matt Paredi) from Ohio (“the swing state!”), and wants to bring him and his parents, straight arrow Mal (Steve Ayle) and the perfectly rhyming Alice (Linda May), over for one “normal night.” She confides in her father that she wants to marry Lucas and makes him promise not to tell her mother yet, putting Gomez in several hilarious sticky situations and leading up to his solo, “Trapped (like a corpse in the ground).”

Matt Senese as Gomez and Jessica Murphy as Wednesday. Photo by Brian Hoerger

Uncle Fester, on the other hand, recruits the ancestors to find out if this is really true love, and if so, to help it along. Dressed in ghostly white costumes, they float in and out of every scene as they spy on the family’s affairs.

As the Beineke family arrive, they are invited to take part in the family game, Full Disclosure, during which everyone takes a sip from a sacred chalice and reveals something they’ve never told anyone. When Pugsley steals a magical potion from Grandma (“One swig of that and Mary Poppins turns into Madea!”) and pours it in the chalice, the evening takes a dark and eventful turn.

Accompanied by an outstanding eight-member band led by Jeffrey Hoffman, the 20 musical numbers perfectly tie the storyline together.   The costumes by Chakira Doherty are wonderful, especially for the ghoulish ancestors, and the Gothic set, cleverly designed by Randall Parsons includes panels that swivel and rotate to reveal different scenery. As the actors sing their solo or duet, they move toward the edge of the stage as the curtain closes, allowing the set to be quickly changed for the next scene.

With exceptional vocals, the entire cast become fully immersed in their individual character. The chemistry between Gomez and Morticia is as alive as ever. Morticia: “I feel darkness and grief and unspeakable sorrow.” Gomez: “I love it when you speak sexy, Cara Mia.” 

Matt Senese as Gomez and TracyLynn Conner as Morticia. Photo by Peter Lanscombe

Although she’s in love, Wednesday’s inner darkness makes several appearances, and Uncle Fester is as lovable as ever (yes, he is still in love with the moon.) Pugsley secretly loves to be tortured (electrocuted to be precise) by his big sister, Grandma is still wacky and Lurch is still grunting; but in the end they are just one big family that has to deal with every day issues just like everyone else.

In his director’s notes, Sanzel sums it up perfectly. “The ultimate message of ‘The Addams Family’ musical is to find out who you are so you can be true to yourself. Whether vacationing in the sewers of Paris, starting out in a new marriage or finding the spark in an old one, or flying to your true love (‘To the moon, Alice!’), the Addams Family and ‘The Addams Family’ remind us to ‘live before we die.’”

Go see this wonderful show. You’ll find much to cherish.

Stay after the performance for a photo with the cast on stage if you wish — the $5 donation goes to support the theater’s scholarship fund.

Theatre Three, 412 Main St., Port Jefferson will present “The Addams Family” through Oct. 27. Tickets are $35 adults, $28 seniors and students and $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

A scene from ‘Life, the Theatre, and Other Unlikelihoods’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

By Heidi Sutton

When a beloved community theater is about to turn 50, it is time to celebrate in a big way. For the next three years, Theatre Three in Port Jefferson will present a series of special events building up to its 50th anniversary, beginning with Life in the Theatre: A Glimpse Behind the Curtain on Sunday, May 20, at 7 p.m.

John Fugelsang will be the host of the evening

The fundraiser, which will be hosted by actor, comedian, broadcaster and Theatre Three alum John Fugelsang, will include an original comedy by Executive Artistic Director Jeffrey Sanzel followed by a special guest appearance by musician, actor, writer and radio host Seth Rudetsky.

Founded in 1969 by Jerry Friedman and John and Linda Herr, the troupe started out performing at the Smith Haven Ministries at the Smith Haven Mall. “They all lived in the Three Village area, hence the name, ‘Theatre Three,'” said board member and former artistic director Bradlee Bing, who joined the group shortly after.

Over the years, Theatre Three occupied several different spaces including in the First Presbyterian Church on Main Street in the village before purchasing the current building at 412 Main St. in 1979 after the United Artist Theater closed. In the beginning, there were “only adult-themed musicals, plays and cabaret-style revues,” Bing said. The theater has since expanded to offer children’s theater, educational tours, concerts and acting lessons.

