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Heckscher Museum of Art

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Public officials from the Town of Huntington celebrate new downtown revitalization stimulus funds for local communities. Photo from Stephanie Bontempi’s office. Photo from Leg. Bontempi's office

On October 31, at Heckscher Park, Legislator Stephanie Bontempi (R-Centerport) joined with her colleagues in government to announce the local recipients of the Suffolk County JumpStart and JumpSMART grant programs.  Combined, these two programs are focused on stimulating downtown revitalization, economic activity (especially tourism) and the arts.

The organizations and/or projects receiving the funds are: Huntington downtown parking and waterfront improvements ($1.25 million –JumpStart); Greenlawn downtown streetscape improvements ($650,000 JumpStart); 1653 Foundation – Artists Alley in Huntington downtown ($250,000); Heckscher Museum of Art – development of an outdoor café on the terrace of the museum ($100,000); Huntington African American Museum ($500,000); Huntington Arts Council – door and window replacement and ADA upgrades ($157,000); Huntington Cultural Affairs Institute – Chapin Stage ($170,000); Huntington Lighthouse Preservation Society – electric hookup for overnight guests and humidity control ($100,000); YMCA of Long Island – Huntington ($500,000); and The Whaling Museum and Education Center – expansion of museum ($300,000).

“This is an exciting time to be in the Town of Huntington,” said Bontempi.  “All of these projects will add so much to not only our local economy, but our enjoyment of our community.  This will also attract visitors from near and far. Huntington is a special place.”

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'Illuminations' will be presented during the Long Island Fall Festival on Oct. 7 and 8. Photo courtesy of Heckscher Museum

By Tara Mae 

As Columbus Day weekend draws near, many look forward to the annual Long Island Fall Festival at beautiful Heckscher Park in Huntington. Presented by the Huntington Township Chamber of Commerce, the four day event, from Oct. 6 to 9, will feature carnival rides, an international food court, music, over 300 vendors, and much more. 

One of the highlights of this year’s festival is a multimedia art installation titled Illuminations 2023: The Many Faces of Home.

If home is where the heart is, then leaving one home for another is perhaps a sort of heart transplant. A fresh lease on life: wistful and wondrous. On Oct. 7 and 8, from 7 to 8 p.m., the digital art show will spotlight the physical and emotional journeys immigrants undertake as they settle in foreign places and seek to make them familiar. 

Featuring the work by Stony Brook University adjunct art professor and digital artist Han Qin as well as other international artists, this digital art show features three intricately connected yet distinctive works, which will be projected onto the facade of an artistic hearth: the Heckscher Museum of Art located in Heckscher Park.

“It feels like the perfect space for such an event,” said Heather Arnet, Executive Director of the Heckscher Museum.

My New Home, by Qin, depicts and celebrates the immigration experience through a 3D image projection showing portraits of diverse community members who immigrated to Huntington and made it home. 

Journey Home, also by Qin, is an animated film projection. In ocean hues, it spotlights a school of fish that transforms into groups of people swimming to their new island home.  

The Grand Finale is a collaborative collection of engaging animation by six different international artists: Blake Carrington, Koi Ren, Yehwan Song, Silent Desautels, Shuyi Li, and Colton Arnold. 

The show is choreographed to original music composed by Professor Margaret Schedel, co-director of Stony Brook University’s Computer Music Program. “Margaret’s music…has dark energy that transforms into immense joy,” Illuminations co-curator Chiarina Chen said.

Shown consecutively, the elements of Illuminations likewise take patrons on a sojourn of the soul: from pensive introspection to audacious hope. The show immerses its audience in artistic excavation of existential inquiries. 

These questions were initially posited by Qin as part of her continuous exploration of, and meditation on, the identity quandaries immigrants may endure as they transition from their homeland to the precarious promise of a settled future. 

“My digital art piece works with the community of immigrants who speak different languages on Long Island. Its purpose is to show this group of marginalized immigrants — who they are looking to become or who their kids are looking to become, who holds the community together…this is a self-help project to figure out who those immigrants become,” Qin said. 

Such an investigation is personal for Qin who, during lockdown, began examining feeling adrift in her own immigrant identity: not quite of China, her nation of birth, nor the United States, her country of choice. 

