A SPECIAL VISIT
The cast and crew of “The Lightning Thief: The Percy Jackson Musical” at the Smithtown Performing Arts Center were honored to have Rob Rokicki (center), composer and lyricist of the show, in the audience this past Saturday. The show that “will steal your heart” (Barbara Anne Kirshner/ TBR News Media) runs through Oct. 29.
Photo courtesy of SPAC
By Heidi Sutton
Written almost 300 years ago, Beauty and the Beast is a tale as old as time.
A classic story of love and sacrifice, a girl by the name of Belle searches to find her place among the townspeople in her village, all while dodging the advances of a self-loving brute named Gaston. When her father is taken prisoner by a monstrous beast in an enchanted castle, Belle chooses to take his place.
The Beast is really a young prince who is trapped under the spell of an enchantress. If he can learn to love and in return find someone who will love him before all the petals on an enchanted rose wither, the curse will end. But time is running out. If the Beast does not learn his lesson soon, he and his castle staff will be doomed for all eternity. Will Belle be the one to break the spell?
Now the enchanting fairy tale heads to the John W. Engeman Theater in Northport to bring joy to yet another young generation in the form of Disney’s Beauty and the Beast Jr. with book by Linda Woolverton. Although an abbreviated version of the original with a running time of one and a half hours, it features all of the wonderful songs we’ve come to love by Alan Menken, Howard Ashman and Tim Rice including “Belle,” “Gaston,” “Be Our Guest,” “The Mob Song,” and everyone’s favorite, “Beauty and the Beast” sung by Mrs. Potts.
Directed by Danny Meglio with musical direction by Gina Salvia, the 15-member cast transports the audience to a French provincial town full of action, adventure, singing and dancing and does a wonderful job with special mention to Nancy Rose Fallon as the beautiful Belle and Adam Brett as the Beast who can’t control his temper. Brett really gets into character all the way down to the snarl, but is never scary. The musical touches often on Belle’s love of books and, in one of the sweetest moments in the show, she reads the story of King Arthur to her captor during their duet “Something There.”
Terrence Bryce Sheldon as the creep Gaston and Daniel Saulle as his sidekick Lefou have the most fun roles and pull them off with ease. Michael Fasciano gives a passionate performance as Belle’s father, Maurice.
An audience favorite, the enchanted castle staff — Jae Hughes as the candelabra Lumiere in a perfect French accent; Daniel Bishop as Cogsworth the talking clock; Suzanne Mason as Mrs. Potts the teapot; Jillian Sharpe as Babette the feather duster; Lacey Cornell as Madame de la Grande Bouche the wardrobe; and the adorable teacup Chip (a dual role played by Sophie Achee and London Delvecchio) — are visually stunning thanks to costume designer Laura McGauley who also produces the iconic yellow gown for Belle.
As choreographer, Danielle Alliotta also deserves kudos for the big dance numbers including “Gaston” and “Be Our Guest.”
A screen in the back of the stage is used to depict the different scenes of the show including the different rooms in the Beast’s castle — a nice touch — and the actors walk through the aisles often, keeping the children at the edge of their seats.
The Engeman has gone all out on this production and it shows. Catch a performance before the last petal falls.
The John W. Engeman Theater, 250 Main St., Northport presents Disney’s Beauty and the Beast Jr. through Oct. 30. Light-up roses may be purchased before the show and during intermission and costumes are encouraged. All seats are $20. For more information or to order, call 631-261-2900 or visit www.engeman theater.com.
By Barbara Anne Kirshner
High adventure, edge of your seat excitement, mesmerizing with mythology sprinkled in, that’s The Lightning Thief: The Percy Jackson Musical, currently receiving its Long Island premiere at the Smithtown Performing Arts Center.
Anyone in their teens knows Rick Riordan’s popular 2005 YA novel with similarities to a Harry Potteresque quest, but instead of wizards and wands, Percy must face mythological creatures and Zeus’ lightning bolt.
The theatrical version, with music and lyrics by Rob Rokicki and book by Joe Tracz, was adapted from Riordan’s first novel in the Percy Jackson & the Olympians series about a boy who discovers he is a demigod possessing magical powers.
The musical opened Off-Broadway at the Lucille Lortel Theatre in 2014 as a one-hour show receiving positive reviews before heading into a national tour, then returned to the Lucille Lortel Theatre in 2017 this time with an augmented script. It debuted on Broadway at the Longacre Theatre on October 16, 2019 and ran through January 5, 2020. A 2010 film preceded the musical and presently, a television series is in the works for Disney+.
