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Kyle Breitenbach

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A scene from 'The Adventures of Peter Rabbit'. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit'. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit'. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit'. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit'. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit'. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit'. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit'. Photo by Steven Uihlein/Theatre Three Productions, Inc.
The cast of 'The Adventures of Peter Rabbit' Photo by Steven Uihlein/Theatre Three Productions, Inc.

By Heidi Sutton

Spring has sprung in Port Jefferson and that means the return of one of Theatre Three’s most popular children shows, The Adventures of Peter Rabbit. Written by Jeffrey Sanzel and Brent Erlanson with music by Kevin F. Story, the original musical is based on the characters and stories created by Beatrix Potter and is too cute for words.

When the lights dimmed at last Saturday’s show, all the children in the audience shouted “It’s starting!” and settled in to watch eight uber talented actors — Sean Amato (Peter Rabbit), Kyle Breitenbach (Benjamin Bunny), Elizabeth Ladd (Mrs. Rabbit), Cassidy Rose O’Brien (Flopsy), Julia Albino (Mopsy), Courtney Gilmore (Cotton-Tail), Gina Lardi (Mrs. McGregor) and Liam Marsigliano (Mr. McGregor) — bring the mischievous adventures of Peter Rabbit and his cousin Benjamin Bunny to life just in time for Spring Break.

The audience is whisked away to the countryside home of Mrs. Rabbit and her four bunnies who live next to Mr. and Mrs. McGregor who spend the day tending to their pride and joy — their garden. 

While Flopsy, Mopsy and Cotton-Tail listen to their mother by staying inside and doing their chores, Peter Rabbit and his cousin Benjamin Bunny sneak out to steal from their neighbor’s garden again and again to satisfy their insatiable appetite for carrots, lettuce, peas, parsley and string beans.

When his patience grows thin, the farmer, who’s “a meanie with a temper like a bear,” makes it his mission to stop these bunnies once and for all. At first, Peter is caught but manages to wiggle out his socks and shoes and jacket and hat to escape. The second time Peter is not so lucky. Will he become rabbit stew or will his family come to the rescue?

Directed by Steven Uihlein, the show has so many wonderful moments. When Peter sneaks off to the garden, his sisters go searching for him and ask the audience members if they’ve seen him. (“He’s right behind you!”) When Peter returns home after losing his clothes, he recounts the story and the entire scene is retold in slow motion as Mrs. Rabbit, Flopsy, Mopsy and Cotton-Tail watch from the sidelines.

The wonderful song and dance numbers, choreographed by Sari Feldman and accompanied on piano by Douglas Quattrock, are terrific with special mention to “One More Time Around,” “Run, Peter, Run” and the fun hip-hop number, “Peter’s Socks.” The final number incorporates all of the songs in a super mega-mix extravaganza. Costumes by Jason Allyn, from the bunnies’ spring dresses in pink, purple, green and red to their white bunny tails, pull it all together perfectly.

Don’t miss this show — you and your kids are guaranteed to love it. Meet the entire cast in the lobby after the show for photos.

Sponsored by Stony Brook Children’s Hospital, Theatre Three, 412 Main St., Port Jefferson presents The Adventures of Peter Rabbit through April 27.

Saturday Apr. 20 & 27 @ 11:00 am
Wednesday Apr. 24 @ 11:00am
Thursday Apr. 25 @ 11:00am
Friday Apr. 26 @ 11:00am

Duration: One Hour

Children’s theater continues with a brand new production, The Mystery of the Missing Ever After, from May 25 to June 15 followed by Raggedy Ann & Andy from July 5 to 27 and Pinocchio from Aug. 2 to 10. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com. 

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Aria Saltini and Elizabeth Ladd in a scene from the show. Photo by Peter Lanscombe/Theatre Three Productions Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Theatre Three's 'Snow White and the Seven Dwarfs' Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Heidi Sutton

Magic mirror on the wall,

Who is the fairest of them all?

It’s Snow White of course and now children of all ages can come see a hilarious retelling of Snow White and the Seven Dwarfs at Theatre Three in Port Jefferson through June 18. 