“I was looking for a way to find people who know who they are,” Qin added. She got involved with different organizations that focused on the immigrant experiences of adolescents and adults. The relationships she formed through these endeavors answered questions her art was striving to ask.   

With a New York State Council of the Arts (NYSCA) grant processed through the Patchogue Arts Council, she was able to develop her artistic thesis from a intuitive theory into an expansive experience. 

As Qin crafted personal connections that revealed uncovered communal correlations, she utilized her professional network to recruit colleagues in curating and creating the third segment of Illuminations. 

“We invited six very interesting, talented international artists of various backgrounds. We have six parts in that: traversing memories, dreams, identities that are searching for belonging-cohesive with unique parts…digital art can be a public art form that brings people together, a sort of enchantment,” Chen said. “When connected stories are projected on the building, it becomes another level of togetherness.”  

Schedel’s music both belies and enhances the union. She composed six segments of music. Each has its own tempo and mini theme that nonetheless coalesces into a cohesive whole. Included in the piece are interviews with community leaders as well as water sounds; many people interviewed mentioned water as part of their immigration experience.

“It is a piece of music I composed to go along with the timeline that Han and I developed together, thinking of structure, movement, and emotion,” Schedel said. 

In its entirety, Illuminations is a medley of form, motion, and feeling. At its essence, the art is an overture of communal acceptance and understanding.  

“Illuminations celebrates immigrants, their influence on our community, and why they chose Long Island…It [seems] like a wonderful opportunity for the museum,” Arnet said. 

This is the Hecksher Museum’s first exhibition specifically designed for the Long Island Fall Festival, although the concept of home is one that is currently studied in its Raise the Roof exhibit, which is a study of the spaces people inhabit. 

Arnet approached Qin, who has pieces in the museum’s permanent collection, about doing a digital art projection on the front of the building. Qin was already in the process of developing My New Home and Journey Home. Illuminations was born of those discussions.

“What is exciting is that we are trying something new, which always involves risk. This is innovative, we are trying out the unknown, none of us quite know what it will be like…I am very interested in moving beyond four walls, engaging community in unique ways,” Arnet said.

Illuminations 2023: The Many Faces of Home at the Heckscher Museum of Art, 2 Prime Ave., Huntington is free to the public. For more information, call 631-380-3230 or visit www.heckscher.org

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'Rabbit Rabbit,' colored pencil by Margaret Minardi of Northpor

Currently on view at the Heckscher Museum of Art in Huntington is the 2022 Long Island Biennial, a prestigious juried exhibition featuring works by contemporary artists from Suffolk and Nassau Counties. 

Now in its seventh edition, the Biennial presents a cross section of Long Island contemporary art. “The public will enjoy learning more about the most recent work of the Long Island’s established and emerging artists,” said The Heckscher Museum’s Curator, Dr. Karli Wurzelbacher. 

“I am especially impressed by the ways in which many of the artists engaged with the concerns of our time, from social justice, to health, to ecology; and appreciate those who brought new approaches to traditional materials and techniques,” she said. 

This year’s exhibit encompasses a remarkable variety of media, with styles spanning abstraction to hyperrealism. “Contemporary art has been essential to the Museum since its founding more than 100 years ago,” said Heather Arnet, Executive Director & CEO. “We remain committed to sharing inspiring and thought-provoking new art with our visitors.”

The Museum received 732 artist entries, with jurors Heather Carter, Gabriela Gonzalez Dellosso, and Susan Van Scoy selecting 95 works for exhibition. 

Five exhibiting artists were designated as Award of Merit winners including Darlene Blaurock of Wantagh; Neil Leinwohl or Rockville Centre; Patricia Maurides of Sag Harbor; Margaret Minardi of Northport; and Kasmira Mohanty of Farmingville.

A diverse program of events will coincide with the exhibition. Long Island Biennial artists will be in the galleries on Oct. 16, Nov. 6, Nov. 30, Dec. 4 and Dec. 11 from 1 to 3 p.m. Meet the artists behind the artwork., free with admission.

In addition, the museum will host a Biennial Open Studios Day featuring artists Edward Acosta, Sally Edelstein, Mike Krasowitz, William Low, and Gina Mars on Oct. 16 from 11 a.m. to 4 p.m. Hop from one studio to the next for behind-the-scenes access and learn about a variety of media and techniques. Tickets to this event are $25 per person with registration required at www.heckscher.org.  