When the president of the board at SCPA, Michael Mucciolo, was asked why such an innovative yet unfamiliar show to many adults was chosen for their season opener, his response was the hope for the future of theatre lies in attracting both youngsters and adults. From the size of the audience at the time of this review, it seems Mucciolo was right. The house was crowded with eager youngsters accompanied by parents who became fans if the enthusiastic standing ovation at curtain was any indication.
The technical aspects of this magical adventure are impressive. From lighting designer Chris Creevy’s strategically placed strobes to flashes of white lights to mood reds combined with sound designer Jacques St. Louis’ thunderous effects and echoes, each detail builds suspense. The set, constructed by Keith Blum, Jacques St. Louis and Michael Mucciolo, with an upstage screen that projected at once stars then fire, then swirls of smoke, then a silhouette of a tree against an orange sky adds intensity to scenes.
A particularly thrilling projection was of a Minotaur (half bull, half man) attacking Percy, his friend, Grover, and killing Percy’s mom, Sally. To avenge her death, Percy kills the Minotaur and the projection has this monster keel over and disappear. Additionally, a scaffolding with levels gives flexibility with set changes.
Director Robbie Torres keeps the pace electric assisted by a talented cast with strong voices and playing multiple characters. In the lead role of Percy Jackson, Jason Steven Kopp captivates as the troubled teen with ADHD and dyslexia who is always getting into trouble. Percy was raised by a loving mom, a mean stepdad and wonders about the natural father he never met.
In a sudden revelation, Percy discovers he is the son of Poseidon, and thus begins his quest with two of his pals to find the lightning bolt that will prevent war between the gods. With innocent eyes that reach out and spirited vocals, Kopp sends chills especially when he challenges “bring on the monsters, bring on the real world.” Though this is a fantasy, the message that your differences may be blessings in disguise that help you rise up and be strong is very real.
When Percy kills the Minotaur, he is knocked unconscious only to wake in a land called Camp Half-Blood, a place for children who are half mortals just like him. It is revealed that his friend, Grover (Cyd Rosenberg), is a satyr, a Greek goat-like protector. Grover remains at Percy’s side through his quest. Also joining them is Annabeth (Lorelai Mucciolo), a daughter of Athena, a strong leader offering Percy direction. Rosenberg and Mucciolo sparkle with robust voices and heartfelt performances.
A campy moment happens when Clarisse, one of the demigods at Camp Blood, (Mairead Camas) tries to harm Percy, but he is saved when the toilet he is hiding in sprays her with water. Camas with a glint in her eye makes for a menacing villain.
Peter J. Osterman is dynamic, taking on several roles including Percy’s Latin teacher Mr. Brunner who assists him at several pivotal points and is frightfully delightful as Auntie Em. In the role of Percy’s mother Sally, Ayana Franck gives a tour de force performance. Her vocals reminiscent of Aretha Franklin are powerful and her portrayal as the mother who will do anything even sacrifice herself for her son is gripping.
Rounding out the cast is David Reyes as Luke the son of Hermes who entices Percy to go on the quest that will take him to the Underworld where he will find his mom. Reyes turns in a polished performance with his smooth stage presence and compelling vocals. But is his character friend or foe? Only time will tell.
Assisting in visual effects are the fantastic costumes by Carmela Newman including Grover’s fur appendages for legs, a specter draped in white gauze wings outlined with electric lights and Auntie Em’s green satin robe trimmed in black fur. Julie Stewart’s choreography keeps the energy high and the action is enhanced by thrilling sword play sequences compliments of Heather Legnosky. In addition to directing the show, Robbie Torres takes on musical direction orchestrating an exuberant audio track accompaniment.
SPAC’s action-packed The Lightning Thief grasps you right from the start and doesn’t let go until the final note is sung. This is truly a feast for the entire family.
The Smithtown Performing Arts Center, 2 East Main St., Smithtown presents The Lightning Thief: The Percy Jackson Musical through Oct. 29. Tickets are $40, $35 seniors, $25 students. To order, visit www.smithtownpac.org.
By Barbara Anne Kirshner
It’s curtains up on another scintillating season of shows at the Engeman! How can they top last year’s caliber productions that offered one magnificent show after the other? Well, they have done it again with an effervescent Mystic Pizza.
