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Karen Kemp

'Harvest's End' by Marge Governale

When autumn arrives, residents of the Three Village area may start to think of the annual fall art show that has become a true community treasure. The Setauket Artists will host its 38th Artists’ Exhibition 2018 from Oct. 28 to Nov. 19 at the Setauket Neighborhood House, 95 Main Street, Setauket. 

‘Last Cottage’ by Fred Mendelsohn

Over 40 award-winning artists will participate in the show this year including Lana Ballot, Ross Barbara, Shain Bard, Eleanor Berger, Rina Betro, Joan Bloom, Renee Caine, Al Candia, Gail L. Chase, Anthony Davis, Julie Doczi, Jeanette Dick, W.A. Dodge, Marge Governale, Peter Hahn, Melissa Imossi, Laurence Johnston, Anne Katz, Flo Kemp, Karen Kemp, Michael R. Kutzing, John Mansueto, Jane McGraw Teubner, Terry McManus, Eleanor Meier, Fred Mendelsohn, Muriel Musarra, Genia Neuschatz, Iacopo Pasquinelli, Paula Pelletier, Denis Ponsot, Joseph Reboli, Joan Rockwell, Robert Roehrig, Irene Ruddock, Carole Link Scinta, Sungsook Setton, Barbara Jeanne Siegel, Angela Stratton, Mac Titmus, Nancy Weeks, Marlene Weinstein, Laura Westlake and Patricia Yantz. 

‘Perfect Day’ by Lana Ballot

The exhibition will kick off with an opening reception on Sunday, Oct. 28 from 1 to 4 p.m. All are invited to this free event to enjoy some light refreshments while viewing the beautiful artwork, all of which will be for sale. Take a chance on winning a painting by four Setauket artists, the proceeds of which support the art organization. Marlene Weinstein will offer a photograph titled “Fishing Boat Trio,” John Mansueto will offer an original oil, Muriel Mussara will offer a watercolor titled “Conscience Bay” and Frederic Mendelsohn, this year’s honored artist, will also offer an original oil painting. 

For over 10 years, Fred Bryant of Bryant Funeral Home has sponsored the Setauket Artists, allowing this exhibit to be one of the most attended functions in the Three Village area.  

‘Autumn Reflections’ by John Mansueto

This year’s distinguished guest artist is David Peikon, renowned oil painter and winner of many awards throughout the country. Tom Mason, known for his old master paintings and portraiture, will be the distinguished judge.  

If you miss the first reception, you will have a chance to meet your favorite artists at the second reception at the annual Wine and Cheese Art Event held on Friday, Nov. 16 from 5 to 7 p.m. Many new paintings will be displayed for the evening, just in time for holiday giving.

“Don’t miss this once-a-year opportunity to attend the receptions or daily viewing to see paintings that are classic and enduring and have given credence to our motto “Art for a lifetime,” said Irene Ruddock, coordinator of the event, adding, “After the exhibit, visit www.SetauketArtists.com to learn about the group’s Art Consultation feature where you may arrange to see paintings in your home before you decide whether or not to purchase them. The paintings of the artists include a wide range of modalities featuring work that is impressionistic, contemporary or traditional, including a portrait artist who will paint the perfect likeness of your loved ones or pet.”

For further information, you may contact  Irene Ruddock at peace2429@optonline.net. or 631-365-1312. For viewing hours at the Setauket Neighborhood House, visit www.setauketartists.com on the Events page.

AN ARTSY WEEKEND:

The North Shore Artist Coalition held its 3rd annual Open Studio Tour on Oct. 13 and 14. Fifteen local artists in Port Jefferson, Stony Brook, Setauket and St. James opened their studios to the public who were able to ask questions about their artistic process, enjoy demonstrations and purchase artwork.

Photos by Heidi Sutton

 

Visit artist Doug Reina in his Setauket studio during the tour.

By Heidi Sutton

Back by popular demand, the North Shore Artist Coalition will host its 2018 Open Studio Tour this weekend, Oct. 13 and 14, from 11 a.m. to 5 p.m. The free event will showcase the studios of 15 award-winning artists in Setauket, Stony Brook, Port Jefferson and St. James.

Visit ceramic artist Hugh McElroy during the tour.

The coalition, whose founding members include Pam J. Brown, Jim Molloy, Doug Reina, Mary Jane van Zeijts and Nancy Bueti-Randall, started this tour three years ago with the goal of bringing more awareness to professional artists that are living in the Three Village area. 

“We felt that by coming together and pooling our talents and ideas that we could have some kind of creative impact in the community and the studio tour was one of those ideas,” said Reina in a recent interview. “It’s nice to do this with like-minded people.”

While Molloy will be unable to participate this year, the group has invited artists Al Candia, Peter Galasso, Sungsook Hong Setton, Christian Stuyvesant White, Hugh J. McElroy, Marlene Weinstein, Christine Mannone Carolan, Cindy Crowell, Leslie M. Cross, and mother/daughter duoFlo and Karen Kemp to join them for the weekend event. “It’s good that they’re on board. They’re good artists and I know they’re excited to be part of this,” said Reina.

Reached by phone, Brown said visitors to the event “can expect to see the works of an eclectic mix of professional artists who are illustrators, photographers, sculptors and painters.” Most importantly, she said, the tour will offer an intimate look into their art studio.