In conjunction with Hispanic Heritage Month, the museum will host a free Dual Language Family Hour with Educators Tami Wood and Karini Gaminez on Oct. 16 from 10:30 to 11:30 a.m. Children ages 5 to 10 will enjoy a family art experience in both Spanish and English. 

Visitors may also take part in an ongoing Mini Audio Tour of Long Island Biennial by artist and Biennial juror Gabriela Gonzalez Dellosso featuring an audio tour of selected works in the exhibition in both Spanish and English.

Sponsored by Robin T. Hadley and the Cunniff Family, the 2022 Long Island Biennial will be on view at the Heckscher Museum of Art, 2 Prime Ave., Huntington through Jan. 22, 2023. For more information, call 631-380-3230 or visit www.heckscher.org. 

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'Red Flower Rain' by Hung Liu, mixed media on panel, from the collection of Jordan D. Schnitzer will be on view at the Heckscher Museum through Sept. 18. Image courtesy of The Heckscher Museum

The Heckscher Museum of Art’s latest offering features a vibrant and timely exhibition on contemporary Asian and Asian American art. Drawn from the multifaceted collections of Jordan D. Schnitzer and His Family Foundation, the exhibit, titled Global Asias,  examines the cosmopolitan, exuberant, and subtly subversive works of 15 artists of Asian heritage who are adept at crossing borders — not only physical ones, but also those in media, styles, genre, and materials. The show opened June 4 and runs through Sept. 18.

Global Asias invites viewers to think about Asia not in singular but plural terms — encouraging audiences to understand Asia as a site of meaning across the globe. The artists in Global Asias were born in Japan, China, Korea, Vietnam, Argentina, and the United States. The exhibition provides an opportunity to move away from considering Asia as a geographical location and instead invites viewers to think broadly about how “Asia” has long served as an imaginative construct.

Featured artists include Kwang Young Chun, Hung Liu, Do Ho Suh, Jacob Hashimoto, Mariko Mori, Akio Takamor, Manabu Ikeda, Hiroki Morinoue, Barbara Takenaga, Jun Keneko, Takashi Murakami, Rirkrit Tirayanija, Dinh Q. Lê, Roger Shimomra and Patti Warashina.

The exhibition was curated by Chang Tan, Assistant Professor of Art History and Asian Studies, Penn State. 

“The artists included in this exhibition open our eyes to what it is like to cross boundaries both real and cultural,” said collector Jordan Schnitzer, whose family has a longstanding history of championing Asian art and culture. “I hope each viewer is as moved as I am by this exhibition and is challenged and inspired by the art. The power of this exhibition will influence all of us for years to come.”

“Global Asias is brimming with fascinating work by internationally renowned artists. As the only East Coast venue for the exhibition, The Heckscher Museum has a unique opportunity to share this timely art with communities across Long Island and beyond,” added curator Karli Wurzelbacher.

Organized by the Palmer Museum of Art, the 45 works in Global Asias are presented through three themes: Exuberant Forms, Moving Stories, and Asias Reinvented. The artists include New York based artists Jacob Hashimoto and Barbara Takenaga.  

Exuberant Forms features works that reshape and challenge conventional views of abstract art by exploring new materials, techniques, and metaphors. Kwang Young Chun (b. 1944) exploits the texture of handmade papers in his somber monochromes, while Jacob Hashimoto (b. 1973) mimics the effect of collage in his tour-de-force prints. Jun Kaneko (b. 1942) “flattens” traditional raku ware into explosive two-dimensionality. Hiroki Morinoue (b. 1947) and Barbara Takenaga (b. 1949) create intricate geometric patterns to evoke natural formations. 

Moving Stories brings together powerful works that reflect on the experiences of migration, both within Asia and beyond.  Dinh Q. Lê (b.1968) appropriates and masks iconic images of the Vietnam War. Hung Liu (1948-2021) finds inspiration in historical photographs, reinterpreting the genre of portraiture through the lens of displaced and voluntary immigrants. Roger Shimomura (b. 1939) borrows the visual language of Japanese woodblock prints and Pop art to render the lives of Japanese Americans incarcerated in internment camps during World War II.  Do Ho Suh (b. 1962) and Rirkrit Tiravanjia (b. 1961) map their own diasporic trajectories, literally and metaphorically.