“It is inconceivable that 48 years have passed so quickly,” said Bing who first approached Sanzel about launching a three-year celebration.

Seth Rudetsky will be the headliner in the second act. Photo courtesy of Theatre Three

The event on May 20 will open with the world premiere of “Life, the Theatre, and Other Unlikelihoods,” a one-act musical  featuring original songs by Brian Crawley (Tony nominee for “Violet”), Tim Peierls, Douglas J. Quattrock and Sanzel. Starring Dylan Robert Poulos, the play will celebrate the joys and challenges of becoming an actor, from taking acting lessons as a child to landing that big role, or not.

Directed and narrated by Sanzel, the 17-member cast, playing dozens of roles, will also include Melanie Acampora, Marci Bing, Meg Bush, TracyLynn Conner, Jessica Contino, Ginger Dalton, Sari Feldman, Andrew Gasparini, Eric J. Hughes, Linda May, Phyllis March, Steve McCoy, Cameron Turner, Steven Uihlein and Stephen Wangner.

For Sanzel the experience of creating this one-act musical has morphed into “becoming a celebration of what we do … and is one of the greatest and most joyous writing experiences I’ve ever had.”

He continued, “Yes, the world of theater is fun and interesting but it is a huge amount of work and an enormous commitment. The flipside is the reward which is extraordinary. This play traces how we all come together as family in this amount of time and then we say goodbye and the poignancy of that.”

For Bing, this event is just the beginning. “We have identified it as year one, getting ready, year two, getting set and year three, go. We are developing activities that will prepare us for our final year celebration that will be a three-day event featuring a cocktail reception free of charge open to everyone that has ever been associated with the theater: actor, musician, technician, subscriber, ushers, family and friends on June 5, a semiformal sit down recognition, celebrity dinner on June 6 and a show at the theater highlighting 50 years of theater performances on June 7.”

For Sanzel, “It really is a celebration of theater, the universality, but it is also a celebration of Theatre Three. This event is the perfect launch toward our 50th anniversary.”

Theatre Three, 412 Main St., Port Jefferson will present “Life in the Theatre” on May 20 at 7 p.m. Tickets are $50 presale, $75 at the door. Proceeds will go toward programming at the theater. To order, please call 631-928-9100 or visit www.theatrethree.com.

 

LEAVE US IN PEACE — WE JUST WANT TO DO PLAYS! TracyLynn Conner, Dondi Rollins and Morgan Howell Rumble in a scene from ‘Dark’

By Heidi Sutton

When a One-Act Play Festival receives 415 submissions, it cannot be easy to choose just a handful. But that’s exactly what Theatre Three’s Festival of One-Act Plays founder and Executive Artistic Director Jeffrey Sanzel was tasked with doing this year and the result is extraordinary. Showcasing seven original works, the annual festival opened last weekend for a 10-performance run.

“For the first time on any stage, these works come to life,” explained Sanzel, who also serves as director. “These are premieres; they are ‘firsts.’ A comedy [is] followed by a drama, a farce by an experimental work …” in a two-hour marathon in the cozy setting of The Ronald F. Peierls Theatre on the Second Stage, a space so intimate that it “allows the audience to breathe the same air as these … characters. There is no wall. There is no division.”

Steve McCoy and Dylan Robert Poulos in a scene from ‘At the Circus’

The show kicks off with Chip Bolcik’s “At the Circus,” starring veteran actor Steve McCoy and festival newcomer Dylan Robert Poulos. In an ironic twist, a trapeze artist (McCoy) and a clown (Poulos) have grown tired of life in the circus and dream of a life of normalcy, of running away with the audience. They long to have a house with a window to look out of, a driveway, the opportunity to drive to the grocery store. “They have no idea how lucky they are, do they?” wonders Poulos as he looks longingly into the crowd, giving nod to the old adage “The grass is always greener on the other side of the fence.”