Sunsook Setton will give a tour of her studio during the event

That, said Reina, is what makes this event so unique. “Honestly, how often do you get to see the inner workings of an artist’s creative process?” he asked. “Usually you see the paintings hanging up [in a gallery] but you don’t really get a chance to see where the artwork gets created.” The Setauket artist added that those that “are at all interested in the technical part of art or getting into art or becoming a little bit more serious about your art” would benefit from this tour.

Finished works as well as works in progress will be on view and several artists will be giving demonstrations.

In the two previous tours, each artist welcomed 80 to 100 visitors to their studio and Brown is excited to see what the future holds. 

“People go to Gallery North, there’s the Reboli Center, the Setauket Artists, Neil Watson at The Long Island Museum is doing unbelievable things, we now have the Brick Studio, we have The Atelier at Flowerfield and then you have the Mills Pond Gallery. That’s a lot of art organizations — there’s a lot happening — so I think it’s really great for local artists to be connected as much as possible and build our community and try to build awareness for people outside of our community,” she explained. 

“We would love in the future to have all these local organizations on board so this becomes a big cultural attraction, an art destination for people who are looking to get away for the weekend,” Brown continued. “It is my hope that this event continues to grow.”

The Artist Open Studio Tour map and addresses may be found at https://www.facebook.com/NorthShoreArtistCoalition. Admission is free and refreshments will be served at some of the studios. For further information, please call 631-834-9036.

'Chickens,' etching with Chine-collé
‘Bluejay,’ etching with Chine-collé

‘I draw inspiration from the familiar in nature. My etchings are a close inspection that reveal a whimsical character, and my landscapes portray scenes for which I feel a deep nostalgia.’

— Karen Kemp

 

Karen Kemp

By Irene Ruddock

A native of Long Island, artist Karen Kemp recently moved back from Boston, where she maintained a studio for 10 years. She studied at the Rhode Island School of Design and at the University of New Hampshire where she earned a degree in art history and has received numerous awards for her work in painting and etching. Her artwork is collected worldwide in private and corporate art collections. I recently had the opportunity to interview Kemp and welcome her back to the Island.

Why did you decide to move back to Long Island from city life in Boston?

There are many reasons for moving back, but one huge reason is that I wanted a home where I could have a larger studio space and a yard for gardening. And being closer to my parents was a big factor too!

What did you miss most about Long Island in the years that you were away?

I missed the open farmlands of the North Fork, the proximity of the shoreline and the marshy inlets of the Long Island. They inspire me to do more plein air painting.

‘Two Boats,’ oil on watercolor paper

I see that you were trained in Italy. What was that experience like?

It was a living fantasy! Shortly after graduating from college, I saved up enough money to live and study in Italy at a school for fresco painting, a process of painting on a freshly applied, damp surface with water-based pigments. I do few frescoes these days, but the process of layering and building up color all continue to inform my work today.

Did you study art conservation?

Yes, in Italy and also in New York City where I spent time apprenticing at a painting conservation studio from which I developed an appreciation for using archival materials.

Some have said that your landscapes in oil have a peaceful feeling to them. How would you describe them, and how are they different from other oil painters?

I try not to make an exact replication. I say that my paintings are representational, but not realistic. I attempt to evoke a calm mood, a setting or a sort of dreamscape. I am very sentimental about Long Island, and perhaps that comes out in the painting. My oil paintings are different from many painters because I paint on gessoed watercolor paper or matt board, which is easy to prepare and transport.

‘Mousewatch,’ etching with Chine-collé

You also are known for your etchings, which have been described as having a whimsical charm to them. Would you explain what etching is to people who may not be familiar with that art form?

Etching is one of the oldest methods of printmaking dating back to the 15th century. It is a technique involving a metal surface such as zinc or copper, and an acid-biting material that “eats” or “etches” into the surface creating a design or image. To print, ink is rubbed into the etched lines, and, with paper, it is run through a press. The image is then transferred to the paper, but in the reverse form. It is much more involved, but this is a simple version.

The background of your etchings often have what is called Chine-collé? Can you tell us about that technique?

Traditionally Chine-collé was used to create a tonal background for an etching using thin tissue or rice paper. The paper and the printing of the etching are run through the press together to create the finished image. Through experimenting, I have updated the technique using origami and patterned papers to achieve a colorful background for my subjects.

Your mother is the much-admired artist Flo Kemp. How has she influenced you growing up? 

My mom, master etcher that she is, taught me quite a bit about etching, and we still spend time in the studio together. I lived and breathed her work for so long, it naturally manifests itself in my work too. Mom has always encouraged and supported me along the way, providing me with etching advice and giving me business advice too.

What are your plans for the future?

I plan to develop my paintings and etchings even further. In responding to your questions, I’ve learned a few things about myself that I hadn’t stepped back to consider. I realize how much I enjoy processes and techniques, and how much they inform the style of my work. These will continue to influence the evolution and progression of my art.

What galleries represent your work?

Danette Koke Fine Art in NYC, who has carried my work for almost 20 years, Radius Gallery in Montana and Ogunquit Museum in Maine. I also show yearly at the Gallery North Outdoor Show and with the Setauket Artists. You may view my work and order etchings or landscapes at www.karenkemp.com.

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