Asias Reinvented highlights two- and three-dimensional works that transform styles and motifs of traditional Asian art to engage, probe, and critique contemporary popular culture and politics. The Pop- and manga-inflected fantasies of Takashi Murakami (b. 1962) and Mariko Mori (b. 1967) are rooted in both the artisanal heritages and the consumerist trends of Japan. Akio Takamori (1950–2017) and Patti Warashina (b. 1940) turn seemingly innocent motifs into uncanny portrayals of life, love, and death. Manabu Ikeda (b. 1973) evokes Hokusai’s famous waves to create a surreal scene of planetary apocalypse.

Following The Heckscher Museum of Art, this national touring show will travel to Yellowstone Art Museum, Billings, Montana, Oct. 13, 2022 through Jan. 15, 2023; and USC Pacific Asia Art Museum, Pasadena, California, March 10 through June 25, 2023. A catalog accompanies the exhibition and includes 73 color images, and a collector’s statement published by the Jordan Schnitzer Family Foundation.

The Heckscher Museum of Art, 2 Prime Avenue, Huntington presents Global Asias: Contemporary Asian and Asian American Art from the Collection of Jordan D. Schnitzer and His Family Foundation through Sept. 18.  Viewing hours are Thursday to Sunday from noon to 5 p.m. For more information, call 631-380-3230 or visit wwww.heckscher.org.    

RELATED PROGRAMS

Art in Bloom

June 11 and 12 from noon to 5 p.m.

The Heckscher Museum announces the third annual Art in Bloom program. Twelve floral arrangements will be featured that draw inspiration from artworks on view in Moonstruck: Lunar Art from the Collection and Global Asias: Contemporary Asian & Asian American Art from the Collections of Jordan D. Schnitzer and His Family Foundation. These exhibitions provide a diverse array of artworks to inspire designers from the Museum’s four garden club partners: North Country Garden Club (Oyster Bay), North Suffolk Garden Club (Stony Brook), South Side Garden Club (Bay Shore), and Three Harbors Garden Club (Cold Spring Harbor).

Woodblock Printing with BIG INK

Free Community Event

July 9 and 10 from 11 a.m. to 4 p.m.

BIG INK, Inc. and The Heckscher Museum team up to host two days of large-scale woodblock printing at the Museum. In addition to their oversized printing press Big Tuna, there will be fun print activities for kids and families throughout the weekend. 

Saturday participants include Paul Farinacci, Sueey Gutierrez, Eve Hammer, Joan Kim Suzuki, Janet Lust Ganes, Maureen Palmieri, Han Qin and Constance Sloggatt Wolf. Sunday participants include Leila Atkinson, Mei Fung Elizabeth Chan, Nicholas Frizalone, Michael Krasowitz, Crisoula Lazaridis, Cara Lynch, Jessica Struzinski, Amanda Vollers. The program has been organized in coordination with the exhibition Global Asias: Contemporary Asian & Asian American Art from the Collection of Jordan D. Schnitzer and His Family Foundation.

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'This is Who I Am' by Ashley Park
'Bowerbird's Baubles' by Anjali Gauld
'Sing e Aahan' (Women of Steel) by Khizran Fatima
'Tattered Flesh' by Charlotte Quintero

By Tara Mae

Proud portraits. Mixed media meditations. Vibrant colors and muted tones. A true exploration of artistic expression, the 26th annual Long Island’s Best: Young Artists at the Heckscher Museum student exhibition is now on view in Huntington through May 29.

Jurors Karli Wurzelbacher, (Curator, at The Heckscher Museum), and local artist Emily Martin (a weaver, installation artist, and textile designer) had the difficult task of selecting 79 works out of 399 entries from 55 different schools. “It is our most competitive year yet,” said Director of Visitor Experience Kristina Schaaf.

Top awards went to four distinct mixed media works of art. 11th grader Ashley Park of Half Hollow Hills High School West won the  Celebrate Achievement Best in Show award for This is Who I Am; 12th grader Anjali Gauld of Manhasset High School received Second Place for Bowerbird’s Baubles; 12th grader Khizran Fatima of Hicksville High School captured Third Place for Sinf e Aahan (Women of Steel); 12th grader Charlotte Quintero of Hicksville High School received Fourth Place for Tattered Flesh. 