Next up is “Interview with the First Family” by Tom Slot, a behind-the-scenes reality TV look at what really happened in the Garden of Eden and where they are now. Adam (Antoine Jones) is a surfer, Eve (Susan Emory) works at a bakery — “People can’t get enough of my apple pie,” Cain (Morgan Howell Rumble) is a convict doing time for killing his brother Abel and God (Linda May) is just sitting back seeing how the world spins and working on her stand up act. Her biggest regret? Creating the mosquito. 

“Plumb Desire,” written by Patrick Gabridge, is a hilarious take on how hard it is to find a good handyman these days and the relationships that develop. Darius (played by Steve Wangner) has found such a man in Jackson (Dondi Rollins), a plumber who has been renovating his bathroom. Jackson hasn’t shown up lately so Darius tracks him down and tries to woo him back with flowers and a six pack of beer. “I’ve been searching for a plumber for so long and you are the one,” he whines, adding, “Do you remember when we   replaced all the vents on the radiators?” Jackson finally breaks down and admits that “sometimes plumbers can be flaky — it comes with the territory.” Will he be back on Monday to finish the job?

TracyLynn Conner and Meg Bush in a scene from ‘Class”

Comedy switches to drama with Andrea Fleck Clardy’s “After Class.” Madison (Meg Bush in a powerful performance) is a mentally disturbed student who speaks of bringing a gun she’s nicknamed “Kim” to class as her teacher Amy Clausen (TracyLynn Connor) struggles with handling the scary situation.  

After intermission, “Bird Feed” by Melanie Acampora takes center stage. Three pigeons sit on a ledge in Manhattan chatting. It’s Georgie’s (Susan Emory) birthday — she’s two years old today. Her friends Bertha (Meg Bush) and Rayna (Nicole Bianco) want to take her out to celebrate when Bertha overhears someone saying that the average life span of a pigeon is just two and half years, leading to a contemplation on birthdays and mortality.  

There’s a mole loose in the world of acting in Jack McCleland’s “Dark.” It’s open hunting season and actors are being picked off one by one. Every time they find a hiding spot, they are mysteriously found and shot to death. Three actors — Steve (Morgan Howell Rumble), Meg (TracyLynn Conner) and understudy Carl (Dondi Rollins) are holed up in a warehouse and are being ordered to come out. “Leave us in peace! We’re actors — we just want to do plays!” they plead. One last warm up and they venture outside and the snitch is finally revealed as Ethel Merman’s rendition of “No Business Like Show Business” plays jubilantly in the background.

Meg Bush, Nicole Bianco and Susan Emory in a scene from ‘Bird Feed’

Sanzel saves the best for last with Charles West’s courtroom spoof, “Home Versus the Holidays.” A man is on trial for waving a sword at a church group singing Christmas carols in front of his home. The audience is sworn in as the jury and the judge (Linda May) calls the first witness to the stand, the chaperone to the group (Steve Wangner).

After the district attorney (Nicole Bianco) asks him some questions, the defense lawyer (Antoine Jones) is allowed to cross-examine and hilarity ensues. Using visuals, song lyrics and the alleged weapon, Jones turns the Christmas spirit on its head in a stunning performance that must be seen to be believed. You’ll be in stitches long after the show ends.

With an excellent lineup and incredible cast, this festival is not to be missed. Get your ticket before they’re sold out.

The cast: Nicole Bianco, Meg Bush, TracyLynn Conner, Susan Emory, Antoine Jones, Linda May, Steve McCoy, Dylan Robert Poulos, Dondi Rollins, Morgan Howell Rumble, Steve Wangner

Sponsored by Lippencott Financial Group, Theatre Three, 412 Main St., Port Jefferson will present The 21st Annual Festival of One-Act Plays through May 6. Contains adult language and subject matter. Parental discretion is advised. Running time is two hours with one 15-minute intermission. Tickets are $20. To order, call the box office at 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

Cast of Theatre Three's 'Nunsense'. Photo by Brian Hoerger, Theatre Three Productions Inc.

By Heidi Sutton

Theatre Three continues its 48th season with the heavenly musical comedy “Nunsense.” The show, which opened on the Mainstage last Saturday evening, catered to a packed house ready to sit back, relax and have some fun. And judging by the rip-roaring laughter all night, it did not disappoint.

