Tags Posts tagged with "Exhibit"

Exhibit

‘The Joy Keeper,’ self-portrait by Christopher Reisman

By Melissa Arnold

Some people say they see the world through rose-colored glasses. Contemporary artist Christopher Reisman sees the world in technicolor.

‘Think Tall' by Christopher Reisman
‘Think Tall’ by Christopher Reisman

His acrylic and mixed-media paintings mostly showcase people and animals with a whimsical, kaleidoscope-like color palette. Some of his paintings are abstract, but for the Rocky Point resident, it’s all about experimentation and play.

A selection of his abstracts and animal portraits will be on display throughout the month of September in an exhibit titled “Paintings by Christopher: All Things Sacred” at the North Shore Public Library in Shoreham. The art show will feature paintings, some as large as 48 inches wide by 60 inches high, and several prints.

This is Reisman’s second appearance at the library, says art coordinator Hildegard Kroeger. He had an exhibit there six years ago. “He’s doing a lot more freestyle work now,” Kroeger says. “He’s very colorful and people really pay attention to his work when they stop by.”

Reisman’s talents — which also include sculpture, music and sewing — are more than just hobbies. They have been his lifeblood since he was a toddler.

“I drew on the walls as a child and was always getting big pads of drawing paper from my parents, who were very encouraging,” says Reisman.

His creative streak would lead to an art-intensive high school education and some study at what is now Temple University’s Tyler School of Art, but Reisman’s mostly self-taught. He spent more than 40 years as an art educator in a variety of settings before an illness led him to retire in 2000.

‘The Visit’ by Christopher Reisman
‘The Visit’ by Christopher Reisman

Since then, Reisman has been able to focus fully on enjoying and sharing his gifts, which have healed him inside and out. “Even in the darkest times in my life — and I’ve been through plenty, trust me ­— I was drawing and playing the piano,” Reisman explains. “[Through my illness and later recovery] I’ve learned that we need to learn to let go — whether that’s of a bad habit or an old way of thinking — and if we can do that, we can come to a place of healing. I hope to reach as many people as possible with that.”

Today, Reisman enjoys long hours painting at his home, which he calls the “sanctuary.” The property, which he shares with his partner Robert McDonald and their two cats, Dolly and Joey,  is also home to hundreds of birds, fish and other animals.

The artwork he creates is for more than display. Anywhere from 10 percent to the full value of each sold painting supports charitable interests close to his heart.

Reisman and McDonald have worked together to support a number of animal shelters on Long Island, including SAVES, Inc. (Spay Alter Vaccinate Every Stray) of Riverhead, Little Shelter Animal Rescue & Adoption Center in Huntington and Save-A-Pet Animal Rescue & Adoption in Port Jefferson Station, among others.

They are also big supporters of the global Wildlife Conservation Society, Broadway Cares/Equity Fights AIDS, and many cancer benefits that cross their path.

McDonald, who does not have an art background, loves to sit back and watch Reisman’s creative process, which usually begins with several days of research, drafting and prayer.

“It’s like miracle work to me, that [Christopher] can start with a blank canvas and in the course of a few hours or a day have it completely drawn out and ready to be painted,” says McDonald, who has been with Reisman for 16 years. “He’ll say to me, ‘Today I’m going to paint a tiger,’ and the next day it appears. I would never be able to do something like what he does.”

‘Wake Up’ by Christopher Reisman
‘Wake Up’ by Christopher Reisman

Some paintings have specific stories — like his chimpanzees,“The Visit,” inspired by the work of famed primatologist Jane Goodall, or his self-portrait, “The Joy Keeper,” painted at home in his hall of mirrors over an old abstract painting ‘to show the joy we can all feel if we allow it’ — but others are just subjects Reisman or his family members enjoy.

For abstract pieces, Reisman says that he likes “staying spontaneous and moving color around that excites me, without judging.”

The couple believes that sharing their gifts, both physical and emotional, is just the first step toward a healthier, more peaceful world. They are currently searching for a publisher to get the art to a wider audience.