“Long Island’s Best is a way to highlight the talent we have in our communities and connect it with the public. People come in and cannot believe that teenagers have created such high caliber art,” said Director of Education and Public Programs Joy Weiner.

The museum is an educational institution at its core and Long Island’s Best is the culmination of its school outreach program. High school art teachers arrange for their students to visit the museum either in person, or since the pandemic began, virtually. 

Educators at the museum guide the students through detailed study and discourse about works of art; students then select the works of art that most appeal to them as   inspiration for their own pieces. Participants include Artist Statements in their submissions, describing their methods, inspirations, and reactions to what they saw in the museum, as well as how it led them to creating their art. 

“Jurors reading about their work in their own words is a huge part of the process; it is so important for students to have to speak about what they are making,” Schaaf said. “The statements are also on view in exhibition. We take what every student has written about their process and ideas and we put it on the walls. Visitors hear from students themselves when they visit and we include little images of works that inspired them.” 

There are two awards that have not yet been determined: Visitors’ Choice, for which museum-goers may vote in person and Virtual Visitors Choice, for which website viewers may vote online. 

In addition to the month-long exhibition in the galleries, Mitchell’s, the Huntington-based retailer, and Firefly Gallery in Northport are currently showing select student works in their stores through May. 

Beyond the immediate satisfaction of having their efforts recognized, guest juror Martin, a finalist in Long Island’s Best when she was a junior at Plainview-Old Bethpage John F. Kennedy High School in 2014, identifies with the impact participating in the exhibit can have on the students. 

“I was always interested in art, but was unsure if it would be something I would pursue until I got into the LI Best show. Being chosen for this exhibit jump started my journey to become an artist,” Martin said. 

The Heckscher Museum of Art, 2 Prime Avenue, Huntington is open Thursday to Sunday, from noon to 5 p.m. $5 admission is suggested for adults, free for children under the age of 13. For more information, call 631-380-3230 or visit www.heckscher.org.

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Richard Mayhew, Clamdiggers, n.d., oil on board. Courtesy of the Petrucci Family Foundation Collection of African American Art. (c) 2022 Richard Mayhew; Courtesy ACA Galleries, New York

The Heckscher Museum of Art in Huntington will host a virtual panel on Environmental Justice on Long Island on Tuesday, April 5 at 5:30 pm.  

 The panel is presented in coordination with Richard Mayhew: Reinventing Landscape now on view at The Heckscher Museum of Art. Mayhew’s luminous landscapes address the historic and spiritual connections between Native Americans, African Americans, and the land.

The panel features Dr. Mark Chambers, Professor of Africana Studies at Stony Brook University, and Jeremy Dennis, a contemporary fine art photographer, tribal member of the Shinnecock Indian Nation, and founder of Ma’s House, and is moderated by Justyce Bennett, Curatorial Assistant at the Heckscher Museum of Art. They will discuss the environmental justice movement to address how environmental hazards impact communities of color disproportionately.

Jeremy Dennis is a fine art photographer and a tribal member of the Shinnecock Indian Nation. His photography explores Indigenous identity, cultural assimilation, and the ancestral traditional practices of the Shinnecock Indian Nation. His work is included in the collections of The Heckscher Museum of Art, The Hudson River Museum, the New York State Museum, and others.

Dr. Mark Chambers is a professor in the Africana Studies department at Stony Brook University. His interests include environmental and technological contacts between Indigenous peoples and free and enslaved miners in North America. His recent book, Gray Gold: Lead Mining and Its Impact on the Natural and Cultural Environment, 1720 to 1840, is a cultural history of lead mining in the region that became the state of Missouri.

Justyce Bennett is the Curatorial Assistant at The Heckscher Museum of Art. She completed her master’s degree at the Winterthur Program for American Material Culture at the University of Delaware. She is interested in Black feminist art history and wrote her master’s thesis on the landscape and historic preservation efforts on St. Croix, United States Virgin Islands.

The event is free to the public, with registration at Heckscher.org/mayhewpanel

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Heather Arnet

The Board of Trustees of The Heckscher Museum of Art in Huntington has appointed Heather Arnet, right, as the organization’s Executive Director and CEO.

