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Hannah Steele

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'Four Women' by John Fitzsimmons, oil on panel
'Look' by Joseph A. Miller, Oil on paper on panel
'My Guest, Lorena' by Hannah Steele, oil on panel
'Blue Beauty,' oil on canvas mounted on birch wood, by Liz Jorg Masi
'Rachel and Josie' by Janice Yang, oil on canvas
'Faith' by Nicholas Frizalone, oil on wood panel
'In the Frontline' by Alberto Carol, oil on canvas

By Heidi Sutton

When was the last time you went to an art exhibit? When was the last time you strolled through a gallery, taking in the beauty of a painting, a photograph, a sculpture? Yes, virtual exhibits are a creative substitution but we all know it’s not the same. Thankfully, art institutions on the Island are slowly reopening their doors to the public with fresh and exciting art installations to lift our spirits and grant us a reprieve from the stresses of our daily lives.

On Sept 3, the Reboli Center for Art & History in Stony Brook Village launched their new season with Wild and Wonderful featuring the whimsical art of Vicki Sawyer and on Sept. 12, the Smithtown Township Arts Council’s stately Mills Pond Gallery in St. James introduces a juried fine art exhibition titled Contemporary Realism honoring an art movement in which subjects are painted from everyday life. The massive show highlights the works of 64 artists from 11 states who were asked to submit oil paintings “that captured realism through any approach or style.” Exhibiting Long Island artists represent 18 Long Island communities from Floral Park to Aquebogue.

Allison Cruz, executive director of the Mills Pond Gallery, has been cautiously waiting to present this exhibit to the public and is thrilled to reopen the gallery’s doors this Saturday. “The business of art does not really ‘take a vacation.’ Exhibits, calls for entry, shipping of work, jurying the entries all go on for months ahead of the actual exhibit since our juried exhibitions are national calls for entry. So when the pandemic hit, we were already halfway through the process,” said Cruz. The gallery received 162 submissions for the show.

Originally scheduled for July 11 to August 8, Cruz wisely decided to move the show to September and October “in hopes the gallery would then be open for visitors,” she said.

Precautions have been taken to provide a safe environment for visitors using the guidelines from the New York State Dept. of Health NY Forward site. “Masks and social distancing are required and temperatures are taken upon arrival with a contactless thermometer,” explained Cruz. “We wipe down all high touch surfaces … ie: door knobs, entry ways, any surfaces touched by visitors, with CDC approved anti-viral wipes. We have constructed a plastic barrier for the office and schedule regular cleanings as required.”

Exhibiting artists include Amal, Shain Bard, Karl Bourke, Renee Brown, Charis J Carmichael Braun, Alberto Carol, Linda Ann Catucci, Sarah Ciampa, Aleta Crawford, William Dodge, Daniel Donato, Caro Dranow, Evee Erb, Megan K. Euell, John Fitzsimmons, Cori Forster, Nicholas Frizalone, Elizabeth Fusco, Symmes Gardner, Ashley Gillin, Emily Halper, Seth Harris, William Karaffa, Donna Kunz, Jane Langley, Thomas Legaspi, PJ Marzullo, Liz Jorg Masi, Kerri McKay, Clifford Miller, Joseph Miller, Joseph A. Miller, Indu Ramkumar, Doug Reina, Michele Riche, Audrey Rodriguez, Robert Roehrig, Oscar Santiago, Gia Schifano, Hannah Steele, Daniel van Benthuysen, Diane Varano, Robert Whistler, Janice Yang, and Patty Yantz.

Winners were chosen by juror Max Ginsberg, one of the most respected and highly accomplished realist painters today. The alla prima (painting directly on canvas without a preliminary drawing) oil painter is often praised for his political and social commentaries and for bringing to life on canvas the struggles of everyday people in his New York City home. His fine art has been exhibited and collected widely and has received countless major awards. The artist has taught art for 60 years and offers workshops around the country and abroad in his commitment to inspire today’s artists to master realism painting.

