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Nathan Lane and Robin Williams in a scene from 'The Birdcage'

By Tara Mae

Time to fly the coop and settle in at Theatre Three’s Second Stage for St. George Living History Productions’ next interactive talk, “The Making of The Birdcage.”  

On Tuesday, May 30, at 12:30 p.m., award-winning playwright and lecturer Sal St. George will guide the audience on a behind-the-scenes tour of the 1996 modern classic, with anecdotes, trivia, insights, and movie clips making cameo appearances. 

Featuring complimentary refreshments, cookies, and other treats as well as a Q&A session, “The Making of The Birdcage” invites its patrons to enjoy the presentation as an immersive experience. 

“It is LecturTainment at its best. It’s a combination lecture and entertainment package. My goal is to help you learn while you laugh, that is the magic I try to create,” said St. George.  

Starring Robin Williams and Nathan Lane, The Birdcage is an acclaimed American remake of La Cages aux Folles (1978). Directed by Mike Nichols, the film chronicles the comedic calamities that befall a gay cabaret owner and his drag queen partner as they try to impress the ultra conservative parents of their son’s fiancée. 

It launched the film career of Lane, renowned for his theater work, and solidified Williams’ chameleon-like ability to embody a variety of characters. Further spotlighted by its stacked roster of supporting actors, this film was a box office smash hit and remains a crowd-pleaser today.

“This was Nathan Lane’s first film. He and Robin Williams bonded immediately…This [cast] is a winning combination of talent,” said Sal St. George. “The Birdcage is a modern day classic that will be enjoyed 20 years, 50 years, and 100 years from now simply because it boasts a brilliant script, superb direction, and memorable performances.” 

Highlighting, exploring, and understanding such talent is a founding tenet of St. George Living History Productions, which provides a sort of showbiz curriculum about Hollywood of yore and yesterday, including lectures, events, and virtual tours of entertainment museums. 

“During our programs we never talk down to audiences; we are informative, educational and entertaining. I think that is what is appealing to them,” added St. George, who runs St. George Living History Productions with his wife Mary, son Darren and daughter-in-law Cassandra.

Such care and consideration is in part what inspired the collaboration between the production company and Theatre Three, which was conceptualized when Darren reached out to Executive Artistic Director Jeffrey Sanzel. 

“Sal’s events are so incredibly well-curated. His translation of detailed research into engaging entertainment is unique. He has a way of finding new takes on any topic he selects,” Sanzel said. “We hope this is the first of many events like this with St. George Productions.”

Although this latest installment of St. George’s lecture series is the first partnership with Theatre Three, St. George and Sanzel have previously collaborated on other projects, including earlier incarnations of Port Jefferson’s annual Charles Dickens Festival. 

“I have lectured from Long Island to San Diego; it was time to bring my programs to the patrons of Theatre Three and the Port Jefferson community,” said St. George.

Theatre Three is located at 412 Main St., Port Jefferson. Tickets for “The Making of Birdcage” are $25 for adults, $22 for seniors and veterans, and $20 for groups of eight or more people. To order, call 631-928-9100 or visit www.theatrethree.com. Group sales may be made by emailing [email protected]. 

By Rita J. Egan

It was Theatre Three’s opening night of Something Rotten! on Saturday, May 20, and the audience was treated to an entertaining and energetic night full of laughter.

With book by John O’Farrell and Karey Kirkpatrick and music and lyrics by Karey and Wayne Kirkpatrick, Something Rotten! takes audience members back in time to the late 16th century where William Shakespeare is so adored that he’s treated like a modern-day rock star. Struggling writers Nick and Nigel Bottom, who head up a theater troupe, dream of the same success but can’t seem to create a play that will capture people’s attention until Nick consults with a soothsayer named Nostradamus. 

The soothsayer looks into the future and finds that something called a musical will be popular one day. A later encounter finds Nick asking Nostradamus what Shakespeare’s future successes will be so that the Bottom brothers can use the ideas in the present. The result is Nick creating Omelette: The Musical despite his brother’s objections.