Robin T. Hadley, Chair of the Board said, “Heather brings a wealth of leadership experience, innovative thinking, and community engagement to the Museum. We are fortunate to be adding someone of her caliber to The Heckscher Museum.” Arnet will join the Museum in June 2022.

Arnet is the CEO of Women and Girls Foundation (WGF), a community-based organization in Pittsburgh, PA, dedicated to advancing gender equality. Throughout her 18-year tenure, Arnet established award-winning youth and adult civic engagement programs, created extensive partnerships with museums and cultural centers, reached diverse communities, and raised significant support.

“The Heckscher Museum was interested in a leader who was community -centered, forward-facing, able to engage diverse audiences, and advance the important work of The Heckscher Museum. Heather fits that profile perfectly,” stated Robert Aquilina, Trustee and Chair of the Search Committee.

In addition to her work at WGF, Arnet serves as Co-Chair of the Council for Feminist Art at the Brooklyn Museum, and has worked collaboratively with teams at the Brooklyn Museum, the Frick Pittsburgh, the August Wilson Center for African American Culture, the Carnegie Museums, and the Andy Warhol Museum to develop public programming. Prior to joining WGF, Arnet was Director of Development at City Theatre, and as Vice President of Marketing and Brand Developmen t for internet-based start-up companies. Early in her career, Arnet worked for five years on the production team for the educational television program Mister Rogers Neighborhood.

Arnet has a B.A. in Literary & Cultural Studies from Carnegie Mellon University and is completing her Master of Liberal Arts in Museum Studies from Harvard University Extension School.

“I am excited for the opportunity to join such a passionate and creative staff and Board of Trustees as we lead The Heckscher Museum of Art into the future,” said Arnet. “I look forward to applying my experience in community development and civic engagement to advancing the Museum’s community – centered efforts, and growing its regional and national significance .”

John E. Coraor, who has served as Interim Director for the Museum, will continue as a member of the Board of Trustees.

Arnet was selected following a national search guided by Daniel Keegan, Senior Search Consultant, Museum Search & Reference, Manchester, NH, and Boston, MA.

ABOUT THE HECKSCHER MUSEUM OF ART

The Heckscher Museum of Art is in its second century as a source of art and inspiration on Long Island.

Founded by philanthropists Anna and August Heckscher in 1920, the Museum’s collection comprises more than 2,300 works from the 16th to the 21st century, including European and American painting, sculpture,worksonpaper,andphotography.LocatedinscenicHeckscherParkin Huntington,the building is listed on the National Register of Historic Places. Visit Heckscher.org for more information. Timed Ticketing. Visitor safety guidelines available on Heckscher.org

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'Jazz Solo II,' 1988, oil on linen canvas by Richard Mayhew. Courtesy of the Petrucci Family Foundation Collection of African-American Art. (c) 2021 Richard Mayhew; Courtesy ACA Galleries, New York)
Nationally renowned, Long Island-born artist celebrated close to home

From Jan. 20 to April 24, the Heckscher Museum of Art in Huntington will feature the work of artist Richard Mayhew (b. 1924) in a solo exhibition, the first ever organized so close to Amityville, where the renowned artist grew up. 

Titled Richard Mayhew: Reinventing Landscape, the exhibit will highlight more than two dozen vibrant paintings and works on paper created by the artist over the past six decades and will explore how Mayhew reimagined nineteenth and twentieth-century American landscape painting through a uniquely personal style that expresses his perspectives about African American and Native American history and culture. 

‘Pescadero,’ 2014, oil on canvas by Richard Mayhew; (Courtesy ACA Galleries, New York)

The show is drawn from private collections and institutions such as Hudson River Museum, National Academy of Design, and the Petrucci Family Foundation Collection of African-American Art. 

Coinciding with the exhibition, The Heckscher Museum announces the acquisition of one of Mayhew’s vivid paintings, Pescadero, 2014. The Museum already holds a number of Mayhew’s lithographs. 

“The purchase of Richard Mayhew’s Pescadero is an important springboard into the Museum’s second century,” said curator Karli Wurzelbacher. “We are honored to have the opportunity to share the stunning and thoughtful work of this major artist with our audiences, both now and in the decades to come. Mayhew’s work will allow us to tell a more complete and compelling story about the histories of abstraction and landscape painting in America.”