Based on the story by the Brothers Grimm with a nod towards Disney, the production — written by Jeffrey Sanzel and Kevin F. Story —  is a delight to watch.

All the elements of the classic fairy tale are here: the evil queen, the magic mirror, the seven dwarfs, the handsome prince, the poisoned apple and, of course, the beautiful Snow White. Even though Walt Disney’s original 1937 version had several scary moments, this show, directed by Sanzel and featuring an all adult cast, infuses humor and silliness into every scene, keeping the mood light and upbeat.

Aria Saltini is wonderful as the sweet Snow White who infuriates the wickedly vain evil queen, played by Elizabeth Ladd, because she “is sooooo nice!” Saltini’s rendition of “I Love It All” and Ladd’s follow-up “I Hate It All” are terrific.

As the Mirror, Steven Uihlein plays his role with just the right amount of sarcasm as he answers the burning question, “Who is the fairest of them all?” over and over. His rendition of “I’ve Got Those ‘I’m-Just-a-Mirror-on-the-Wall’ Blues” is reflective.

Although the names are different, the dwarfs have the personalities of the original Doc, Grumpy, Happy, Sleepy, Bashful, Sneezy and Dopey, and keep the audience in stitches. Special mention must be made of Dana Bush as the very funny Iggy (aka Dopey) who can’t remember what happened a minute ago, and Jason Furnari as Froggy (aka Doc) who has a hard time corraling his fellow dwarfs.

Kyle Breitenbach is perfectly cast as the handsome Prince who is on a quest to save a damsel in distress when he meets Snow White. The chemistry between Breitenbach and Saltini is fun to watch as they try to hide their identity from each other, and their duet, “I Think I’m in Like with You,” is very sweet.

Special mention must also be made of the exquisite costumes. Designed by Jason Allyn, they look like they’ve jumped right off the pages of a children’s book.

With the overall message to be true to oneself, this fairy tale production will keep audiences entertained from beginning to end. Meet the entire cast in the lobby after the show for a group photo. 

Theatre Three, 412 Main St. Port Jefferson presents Snow White and the Seven Dwarfs on June 4, 11 and 18 with a special sensory sensitive performance on June 12. All performances begin at 11 a.m. and costumes are encouraged. Children’s theater continues with Puss-In-Boots from July 8 to 30. All seats are $10. To order, call 928-9100 or visit www.theatrethree.com.

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The cast of 'Little Red Riding Hood: A Tale of Safety for Today'
From left, Krystal Lawless, Nicole Bianco and Michelle LaBozzetta
From left, Krystal Lawless, Michelle LaBozzetta, and Nicole Bianco
Ginger Dalton and Steven Uihlein
Ginger Dalton and Kyle Breitenbach
Kyle Breitenbach and Nicole Bianco
Kyle Breitenbach and Nicole Bianco
The cast of 'Little Red Riding Hood: A Tale of Safety for Today'
The cast of 'Little Red Riding Hood: A Tale of Safety for Today'
The cast of 'Little Red Riding Hood: A Tale of Safety for Today'

By Heidi Sutton

One of Theatre Three’s most important offerings, in my opinion, is its children’s theatre series. Each show teaches a moral lesson — don’t lie, don’t steal, don’t be a bully — while introducing young audiences to live musical retellings of wonderful fairy tales including “Cinderella,” “Pinocchio,” “Hansel & Gretel” and its latest offering, “Little Red Riding Hood: A Tale of Safety for Today.” The adorable show opened last Saturday and runs through Feb. 22. 

While it follows the Brothers Grimm version closely, the story is used as a tool to teach “stranger danger” in a most effective way. Written by Jeffrey Sanzel and Kevin F. Story, the musical centers around a little girl named Amanda Sally Desdemona Estella Barbara Temple, although everyone in town calls her Little Red Riding Hood because she always wears the red cape her Granny Beckett made for her. 

