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Ryan Hunt (The Old Man) and Ensemble in a scene from the show.
Ryan Hunt (The Old Man), Rachel Gubow (Mother), Jackson Parker Gill (Randy), Kaian Lilien (Ralphie) in a scene from the show.
Liam Polani (Schwartz), Quinn Oliver Lessing (Flick), and Ensemble in s scene from the show.
Jackson Parker Gill (Randy), Kaian Lilien (Ralphie) and Ensemble in a scene from the show.
Kaian Lilien as Ralphie in a scene from the show.
Kaian Lilien (Ralphie), Raquel Sciacca (Ensemble), Quinn Oliver Lessing (Flick), Liam Polani (Schwartz), Avery Sell (Ensemble), Sofia Jarmel (Ensemble), Lanene Charters (Miss Shields) in a scene from the show.
Jackson Parker Gill (Randy) and Rachel Gubow (Mother)

By Heidi Sutton

Many families have holiday traditions, whether it’s baking cookies, making their favorite side dishes, decorating the tree on a certain day, going to see the same show every year or wearing ugly sweaters. Among those traditions is the 24-hour marathon of A Christmas Story (1983) on TBS that began in 1997 and now also runs on TNT on Dec. 24 and 25. And if you know the name of the Lone Ranger’s nephew’s horse, then you are a true fan.

Based on semi-autobiographical stories by Jean Shepherd, who also narrates throughout, the funny holiday film follows the Parker family — 9-year-old Ralphie, his younger brother Randy, his father (the Old Man) and his mother — living in a house on Cleveland Street in fictional Hohman, Indiana and their days leading up to the Christmas of 1940.

When asked by his mother what he would like for Christmas Ralphie doesn’t say Tinker toys, a football and or a Radio Flyer. He wants a bb gun — a Red Ryder carbine-action 200 Shot Range Model air rifle with a stock and a thing that tells time, to be exact. When his mother tells him no, that he’ll “shoot his eye out,” he goes on a quest  to try to convince her otherwise. The film was selected for preservation in the United States National Film Registry by the Library of Congress for being “culturally, historically, or aesthetically significant” in 2012.

Now the classic holiday story returns to the John W. Engeman Theater in Northport through Dec. 31 and is the perfect holiday gift for the entire family.

Directed and choreographed by Mara Newberry Greer with a live orchestra conducted by Daniel Mollett, the show follows the film closely with many of the scenes we have come to love. In the role of Jean Shepherd, narrator Michael Fasciano, stepping in for Mark Aldrich last Saturday night, sits on the right side of the theater and presents the story in a series of vignettes as he remembers “Another time, another place … and a gun.”

As with everything the Engeman does, the show is bold and fresh and pushes the limits of live theater to take the audience down a joyous trip down memory lane. The Old Man’s major award, the Bumpus hounds, Ralphie’s scuffle with Scut Farkus (what a name!) while fellow toadie Grover Dill looks helplessly on; the frosty flagpole scene with Flick and Schwartz, Randy’s snowsuit, the furnace, the trip to Higbee’s Department Store with Santa and the infamous slide, the flat tire, the pink bunny costume, when Ralphie almost shoots his eye out, Christmas morning around the tree and Christmas dinner at the Chinese restaurant — all the scenes we have come to love are there in all their glory.

The entire cast is phenomenal. 

As the Old Man, Ryan M. Hunt brings the house down with “A Major Award” where he dances with multiple leg lamps. Rachel Gubow, stepping in for Jennifer Evans last Saturday night, was wonderful in the role of the mother, keeping calm in the household.  Her rendition of “What a Mother Does” was heartfelt. Jackson Parker Gill is perfectly cast as Randy and even sounds like him, especially during the snowsuit scene.

Drawing the most laughs is Lanene Charters as Ralphie’s teacher Miss Shields. Obsessed with margins, Charters is hilarious in the big Speak Easy number “You’ll Shoot Your Eye Out” as she mercilessly mocks Ralphie in this terrific tap dance number.

However it is the amazingly talented Kaian Lilien in the role of Ralphie who commands the stage. His incredible performance in the opening number, “It All Comes Down to Christmas” is only topped by his rendition of “Ralphie to the Rescue!,” in one of the best scenes in the show. 