“I was very fortunate to connect with Max Ginsburg. I have never presented an exhibit of Realism here at Mills Pond and in speaking with Max about the exhibit, we both agreed that the show should be open to all styles of Realism since we shared the goal of encouraging artists to continue to pursue this wonderful style of painting,” said Cruz, adding, “[He] is held in such high regard in the art world and many of our entrants expressed that the reason for entering this exhibit was for the opportunity to have their work under the eye and possible selection by Max.”

Preparing for the exhibit has been a joy for the director. “I love this exhibit for many reasons. The art is technically wonderful … there is a wide variety of subject matter and styles … which is a testament to the skills and passion of our juror. He truly selected works based on their artistic quality and skill level, not simply looking for works that were similar to his own style or social realism subject,” said Cruz.

Best in Show ($1200 cash prize) was awarded to “Look” by Joseph A. Miller of Buffalo; second place ($800 cash prize) went to “My Guest, Lorena” by Hannah Steele of Pennsylvania and third place ($400 cash prize) was awarded to “Blue Beauty” by Liz Jorg Masi of Smithtown.

“Christine” by Charis J. Carmichael Braun of Northport; “Shaded Lily Pond” by Aleta Crawford  of Manhasset; “The Spanish Poet” by Karl Bourke of Huntington Station; “In the Frontline” by Alberto Carol of Florida; and “Father” by Hannah Steele of Pennsylvania received Honorable Mentions.

Cruz is excited to share this unique exhibit with the public. “Personally I have always believed that art is an essential and valuable component of communication. Think about how people from past civilizations communicated about their lives through cave drawings … What future generations learn about our times will partially be communicated through the art of our times. I was so hopeful that the gallery would be able to open to allow visitors to have an additional way of looking at the world … we have television, radio, internet, and for many, art is another method of exploring contemporary issues in the world.”

The Mills Pond Gallery, located at 660 Route 25A, St. James, will present Contemporary Realism from Sept. 12 to Oct. 16. Hours are Wednesday through Friday from 10 a.m. to 4 p.m., and Saturday and Sunday from noon to 4 p.m. Admission is free. For more information, call 631-862-6575 or visit www.millspondgallery.org.

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‘Golden Grasses’ by Julie Doczi
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‘Golden Grasses’ by Julie Doczi
‘Summer on the Sidewalk’ by Jeanette Martone
‘Sight’ by Hannah Steele
‘Driveway of the Artist’ by Frederic Mendelsohn;
‘Eternize #3’ by Claudia Cron
‘Summer Bouquet’ by Renee Blank

By Heidi Sutton

The lazy days of summer are still a few weeks away, but inside Smithtown Township Arts Council’s Mills Pond Gallery the flowers are in full bloom, a warm breeze of salt air tickles your nose, and if you listen closely, you can hear the splashing of water in a pool. There are other sights and sounds as well as you travel from room to room throughout the first floor of the historic 1838 Greek Revival mansion — a Ferris wheel goes round and round at a carnival, children giggle as they play hopscotch on the sidewalk and waves softly lap at a fishing boat tied to a dock.

Now in its 40th year, STAC’s annual Juried Fine Art Exhibition is back with fervor. Aptly named A Summer Song, the colorful show, which runs through June 24, features over 50 original works of art by 45 artists depicting scenes relating to summer. And if one catches your fancy, it may just be available for purchase.

Artists were invited to submit “representational images of summer-related sights, activities, impressions, or atmosphere — as well as surrealistic or abstract evocations inspired by the subject” from “images of sun, sea, surf and verdure to a more melancholy awareness of summer’s last gasp, a prelude to fall.”

And much to the delight of STAC’s Executive Director Allison Cruz, the entries that poured in by local artists from Bay Shore, Brookhaven, Centereach, East Hampton, East Northport, Farmingdale, Hauppauge, Hempstead, Holbrook, Holtsville, Huntington Station, Commack, Montauk, Nesconset, North Babylon, Northport, Patchogue, Port Jefferson, Ridge, Rocky Point, Ronkonkoma, Setauket, Smithtown, St. James and Stony Brook were on point. Artists from as far as Colorado, Connecticut, Massachusetts, New Jersey, New York, Oregon and Vermont answered the call as well.