When her grandmother sends Little Red Riding Hood’s mother a letter complaining “no one ever comes to visit. I might as well get eaten by a wolf!,” Amanda and her twin sisters, Blanche and Nora, head over the river and through the woods to bring her some Girl Scout cookies. Halfway there, Little Red Riding Hood tells her sisters to go back home because Nora is nursing a terrible cold. Now alone, she encounters a stranger (William “Billy” de Wolf) and commits a series of safety mistakes, placing her grandmother and herself in a dangerous situation.

Director Jeffrey Sanzel leads an adult cast of six who have the best time acting out this clever script.

Steven Uihlein serves as storyteller and does a terrific job introducing each scene, giving his own opinions and interrupting the show when he deems it necessary. Uihlein also plays numerous supporting roles, including a policeman, doctor and mailman.

Nicole Bianco is perfectly cast as Little Red Riding Hood, although she does love saying her long name a bit too much! Lol! Krystal Lawless tackles the challenging role of the forgetful Mrs. Temple with ease. Constantly mixing up her children’s names and attempting to make a cup of tea for Nora out of feathers, wrenches, sticky notes, etc. she draws the most laughs. 

Kyle Breitenbach has much fun in the role of the Wolf, who is all bark and no bite. Special effects make his stomach rumble and he is always asking the audience if they have any steak or a bone on hand. One of the best scenes is when the Wolf chases Granny Beckett around the bed, and when she steps away, he goes around many times more before he realizes she’s gone.

Michelle LaBozzetta has the most exhausting role in the show, skipping on stage as Blanche, turning the corner and reappearing as her twin sister Nora, hunched over and suffering from a cold. What a workout! LaBozzetta is so convincing that young children will not make the connection. 

But it’s Ginger Dalton as Granny Beckett who steals the show. Dripping with sarcasm, she pulls out all the stops to try to get her family to visit her and even fakes getting sick. Her solo, “Who’s at My Door?,” is superb.  

During the last 10 minutes of the show, the actors discuss the safety mistakes that Little Red Riding Hood made, including talking to strangers and giving out her grandmother’s address, and what she should have done instead.

The musical numbers, accompanied on piano by Douglas Quattrock, are fun and catchy, especially “Little Red Riding Hood” and the tap dance number “To Granny Beckett’s House We Go.”

The great story line, the wonderful songs and the important message it conveys makes this show a perfect reason to catch a performance. Meet the entire cast in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson presents “Little Red Riding Hood: A Tale of Safety for Today” is for ages 3 and up through Feb. 22. Children’s Theatre continues with “Hansel & Gretel” from Feb. 29 to March 21, “The Adventures of Peter Rabbit” from April 8 to 25 and “Snow White & the 7 Dwarfs” from May 23 to June 6. Tickets are $10 each. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions, Inc.

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The cast of ‘Curtains’

By Heidi Sutton

Theatre Three closes out its 48th season with a rousing revival of the musical comedy whodunit “Curtains.” The show, which opened on the Mainstage last Saturday night, will keep the audience guessing, and laughing, right up to until the very end.

With book by Rupert Holmes and music and lyrics by John Kander and Fred Ebb (both of “Chicago” and “Cabaret” fame), the eight-time Tony-nominated show had a successful Broadway run starring David Hyde Pierce (who won a Tony for his performance) from 2007 to 2008. Now the hilarious musical comes to Port Jefferson and does not disappoint.

A scene from ‘Curtains’

The play takes place at the Colonial Theater in Boston in 1959. A theater troupe is performing a new cowboy musical “Robbin’ Hood!” (think “Oklahoma!”) on opening night. As the ensemble performs the final act, “Wide Open Spaces,” it is clear that the star of the show, Jessica Cranshaw (Meg Bush) is a complete mess — singing out of tune, missing dance steps and flubbing her lines. (“I was distracted all night by a man waving his hands at me,” she laments. “That was the conductor,” the director mutters.) 

A few minutes after the final curtain Cranshaw collapses and is rushed to the hospital. It is later discovered that she has been murdered. “Now she has a conflict — she’s dead.”

Lt. Frank Cioffi (Steve McCoy) of the Boston Police Department, a homicide detective who happens to be a musical theater buff, is assigned to the case. The entire company is suspect, so he immediately places them on lockdown, barring them from leaving the theater until the case is solved.