The period costumes by Dustin Cross perfectly set the scene and the set, designed by Kyle Dixon, is impressive as well. Two rooms featuring an authentic 1940s kitchen and living room (the heart of the home) slide front and back on the stage to accommodate other scenes including Ralphie’s classroom and the alleyway, among others. The boys’ bunk bed slides out from the side. Beautifully executed! 

Make this show part of your family’s holiday tradition. I triple dog dare you. 

The John W. Engeman Theater, 250 Main St., Northport presents A Christmas Story through Dec. 31. Main stage theater continues with Dirty Rotten Scoundrels from Jan. 19 to March 5, 2023 and The Scarlet Pimpernel from March 16 to April 30, 2023. Tickets range from $80 to $85 with free valet parking. To order, call 631-261-2900 or visit www.engemantheater.com.

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By Heidi Sutton

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The cast of 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
The cast of 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
The cast of 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
Barnaby and Franklynne in 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
The cast of 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
The cast of 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.

It’s beginning to look a lot like Christmas, especially at Theatre Three in Port Jefferson. While Scrooge undergoes a transformation on the Main Stage with A Christmas Carol, Barnaby the Elf is busy making sure all the Christmas presents are delivered on time in the adorable children’s musical, Barnaby Saves Christmas. The show opened last Saturday and runs through Dec. 30. 

Written over 18 years ago by Douglas Quattrock and Jeffrey Sanzel with music and lyrics by Quattrock, it remains  as relevant as ever with the ultimate message that “every day is a golden opportunity to be better than you used to be.”

It’s Christmas Eve and Santa’s workshop at the North Pole is a flurry of activity. Head elf Sam (Josie McSwane) and fellow elves Blizzard (Michelle LaBozzetta) and Crystal (Kaitlyn Jehle) are busy putting the final touches on the Christmas presents and loading them on the sleigh. A fourth elf, Barnaby (Ryan Worrell), is the newest trainee and has been given one task by Santa (Sean Amato) — to make a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest. 

When it’s time to deliver the presents to all the good little girls and boys, Barnaby is left behind with Mrs. Claus (Danielle Pafundi). He soon realizes that Santa has left the stuffed bear behind and convinces Blizzard’s fawn Franklynne (Samantha Fierro) to find Santa and “save Christmas.”   

On their adventure they crash land on the roof of the house of Sarah (Danielle Pafundi) and her nephew Andrew (Sean Amato) and learn all about Hanukkah and the Festival of Lights. They also come across S.B. (spoiled brat) Dombulbury (Steven Uihlein), a Scrooge in his own right who has stuffed up all the chimneys with coal with his partner in crime Irving (Jason Furnari), in order to ruin Christmas and has hypnotized Crystal and Blizzard to help him. With the help of his friends, Barnaby will save the day but just wait until you see how!

Directed by Sanzel, the entire cast does an incredible job telling this heartwarming story. The wonderful songs, accompanied on piano by Quattrock, are just lovely, with special mention to Worrell’s solo “Still With a Ribbon on Top,” Pafundi’s solo “Miracles” and Amato’s solo “Within Our Hearts.”

Gorgeous costumes that sparkle and shine for the holidays by Jason Allyn, the incredible lighting by Steven Uihlein and the great choreography by Sari Feldman tie it all together with a beautiful holiday bow. I can think of 100 reasons to go see this show but I will only give the first — it is an unforgettable experience the entire family will love. Elf and reindeer souvenirs will be sold before the show and during intermission and the entire cast will be in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson presents Barnaby Saves Christmas on Nov. 26, Dec. 3, 10, 17, 24, 28, 29 and 20 at 11 a.m. Children’s theater continues with The House That Jack Built from Jan. 21 to Feb. 4, 2023 and Dorothy’s Adventures in Oz from Feb. 22 to March 18, 2023. All seats are only $10. To order, call 631-928-9100 or visit www.theatrethree.com.