The Broadway musical opened on the Great White Way in 2015 and ran until early 2017. The production was nominated for 10 Tony Awards, including Best Musical, and Christian Borle won the Best Featured Actor in a Musical award for his portrayal of William Shakespeare. 

Theatre Three’s Something Rotten! proves that there are no small parts as well as the importance of talented actors in each role, including the ensemble. Throughout the musical, it was apparent that everyone involved was giving it their all, creating a night of sensational entertainment. Director Jeffrey Sanzel has chosen a talented cast and masterfully directs the more than two dozen actors.

The production is filled with a few upbeat tunes, but the showstopping number is “A Musical.” Featured in Act I, the whole cast appears on stage singing and dancing. The number cleverly pokes fun at musicals and includes nods to Les Miserables, Annie, A Chorus Line and more. At the end of the song, the applause on opening night seemed to go on for more than a minute, and rightfully so, as each and every person involved in Something Rotten! deserved the accolades.

Heading up the cast is Ryan Nolin, a convincing Nick Bottom at the end of his rope trying to provide for his family and create a hit. He and Dennis Setteducati, who plays Nostradamus, sound fantastic on their leads during “A Musical” and play up the clever lines to the hilt.

Andrew Boza, as the naive Nigel Bottom, captures the sweetness of the young poet and writer. He and Danielle Pafundi, delightful as Portia, are the perfect match to play star-crossed lovers, especially during the song “I Love the Way.”

Christine Boehm as Nick’s wife, Bea, is a treat to watch as the character has her mind set on proving, even with mishaps, that a woman is more than capable of doing whatever a man does. Her rendition of “Right Hand Man” is also a highlight of the show.

Evan Teich, as Shakespeare, captures the cockiness of the celebrated star while still delivering the right amount of silliness. Jim Sluder as Brother Jeremiah and Angelo DiBiase as Shylock seamlessly add to the jokes and hijinks.

Choreographers Sari Feldman and Josie McSwane have created high-energy dances. The cast members look like they are having so much fun that audience members may want to join them onstage. The use of tap dancing and a kickline in “A Musical,” as well as a few other numbers, is absolutely delightful.

Theatre Three’s orchestra led by Jeffrey Hoffman sounded fantastic as always, and the costumes by Chakira Doherty perfectly captured the time period.

During the song “A Musical,” the line “What could be more amazing than a musical with song and dance and sweet romance,” is sung. The cast and crew of Theatre Three’s Something Rotten! understand this and embrace every aspect of this genre. Audience members on opening night enjoyed a fun evening out on the town, and the standing ovation at the end of the production was well deserved.

Theatre Three, 412 Main St., Port Jefferson presents Something Rotten! through June 24. Tickets are $35, $28 seniors and students, $20 children ages 5 to 12. For tickets or more information, call 631-928-9100 or visit www.theatrethree.com.

By Julianne Mosher

You don’t have to be an avid reader of the classics to appreciate Theatre Three’s latest offering. The main stage production of Daniel Elihu Kramer’s Pride @ Prejudice is a mix of a telling of the 19th century novel written by Jane Austen and a clever modernization of the 1813 classic that explains the book with humor and wit. 

The story is of Miss Elizabeth Bennet and Mr. Darcy who fall in love all over again — this time filtered through the world of the internet. Modern voices interject and build on this classic love story in the form of blog posts, chat room discussions, quotes from film adaptations, and even letters from Jane Austen herself to create a delightfully postmodern view of 19th century England. 

Directed by Jeffrey Sanzel, the show opened on April 7 to a full house. While the cast is small (just five people) each of their personalities are big. Most of the actors play at least two characters who go between present-day and the book’s settings of Netherfield Park and Longbourn.

And each performer had the audience laughing. Christine Boehm (who plays Elizabeth Bennet) plays the protagonist well, leading with poise but also leads some laughs. Throughout the play, the actors make several references to the culture behind Pride and Prejudice, poking fun at the three major film adaptations (and a miniseries starring Colin Firth in the 90s).