The reviews are in!

The reviews come pouring in and they are brutal, especially from the Boston Globe. The producers decide to invite the newspaper’s critic, Daryl Grady (Andrew Gasparini), back when the show has been revamped.

The crew immediately starts reworking the songs and improving the scenes, with more than the occasional input from Detective Cioffi. “I’ve done a little community theater,” he admits modestly. “In ‘Midsummer Night’s Dream,’ my Bottom was very well-received.” He is also distracted by one of the actresses, Niki (Jenna Kavaler) and their blossoming relationship is fun to watch.

In the meantime, a second victim, co-producer Sidney Bernstein (Lon Shomer) is found hanging from the rafters, Bernstein’s wife, Carmen (Mary Ellin Kurtz) is shot at and Cioffi is pushed off a catwalk and narrowly survives. The plot thickens.

As the show progresses, Cioffi starts peeling away the layers of this “family” to uncover romantic relationships, jealousy, blackmail, rocky family dynamics and infidelity. Will he be able to solve the crime in time or will the entire company be picked off one by one?

A scene from ‘Curtains’

Singing, dancing and clever humor abound in this production that showcases a cast of 23 uber-talented actors directed by Jeffrey Sanzel. The high-energy performances, choreographed by Whitney Stone, are exhausting to watch but the cast pulls them off with ease. The musical numbers, accompanied by a live orchestra led by Jeffrey Hoffman, are a nice blend of show tunes and love songs. The costumes and wigs designed by Chakira Dohertyn are fun, especially the cowboy and cowgirl outfits; and the Western-themed set, designed by Randall Parson, ties the whole show together nicely. 

The incredible cast also features Nicole Bianco, Christopher M. Fretto, Dylan Robert Poulos, James Taffurelli, James Schultz, Tracylynn Conner, Matt Senese, Melanie Acampora, Eric J. Hughes, Lindsay DeFranco, Kyle Breitenbach, Cassidy O’Brien, Steven Uihlein, Alex Esquivel, Jeffrey Pangurn and Kiernan Urso.

If you’re looking for a fun night out, don’t miss “Curtains.” Griswold’s Cafe, located on the lower level of the theater, will be open before the show and during intermission for a snack or beverage, and take a chance on a 50/50 raffle. You may win big! Running time is two and a half hours with one 15-minute intermission.

Theatre Three, 412 Main St., Port Jefferson will present “Curtains” through June 23. Contains mature content. After a brief hiatus, the 2018-19 Mainstage season will open with “The Addams Family” from Sept. 15 to Oct. 27. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Brian Hoerger, Theatre Three Productions Inc.

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From left, Rachel Greenblatt, Brittany Lacey, Jenna Kavaler and Amanda Geraci in a scene from ‘Legally Blonde: The Musical.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.

By Michael Tessler

“Legally Blonde” is the sort of film I’d usually enjoy bundled up in a blanket on a cold winter day, perhaps while digging into a pint of Ben and Jerry’s, laughing loudly to myself. And yet Saturday night at Theatre Three in Port Jefferson I found myself sharing in that same wholesome joy surrounded by hundreds of others equally filled with laughter and milewide smiles. “Legally Blonde: The Musical” doesn’t shy away from its film roots but rather embraces them, incorporating songs and themes that deliver the story like never before!

Jeffrey Sanzel, the show’s director, continues to demonstrate a mastery of theater worthy of Broadway or the West End. This is not a compliment I deliver lightly, but it is so rightfully deserved. His ability to transcend genre and create flawless spectacles of comedy, drama, music and dance have stunned me continuously through the many shows I’ve now reviewed. Not once have I left the theater’s Athena Hall without being uplifted or captivated by the raw, genuine emotions neatly packed within the confines of a Theatre Three production.

Brittany Lacey as Elle Woods in Legally Blonde: The Musical. Photo by Brian Hoerger
Brittany Lacey as Elle Woods in Legally Blonde: The Musical. Photo by Brian Hoerger

“Legally Blonde,” while a light-hearted romp, was certainly no exception to that rule. After a long and difficult week I found myself leaving the theater feeling lighter than air. Not even for a moment is the beautiful illusion of theater ruined, undoubtedly because of Sanzel’s magic touch. His actors are so well-paced, so well-trained, a truly regimented troupe of thespians. Their stage comes to life.