The musical was adapted from the 1988 film classic starring Julia Roberts about three young coming of age waitresses working at a small-town pizzeria in Mystic, Connecticut, a town that is quiet all winter but bustling with tourists in the summer. The real pizza parlor was a popular place in Mystic since 1973 and became the inspiration for the film after being visited by screenwriter, Amy Jones.
The world premiere was at the Ogunquit Playhouse in Maine in 2021. Interesting to note that the concept for a Mystic Pizza musical was first visited in 2007 as part of the plot in season 2 of the NBC sitcom 30 Rock.
This juke box musical rocks with some of the best tunes from the 80’s and 90’s including those of Melissa Ethridge, John Mellencamp, Van Morrison, Phil Collins, Pat Benatar and Debbie Gibson. The songs compliment a substantial script that centers around the lives of three teenage Portuguese waitresses at this pizzeria who are on the threshold of making major decisions concerning lives, careers and romance. The plot highlights the contrast between the working class living in Mystic year-round and the affluent tourists who summer there.
Igor Goldin in his Director’s Notes commented on how intriguing it was to work on a musical that had only one prior production. That allowed him to open the door for creating without any preconceived ideas. The result is a true feast of sight and sound starting with an ingenious set designed by Kyle Dixon that gives the feeling of a New England fishing village with a rustic backdrop and featuring a large A-frame structure, center stage on a turntable that revolves into various settings. Jose Santiago’s lighting design enhances each set change and establishes mood.
The show is energetic right from the start with John Mellencamp’s spirited Small Town that instantly immerses us in the lives of these townies. The songs are well chosen and placed in just the right spots to help drive the story line. Under the direction of Sarah Wussow, the band wraps itself around each of these pop tunes and is a driving force in delivering emotions. Ashley Marinelli’s choreography compliments the energy of the show with joyous, bouncy movement that embraces the rock tone. Costumes by Dustin Cross appropriately contrast the classes with tight fitting miniskirts for townies as opposed to collegiate styles for upper class.
The three waitresses are engaging as they navigate into adulthood. There is Jojo (Michelle Beth Herman), who faints at her wedding to Bill (Stephen Cerf) but is conflicted since she doesn’t want their relationship to end. She aspires to make something of herself and dreams of owning her own restaurant. Cerf, a consummate vocalist and dancer, punches out Addicted to Love with revved up passion telling us just how committed he is to Jojo. Their duet Take My Breath Away highlights their exquisite vocals and undeniable chemistry.
Sisters Kat (Brooke Sterling) and Daisy (Emily Rose Lyons) are complete opposites. Daisy longs to get out of this Connecticut town and thinks her only option is to attract a well-healed summer tourist. She meets Charles Gordon Windsor, Jr. (Jake Bentley Young), who comes from a wealthy family but is equally disenchanted with his life. His secret desire to be an artist is overshadowed by his father’s insistence that he become a lawyer. Charlie encourages Daisy to have faith in herself and go for what she really wants which is to become a lawyer. Lyons and Young turn in a sensual performance with I Think We’re Alone Now. But conflict erupts when Daisy realizes he invited her to a family dinner as a show of rebellion against his parents’ plans for his future. Young and Lyons’ Hit Me With Your Best Shot is electrifying.
Kat is the smart one, accepted into Yale and is an aspiring astronomer, but naïve in matters of the heart having fallen for Tim (Corbin Payne), an architect who is new in town working on restoration of an old historic residence. As Kat, Sterling embraces the emotion of first love with a poignant Lost in Your Eyes. Sterling and Payne share a sweet moment in When I See You Smile, but their characters’ relationship crumbles when Tim confesses to being in a loveless marriage.
Leona (Kathryn Markey) is charming as the owner of the pizza shop who exudes concern for her teenage waitresses and mischievous in not revealing the secret ingredient to her specialty sauce until just the right moment.
Kent M. Lewis (The Fireside Gourmet) keeps us in suspense as the aloof critic who will either make or break the pizza shop with his review.
The company adds so much fun and animation to this polished production. and an enthusiastic standing ovation punctuated the sterling performance during last Saturday’s show. The Engeman has done it again with this delightful romp into its 15th season. Catch Mystic Pizza through Oct. 30.
The John W. Engeman Theater is located at 250 Main St., Northport. For tickets, call 631-261-2900 or visit www.engemantheater.com.