According to Cruz, a national show is good for a lot of reasons. “There’s so much talent here but I see it as an eye opening experience for [local artists] in a way for them to learn how to grow their art,” she said.

Chosen mediums run the gamut from oil, pastel, acrylic, watercolor and pen and ink to paper lithograph, resin mix media and torn paper collage, stoneware and kiln-formed glass.

The exhibition’s juror was Carol Strickland, an art historian who contributes feature stories on visual art to Art in America magazine. Her articles on culture have appeared in the New York Times, Wall Street Journal, Washington Post, Christian Science Monitor, Art and Antiques, MOMUS and Private Journey magazine. The author of “The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern,” Strickland also writes a monthly column on art and politics for www.clydefitchreport.com. 

“The excitement in this exhibit for me was having a juror who has never juried anything out [on the Island] before and whose credentials throw the exhibit into a whole different light,” said Cruz, adding, “There are a lot of new artists this year.  [The juror] attracted a lot of new people.” 

“It was a pleasure to see so many varied responses to the theme, which hit all the notes in terms of sensory and aesthetic interpretations,” said Strickland. “Some were so expressive and lively, I felt a jolt of energy, as if inhaling a big gulp of freshening wind from the seashore. Others captured a more tranquil or pensive mood, inducing contemplation of both summer’s joy and transience.”

Participating artists include Janet Amalfitano, Shain Bard, Jorus Beasley, Victoria Beckert, Marta Beltramo, Renee Blank, Jean Marie Bucich, Renee Caine, Kevin Casey, Frank Casucci, Carol Ceraso, Gerry Chapleski, Donna Corvi, Claudia Cron, Julie Doczi, Anna Franklin, Janice Gabriel, Vivian Gattuso, Maureen Ginipro, Jan Guarino, Katherine Hiscox, Paul Hitchen, David Jaycox Jr., Jim Kelson, Lynn Kinsella, Mary Lor, Jeanette Martone, Frederic Mendelsohn, Joseph Miller, Margaret Minardi, Debra Puzzo, Kate Rocks, Micheline Ronningen, Joseph Santarpia, Stacey Schuman, Kathee Shaff Kelson, Margaret Shipman, Roxene Sloate, Rosemary Sloggatt, Hannah Steele, Rita Swanteson, Alexandra Turner, Nicholas J. Valentino, Adriann Valiquette and Patty Yantz.

While finding the task difficult because “the level of technical skill in the entries was impressive,” Strickland eventually chose a first-, second-, and third-place winner along with three honorable mentions.

First place was awarded to “Summer on the Sidewalk,” pencil and ink on paper, by  Jeanette Martone of Bay Shore; second place went to “Summer Bouquet,” acrylic on canvas, by Renee Blank of Holbrook; and “Eternize #3,” paper lithograph and mixed media by Claudia Cron from Connecticut, garnered third. 

Honorable Mentions include “Driveway of the Artist,” oil, by Frederic Mendelsohn of Port Jefferson Station; “Sight,” charcoal on wood, by Hannah Steele from Massachusetts; and “Golden Grasses,” pastel, by Julie Doczi of Port Jefferson Station.

According to Strickland, she made her final decisions based on presenting “a wide array of different facets of the theme, to show images that varied in media, subject and style,” as well as looking “for works that aroused a response in me.”

For Cruz, Strickland’s presence was an important one for the gallery and the participating artists. “For me personally, it was an opportunity that fits into my line of thinking,” she said. “When I do a juried show and I’m hiring a juror, the point of it is to give the artists a different experience, a different opportunity to have someone with a different background to look at their work.”

 For Strickland, the feeling was mutual. “In all cases, I appreciated each artist’s originality and individual approach to mark-making … and wish all entrants a satisfying future of art making.”

The Mills Pond Gallery, located at 660 Route 25A, St. James, will present the Smithtown Township Arts Council’s Member Artist Showcase through June 24. The gallery is open Wednesday to Friday from 10 a.m. to 4 p.m. and Saturday and Sunday from noon to 4 p.m. Admission is free. For more information, call 631-862-6575 or visit www.millspondgallery.org.

All images courtesy of Allison Cruz

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