Our protagonist is the stuff of “Greek” legend, and by that I mean she’s the president of the Delta Nu sorority at UCLA. Elle Woods, your quintessential popular blonde stereotype, is awaiting an overdue dinner with her longtime college boyfriend (played with lovable arrogance by Chris Brady) whom she expects to propose. Hilarity ensues as quite the opposite happens. Without spoiling too much, Elle begins on an unlikely adventure to Harvard Law School, a place not exactly known to be fashion forward!

This show is filled to the brim with comedic caricatures playing on our preconceived notions in a delightful way. From the hunky UPS man played to comedic perfection by Kyle Breitenbach to the rude, snobby, love-to-hate law student Vivienne Kensington played impressively by Caitlin Nofi, to the “blood in the water” lawyer Professor Callahan played by Theatre Three veteran Steve McCoy.

Brittany Lacey and Brett Chizever in a scene from 'Legally Blonde: The Musical' byPhoto by Brian Hoerger
Brittany Lacey and Brett Chizever in a scene from ‘Legally Blonde: The Musical’ byPhoto by Brian Hoerger

At the show’s center is actress Brittany Lacey. Her performance as Elle Woods is local theater at its finest. Her voice both powerful and soft, her delivery of lines so expressive and authentic, and most impressively her ability to dance in flawless precision while belting notes that require two and a half lungs. Many times throughout the production, I wondered if the show’s original writers had somehow met Lacey and based the show’s protagonist after her. Casting could not have been better. She’s accompanied by the awkwardly lovable Emmett played with a special tenderness by Brett Chizever. Before the show’s end you’ll love these two!

Randall Parsons has built a set of simplistic brilliance, the entire stage enclosed by an ever-changing border of glowing lights complemented perfectly with Robert W. Henderson’s lighting design. Shining in the spotlight is the brightest pinks I’ve ever seen with gorgeous costumes by Su Jung Weaver. All these elements are coordinated seamlessly by stage manager Peter Casdia. Jeffrey Hoffman, the show’s musical director, expertly leads a “Greek” chorus and a cast of superb vocal talents. From the show’s opening number, “Omigod You Guys,” to the more touching “Ireland” it seems there was not a mark to be missed! Don’t miss out on seeing this show. I guarantee it’ll take a “chip off your shoulder!”

Theatre Three, 412 Main St., Port Jefferson kicks off its 47th Mainstage season with “Legally Blonde: The Musical” through Oct. 29. Tickets range from $20 to $35. For more information, call 631-928-9100 or visit www.theatrethree.com.

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The Sisters of Delta Nu in Theatre Three's production of 'Legally Blonde: The Musical' at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.

By Rebecca Anzel

Brittany Lacey stars in ‘Legally Blonde: The Musical’ at Theatre Three from Sept. 17 to Oct. 29. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Brittany Lacey stars in ‘Legally Blonde: The Musical’ at Theatre Three from Sept. 17 to Oct. 29. Photo by Peter Lanscombe, Theatre Three Productions, Inc.

Theatre Three in Port Jefferson is gearing up for its next Mainstage production, “Legally Blonde: The Musical,” which will open on Saturday, Sept. 17. The role of Elle Woods will be played by 28-year-old Brittany Lacey, best known to Theatre Three regulars as Mimi in “Rent” and as Belle in “A Christmas Carol” when she was a company member there from 2010 to 2012. I had the opportunity to sit down with Brittany before rehearsals last Friday night to ask her about her latest role.

Why did you decide to audition for the role of Elle Woods?

This is a dream role of mine and having the chance to perform it here at Theatre Three makes it even more special. It’s like I’m coming home and now I’m doing something I’ve always wanted to do. I’m a huge fan of Reese Witherspoon. I love her! I think she’s very funny and talented. Of course, I don’t know her personally, but she seems like such a good person — like Hollywood hasn’t gotten to her.