By Barbara Anne Kirshner
“Luck Be a Lady”
“If I Were a Bell”
“I’ve Never Been in Love Before”
“Take Back Your Mink”
These familiar songs are part of the rich tapestry that makes up American musical theatre history and all are in the classic, Guys and Dolls, the perfect choice to launch Theatre Three into its 52nd season of bringing fine entertainment to Long Island audiences.
Frank Loesser’s stunning music combined with his compelling lyrics accompanied by Jo Swerling and Abe Burrows’ whimsical book resulted in a one-of-a-kind show that truly represents Broadway’s Golden Age.
Inspiration for this 1950’s musical came from early 20th Century short stories penned by Damon Runyan most notably “The Idyll of Miss Sarah Brown,” “Blood Pressure” and “Pick the Winner.” Runyan’s penchant toward gambling, especially craps and horse racing, played out in his short stories and in this musical. Likewise, Runyan’s connection to the underworld and best friend, mobster accountant, Otto Berman, is reflected in his works with Berman given the alias “Regret the horse player.” Runyan and his humorous works about gamblers, hustlers, and gangsters from Brooklyn or Midtown Manhattan with unusual names such as “Nathan Detroit,” “Big Julie” and “Harry the Horse” proved a perfect springboard for creating this delightfully entertaining musical.
Guys and Dolls premiered on Broadway in 1950 winning the Tony Award for Best Musical. It was adapted for the movies in 1955 with a star-studded cast including Marlon Brando, Frank Sinatra, Jean Simmons and Vivian Blaine. Since then, this fan favorite has enjoyed numerous Broadway and London revivals before venturing into Port Jefferson.
This captivating Theatre Three production takes hold of the audience right from the start with a spirited overture under the musical direction of Jeffrey Hoffman that instantly immerses the audience in the light-hearted tone of the show. Then lights go up on the company of actors in mid-twentieth century period piece colorful dresses and dashing suits thanks to costume designers Jason Allyn and Ronald Green III.
Randall Parsons’ scenic design is abstract yet functional with a backdrop of towering city skyscrapers inside a frame outlined with tiny white lights then transforms into the Hot Box Club, this time with a backdrop of shimmering silver streamers before morphing into industrial pipes and smog representing the gambling garage. Stacey Boggs’ lighting design accentuates each scene from brilliant whites to smoldering greens and reds.
Director Jeffrey Sanzel has assembled a dynamic cast that dazzles and owns the flavor of 1950’s New York City.
There are essentially four leads in this show. Rachel Greenblatt is engaging as puritanical missionary Sarah Brown, dedicated to saving sinners and surprised by her own vulnerability at falling for smooth talking gambler, Sky Masterson (Kevin Shaw). Greenblatt hits the stratosphere with her trilling soprano in such songs as “I’ll Know, If I Were a Bell” and “I’ve Never Been in Love Before.” Shaw’s Sky Masterson is suave, charismatic and oh so cool as a big-time gambler, but becomes equally surprised to realize he has fallen for this prudish do-gooder. There are two showstoppers in this musical and Shaw owns one of them with his rousing “Luck Be a Lady.”
The other two leads in the show are Nathan Detroit (Steven Uihlein), who is obsessed with gambling and not his fiancée, Adelaide (Sari Feldman), with whom he has been engaged for the past 14 years. Uihlein and Feldman are adorable together and their duet in “Sue Me” is humorous as Nathan tries to deflect Adelaide’s insistence that they marry. Feldman equally shines when belting out “Adelaide’s Lament” bemoaning that her one continuous cold is due to waiting so long for that band of gold. Feldman luxuriates in Adelaide’s affectations including her high-pitched New York City accent, rhythmic gait and innocence mixed with determination to finally marry that man.
Nathan is not only dealing with Adelaide’s pressures, but he is being pressured to rent the Biltmore garage for the big crap game. The only problem is he doesn’t have the money for the rent, hence he makes a bet on what he perceives is a sure thing. Nathan bets Sky $1,000 that he will not be able to get Sarah to go to dinner with him in Havana the following evening.
But the smooth-talking Masterson convinces the sweet missionary to fly off to Havana for dinner. That leaves Nathan in a double mess. He doesn’t have the money for the garage and now he owes Sky $1,000 for losing their bet.