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Scott Hofer and Jeffrey Sanzel in a scene from 'A Christmas Carol. Photo by Ana McCasland
A scene from 'A Christmas Carol'
A scene from 'A Christmas Carol'
A scene from 'A Christmas Carol'
A scene from 'A Christmas Carol'
A scene from 'A Christmas Carol'
A scene from 'A Christmas Carol'
A scene from 'A Christmas Carol'
Catch one of the final performances of Theatre Three's 'A Christmas Carol'. The show closes on Dec. 30.
A scene from 'A Christmas Carol'
Jeffrey Sanzel reprises his role as Scrooge in 'A Christmas Carol'
A scene from 'A Christmas Carol'
A scene from 'A Christmas Carol'
The 2022 cast of 'A Christmas Carol'

By Heidi Sutton

“Marley was dead: to begin with. There is no doubt whatever about that.” And so begins one of the most popular, most-adapted and most relevant holiday tales ever written, Charles Dickens’ novella, A Christmas Carol. Published on Dec. 19, 1843, the initial print run of 6,000 copies sold out by Christmas Eve. More than 178 years later, it lives on as a story of redemption and hope and serves as a reminder to keep the spirit of Christmas in our hearts all year round. 

In the book’s foreword, Dickens writes:

I have endeavoured in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it.

Now the pages of the Dickensian story come to life once again as Theatre Three in Port Jefferson presents its 38th annual production of A Christmas Carol. The curtain went up this past Saturday to a full house.

While preparations are still underway to transform the seaport village back to the Victorian era for its 26th annual Charles Dickens Festival on Dec 3 and 4, Theatre Three is already dressed head to toe for the holidays and carolers entertain theatergoers before the show, setting the  tone for what is to come.

Adapted for the stage by Executive Artistic Director Jeffrey Sanzel, A Christmas Carol tells the tale of Ebenezer Scrooge (played by Sanzel), a successful business man who has chosen money over everything else and has become bitter, lonely and stingy over the years, especially around the holidays. “I have devoted my life to the cultivation of business,” he explains.

We first meet the miserly curmudgeon on Christmas Eve, exactly seven years after the death of his business partner Jacob Marley (Stephen T. Wangner). Caught in a particulary bad mood, we witness him chase carolers from his office, turn away the needy and a pair of charity workers. He snaps at his underappreciated and underpaid clerk Bob Cratchit (Douglas J. Quattrock) and his chipper nephew Fred Halliwell (Sean Amato) the sole child of Scrooge’s deceased sister, Fan, who has dropped by to invite him for dinner. “Keep Christmas in your own way and I will keep it in mine,” he warns his nephew before kicking him out.

That evening Scrooge is visited by Marley’s tormented ghost who offers him one last chance at redemption. Draped in the chains he has forged in life, Marley tells Scrooge he will be visited by three spirits — the ghosts of Christmas past, present and future.

The Ghost of Christmas Past (Danielle Pafundi) appears soon after, all aglow in a white dress, and takes Scrooge to Wellington House, the boarding school he attended as a young boy alone; we meet his adored sister Fan and his apprenticeship at Fezziwig’s (played by Scott Hofer), where the audience is introduced to Scrooge’s one and only love, Belle. This is also where he meets Marley for the first time and where his choices take him down a dark path.

The Ghost of Christmas Present (Scott Hofer) takes Scrooge to meet Bob Cratchit’s family where he learns about Tiny Tim’s failing health and to a dinner party hosted by his nephew where guests play a fun game of Yes or No. 

In one of the most anticipated and frightful scenes, a towering Ghost of Christmas Future (operated by Sean Amato) shows Scrooge the shadows of what is yet to come, including  at trip to the cemetery to see his headstone, and how the people in his life are affected after his death, including a disturbing scene where Scrooge’s housekeeper Mrs. Dilber (Ginger Dalton) attempts to profit from his demise. It is just what Scrooge needs to shake him to the core. In the end, he learns that “life is not about facts and figures. It’s about joy and family and Christmas.”

Directed by Sanzel, the entire production is flawless and the talented cast (playing multiple roles) is excellent. As Scrooge, Sanzel is at his finest in a role he has played almost 1500 times. This is most evident when the Ghost of Christmas Past takes his character to one of Fezziwig’s famous holiday parties. While otherwise slightly hunched over with a slow walk, Sanzel suddenly jumps into the role of a younger Scrooge and  takes part in a Wassail dance (choreographed by Sari Feldman) with boundless energy.