Ashley Brooke’s rendition of the eccentric and dramatic Mrs. Bennet (who’s trying to marry off all five of the daughters —yes, there are five) is hysterical. Michelle LaBozzetta was able to switch between different characters with ease, including Jane Bennet, Caroline Bingley and as Jane Austen — which was another interesting part of the show.

While deconstructing certain scenes, the actors would recite real letters that Jane Austen wrote to her sister during her lifetime, noting how her personal life impacted the books she was writing. Not only was the play entertaining, but for people who didn’t know much about the author, you were able to get a bit of history, as well.

Andrew Murano played seven people and also did so skillfully. Each one varied — he played a doctor, a footman, Mr. Bennet, Mr. Bingley, Sir William, Mr. Wickham, Mr. Gardiner and Colonel Fitzwilliam —and when appropriate, he played them with humor. 

David DiMarzo, who is new to Theatre Three, played the charming and desirable Mr. Darcy, as well as Mr. Collins, and showed us that he needs to stay. His ability to play the dreamy love interest of Lizzie, but also the snobbish Collins was impressive to say the least. 

And if that sounds confusing to you, it might seem that way, but the performance on stage explains it better. While all five are in 19th century costumes, they do a great job of expressing themselves through their facial expressions and body language. They certainly give it their all. 

The set allows the audience to use their imagination. Three sets of doors are toward the back of the stage and is utilized often to show transitions between the settings and time periods. What’s also interesting is the use of a projector at the top of the stage that shows images of the houses they are currently in, or websites where “Pride and Prejudice” merch is on sale (it’s a joke).

Some jokes might go over your head if you didn’t read the book — so a quick read of a summary or even a refresher of the whole novel could definitely help — but it’s still enjoyable for those looking for a fun night out as this show was definitely not an easy production. Regardless of your knowledge of 19th century literature, this show is one for the books. 

Pride @ Prejudice is playing at Theatre Three, located at 412 Main Street in Port Jefferson, until May 6. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. Wednesday matinees are $20. For more information or to order, contact the box office at 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

You know its officially Spring when Peter Rabbit, Benjamin Bunny, Flopsy, Mopsy, Cotton-Tail, Mrs. Rabbit and the McGregors arrive at Theatre Three in Port Jefferson for The Adventures of Peter Rabbit. The  adorable show opened last week for spring break and runs through April 29.

Written by Jeffrey Sanzel and the late Brent Erlanson, the original musical is loosely based on one of the best-selling books of all time, The Tale of Peter Rabbit by Beatrix Potter, and features all of the beloved characters in the story.

The audience is whisked away to the countryside home of Mrs. Rabbit and her four bunnies who live next to Mr. and Mrs. McGregor who spend the day tending to their pride and joy — their garden. 

While Flopsy, Mopsy and Cotton-Tail listen to their mother by staying inside and doing their chores, Peter Rabbit and his cousin Benjamin Bunny sneak out to steal from their neighbor’s garden again and again to satisfy their insatiable appetite for lettuce, tomatoes, cucumbers, parsley and string beans. The constant marauding finally wears the farmer’s patience thin and he plots his revenge.

Directed by Steven Uihlein, the cast of 8 is excellent and exemplifies the magic of live theater. Sean Amato and Steven Uihlein take on the characters of Peter and Benjamin, two comedic roles that provide quite a workout as they run through the theater to escape the “mean as a bear” farmer.

Samantha Fierro, Danielle Pafundi and Courtney Gilmore as Flopsy, Mopsy and Cotton-Tail spend most of their time looking for their wayward brother so he won’t get in trouble by their patient mother (Elizabeth Ladd) and often ask the audience if they have seen him. (“He’s right behind you!”)

Peter and Benjamin seem to be especially naughty and persistent this year and audiences will sympathize with the McGregors, wonderfully played by Liam Marsigliano and Alanna Rose Henriquez. 