Richard Mayhew’s paintings express his African American and Native American heritage. “It’s a dual commitment to nature. The land is very important to both cultures, in terms of stimulation and spiritual sensitivity, and it’s very important to me,” he said. The Heckscher Museum, located less than 15 miles from the artist’s birthplace, will introduce people from Long Island and the greater New York metropolitan region to Mayhew’s art within the context of Long Island’s diverse cultural history.

Wurzelbacher notes that the artist’s subjects may suggest the appearance of natural forms, but they are symbolic only of his emotional interpretation. He conceives his painting as “mindscapes.” Mayhew intuitively uses evocative color and diffused form to explore, in his words, “desire, ambition, love, hate, fear—that’s my painting.”

Although Mayhew has resided in other parts of the country (currently in Santa Cruz, CA), his place of birth remains at the center of his work. Here, his love of nature and artistic talents were first stimulated. He took from the Long Island landscape a life-long response to the spiritual essences of nature and delved into complex emotions that permeate his canvases. 

Richard Mayhew grew up in Amityville, on Long Island’s South Shore. It is among the oldest Black-Indigenous communities on Long Island.

During the 1930s and 40s, artists visited the area in the summertime to paint en plein air along the ocean coastline, and the young Mayhew would watch them: “I was fascinated by the artists dipping their brushes into the paint like a magic wand; the beautiful images that came out on the end of it were amazing.”

Following military service in the South Pacific, Mayhew spent time as an illustrator, ceramic painter, and a jazz singer. In 1951, he began courses at the Brooklyn Museum School of Art. A degree in art history from Columbia University added to his framework of artistic reference. Studies in Europe fostered deeper appreciation of the old masters and for the Impressionists’ mastery of light. 

Mayhew’s first solo exhibition was organized by the Brooklyn Museum. During the Civil Rights movement, he joined Spiral, formed in 1963 by a group of Black artists who met to discuss the relationships between Black identity, American culture, and politics. These debates solidified his commitment to working in an abstract style while also engaging with concepts of race and social justice.

Related program:

Panel on Environmental Justice on Long Island, April 5, at 5:30 p.m.

A virtual panel discussion with Jeremy Dennis, a contemporary fine art photographer, tribal member of the Shinnecock Indian Nation, and founder of Ma’s House, and Dr. Mark Chambers, Professor of Africana Studies at Stony Brook University. The panel will discuss Mayhew’s work and the intersections of environmentalism and racial justice on Long Island. Organized by Justyce Bennett, M.A., Curatorial Assistant, The Heckscher Museum of Art.

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The Heckscher Museum of Art is located at 2 Prime Ave., Huntington. In addition to Richard Mayhew: Reinventing Landscape, the museum presents Moonstruck: Lunar Art from the Collection from Jan. 20 to Sept.  18. For more information, call 631-380-3230 or visit www.Heckscher.org.

 

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Photo from Heckscher Museum

The Heckscher Museum of Art, 2 Prime Ave., Huntington invites children ages 5 to 10 to stop by the museum on Thursdays from July 8 to Aug. 12 to take part in their Drop In & Create program from 11 to 11:30 a.m.

Create fun works of art in a variety of materials inspired by artwork in the Museum’s Collection! Each week’s project will be exciting and different! Held outside on the Museum Terrace, this program is weather-permitting. In the case of inclement weather, the program will be held the following day. Families are invited to come into the Museum following the program at 11:30 am to explore the galleries!

Fee is $10 per child, adults free payable at the door. No registration necessary.
Fee includes all art supplies and general admission to the museum from 11:30  to noon.

Rain dates are Fridays, July 9 to Aug. 13.

For more information, call 631-380-3230 or visit www.heckscher.org.

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'The Circus Tent' by George Luks Image courtesy of Heckscher Museum of Art
'Hopi Village, Arizona' by Thomas Moran
'Eclipse of the Sun' by George Grosz
'The Elder' by Lucas Cranach
'Portrait of Louis Bouche' by Florine Stettheimer
'August Heckscher' by Penrhyn Stanlaws

By Tara Mae

It’s time to celebrate! In honor of the Heckscher Museum of Art’s 100th anniversary, the museum will present a centennial exhibit, The Heckscher Museum Celebrates 100: Tracing History, Inspiring the Future from June 5 to Jan. 10, 2022. 

