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Jack Licitra

Jack Licitra & Camryn Quinlan. Photo from Staller Center

Staller Center for the Arts at Stony Brook University and musician Jack Licitra team up once again to offer an uplifting and healing concert, virtually, on Monday, Feb. 15 at 3 p.m.

Titled “Let the Music Heal Your Soul” the concert offers the usual funny songs and crazy antics while touching on some serious issues of loneliness for kids during the pandemic. Jack Licitra believes music is critical to healing and happiness. “Music can heal your soul,” says Licitra, “talking about all of the feelings, and singing about them, using yourself as the instrument, using hand movements and symbols, it can help to  heal your soul … it all helps kids get those feelings out in the open, and it shows them that they’re not alone.”

The Staller Center and Jack Licitra have paired up in the past to offer concerts through the Staller Center’s Outreach and Education Program at local nonprofits, libraries, and at the Staller Center itself. “There are a lot of other kids that feel disconnected from their friends … that’s why we wanted to offer this concert as a resource, to try to help them feel more connected to other kids that are feeling more alone than usual,” says Paul Newland, Outreach Director for the Staller Center for the Arts.

“Let the Music Heal Your Soul” by Jack Licitra and Friends uses music in a healing way by taking familiar melodies, rhythms, and chord progressions, to create a shared community consciousness. The concert features performances by Jack Licitra, Katie Monhan, Camryn Quinlan, and Brian Licitra.

Jack Licitra is a Sayville-based piano/hammond organ driven singer/songwriter; music educator; founder of the music-teaching studio South Bay Arts in Bayport. He has performed with some of the best musicians in the world such as Levon Helm, Jimmy Vivino and Bakithi Kumalo as well as opening shows for legends such as Richie Havens, Buckwheat Zydeco, Pinetop Perkins and even playing for then-Senator Hillary Rodham Clinton

The concert is free and registration is required by visiting www.stallercenter.com/outreach.

 

Jack Licitra and friends at an outreach program, Inside Song, at SBU’s Staller Center in 2018. Photo from Staller Center

By Jack Licitra

Jack Licitra

Music is something to be enjoyed. It entertains us, excites us, soothes us. 

But is it possible that music can change our bodies and our minds? And what if the physical act of making music – the way we move our hands and our bodies, while we play – transforms consciousness? 

I believe it’s possible to shift the intention of music from just entertainment to something more meaningful. And the way we do this is: not just play music, or hear music, but use the music. Use it for healing. And in using music, you are using your own self as the instrument.

As a Reiki practitioner, I’ve seen how hand movements and symbols generate healing energy. And that poses the question: do musical patterns and rhythms and tempo and duration affect brain waves and heart rate? If these things do affect us in beneficial ways, maybe we can apply them specifically to helping people. 

In 2004 I was working at the Long Island State Veterans Home dementia unit in the evenings, playing music for older folks. It was hard to keep them engaged for long periods of time because of their impairments. Then I began to bring a tambourine. I was astonished to see that when I held a steady rhythm, our sessions went from 15 minutes to sometimes more than an hour. 

I already was aware that songs from their youth would elicit emotional responses, like singing along, dancing or even crying, but I was surprised to discover that rhythm could transform their consciousness. 

Fast forward to a few years ago. I was burned-out, exhausted and worried about generating enough income to support my family. So I was happy to be invited to play at an outdoor arts festival in Ithaca, even though it was many hours from my hometown of Garden City. But when I got there, I found that a rainstorm had damaged the fairgrounds, and attendance was dismal. I was playing to an empty field, basically. 

A drumming group was scheduled to play after me. As they showed up for their set, I invited them to jam with me. By the time their teacher arrived – a master drummer from Ghana – a small crowd had gathered and the rhythms were getting very intense. There was a moment when I noticed my hand was unconsciously strumming a pattern on the guitar. It was something I had never played before. Well, when I left there, I felt like my heart had been opened and refreshed. The music healed me.

To use music in this healing way, we take familiar melodies, rhythms and chord progressions and shift the intention to have a transformative impact. It may sound familiar to one’s ears, but because of the new way you’re cooking the ingredients, the impact is different.

I am fascinated by the kora (a traditional West African stringed instrument) and also Carnatic, or classical Indian, music. How do they affect the systems of the human body? It’s worth exploring.

We can make a shared community consciousness, when we use these musical healing tools together. 

Jack Licitra is a Sayville-based singer/songwriter/keyboardist and guitarist; music educator; founder of the music-teaching studio South Bay Arts in Bayport; and is available for musical programs at schools, libraries and other facilities. Join the musician at Emma S. Clark Memorial Library, 120 Main St., Setauket on Aug. 15 for a free outdoor family concert titled World of Stories: Pop Songs from 6:30 to 7:30 p.m. No registration required.