With choreography by Sari Feldman, the musical numbers, accompanied on piano by Douglas Quattrock, are terrific, with special mention to “One More Time Around,”  “Run, Peter, Run!” and the hip hop number, “Peter’s Socks.” The final number incorporates all of the songs in a super mega-mix extravaganza.

In a brilliant move, the show takes advantage of the three sets of doors from the current mainstage production, Pride @ Prejudice, which, when opened, always reveals a surprise. Costumes by Jason Allyn are absolutely charming and wait until you see the lighting and special effects!

Souvenir bunnies in various colors will be sold before the show and during intermission and the entire cast will be in the lobby after the show for a meet-and-greet and photos.

Theatre Three, 412 Main St. Port Jefferson presents The Adventures of Peter Rabbit through April 29 with a special sensory sensitive performance on April 16 at 11 a.m. Children’s theater continues with Cinderella from May 27 to June 1, and Goldilocks & the Showbiz Bears from July 7 to 29. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com. 

Photo courtesy of Theatre Three

Theatre Three, 412 Main St., Port Jefferson kicks off spring with The Adventures of Peter Rabbit from April 5 to 29 with a sensory sensitive performance on April 16 at 11 a.m. Join Peter, Flopsy, Mopsy, Cotton-Tail, Mrs. Rabbit, Benjamin Bunny and the McGregors in this delightful adaption suggested by the characters created by Beatrix Potter, a Theatre Three tradition for spring break. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Robert E. Hansen

Save the date! Psychic medium, author and lecturer Robert E. Hansen returns to Theatre Three, 412 Main St., Port Jefferson on Friday, March 31 at 7 p.m. Join Hansen as he takes you on a journey through the other side of the veil. Messages of love will be randomly demonstrated to the audience. Tickets are $35 per person. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

Fans of the classic movie The Wizard of Oz will fall in love with Theatre Three’s current children’s production, Dorothy’s Adventures in Oz. Adapted from the stories of L. Frank Baum, the show, written by Jeffrey Sanzel and Douglas J. Quattrock, features an original score, a clever script, and wonderful cast — Samantha Fierro, Danielle Pafundi, Steven Uihlein, Sean Amato, C.J. Russo, Louisa Bikowski, Stephanie Moreau, Liam Marsigliano and Kaitlyn Jehle with a special appearance by Shay Francis Feldman — who bring this magical story to life. 

Dorothy Gale, chief editor of her high school newspaper, the Baum Bugle, is busy putting the paper to bed when a fierce storm blows in and knocks her to the ground. When she wakes up, she finds herself in Munchkinland.  Her news stand has landed on the Wicked Witch of the East causing her demise, much to the delight of the Munchkins. 

When the scary Wicked Witch of the West shows up, Dorothy is protected by Glinda the Good Witch who gives her those famous ruby slippers and sends her down the Yellow Brick Road to the Emerald City to find the Wizard of Oz who can help her get home. Along her journey, Dorothy meets a Scarecrow who wants a brain, a Tinman who yearns for a heart, and a Lion who longs for courage. The three join her on her quest and the adventure begins.

Directed by Jeffrey Sanzel, all of the iconic scenes are here, from the talking apple trees, the enchanted poppies, to meeting the Wizard in the Emerald City, the flying monkeys, the Witch’s castle, the Winkies and the melting scene (what a world!). A nice touch is the flawless scene changes — each time Dorothy meets a new friend, they walk through the aisles of the theater (the yellow brick road) as the next scene is set up. The costumes by Jason Allyn are just perfect and the special effects are top notch. And did I mention there is a special surprise with four legs and a tail? 

In the end, the show reminds us to be true to our hearts and that there truly is no place like home. Don’t miss this one. Stop by the lobby on your way out for a group photo with the cast.