Reisman has gained many fans through the years and  has received rave reviews from his past art exhibits. Newsday art critic Jeanne Paris wrote that his artwork projects “unspoken eloquence in visual imagery that is not to be forgotten,” and “I Had It All the Time” author Alan Cohen stated “Christopher Reisman creates with passion, power and purpose. His heart is in his art. If you look deeply you will see much.” Even “Good Day New York’s” Rosanna Scotto has purchased one of his paintings.

“When people see my work, they’ll see lots of bright, happy colors and find they feel a joy and peacefulness that’s very powerful,” Reisman explains. “I believe that power comes from within each of us. It’s been my mission to turn as many people as possible onto their own innate creativity. I find that it’s very healing.”

Explore some of Christopher Reisman’s artwork from Sept. 1 through Sept. 29 at the North Shore Public Library, 250 Route 25A, Shoreham.

An artist reception, hosted by the Friends of the Library, featuring a larger selection of Reisman’s art, will be held on Saturday, Sept. 12, from 2:30 to 4 p.m. at the library. All are welcome.

For more information about the exhibit, call 631-929-4488. To learn more about Reisman or to purchase his art, visit www.artbychristopher.org.

A patrol wagon, c. 1905, used by the 145th Precinct in Brooklyn. Photo from LIM

The Long Island Museum in Stony Brook recently welcomed a terrific new addition to its carriage collection: a police wagon used by the 145th Police Precinct to patrol the waterfront areas of Gowanus, Brooklyn, in the early 1900s.

In the late 1800s and early 1900s, urban police departments used a variety of different types of vehicles: Black Marias and Paddy Wagons were used to transport prisoners, and had an enclosed space in the back, with padded interior walls. The New York City Police Department purchased its first such wagon in 1886 for $500.

This patrol wagon, c. 1905, was a little more versatile and facilitated the rapid movement of police officers to scenes of disorder or disaster. The wagon has two benches for patrolmen to sit in back and rides lower and faster for pursuit and quick response. Such wagons were used right into the early automobile era.

The wagon is a gift from the Museum of the City of New York, on view on MCNY’s first floor for many years, but has been off display for more than a decade. A transfer of ownership was made to the Long Island Museum due to storage space limitations. It will now be featured in the Long Island Museum’s Streets of New York gallery in the carriage museum, a great complement to the museum’s firefighting vehicles and other urban public-use vehicles in that space.

Located at 1200 Route 25A in Stony Brook, the Long Island Museum is a Smithsonian affiliate, dedicated to American history and art with a Long Island connection. Along with the 40,000-square-foot carriage museum, the museum also features an art museum, Blacksmith Shop, Nassakeag Schoolhouse, c. 1877, Ploch-Williamson Barn, c. 1794,  a decoy gallery in the Visitors Center and an herb garden.

The museum is open Thursday through Saturday from 10 a.m. to 5 p.m and Sunday from noon to 5 p.m. Regular admission is $10 per person, $7 for seniors and $5 for students ages 6 to 17. Children under 6 and museum members are free. For more information call 631-751-0066 or visit www.longislandmuseum.org.

Northport Historical Society’s latest exhibit gets personal

Eight of Northport’s Civil War veterans, from left, Roy Ackerly, Gus Gerard, Charlie Smith, Bill Mulfort, unidentified man, unidentified man, A.G. Tillotson and Barney Fox.

By Rita J. Egan

This year marks the 150th anniversary of the end of the American Civil War, and to commemorate the sesquicentennial, the Northport Historical Society is hosting the exhibit Northport and the Civil War: A Few Good Men. Visitors to the historical society’s museum can follow the lives of 12 Northport men from when they mustered in until the war ended for them.

The historical society joins other organizations in the township of Huntington hosting Civil War events. Both historical society Director Heather Johnson and Terry Reid, consultant to the collections and member of the exhibit’s committee, said when town representatives first approached the organization about hosting an exhibit they were a bit hesitant. They admitted they weren’t confident if they could pull together a full exhibit since they weren’t aware of many Civil War artifacts in their collection. However, Reid said once the committee started culling through items, they found muster rolls with very detailed information about young men from Northport who fought in the war.

The consultant said the muster rolls not only include information about what battles the young men fought in but also if they were injured, their eye color and hair color, names of their parents and occupations. With the discovery of the muster rolls, Reid said the exhibit became a possibility as the committee began writing the stories of each man.