Mose Allison
Evening will honor the music of longtime Smithtown resident

By Kevin Redding

Mose Allison. Photo by Michael Wilson

A reporter once asked the late jazz and blues pianist and singer Mose Allison — regarded among musicians like Bonnie Raitt, Leon Russell, Pete Townshend and Van Morrison as “one of the finest songwriters in 20th century blues” — why he wasn’t more famous.

“Mose, you were a social critic before Bob Dylan, satirical long before Randy Newman and rude before Mick Jagger,” the reporter said. “How come you’re not a big star?” Allison, who was born in Mississippi and moved from New York City to Smithtown in the mid-1960s to raise a family and spent much of his time walking in the local woods and swimming in the Long Island Sound, responded: “Just lucky, I guess.”

On Saturday, March 24, The Long Island Museum, in partnership with WUSB-FM’s Sunday Street Concert Series and the Greater Port Jefferson-Northern Brookhaven Arts Council, will give the 2006 Long Island Music Hall of Fame inductee his proper due with The Word From Mose: A Celebration of the Music of Mose Allison, a tribute concert in the Carriage Museum’s Gillespie Room at 7 p.m.

Jack Licitra

The concert, following the tradition of other Sunday Street Series shows organized by Charlie Backfish, Stony Brook University history lecturer and host of the university’s weekly radio program “Sunday Street,” will feature local and outside musicians, who will strum and sing through decades of Allison’s breakthrough material, including his more well-known tracks “Your Mind Is on Vacation,” “Everybody’s Crying Mercy” and “I Don’t Worry About a Thing.”

Allison, who died Nov. 15, 2016, just four days before turning 89, was a four-time Grammy nominee and frequent collaborator with jazz greats Zoot Sims and Stan Getz whose songs spanned more than 30 albums — The Rolling Stones, Diana Krall, The Who, The Pixies and Elvis Costello are among those who have recorded Allison’s songs.

Pete Kennedy

The lineup includes “Sunday Street” regular and New York-based singer-songwriter Pete Kennedy; Pat Wictor, electric and slide guitarist of the group Brother Sun; Jack Licitra, a Sayville-based keyboardist and guitarist as well as the founder of the music-teaching studio South Bay Arts in Bayport; and Abbie Gardner, an acclaimed Dobro player who has toured for many years as part of the trio Red Molly. Some members of Allison’s family, including his daughter and singer-songwriter Amy Allison, will also be in attendance.

The evening will also include a screening of a short BBC documentary on Allison called “Ever Since the World Ended,” featuring interviews with Costello, Morrison, Raitt and Loudon Wainwright III and footage of Allison performing.

“Not only is he such an important artist, Mose Allison was someone who lived in this area for many decades and we thought it was time to do something like this for him,” Backfish said of the decision to honor the musician. “When he wasn’t on tour, which was quite often, he would be back in the area and playing shows at the Staller Center at Stony Brook University or jazz clubs in Port Jefferson.”

Pat Wictor. Photo by John Mazlish

Backfish said he also had the opportunity to interview Allison on his radio program many years ago. “He had such an incredibly rich catalog in so many ways and these artists are going to get together and play both well-known songs of his and the deep tracks,” he said. “I would hope that if people aren’t aware of Mose, they’ll suddenly find someone they will check out and listen to, and for those who know him, this will be a great way to celebrate his music and listen to artists reinterpret his songs.”

Wictor, a longtime Allison fan who, with his band, recorded a version of “Everybody’s Crying Mercy,” said Backfish approached him to participate in the concert for his “affinity” for the man’s work. “I love Mose partly because he cannot be categorized easily,” Wictor said. “He sort of mixed jazz and blues, and social commentary, in a way that nobody else did. And I like his sense of humor in his lyrics, which were always a little sardonic and mischievous. He comes across as a person that doesn’t suffer fools gladly and that’s always enjoyable to me. The songs themselves are very musically interesting, too — blues-based but they always have a unique musical and lyrical quality unlike anything else.”

Abbie Gardner

Kennedy said Allison was unusual among jazz musicians in his time because he wrote a lot of songs with lyrics, while others primarily stuck to instrumental compositions. “Allison actually wrote songs that he sang and that’s what we’re focusing on during the concert,” said Kennedy, who noted that he’s had a lot of fun examining Allison’s songs more closely and learning them in anticipation of the show. “His songs sound totally modern to me now, even the old ones from the 1950s and ’60s. The writing is really clever, really humorous and had a little bit of social commentary to it, but not in a negative way.”

Licitra, too, expressed his excitement over his involvement, calling Allison’s music “the thinking man’s blues.” “I’m really looking forward to giving people a taste of his style of intellectualism and humor,” he said. “And for me, this is all about the group of performers on the bill. I’m a big fan of all of them and so I’m excited about playing with them and seeing how they each interpret Mose’s [work].”