Theatre Three, 412 Main St., Port Jefferson presents Dorothy’s Adventures in Oz through March 18. Running time is 1 hour and 20 minutes with one intermission. Children’s theater continues with The Adventures of Peter Rabbit from April 5 to 29 and Cinderella from May 27 to June 17. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

By Julianne Mosher

For 24 years, Theatre Three’s “Festival of One-Act Plays” has been bringing new voices to the not only Port Jefferson, but to all of Long Island. 

Festival founder and director Jeffrey Sanzel told the audience on opening night that the festival, which is nearing a quarter-of-a-century next year, received 750 submissions for the 2023 season from all around the world. “I’m expecting 1,000 next year,” he said.  

And of those 750 submissions, eight were selected, directed, rehearsed and will now be performed through March 25. Of those eight, none disappoint. 

For an hour-and-a-half, the audience sits quietly, engaged, watching, listening to what the actors have to say. And the lineup is unique — as a viewer, you don’t really know what to expect coming in.

The festival starts off with “Down to the Wire,” written by Julia Everitt, a New York City-based playwright with 37 stage plays to her name. This piece shows us what goes on inside a college dormitory, when a roommate played by Danielle Pafundi is hilariously losing her mind thanks to procrastinating an assignment. And despite what you might think, the play is not about camels. 

Then comes “A Citrus Day,” by Mark Cofta, a Pennsylvania-based playwright, who sadly passed away last July. With a minimalist set of just a bus bench and a suitcase, the audience watches two strangers together unearth a dark family secret. While sad and thought-provoking, it reminds you that you just need to make lemonade when life gives us lemons. Performances by Melissa Norman and Tristan Prin are top notch.

Following the more-somber bus stop story is Leslie Dianne’s “Accepting Adina.” Father Steve Ayle and son Steven Uihlein sit side-by-side in the patriarch’s living room, packing away mementos. Together they talk about the mother, Rebecca, and how her illness and assisted living stay is impacting them both. “Accepting Adina” is a tough look at grief, but Ayle’s and Uihlein’s performances are so raw that you feel the sadness, but also the hope of the future, we all feel when a loved one is lost. Tissues are required for this one. 

The best performance of the night by far was by Phyllis March in “The Dating Pool.” The scene opens up with Phyllis, 61, standing at a diving board in a dark pool. She’s visited by her 16-year-old self (Ava Andrejko), then herself at 23 (Samantha Fierro), 36 (Brittany Lacey) and 49 (Tamralyn Dorsa), where present day 61 is reminded of her lost loves of each of those lovers impacted her in that moment. The scene ends with her four former selves encouraging her to take the plunge. “The Dating Pool,” written by Arianna Rose is a thoughtful piece, and full of laughs, that can relate to any age in the audience. 

After a brief intermission, we’re inside an airport with Keith Whalen’s “Unclaimed Baggage” — a hysterically funny look at coming back to the real world after a relaxing trip. Not only does Marvin (but shhh… don’t tell the clerk his name), played by Angelo Dibiase, have to pick up his suitcase and some medicine after a long plane ride, but he has a special encounter with Finn, played by Jason Furnari, who just wants to help. 

Another audience favorite was Larry Brenner’s hilarious supernatural dating story “First Bite.” Here we learn about Wanda’s (Brittany Lacey) past dating history — and let’s just say she has a type — while out to dinner with John (Evan Teich). The scene starts out with a normal looking couple enjoying drinks and each other’s company, until Wanda asks John her place or his? You’re going to laugh a lot, but make sure you leave your garlic at home.

And finally, Mark Loewenstern’s “The Slightly Exaggerated True Story of ‘Civic Virtue’” concludes the show with a fascinating exploration of the intersection of the public eye and the power of art. Based loosely on the famous statue and fountain that once stood in front of New York City Hall in Manhattan, we watch a fast-paced history of architect MacMonnies’ (incredibly played by Antoine Jones) thought process behind sculpting the nude man and two sirens. 

