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David DiMarzo

By Julianne Mosher

You don’t have to be an avid reader of the classics to appreciate Theatre Three’s latest offering. The main stage production of Daniel Elihu Kramer’s Pride @ Prejudice is a mix of a telling of the 19th century novel written by Jane Austen and a clever modernization of the 1813 classic that explains the book with humor and wit. 

The story is of Miss Elizabeth Bennet and Mr. Darcy who fall in love all over again — this time filtered through the world of the internet. Modern voices interject and build on this classic love story in the form of blog posts, chat room discussions, quotes from film adaptations, and even letters from Jane Austen herself to create a delightfully postmodern view of 19th century England. 

Directed by Jeffrey Sanzel, the show opened on April 7 to a full house. While the cast is small (just five people) each of their personalities are big. Most of the actors play at least two characters who go between present-day and the book’s settings of Netherfield Park and Longbourn.

And each performer had the audience laughing. Christine Boehm (who plays Elizabeth Bennet) plays the protagonist well, leading with poise but also leads some laughs. Throughout the play, the actors make several references to the culture behind Pride and Prejudice, poking fun at the three major film adaptations (and a miniseries starring Colin Firth in the 90s).

Ashley Brooke’s rendition of the eccentric and dramatic Mrs. Bennet (who’s trying to marry off all five of the daughters —yes, there are five) is hysterical. Michelle LaBozzetta was able to switch between different characters with ease, including Jane Bennet, Caroline Bingley and as Jane Austen — which was another interesting part of the show.

While deconstructing certain scenes, the actors would recite real letters that Jane Austen wrote to her sister during her lifetime, noting how her personal life impacted the books she was writing. Not only was the play entertaining, but for people who didn’t know much about the author, you were able to get a bit of history, as well.

Andrew Murano played seven people and also did so skillfully. Each one varied — he played a doctor, a footman, Mr. Bennet, Mr. Bingley, Sir William, Mr. Wickham, Mr. Gardiner and Colonel Fitzwilliam —and when appropriate, he played them with humor. 

David DiMarzo, who is new to Theatre Three, played the charming and desirable Mr. Darcy, as well as Mr. Collins, and showed us that he needs to stay. His ability to play the dreamy love interest of Lizzie, but also the snobbish Collins was impressive to say the least. 

And if that sounds confusing to you, it might seem that way, but the performance on stage explains it better. While all five are in 19th century costumes, they do a great job of expressing themselves through their facial expressions and body language. They certainly give it their all. 

The set allows the audience to use their imagination. Three sets of doors are toward the back of the stage and is utilized often to show transitions between the settings and time periods. What’s also interesting is the use of a projector at the top of the stage that shows images of the houses they are currently in, or websites where “Pride and Prejudice” merch is on sale (it’s a joke).

Some jokes might go over your head if you didn’t read the book — so a quick read of a summary or even a refresher of the whole novel could definitely help — but it’s still enjoyable for those looking for a fun night out as this show was definitely not an easy production. Regardless of your knowledge of 19th century literature, this show is one for the books. 

Pride @ Prejudice is playing at Theatre Three, located at 412 Main Street in Port Jefferson, until May 6. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. Wednesday matinees are $20. For more information or to order, contact the box office at 631-928-9100 or visit www.theatrethree.com.

Lauren Tirado and David DiMarzo in a scene from 'South Pacific'

By Heidi Sutton

The Smithtown Center for the Performing Arts continues its 17th season with Rodgers & Hammerstein’s musical “South Pacific.” Based on James Michener’s Pulitzer Prize-winning book, “Tales of the South Pacific,” which highlighted his Navy experience fighting the Japanese in the South Pacific during World War II, the show debuted on Broadway in 1949 and is still captivating audiences today, in part because of its familiar score and cautionary theme of bigotry.

Samm Carroll, center, and cast sing ‘I’m Gonna Wash That Man Right Outa My Hair’

Directed by Ronald Green III, the story centers on two romances — that of Nellie Forbush (Samm Carroll), an American nurse from Arkansas and self-described “hick from the sticks” who falls head over heels in love with French plantation owner Emile De Becque (Jon Rivera)  — and Marine lieutenant Joe Cable (David DiMarzo) from Philadelphia and his young Tonkinese girlfriend, Liat (Lauren Tirado). Both relationships eventually suffer as racial and cultural prejudices rear their ugly heads.

Forbush struggles to accept her new man’s mixed-race children with his first wife, while Cable weighs the social consequences should he marry his Asian sweetheart. In Cable’s solo, “You’ve Got to Be Carefully Taught,” he tries to explain where these prejudices come from. “…You’ve got to be taught, before it’s too late, before you are six, or seven, or eight, to hate all the people, your relatives hate…”

Supporting characters, including petty officer Luther Billis (Anthony Panarello) and Liat’s mother, Bloody Mary (Ava Anise Adams) help to tie the stories together nicely.

The songs are the heart of the show, and you’ll still be humming them at work days after, especially “Bali Ha’i,” “Younger Than Springtime,” “I’m Gonna Wash That Man Right Outa My Hair” and “Some Enchanted Evening.”

Jon Rivera performs ‘This Nearly Was Mine’ in ‘South Pacific’

Rivera is perfectly cast as the handsome Frenchman, Emile, and his beautiful singing voice can be most compared to Andrea Bocelli. At last Saturday’s opening performance, Rivera captured many hearts with his rendition of “This Nearly Was Mine.”

Carroll is equally outstanding, full of energy and every bit the “cockeyed optimist.” Her smile is infectious and she quickly becomes an audience favorite.

The period costumes by Green, an eight-piece band led by conductor Melissa Coyle, and the wonderful choreography by Milan McGouldrick add to the production’s polish to produce one enchanted evening.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present Rodgers & Hammerstein’s “South Pacific” through April 28. Tickets are $38 adults, $34 seniors, $25 students. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.