What is your favorite scene in the show?

I just discovered it the other day. My favorite scene is “What You Want.” The song has three parts to it and all are great! Our choreographer, Whitney Stone, came up with this amazing dance and it’s just a lot of fun. It’s like one big party on stage. A lot of the cast is involved in the number. I like when you’re on stage with everyone else because you’re able to share everyone else’s energy and I think it makes it a more memorable experience.

What is your favorite song in the show?

“Take It Like A Man.” That has become my favorite one. I don’t know what it is about it — I love singing it. I play it opposite Brett Chizever (in the role of Emmett Forrest). It’s a real joy. Brett is great. How many weeks does the cast rehearse before production? Four or five weeks … I’m not exactly sure. Because most people work during the day, we rehearse from 7:15 at night to 10:30 and then on weekends, we’ll have five-hour rehearsals. It’s a lot of repetition and practice. And, after I go home, it’s all I listen to. I drive my boyfriend crazy making him run lines with me!

What is it like working with the director, Jeffrey Sanzel?

I love working with Jeff. He’s a strict director, but in a good way. Jeff cares about everyone on that stage and what they’re doing. He really works with you to make sure you’re comfortable. It’s all about putting out a great product and everyone feeling proud of their performance. What is it like working with your castmates? I only knew a handful of them going in, and everyone is so nice. This cast is very supportive. I haven’t had that in a while so it’s really, really nice.

Who is playing the role of the UPS guy? Is he cute?

He’s so much younger than me — am I allowed to answer that? But no, the ladies will be quite happy with who they’re watching up there. Kyle Breitenbach is doing a great job with the role. He’s very funny.

Brittany Lacey with the only four-legged member of the show, Taxi. Photo courtesy of Theatre Three
Brittany Lacey with the only four-legged member of the show, Taxi. Photo courtesy of Theatre Three

I noticed the show will have a real dog in the role of Bruiser Woods. What is she like?

Her name is Taxi, like a taxi cab. She’s a chihuahua. Caitlin Nofi (who plays Vivienne in the show) has a friend who was kind enough to lend us Taxi, and she’s a star! She came in with a pink and purple bow around her neck and owned that stage. And she’s so good! She’s calm.

Have you ever performed on stage with an animal before?

I don’t think so! I’ve played a lot of animals, but no I don’t think I’ve ever had one on stage. It definitely makes me nervous because you just want the animal to feel okay up there. You don’t want to scare it. It’s fun though! It’s different, because at the end of the day, you’ll see what she wants to do. If she wants to prance around the stage, she’s going to prance and we’re going to let her.

What is it like being a part of a production at Theatre Three?

It’s a great experience. I feel like this theater tries to make it feel like a home for their actors and that you’re a part of their family. You don’t always get that in other places. Everyone works really hard because they just put their whole heart into it, and that is another reason I love to come back here. Jeff [Sanzel] is the leading force of that. The heart he has for theater, for this theater in general, is ginormous. It’s great because then that falls onto the rest of us and it makes you want to put even more effort into the show.

Why should people come see the show?

Because we really want you to! No, no, I think we’re putting a lot of hard work into it. We’re just getting into tech week, but I believe we’re putting out a really good production and I hope it’s fun for them. We promise to entertain you! We all love what we’re doing, so I think that always translates to the audience. If we’re having fun, hopefully that means they’re having fun watching it.

Do you have a favorite spot in Port Jefferson that you like to go to?

As soon as rehearsal’s over, I go down to Ralph’s. I love my ices and ice cream! It’s like my after rehearsal treat. What are your plans after this? I don’t have any definitive plans yet, but I’m sure it will involve auditioning. A lot of this job, of being an actor, is putting yourself out there and hoping that casting directors like what you have to offer.

Anything else you would like to add?

I’m having fun, I’m loving this experience and I can’t wait to open this show!

Theatre Three, 412 Main St., Port Jefferson will present “Legally Blonde: The Musical” from Sept. 17 to Oct. 29. Tickets range from $20 to $35. For more information, call 631-928-9100 or visit www.theatrethree.com.

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