We go through nearly two centuries of the public’s opinion on it, how it moves, and have visits from some well-known elected officials including Mayor La Guardia, Anthony Weiner and Robert Moses. Not only is it a brief, inside look of a famous piece of art, but it reminds the audience how statues (no matter how sexist, racist or now-deemed inappropriate they may be) are still a part of our history. While you’ll learn from this one, you’re also going to laugh. 

Tickets are $20 for the show, plus there’s a cash bar as you walk in. Make sure you visit Theatre Three’s second stage at The Ronald F. Peierls Theatre in Port Jefferson this month for a great night out. You’ll laugh, you’ll cry and you might learn a fact or two about “Civic Virtue” for your next trivia night.

Theatre Three is located at 412 Main St., Port Jefferson. For more information, or to order tickets, call 631-928-9100 or visit www.theatrethree.com.

The cast of 'Side By Side By Sondheim'. Photo by Steven Uihlein/Theatre Three Productions, Inc.

By Rita J. Egan

The cast and crew at Theatre Three have once again created an entertaining production of music and laughs with Side by Side by Sondheim. The show debuted on the Port Jefferson stage Feb. 18. 

Countless songs throughout the decades have been loved for generations, and Broadway tunes are no exception. The late composer and lyricist Stephen Sondheim is among the talents who created those gems, and Side by Side by Sondheim is a testament to his immense talent by celebrating his earlier works.

From left, Linda May and Emily Gates in the duet ‘If Momma Was Married’ from Gypsy.

The production featuring music and lyrics by Sondheim as well as music by Leonard Bernstein, Mary Rodgers, Richard Rodgers and Jule Styne debuted in London in 1976 and on Broadway in 1977. The musical revue may leave some in the audience wanting to know more about Sondheim, as he composed so much more after the late 1970s. Despite this factor, it’s the perfect starting point to enjoy his contributions to the arts.

In Theatre Three’s version, director Christine Boehm has expertly directed a cast of five, and conductor Jeffrey Hoffman, on piano, leads bassist Logan Friedman and percussionist Don Larsen seamlessly from one number to another. The three are visible on stage the entire show and, a few times, join in on the jokes with the actors.

Emily Gates, Linda May, Ryan Nolin and Jack Seabury are the main vocalists in the production and have wonderful chemistry together. All four deliver strong performances whether singing as a quartet, trio, duo or solo.

Ana McCasland serves as narrator to fill in the audience on some of the backstories of Sondheim’s songs and his life, including how he met Leonard Bernstein, providing an interesting glimpse into musical history for Broadway enthusiasts.

May shines during “Send in the Clowns” from A Little Night Music, and then just as easily makes everyone laugh during a silly number called “The Boy From,” a song featured in Sondheim’s off-Broadway revue The Mad Show.

Jack Seabury and Ryan Nolin perform ‘We’re Gonna Be All Right’ from Do I Hear a Waltz.

Gates belts out a “Losing My Mind” from Follies so beautifully and perfectly that it’s the tearjerker it’s meant to be. She and May on “A Boy Like That/I Have a Love” capture all the anger, sorrow and tenderness that Maria and Anita felt after Bernardo’s death in West Side Story.

Seabury sings a touching “Anyone Can Whistle” from the musical of the same name, and Nolin delivers a strong “Being Alive” from Company. Nolin also is a delightful surprise during “You Gotta Get a Gimmick,” a favorite tune from Gypsy. Seabury and Nolin are also priceless singing the duet “We’re Gonna Be All Right” from Do I Hear a Waltz. The song was originally written for a woman and man singing about their relationship, but the singers are wonderful in embracing the updated spin on the song.

McCasland is a charming narrator and has her chance to sing during “I Never Do Anything Twice,” featured in the movie The Seven-Per-Cent Solution. Not only did she shine, she also had fun with the song, garnering laughter from the audience as she performed the tune to the hilt.

Subtle choreography and simple, colorful blocks of light on stage rounded out the show beautifully. Theatre Three has produced a lighthearted Side by Side by Sondheim, which is a breath of fresh air. The Cabaret-style revue is perfect for ending a special night or taking in some musical history.