With book, music and lyrics by Dan Goggin, the original Off-Broadway production opened in 1985 and ran for 3,672 performances, becoming the second-longest-running Off-Broadway show in history. By the time it closed 10 years later, “Nunsense” had become an international phenomenon, having been translated into over 20 languages with more than 8,000 productions worldwide.

TracyLynn Conner, Sari Feldman and Jessica Contino in a scene from ‘Nunsense’

Now the congregation has taken up residence at Theatre Three and although Catholics will most identify with this hilarious show, audiences of all faiths are sure to have their spirits lifted as well.

The Little Sisters of Hoboken are in a bit of a pickle. While 19 of the nuns are off playing Bingo, the convent’s cook, Sister Julia, Child of God, accidently poisons the remaining 52 nuns by serving them a batch of botulism-laced vichyssoise. As one nun quips, “For 52, bon appetite was also bon voyage.”

After a successful greeting-card fundraiser, 48 of the sisters are laid to rest. Thinking there is plenty of money left over, Mother Superior spends the rest of the money on a plasma TV, leaving no money to pay for the last four burials. While the remaining deceased are temporarily stored in cold storage, five of the nuns decide to stage a variety show in the Mt. Saint Helen’s School auditorium to raise the rest of the money. “We’ve just got to get those girls out of the freezer,” they lament.

Sister Mary Regina (Phyliss March) and Sister Robert Anne (Sari Feldman) share a moment.

Under the skillful direction of Jeffrey Sanzel, the show’s über-talented cast is given the freedom to bring out the strong personalities of their characters and have a blast doing it. At the beginning of the production, the group sings, “Though we’re on our way to heaven, we’re here to raise some hell.” Blessed with wonderful harmonic voices, great comedic timing and a seemingly inexhaustable amount of energy, they put on quite a show.

The incomparable Phyllis March plays uptight Mother Superior Sister Mary Regina who loosens up quite a bit at the end of the first act in one of the funniest scenes in the play, and Linda May is wonderful as the second-in-command Sister Mary Hubert who has higher aspirations.

TracyLynn Conner is hilarious as the wide-eyed Sister Mary Amnesia who lost her memory when a crucifix fell on her head. “She just a big mess,” mutters Mother Superior under her breath. Conner steals the show with her duet with a puppet in “So You Want to Be a Nun.”

Sari Feldman is Sister Robert Anne, the streetwise understudy from Brooklyn who “Just wants to be a star” and finally gets the chance to shine brightly in Act Two. Jessica Contino rounds out the cast as the sweet Sister Mary Leo who dreams of being the first nun ballerina.

The brilliant script is full of hilarious puns — “How do you make holy water?” “I don’t know, how DO you make holy water?” “You boil the hell out of it!” — along with double entendres and every nun joke out there. The wonderful songs, 20 in all, are accompanied by the terrific Mt. Saint Helen’s School Band under the direction of Steve McCoy.

Vichyssoise anyone?Linda May, Phyliss March and TracyLynn Conner in a scene from ‘Nunsense’

A nice touch is the constant audience participation, which is strictly voluntary. Before the show and intermission the nuns greet the patrons and pose for photos, and during the show the audience takes part in a quiz with a chance to win prizes. A short film by Ray Mason and Sanzel starring the five sisters of Hoboken in the second act is just the icing on the cake. From the initial Mt. Saint Helen’s cheer to the final amen, “Nunsense” is simply divine and should not be missed.

Enjoy a drink at Griswold’s Café on the lower level of the theater and take a chance at 50/50 during intermission. The theater, more specifically, the nuns will be collecting donations for Hurricane Maria on behalf of Direct Relief at the end of the night.

Sponsored by Bridgehampton National Bank, the production is dedicated to the memory of Carolyn Droscoski who passed away suddenly on Feb. 5 at the age of 61. “Our hearts and our stage will be a little emptier.” Droscoski was a constant presence at Theatre Three, appearing on the  Mainstage, cabaret and children’s theater for over 40 years. According to the theater’s website, the actress appeared Off-Broadway and traveled the country in the various incarnations of “Nunsense” and is one of the few actresses to have played all five roles.