“I thought that here are these men we can focus on, telling their specific stories. So we did it as more of a storybook as opposed to here’s a bullet,” Reid said.

Some of the Civil War items on display at the Northport Historical Society’s Civil War exhibit. Photo by Rita Egan
Some of the Civil War items on display at the Northport Historical Society’s Civil War exhibit. Photo by Rita Egan

The committee, which in addition to Reid includes Candy Hamilton, Christine Doll-Wagner, Rhoda Wright and Darcy Little, then set out to find the artifacts to complement the stories. An email was sent out to members of the historical society asking if anyone owned memorabilia. Chris Cierski and Ben Meyburg, Civil War enthusiasts, stepped forward to lend some of the pieces from their collections, including a uniform Meyburg has used in reenactments.

Reid said once the society had artifacts to illustrate the men’s stories the exhibit really came together. Visitors to the museum will not only find photos and letters but also equipment the soldiers would have received such as canteens, belt buckles and guns.

Once the artifacts were in place, knowing that the men belonged to the 48th and 127th infantries, the consultant said the committee members were able to create maps for each cabinet to show the troops’ movements.

“One of our main goals in this whole exhibit was to get people to really stop and think what these men, these boys, did at their young age of 18, 19. They all enlisted and ran off to war immediately to help the cause. Unfortunately it didn’t end well for most of them,” Reid said.   

The consultant said there are arrows on the floor to help visitors view the cases in order so that they can follow each soldiers’ journey in chronological order, and at the end, find out their fate.

“It was a very bloody, awful war, and the things they went through. . . . So, my heart was just breaking when I would read what happened to each one of them. I got emotionally attached to these boys. It was heartbreaking really to imagine what they must have gone through,” Reid said.

The exhibit also touches on the contributions the survivors made to Northport after their discharges such as Alfred C. Tillotson who owned a dry goods store on Main Street in the village.

The subject of whether a soldier will return from war is one that Johnson said she believes still strongly resonates with people.

“The idea of coming home, or unfortunately not coming home, it’s been going on since war began and continues to go on, unfortunately. I think because of that though it’s a universal theme. It’s something that  we can all relate to even if you haven’t anyone really close to you or in your family who has fought in a war, you probably know someone who has or at least feel for those who are currently fighting,” Johnson said.

The director said visitors will find many interesting items on display including a metal heel plate with a shamrock cutout that Irish soldiers would use on their boots. Johnson said when she saw it she was touched by the fact that despite the horrors they faced, the soldiers still enjoyed some whimsy.

Some of the Civil War items on display at the Northport Historical Society’s Civil War exhibit. Photo by Heather Johnson
Some of the Civil War items on display at the Northport Historical Society’s Civil War exhibit. Photo by Heather Johnson

Johnson said visitors will also find letters from Francis Sammis to a friend in Northport. The solider wrote about his memories of the girls in Northport and the get-togethers the young people would have.

“He’s still a young man. He may be a soldier and he may be fighting in a horrible, horrible war, but he’s still thinking about those good times. Similar to what a young man might do today,” the director said.   

Both Johnson and Reid hope visitors will take the time out to experience each of the soldiers’ stories and that it will have the same impact on guests as it did on them. Johnson said while everyone at the historical society learned a lot, she said she noticed the biggest impact on Reid.

“Terry in particular became very connected to those soldiers. She had read enough about them and it took on a different meaning for her,” Johnson said.

Reid said she found herself feeling protective in a motherly way of the young men as the committee discovered more about each of them.

“I hope that other people will come away the same way, will have the same sort of change as well. How could you not after you see these men’s faces,” she said.

Northport and the Civil War: A Few Good Men will be on view at the Northport Historical Society, 215 Main Street, until the end of the year. For more information, visit www.northporthistorical.org or call 631-757-9859.

William Belanske sketches while waiting with his luggage to embark on a journey with William K. Vanderbilt II. Photo from Vanderbilt Museum archives

William E. Belanske already had an enviable job as an artist and taxidermist for the American Museum of Natural History (AMNH) when he got a call from William K. Vanderbilt II.