The adroit Company in this show takes on Ryan Nolin’s impressive choreography with gusto. In the Latin flavored Havana interlude the dancers — Rob Ferzola, Melissa Norman, Cassidy Rose O’Brien and Alex Yagud-Wolek — exude sensuality as they ease into Nolin’s gorgeous tableaus. Nolin keeps the party going with Adelaide’s animated Hot Box chorus girls and their effervescent dance routines.
The second showstopper belongs to Finn MacDevitt’s animated Nicely-Nicely Johnson whose bouncy aerobic routines in “Sit Down, You’re Rockin the Boat,” received rousing applause on opening night.
Theatre Three’s Guys and Dolls is a jubilant celebration of Broadway’s Golden Age. Don’t miss this one.
Theatre Three, 412 Main St., Port Jefferson presents ‘Guys and Dolls’ through Oct. 22. Tickets are $35, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.
Photos by Brian Hoerger/Theatre Three Productions, Inc.
Open cast call
Theatre Three, 412 Main St., Port Jefferson will hold an open auditions for The Sweet Delilah Swim Club on Sunday, Oct. 2 at 10 a.m. and Wednesday, Oct. 5 at 7 p.m.
This hilarious and touching show features five very different but deeply connected Southern women whose friendships began on their college swim team. Each summer they meet for a reunion at the same beach cottage in the Outer Banks of North Carolina. Visiting them on four weekends over thirty-three years, we learn of their lives, loves, and losses. A heartfelt comedy about friendships that last forever.
Seeking four female actors (the role of Sheree Hollinger is cast).who appear mid 30s to late 40s. Readings will be from the script. Callbacks to be determined. Please bring picture/resume. Rehearsals begin in November and performances will be from Jan. 14 to Jan. 29.
For more information, call 631-928-9100 or visit www.theatrethree.com/auditions.html
By Melissa Arnold
If you’ve been to Theatre Three in Port Jefferson at any point in the last 30 years, you have Jeffrey Sanzel to thank. Of course, he doesn’t see it that way, but as Executive Artistic Director, he’s responsible for overseeing everything from the upcoming season’s lineup to hiring actors and managing day-to-day operations.
Beyond that, he’s also written countless shows of his own and taken his turn onstage. Each December, he reprises the iconic role of Ebenezer Scrooge in “A Christmas Carol,” and most recently starred in “Every Brilliant Thing,” an intimate one-man production about mental health.
So when it came time to choose an honoree for Theatre Three’s 50th anniversary celebration and fundraiser, the decision was a simple one.
“The amount of work Jeffrey puts in is completely unmatched. Watching him work up close is amazing – he’ll agonize over something as small as the placement of a book or the lighting being a certain way. He has a vision of how everything fits together, not just as a director but an actor,” said Andy Markowitz, president of Theatre Three’s board of directors.
The dinner/dance celebration was originally slated for 2020, the theater’s anniversary year, but was shelved during the pandemic.
“After the original plans were canceled, there was a suggestion to have a 55th celebration instead, but ultimately this is about recognizing Jeffrey for all he does. He deserves it, and this is his time. There’s no need to wait,” said Theatre Three’s Managing Director Vivian Koutrakos who met Sanzel when he first joined the Theatre Three staff in 1989. Since then, he’s earned a reputation for being a meticulous and serious director, but he’s got a humorous side, too.
“It’s true that his humor is dry and he runs a very tight ship. But he’s honestly the funniest person I’ve ever met, and he makes us laugh every day,” Koutrakos said. “He’s absolutely brilliant.”
Now in its 52nd season, proceeds from the evening will be used to expand Theatre Three’s programming, particularly for children.
“The money raised is going towards new educational programs, specifically one called ‘How Does It Make You Feel?,’ an original musical aimed at elementary schools. The play will address many social-emotional learning topics,” said Sanzel. “In addition, there is a long-term project in the works for educational touring that I’m working on with Oya Bangura from Project Move.”
Sanzel is the creative force behind the theater’s school-based programs, using the stage as a vehicle to educate thousands of students on issues that can be tough to address, such as the Holocaust (“From the Fires”) and bullying (“Stand Up, Stand Out”), among others. Hired actors travel as far as Florida and Canada for the shows, with as many as 100 performances per year.
“The traveling shows for students are about 45 minutes long and are focused on specific age groups. The kids become totally captivated by the shows — it gives them an opportunity to connect with serious issues and ask questions in a way that’s meaningful to them,” Markowitz said.