Theatre Three, located at 412 Main St. in Port Jefferson, will present “Nunsense” through March 24. The season will continue with “12 Angry Men” from April 7 to May 5 and the musical comedy “Curtains” from May 19 to June 23. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Brian Hoerger, Theatre Three Productions Inc.

Steve McCoy as John Barrymore and Dylan Robert Poulos as Andrew in a scene from 'I Hate Hamlet'. Photo by Brian Hoerger, Theatre Three Productions Inc.

By Heidi Sutton

Fresh on the heels of “A Christmas Carol,” Paul Rudnick’s delightful comedy “I Hate Hamlet” rings in the New Year at Theatre Three with a touch of Shakespeare, a friendly ghost and loads of laughs, all the while examining the age-old debate about the art of live theater versus the fame of television and film.

Directed by Mary Powers, the story centers around Andrew Rally (Dylan Robert Poulos), a successful television actor on the sitcom “L.A. Medical” and the star in a series of commercials peddling breakfast cereal. When the show is suddenly canceled, Andrew moves from California to New York City to try his hand at live theater and is offered the lead role in the Central Park stage production of the tragic masterpiece, “Hamlet: Prince of Denmark.”

Above, the cast of ‘I Hate Hamlet’. Photo by Brian Hoerger, Theatre Three Productions Inc.

From all outward appearances, Andrew is living the good life: a beautiful girlfriend, the perfect apartment just off Washington Square and the chance to hone in on his craft by performing the works of the Bard. However, inside he is lacking confidence, his girlfriend of five months, 29-year-old Deirdre McDavey (Jessica Contino), is keeping a firm grip on her chastity leaving him frustrated, his new digs appears to be haunted and, for some reason, he just hates “Hamlet.”

When his agent Lillian Troy (Marci Bing) informs Andrew he is living in the same apartment once occupied by John Barrymore, whose portrayal of Hamlet led to him being called the “greatest living American tragedian,” Deirdre and real estate broker Felicia Dantine (Linda May) find the whole scenario too coincidental to pass up and the four conduct a séance to conjure up the dead actor. Shortly thereafter, Barrymore’s specter (Steve McCoy) appears in the apartment dressed as Hamlet and sets out to convince the insecure actor that he can and should take the part. Only visible to Andrew, producer Gary Peter Lefkowitz (Steve Ayle) and Lillian, Barrymore’s ghost cannot leave until opening night and utilizes his time teaching Andrew how to duel and to appreciate the poetry that is “Hamlet.”

When Gary offers Andrew a new role in a television pilot with the promise of millions of dollars and fame, the actor must decide between Shakespeare in the Park or commercial success. Which will he choose? That is the question.

Jessica Contino as Deidre and Steve McCoy as John Barrymore in a scene from ‘I Hate Hamlet’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

Costumes are wonderful, especially the Shakespearian garb, and the set is most impressive indeed. In the first act, the two-level apartment, complete with fireplace, long staircase and balcony, is in disarray, with moving boxes scattered about, a rolled-up carpet and couches wrapped in plastic. As the lights go up in the second act, the apartment has been beautifully transformed to Barrymore’s heyday of the 1920s, bearing a remarkable resemblance to the interior of a Gothic castle.

With a stellar cast, top-notch performances and terrific script, “I Hate Hamlet” promises a lovely evening at the theater. Whether you are a fan of Shakespeare or it’s not your cup of tea, either way you’re in for a wonderful treat. Don’t miss this one.

Enjoy a drink at Griswold’s Café on the lower level of the theater and take a chance at 50/50 during intermission. Proceeds will help upgrade and maintain the historic building.

Theatre Three, 412 Main St., Port Jefferson will present “I Hate Hamlet” through Feb. 3. Contains adult subject matter; parental discretion is advised. The Mainstage season continues with the musical comedy “Nunsense” from Feb. 24 to March 24 and the courtroom drama “12 Angry Men” from April 7 to May 5. Tickets are $35 adults, $28 students and seniors, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

From left, Phyllis March, Maryellen Molfetta and Ginger Dalton in a scene from the show. Photo by Brian Hoerger

By Michael Tessler

Theatre Three’s latest production “Where There’$ a Will,” opened last Saturday night to an intrigued audience. Originally produced in 1985 by an eighteen-year-old Jeffrey Sanzel, this wonderful piece of theater is such a hidden treasure that I’m glad it resurfaced just in time for me to review!