The year was 1926 and Vanderbilt was preparing for an expedition on his yacht Ara to collect animal and marine life. The voyage would take him to one of the most scientifically diverse and remote places on earth — the Galápagos Islands, on the Equator off the coast of Ecuador. He needed an artist to record the live specimens he would bring back to his private museum in Centerport. To Belanske, it was the opportunity of a lifetime.

The Suffolk County Vanderbilt Museum, which marked the 65th anniversary of its official opening on July 6, has created a new exhibit honoring Belanske’s work.

On display in the Memorial Wing of the museum, the installation features a recreation of Belanske’s studio on the Vanderbilt Estate and includes some of the detailed paintings of the numerous marine specimens Vanderbilt collected from the oceans of the world. Large illustrated panels detail Belanske’s work, on the expeditions and at the museum.

Kirsten Amundsen and Brandon Williams of the curatorial staff came up with the exhibit concept and design.

“The ship’s artist, Mr. William E. Belanske, has been with me since 1926,” Vanderbilt wrote in 1932. “He makes accurate paintings of rare fish. With every scale carefully drawn, every shade, every nuance of color exactly portrayed, his reproductions are true, lifelike, and of value to science.”

In 1927, following the Ara expedition, Vanderbilt requested Belanske’s services full time at his museum, and Belanske chose to resign from the AMNH. He served as Vanderbilt’s curator and lived in a cottage on the estate from 1928 to 1945. His work included taking part in around-the-world cruises on the Ara in 1928-1929 and on the Alva in 1931-1932.

Notably, Belanske collaborated with the renowned painter Henry Hobart Nichols (also of the AMNH) to create the Vanderbilt Habitat in 1930, nine stunning dioramas that depict animal life from several continents. The centerpiece of the room is a 32-foot whale shark, the world’s largest taxidermied fish, caught off Fire Island in 1935.

Stephanie Gress, director of curatorial affairs for the Vanderbilt Museum, said, “On the Ara, they placed fish in holding tanks with saltwater to keep them alive. Belanske would paint the catches immediately in order to record the colors accurately.”

Before color photography, Gress said, the beauty and vibrant hues of the collected marine specimens could only be captured with an artist’s hand. Belanske’s perfect color images of the specimens were displayed in the Marine Museum next to the faded, fluid-preserved specimens.

When he returned to his studio, the artist began the time-consuming task of creating his final images. He used his notes, measurements and rough sketches to create fully accurate, detailed fish prints worthy of scientific publication, she said.

The Suffolk County Vanderbilt Museum is located at 180 Little Neck Road, Centerport. Through Sept. 6, the museum will be open Tuesday through Saturday from 11 a.m. to 5 p.m. and Sundays from noon to 5 p.m. For more information, call 631-854-5579 or visit www.vanderbiltmuseum.org.

‘Median’ by Marlene Weinstein received an honorable mention.

The Smithtown Township Arts Council will present its 34th Annual Juried Photography Exhibition titled Dualities at the Mills Pond House Gallery from Aug. 8 to 29. This exhibit features the works of 31 fine art photographers selected by jurors Melanie and Michelle Craven of Tilt Gallery of Photography from Phoenix, Ariz. The artists hail from 11 states across the country with 16 from New York.

Participating photographers include  Liza Hennessey Botkin, Nicolas Bruno, Linda Bunk, Geoff Delanoy, Doug Emery, Corey Phillips Fowler, William Grabowski, Cyd Hamilton, Dan Hittleman, Rohina Hoffman, Bruce Laird, Mary Lor, Roger Matsumoto, Elizabeth Milward, Margaret Minardi, Karen  George Mortimore, David Quinn, Alan Richards, Alissa Rosenberg,  Wendy Roussin, Alex Santos Murry, Wendi Schneider, Jane  Lena Schulman, Charles Andrew Seaton, Denis Sivack, William Von Gonten, Pamela Waldroup, Trudy L. Waterman, Marlene Weinstein, Dana West and Tony Zaza.

First place was awarded to Alan Richards of New York for his photographic image composite titled “Mermaidens.”