In addition to the traveling shows, the theater puts on a full mainstage season, children’s theater productions, comedy nights and special events. They also offer acting classes for all ages and skill levels.
Douglas Quattrock, Artistic Associate and Director of Development for the theater, said that while the past few years have been a struggle for the nonprofit, they are excited about the future.
“I think all of us at the theater saw our 50th year as a real turning point. Times are always hard in the arts, but with Jeffrey’s leadership we’ve been able to keep going and maintain the integrity and quality of our work. This team respects Jeffrey and the mark he’s made on this institution so much,” he said. “Personally, he’s given me so many incredible opportunities, brought my stories to life, and become such a dear friend to me over the years. I know that if I ever need him, he’s there for me.”
Dinner dance guests will be treated to a cocktail hour, an elaborate meal with open bar service, and live entertainment from Debra and Patrick Lawler.
As for Sanzel, he’s feeling a little sheepish about all the attention.
“It’s kind of embarrassing,” he joked. “But this is a great honor and the acknowledgement is deeply appreciated.”
Theatre Three’s Dinner/Dance fundraiser will be held on Saturday, Oct. 8 from 6:30 to 10:30 p.m. at Danfords Hotel and Marina, 25 E Broadway, Port Jefferson. Tickets are $150 per person. For questions or to purchase tickets, call Theatre Three at 631-928-9100 or visit www.theatrethree.com.
The Smithtown Performing Arts Center, 2 East Main St., Smithtown will be hosting auditions for performers aged 16 and up for the upcoming MainStage production of ‘The Lightning Thief: The Percy Jackson Musical , on Monday, Aug. 22.
ALL ROLES ARE OPEN. This is a mainstage show and there will be performance stipends available to those who are cast. There is the potential for daytime school performances during the week in addition to the scheduled performance dates. Please be specific with your weekday availability on your audition form.
This production will be directed and musically directed by Robbie Torres, and choreographed by Julie Stewart.
Sign up begins at 7 p.m., and auditions will begin at 7:30 p.m.. Please prepare 16-32 bars of a song from a similar musical (Pop/Rock, Contemporary Broadway), and bring sheet music, a recent headshot and resume. Callbacks (if necessary) will be held Thursday, August 25 at 7:30 p.m. You will be notified by email if you are needed for a callback. Please do not call the theatre, the phone is not monitored.
All gender identities and expressions, racial & ethnic backgrounds, and physical and cognitive abilities are encouraged to audition.
If you are unable to attend the in-person audition, a video audition may be submitted. Please contact [email protected] for more information.
Rehearsals will be held at SPAC beginning August 29, and will be from 8 – 10 p.m. Monday-Thursday, with the potential to add Fridays and weekends if necessary. Please be accurate with your conflicts on your audition sheet. No conflicts will be accepted for tech week, Saturday September 24 – Thursday September 29.
Performances:
Synopsis:
As the half-blood son of a Greek god, Percy Jackson has newly-discovered powers he can’t control, a destiny he doesn’t want, and a mythology textbook’s worth of monsters on his trail. When Zeus’s master lightning bolt is stolen and Percy becomes the prime suspect, he has to find and return the bolt to prove his innocence and prevent a war between the gods. But to succeed on his quest, Percy will have to do more than catch the thief. He must travel to the Underworld and back; solve the riddle of the Oracle, which warns him of betrayal by a friend; and come to terms with the father who abandoned him. Adapted from the best-selling book The Lightning Thief by Rick Riordan and featuring a thrilling original rock score, The Lightning Thief: The Percy Jackson Musical is an action-packed mythical adventure “worthy of the gods” (Time Out New York)
Character Descriptions:
PERCY JACKSON – Son of Poseidon, a good kid with a teenage temper
ANNABETH – Daughter of Athena, smarter than you
GROVER – A happy-go-lucky satyr, like a hippie kid with hooves. Also plays:
MR. D, aka DIONYSUS – God of wine, snarky camp director
LUKE – Son of Hermes, cool camp counselor. Also plays:
GABE UGLIANO – Percy’s foul stepfather
ARES – God of war, rock star in leather pants
MINOTAUR – Half-man, half-bull
WOLFGANG AMADEUS MOZART
SALLY JACKSON – Percy’s hard-working mother. Also plays:
SILENA BEAUREGARD – Daughter of Aphrodite
THE ORACLE – a hippie mummy
ECHIDNA – Mother of monsters
CHARON – Ferryperson to the Underworld
MR. BRUNNER, aka CHIRON – Wise centaur, part-time Latin teacher. Also plays:
POSEIDON – God of the sea, salty beach bum
HADES – God of the dead, aging rock star type
AUNTY EM, aka MEDUSA – Avid sculptor
KRONOS – A voice in a pit
KURT COBAIN
CYCLOPS
CLARISSE – Tough jock girl, daughter of Ares. Also plays:
MRS. DODDS – A Fury posing as a substitute algebra teacher
KATIE GARDNER – Daughter of Demeter
THALIA – Daughter of Zeus, tough
BIANCA – A mysterious girl in 1930’s clothes
NEWSCASTER
JANIS JOPLIN
SQUIRREL
For further information, visit www.smithtownpac.org.