Our story begins as the late millionaire Hiram Cedricson, a self-proclaimed “Potato King,” has assembled his widow (and fourth wife), her not-so-new lover and a slapdash theater crew of washouts, has-beens and could-bes to hear his last will and testament be read aloud by a uniquely unqualified lawyer.

Phyllis March and Mary Ellin Kurtz in a scene from the show. Photo by Brian Hoerger

Hilarity ensues as the lawyer reveals that prior to Cedricson’s death he wrote an original play … with no prior experience in theater, with a title so funny that I’m unable to print it. His dying wish is for this cast and crew of misfits to perform the show verbatim, in a decrepit theater he purchased just before his death … in two weeks. If they can accomplish this, they each receive $500,000. If they fail, the snarky widow and her lover get all the money.

So despite quarrels and some seriously conflicting personalities, the group agrees to the terms. What none of them realize is that Hiram Cedricson was the furthest thing from a writer and that his show would be an accidental comedy of epic proportions! The result is as Cedricson so eloquently puts it — “wonderfug.” What’s best is that the ghost of Cedricson and two of his former wives (one dead, one divorced) get to enjoy the chaos as casual spectators from the balcony, bickering among themselves through the process.

Ginger Dalton in a scene from ‘Where There’$ a Will’. Photo by Brian Hoerger

By every definition this is an all-star cast — immensely talented, perfectly paced, and hilariously human. Expertly directed by Sanzel, each actor takes on a caricature so unique and well-written that it’s impossible not to feel emotionally invested in their success. There is such incredible range in their performances. All of these cast members could have and likely were leads in previous productions.

There are so many familiar faces that at times, and much to my amusement, I felt like I was watching a reunion show of Long Island’s greatest talent. Though I lack the column inches necessary to write in detail about each of these extraordinary actors, I do want to say that this is by far the best ensemble cast I’ve ever seen outside of a Broadway production. They are so much more than just funny — they are uniquely lovable, memorable and multidimensional.

This can be attributed not just to the enormous talent of this cast, but to the show’s ambitious and masterfully crafted script. Somehow, not a single character goes underutilized in both acts of this large-scale comedy.

From left, Phylis March, Jessica Contino and Mary Ellin Kurtz in a scene from Sanzel’s new play. Photo by Peter Lanscombe, Theatre Three Productions, Inc.

Though not a musical, there are several musical numbers, all of which will have you grinning cheek to cheek. Throughout the show there is a wonderful score dreamed up by Theatre Three’s Tim Peierls, and Randall Parsons creates a visually striking set, which is complemented perfectly by Robert Henderson’s lighting design. The young but extraordinarily talented Peter Casdia expertly stage manages the production, ensuring a flawless experience. Costume designer Chakira Doherty must have had some fun putting together the most uniquely diverse set of costumes I can remember in recent productions.

Jeffrey Sanzel and his assistant director Andrew Markowitz put on a genuinely charming production, perfect for ringing in the spring season. “Where There’$ a Will” feels like a classic that has been playing forever, and that’s because maybe it should be.

The cast: Steve Ayle, Marci Bing, Michael Butera, Carol Carota, Jessica Contino, Ginger Dalton, Susan Emory, Sari Feldman, Jack Howell, Joan Howell, Skyler Quinn Johnson, Mary Ellin Kurtz, Linda May, Phyllis March, Steve McCoy, Maryellen Molfetta and Ruthie Pincus

Theatre Three, 412 Main St., Port Jefferson will present “Where’s There’$ a Will” through May 6 on the Mainstage. Tickets for adults $35; seniors and students $28; children ages 5 to 12 for $20. Children under 5 are not permitted. A matinee will be held at 2 p.m. Wednesday, May 3 with $20 tickets. To order, call 631-928-9100 or visit www.theatrethree.com.