Theatre Three, 412 Main St., Port Jefferson presents Side By Side By Sondheim through March 18. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12 (under 5 not permitted), $20 Wednesday matinees. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Steven Uihlein/Theatre Three Productions, Inc.

By Heidi Sutton

Each time I go to review a children’s show at Theatre Three I am amazed at what I witness; from the performance of an original musical, to the audience reaction, to the lessons that are learned, to meeting the cast at the end of the show. Last Saturday’s production of The House That Jack Built was no exception. 

Written by Jeffrey Sanzel and Douglas J. Quattrock, the play features seven stories inspired by the Brothers Grimm and Aesop’s Fables. It originally opened in 2007 but has been revamped with a brand new score and dazzling lighting design. The end result is pure entertainment. 

Directed by Jeffrey Sanzel, and starring Sean Amato, Samantha Fierro, Jason Furnari, Kaitlyn Jehle, Danielle Pafundi and Steven Uihlein, the show opens where six friends are hanging out in a beach cottage on a rainy day. Bored, they decide to have some fun and after reciting the timeless nursery rhyme, The House That Jack Built, they invite the audience to visit “some special places to see some special faces.” They proceed to act out The Lion and the Mouse That Returned a Favor, The Fisherman and His Wife, The Town Mouse and Country Mouse, Henny Penny, Stubborn as a Mule, The Tortoise and the Hare and The Bremen Town Musicians. 

While all of the stories are wonderful, one of the best is The Fisherman and His Wife where the fisherman (Jason Furnari) catches a magical fish (played to the hilt by Steven Uihlein) who agrees to grant him a wish if he is released back into the ocean. After wishing for a beautiful home, his wife (Danielle Pafundi) gets greedy and sends the fisherman back to ask for a castle, to be king and then to become the Lord of the Sun and the Moon. But it all ends with one too many wishes.

The Town Mouse and the Country Mouse is almost too adorable for words. The Town Mouse (Steven Uihlein with a Brooklyn accent) visits his cousin (Samantha Fierro in a Southern accent) in the country but finds it very boring. Before leaving, he invites her to visit him in the city. Shortly after arriving, the Country Mouse is bombarded with sensory overload and dangers lurking at every turn. Oh, did I mention this story is acted out entirely in rhyme? 

But the audience favorite hands down is the hilarious rendition of The Tortoise and the Hare. Bullied by the Hare (Sean Amato) “You have two speeds; slow and stop,” the Tortoise (Jason Furnari) challenges the Hare to a race. Sprinting through the theater, the Hare decides to take a nap in one of the seats. As much as they try, the audience cannot wake him and the tortoise, cheered on by the kids, meanders through the aisles and back on stage with a big grin to cross the finish line in slow motion. Great stuff.

The actors take turns narrating the stories while the remaining cast quickly changes costumes and act out the parts. A nice touch is the audience participation — helping to be waves in the ocean in A Fisherman and His Wife, and raising their index finger every time the actors say ‘I have an idea’ in The Bremen Town Musicians — which keep the young audience captivated at the edge of their seats.

Utilizing the mainstage set of The Sweet Delilah Swim Club, superb lighting design by Steven Uihlein, original rap songs arranged by Ryan Alvarado, expert piano accompaniment by Douglas J. Quattrock and the cute costumes by Jason Allyn tie everything together. 

Funny, clever , brilliant and beautifully executed, The House That Jack Built is not to be missed. Your children are guaranteed to love it.

Theatre Three, 412 Main St. Port Jefferson presents The House That Jack Built through Feb. 4. Running time is one hour and 20 minutes with one 15 minute intermission. Children’s theater continues with Dorothy’s Adventures in Oz from Feb. 22 to March 18, The Adventures of Peter Rabbit from April 5 to 29 and the classic fairytale Cinderella from May 27 to June 17. All seats are $10. To order, call 928-9100 or visit www.theatrethree.com.