The exhibit is both a retrospective and a promise of future endeavors. Grouped chronologically by year, it encompasses the entire museum and features art and artifacts, including paintings, sculptures, and mixed media, acquired as part of its collection over the years.

“The work in our collection belongs to us. Because of the size of the museum, our permanent collection includes 2300 objects and at any one time we can only show about 100 things. It fills the entire museum; one big show,” said curator Karli Wurzelbacher. “I looked at the museum’s 100 year history and identified four key moments that are important to who we are as an institution.”

These elements are the museum’s founding, its relationship with local artist George Grosz, the influence of Long Island artists Arthur Dove and Helen Torr, and the largest donation ever received by the museum ­— a 363 piece Baker/Pisano collection of American Modernism in multiple forms: sculpture, watercolor, paintings, and pastels.

Founded in 1920 by Anna Atkins Heckscher and August Heckscher, the museum’s original collection was donated by the couple, who built it from scratch and gathered artwork with the museum in mind, according to Wurzelbacher. 

Having emigrated from Germany to escape the Nazis’ rise to power in the 1930s, Grosz lived in Huntington from 1947 until his death in 1959 and became very involved in the work of the Heckscher. 

“He visited the museum, served as a juror for contemporary art shows, taught private art lessons for adults in the community, and then the museum started collecting his works. [Our] collection didn’t start growing until the 1960s when we started adding works, slowly … He is one of the first artists we started collecting,” said Wurzelbacher.

Grosz’ most famous painting, Eclipse of the Sun, is featured in the centennial exhibit and serves perhaps as a symbol for both the artist and museum’s ties to the local community. 

After Grosz painted Eclipse in 1926, it was shown once at a European exhibition. It was then lost to the public for the next 40 years, until a visitor to the museum disclosed that they were in possession of it. The Heckscher’s art director at the time, Eva Gatling, launched a campaign to acquire the painting.

“…Gatling was one of the first female [museum] art directors in the country. She saw the painting and mobilized the community to pitch in and buy the work. About 200 people donated money to purchase work,” Wurzelbacher said. “Students at Huntington High School took up a collection. It’s a fantastic story about the community coming together collectively to buy one of the most important works of the 20th century by a local artist.”

Like Grosz, Arthur Dove and Helen Torr made Long Island their adopted home. The museum, which has the largest collection of Torr’s work, will display archival materials such as paint brushes and paints used by the couple, as well as their artwork. 

Peers of Georgia O’Keefe and figures of American Modernism, they lived on a boat docked in Huntington Harbor during the 1920s to 1930s and purchased a cottage in Centerport that was acquired by the museum in 1998.

“Their artwork, while abstract, distills their experiences living on the Long Island Sound. They are so important in the history of American Modernism and the history of Long Island art. Dove is considered the first American artist to work with abstraction in the 1910s … In 1972, Eva Gatling [organized] the first ever museum exhibition of Helen Torr, whose work is now in the Metropolitan Museum of Art and the Museum of Fine Arts, Boston,” said Wurzelbacher. 

Unlike many other museums, the Heckscher owns its entire collection, built up over the years largely through acquisitions and donations. The Baker/Pisano collection, featuring work by O’Keefe and Florine Stettheimer, was donated in 2001. It also contains work by Long Island artists and reflects a connection to the area.  

“In doing this process, it has been remarkable in seeing these deep local ties. We show Long Island and local art, and are able to put it in a national and international context,” Wurzelbacher explained. 

The scope of the exhibit, however, embraces and extends beyond these motifs. “We also have outstanding acquisitions that don’t relate to these themes,” she added. 

“A lot of the show is masterworks of collections … things we exhibit rarely but that we wanted to get out for this occasion, as well as historical ephemera: old photos of previous exhibits and photos of the museum as it looked soon after it opened.”  

In September, about two dozen objects will go off-view and other art will go on-view. Originally intended for 2020, the museum’s centennial plans were postponed due to the pandemic. “I am happy to have the extra time; it allowed us to end the show with recent acquisitions. Had we done the show a year ago, we wouldn’t have been able to include them,” Wurzelbacher said. 

Tickets are available for purchase online at www.heckscher.org. Timed ticketing is required. The museum is open Thursday to Sunday, from noon to 5 p.m. For more information, call 631-380-3230.

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