By Heidi Sutton
The children’s picture book Knuffle Bunny: A Cautionary Tale by Mo Willems was an instant success when it was released in 2004 and won the Caldecott Honor in 2005. The story, based on the author’s 3-year-old daughter Trixie and her favorite stuffed animal, was followed by two sequels, Knuffle Bunny Too: A Case of Mistaken Identity and Knuffle Bunny Free: An Unexpected Diversion as well as an animated short film.
Now the Smithtown Performing Arts Center pays homage to the award-winning book with a children’s theater production of Knuffle Bunny: A Cautionary Musical. With script and lyrics by Mo Willems and music by Michael Silversher, it begins as Dad suggests that Mom take a trip to the spa while he takes their rambunctious pre-verbal daughter Trixie to the neighborhood laundromat. While Mom is hesitant, Dad insists he is up to the job. “It’s just one load of laundry. What could go wrong?”
Mom reminds Dad to make sure Trixie takes along her favorite stuffed animal, Knuffle Bunny, and the adventure begins.
Dad and Trixie walk through their neighborhood, through the park and into the laundromat. Dad decides to go home to fix Trixie a snack but as they head back to the house things take a dramatic turn when Trixie realizes she has lost Knuffle Bunny. Can she make Dad understand what’s wrong? Will he be able to save the day?
Expertly directed by Evan Donnellan with musical direction by Robbie Torries, the four-member cast does a flawless job conveying the funny, silly, engaging and fast-paced story.
Derek Hough, last seen on SPAC’s stage as Sebastian in The Little Mermaid, is incredible in the role of a clueless but well-meaning Dad and Alexa Oliveto shines in her role as the all-knowing Mom. Their duet “[Life Is] Tricky With Trixie” kicks off the show and sets the tone for a fun afternoon.
Cassidy Gill is wonderful in the role of a frustrated Trixie and plays her character with infinite energy. While Trixie desperately attempts to communicate with her solo “Aggle Flaggle Klabble” and acts out by going “boneless,” she surprises everyone at the end with her first real word. Can you guess what it is?
A versatile Ari Spiegel rounds out the cast and plays numerous supporting roles including a pigeon and a giant Knuffle Bunny.
A nice touch is the constantly changing screen in the background, from the exterior and interior of the family’s home to the laundromat and even a video of a fire truck driving by.
In the end, the show reminds us of the amazing lengths parents will go through for their children and that is worth the trip.
The Smithtown Performing Arts Center, 2 E. Main St., Smithtown presents Knuffle Bunny: A Cautionary Musical on Aug. 19 at 6 p.m., Aug. 20 at 2 p.m., Sept. 1 and 2 at 6 p.m. and Sept. 3 at 2 p.m. Running time is one hour with no intermission and snacks and drinks will be sold before the show. All seats are $18. To order, visit www.smithtownpac.org.
Owl Prowl Thursday
Visit Sweetbriar Nature Center, 62 Eckernkamp Drive, Smithtown on Aug. 18 from 7:30 to 9:30 p.m. to meet and learn about some of their resident owls. Embark on a walk into the darkness to enjoy the night. Wear bug spray and bring a flashlight just in case. Open to families with children ages 5 and up. $15 per person. To register, visit www.sweetbriarnc.org. Call 979-6344.
Dance Party
It’s time to dance! The Village of Port Jefferson concludes its Children Shows series at the Jill Nees Russell Performance Stage at Harborfront Park, 101-A East Broadway, Port Jefferson with A Little Bit of Magic Dance Party on Aug. 18 at 6:30 p.m. Free. Bring seating. Visit www.portjeff.com.