The jazz legend’s son John Allison, who grew up in Smithtown, said while his father was a true “musician’s musician” and beloved in many artist’s circles, he was as low profile as could be at home. “There he was, living in Smithtown, so unassuming that even our neighbors, for 15 years, didn’t know what he did until they saw him on TV with Bonnie Raitt for a PBS concert at Wolf Trap,” John Allison said, laughing. “He just wanted to do his thing. He read books and played music. I’d come home from high school and he’d be listening to some weird Chinese, classical music and just laughing and loving it … [and] sometimes he did tai chi in the living room.”

The Long Island Museum is located at 1200 Route 25A, Stony Brook. Advance tickets to the tribute show are $25 through Friday, March 23 at www.sundaystreet.org with tickets at the door for $30 (cash only). Beer, wine and cider will be available for purchase. For more information, please call 631-751-0066.

By Rita J. Egan

Community members are banding together to raise funds for an accomplished musician and music teacher known throughout the Three Village area.

Richard Rabatin’s friends and fellow musicians knew they had to do something when medical bills started piling up for the owner and teacher at the Stony Brook School of Music in Setauket. In June, 67-year-old Rabatin was diagnosed with giant cell myocarditis, a rare cardiovascular disorder that can be fatal. He was put on a transplant list for a new heart, and an operation was performed to implant two heart pumps. A few weeks ago, the teacher received a transplant and is currently recuperating at Mount Sinai Hospital in Manhattan, while his wife Mary Emerson has taken an extended leave from her job as a nurse at Stony Brook University Hospital to care for him.

Richard Rabatin plays guitar with his band the Whiskey Rebellion at the Country Corner bar. Photo by Greg Catalano

A GoFundMe page, which has raised nearly $40,000, was set up, and friends including Alan Jones, Richard Wiederman and Jack Licitra began planning a benefit concert for Sept. 9 to help the husband and father of 8-year-old Thomas manage his expenses. Wiederman said Rabatin, a Port Jefferson Station resident, has been running the Stony Brook School of Music for 35 years, and plays guitar in the Whiskey Rebellion, a blues-jazz band that performs regularly at the Country Corner bar, located below the music school.

Wiederman, who plays trumpet with the Whiskey Rebellion, said Rabatin does all the arrangements for the band — which is currently on hiatus until the guitar player recuperates. The trumpet player said he’s been performing with Rabatin for 17 years and first met him in 1979.

“He’s just had such a profound impact on so many people,” Wiederman said.

The two met when Wiederman, who now teaches music at Setauket Elementary School, was attending college. He said Rabatin was a great help to him while he was studying music and would send him jazz transcriptions. When Wiederman would show them to his professors, he said they were so impressed because they had never seen such detail before.

Jones considers Rabatin his best friend and said he’s like a brother to him. He met Rabatin when they were freshmen at Suffolk County Community College in 1968, and they began performing together a year later.

“He’s an extremely intelligent, kind and generous man,” Jones said. “A wonderful father, husband, teacher and friend.”

In addition to his musical talents, Rabatin is a licensed attorney who holds multiple degrees, and is a contributing author to a number of scholarly works on English writer G. K. Chesterton and other notable figures, according to Jones. He said the teacher has been a mentor to many local musicians.

The “A Change of Heart for Richard” benefit will be held Sept. 9. Photo by Steven Ayles

“It’s been said that the difference between Richard and the other fine guitar and music instructors in Suffolk is that the rest of them have been Richard’s students,” Jones said.

Licitra, who owns a music school in Sayville, said he began teaching because of Rabatin. After touring with various musicians in his 20s, Licitra said he wanted to marry and settle down and thought about going back to college. It was then that Rabatin called and asked if he would like to teach piano at the Stony Brook School of Music.

“He taught me how to teach and convinced me that all my experiences as a performer would be really useful to young people,” Licitra said.

Licitra has played piano with Rabatin’s Whiskey Rebellion and said the guitar player is an expert at transcribing and analyzing music and then showing on paper to his students what is going on in the music and why a song can be emotional. 

“He probably taught all of the better known players [in the area] who went on to be professionals,” Licitra said. “He  either had a hand or influence in a lot of guys understanding and ability to play music.”

Wiederman said Rabatin has been recovering well but will be unable to attend the event, and he plans to live stream it for him and anyone who is unable to attend.   

The benefit concert “A Change of Heart for Richard” will be held at the Unitarian Universalist Fellowship, 380 Nicolls Road, East Setauket, Sept. 9 from 5:30 to 10 p.m.

Tickets cost $40 per person and include food and beverages. The evening will feature performances by Andrew Fortier, Emma Rae Borrie, Norman Vincent, Claudia Jacobs Band, jazz guitarist Matt Marshak and his band, and The Whiskey Rebellion which will feature  guest player Teddy Kumpel, a member of Joe Jackson’s touring band, sitting in on guitar and Licitra on keyboards. Payments can be made by cash or check made payable to Mary Emerson. For more information, call 631-744-9556.