Second place was awarded to Cyd Hamilton of Tennessee for her print taken with a Holga Pinhole Camera titled “But from What Sharing.” Honorable mentions went to Roger Matsumoto, Alex Santos Murry, Liza Hennessey Botkin, Dana West and Marlene Weinstein.

The community is invited to an opening reception on Saturday, Aug. 8, from 2 to 4 p.m. to meet the artists and view their works.

The Mills Pond House Gallery is located at 660 Route 25A, St. James. Gallery hours are Wednesday through Friday from 10 a.m. to 4 p.m., and Saturday and Sunday from noon to 4 p.m. Admission is free. For more information, call 631-862-6575 or visit www.stacarts.org.

‘Short Beach Lifeguard Station,’ oil on wood by Christian White

By Elizabeth Kahn Kaplan

The versatility as well as the talent of artist Christian White can be seen in his paintings and works on paper at Gallery North’s current solo exhibit. White comes by his talent naturally and, through training, hard work and self-discipline, has created a body of work over the past 50 years.

His paternal great-grandfather, Stanford White, designed the triumphal arch at Washington Square in Manhattan, among many notable architectural achievements. His paternal grandfather, Lawrence White, was a prominent architect and president of the National Academy of Design. His maternal grandfather, the Dutch artist Joep Nicolas, fostered White’s talent during his early years in Holland, where the young artist studied welding, stained glass and mosaics. He learned the sculptor’s skills while assisting his father, noted sculptor Robert White. His mother, the poet Claire Nicolas White, encouraged his ability to see beauty in the ordinary.

‘Self-Portrait,’ oil on wood by Christian White
‘Self-Portrait,’ oil on wood by Christian White

The title of the current exhibit at Gallery North, “Christian White: Fifty Years of Art,” may be misleading to those expecting to see a retrospective of works produced during the artist’s long and productive career. This is not a retrospective exhibit. Rather, White terms it as “introspective” in that it includes personal pieces — portraits of himself and his family and landscapes of places close to him. It includes paintings, drawings and prints, many of them figurative. In the words of the artist, “Many of the clientele at Gallery North identify me as a landscape painter, not a figure painter, but I’ve been a figurative artist throughout my entire career.”

The works are not hung chronologically, this not being a retrospective exhibition. With but a few exceptions, they were created during the past 15 years. A master of trompe l’oeil (fool the eye) painting, White’s “Alcove,” still life (2001), tempts one to reach out and touch the three-dimensional-appearing brightly painted objects inside the frame of painted pine. In White’s compelling “Self-Portrait” (2003), we meet his rather questioning direct gaze.

But as interesting and attention demanding as these two works are, what we may recall most clearly are paintings that reveal White’s great talent for capturing light and atmosphere — specifically, bright sunlight beating down on a hot summer day. We feel the summer midday heat in the bright blue sky that dominates more than half the canvas above the stretch of sand in “Ocean Beach” (2008). It is devoid of people and, therefore, of shadows, as low whitecaps meet the shore.

“Road/River #9” (2011) is uninhabited, too, and no wonder; the brilliant light, caused by a blazing sun beating down on the unforgiving macadam road, hints at a temperature above 90 degrees. The blues of sky and water and the yellow sand in “Short Beach Lifeguard Station” (2012) take second place to the sun-drenched bright white lifeguard chair, with its occupant painted loosely in attention-getting red as she watches a man — a mere dab of white paint ­— in a motor boat in the distance. Loosely painted small figures of a couple crowd the shade under a bright red and white umbrella, taking cover from the blazing sun.

In “Clematis #2” (2015) White provides closeups of brilliant white and vivid pink flowers as they cast shadows on a bright green lawn sparkling in the noonday sun. Light is a vital element in each of these landscapes.

Christian White: Fifty Years of Art will be on view at Gallery North, 90 North Country Road, Setauket, through July 10. Gallery hours are Tuesday to Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. Don’t miss it. If you go this Sunday afternoon, June 28, you can also catch an ArTalk by the artist, with Franklin Perrell, an art expert and former curator at the Nassau County Museum of Art in Roslyn. Registration is required for the ArTalk by calling 631-751-2676. For more information, visit www.gallerynorth.org.