Candy Twisted Balloons
Sunken Meadow State Park, Sunken Meadow Parkway, King Park presents The Candy Twisted Balloon Show on Aug. 20 at 2 p.m. Part of Long Island State Parks Summer Entertainment, the show is a combination of comedy, crazy magic, and audience participation. You won’t want to miss the grand finale when Candy climbs inside the biggest balloon you have ever seen. $10 vehicle use fee. Call 269-4333 for more info.
Picture Book Making Workshop
The Reboli Center for Art & History, 64 Main St., Stony Brook presents a Children’s Picture Book Making Workshop with Bonnie Connelly for children ages 5 to 8 on Aug. 22 from 1 to 2:30 p.m. All needed materials will be provided. $20 per participant. To register, visit www.rebolicenter.org or call 751-7707.
Concert in the Park
Frank Melville Memorial Park, 1 Old Field Road, Setauket concludes its summer program series with a Kids for Kids interactive concert by the LIYD Music Club on Aug. 23 at 11 a.m. Meet at the Red Barn for a morning of fun in a beautiful place! Free. No registration necessary. Call 689-6146 for more information.
Build a Pirate Ship
Shiver me Tuesdays! The Whaling Museum, 301 Main St., Cold Spring Harbor presents a Pirate Ship Workshop every Tuesday in August from 2 to 4 p.m. Adults and kids can design and build a unique pirate ship model from a variety of wooden materials and more during this drop-in program. Complete your craft with a Jolly Roger! Bring your imagination. Kids, bring your adults for supervision. Admission + $10 participant. Questions? Call 367-3418.
‘Spider Man: No Way Home’
St. James Chamber of Commerce invites the community to Deepwells Farm County Park, 497 Route 25A, St. James for a screening of Spider Man: No Way Home on Aug. 18 at 7:45 p.m. (rain date is Aug. 25). Free. Bring seating. No pets. Call 584-8510.
‘Encanto’
Northport-East Northport Community Drug and Alcohol Task Force will host a Family Movie Night at Northport Village Park on Aug. 18 at 8:30 p.m. with a free screening of Disney’s Encanto. Bring seating. First 50 attendees will receive a free lawn blanket. Call 516-361-6540 for more info.
‘Shark Tale’/’Finding Nemo’
The 5th annual Farmingville Flicks Movie Series continues with Finding Nemo on Aug. 18 and Moana on Aug. 25 at the Local Church, 1070 Portion Road, Farmingville at dusk. Presented by Farmingville Hills Chamber of Commerce and Sachem Public Library. Bring seating. Free but registration is required by visiting www.farmingvillechamber.com.
‘Nausicaä of the Valley of the Wind’
The Cinema Arts Cenre, 423 Park Ave., Huntington continues its Cinema For Kids series with a screening of Nausicaä of the Valley of the Wind on Aug. 21 at noon. The peaceful Valley of the Wind is nestled on the edge of the Toxic Forest and led by the courageous Princess Nausicaä, whose love of all living things leads her into terrible danger, as she fights to restore balance between humans and nature. Featuring the voices of Alison Lohman, Uma Thurman, Patrick Stewart, Edward James Olmos and Shia LaBeouf. Tickets are $12 adults, $5 children. Call 423-7610.
‘Knuffle Bunny: A Cautionary Musical’
From Aug. 5 to Sept. 3, the Smithtown Center for the Performing Arts, 2 East Main St., Smihtown will present Mo Willems’ Knuffle Bunny: A Cautionary Musical from Aug. 5 to Sept. 3 with one special performance on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown on Aug. 3 at 2 p.m. Trixie, her father, and her favorite stuffed bunny set off on a trip to the laundromat. The trip brings wonder, excitement and joy to the lively toddler until she realizes that she has lost Knuffle Bunny. Filled with adventure, song and dancing laundry, it’s the perfect show for a family-friendly outing! Tickets are $18. To order, visit www.smithtownpac.org.
‘Junie B. Jones The Musical’
Children’s theater continues at the John W. Engeman Theater, 250 Main St., Northport with Junie B. Jones The Musical from July 23 to Aug. 28. Sneak a peek into the “Top-Secret Personal Beeswax Journal” of the outspoken and lovable Junie B. Jones! Based on the top selling children’s book series, this upbeat musical follows the spunky Junie as she navigates through the ups and downs of her first day of 1st grade. All seats are $20. To order, call 261-2900 or visit www.engemantheater.com.
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