Although in its 38th year, the show is always evolving, remaining fresh and exciting while maintaining its timelessness and important message. The Victorian set, costumes and creative lighting tie it all together to create a magical evening at the theater.

Get your ticket to see this wonderful production “before you dot another ‘i'” and make it part of your holiday traditions. It will make your heart full.

Stay after the show for a photo keepsake with Scrooge. The $5 fee goes to support the theater’s scholarship fund.

The Cast: Sean Amato, Ava Andrejko, Ginger Dalton, Ellie Dunn, Alexa Eichinger, Samantha Fierro, Griffin Fleming, Julie Friedman, Skye Greenberg, Kathleen Han, Scott Hofer, Patrick Hutchinson, Linda May, Brooke Morrison, Danielle Pafundi, Douglas J. Quattrock, Michaela Reis, Dylan Paige Rumble, Vivian Leigh Rumble, Jeffrey Sanzel, Jennifer Salvia, Steven Uihlein,  Addyson Urso, Hannah Waller, Stephen T. Wangner and Cassidy Worrell.

Theatre Three, 412 Main St., Port Jefferson presents Charles Dicken’s A Christmas Carol through Dec. 30. Tickets are $20 per person in November, and $35 adults, $28 seniors and students, and $20 children ages 5 and up in December. To order, call 631-928-9100 or visit www.theatrethree.com.

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Photo from METRO

By Daniel Dunaief

Daniel Dunaief

Even months after we emerged from our Covid caves, I still appreciate the wonder and joy of getting out again, of seeing people, of making plans, and of going on a date with my wife.

Recently, we went to see “Hadestown.”

We didn’t know much about it, except that it had won several awards. As soon as we sat down, we fell on the playbill, reading about the origins of the story, checking out the cast, and immersing ourselves in the experience.

I will admit, sheepishly, that we also used our TV app to watch a few minutes of the Jeopardy! Tournament of Champions. Our son thinks our addiction to that show is laughable and he didn’t even see the movie “Rainman,” in which Dustin Hoffman’s character is addicted to the show “The People’s Court.”

Anyway, after Jeopardy! ended, we took in the room. We studied the arrangement of the set, where it was clear the musicians would be on stage. When I was in high school, I thoroughly enjoyed playing in the pit orchestras of “West Side Story” and “The Wizard of Oz.” One of the wonders of the experience was the opportunity to dress casually, as we played in a true, recessed pit where we were heard and not seen.

As we got closer to the start of “Hadestown,” the auditorium filled with people sporting a wide range of attire, from casual to festive.

In the first few moments of the show, we were transported, as a colorful Hermes pranced around the stage, interacting with the other actors and reaching out to the audience.

The appreciative guests lapped up his over-the-top gestures and movements, as he introduced us to some of the characters and the band, who filled the stage with vitality, music and movement.

During intermission, I watched two women in the row in front of me. One was talking, while the other nodded absent-mindedly while playing solitaire. Perhaps that’s a carry over from too much time at home. Then again, who am I to complain? We watched a TV show in the moments before “Hadestown” started, so we’re also accustomed to our isolated entertainment.

To my left, two women with bright blonde hair opened a ziplock bag filled with small sugar cookies. After they each ate one, the woman holding the bag dropped a cookie on the floor. I felt it hit my shoe before it settled on the ground.

Now, I am a bit OCD with germs. Okay, fine, that’s like being a bit pregnant. I’m OCD and have been known to wash my hands so often in the winter that my skin becomes incredibly dry, cracks and bleeds.

So, what would I have done with that cookie? I would have picked it up, put it in my coat pocket, forgotten about it for about two weeks and, upon rediscovering it, would have thrown it in the garbage and, of course, washed my hands immediately afterwards.

What did she do? The woman picked it up, briefly scraped off the parts she imagined must have touched the floor and my shoe, blew on it and broke it in half. She gave her companion one half, she kept the other, and they both, gulp, ate it.

I laughed nervously and made a mental note, not that I ever need one, to wash my hands just because, well, yuck!

In the second half of “Hadestown,” the show followed a similar pattern, as one sad, longing song gave way to another.

At the critical moment of the story, the woman who had been playing solitaire in front of us objected to the tragic turn of events.“Oh no, don’t do it!” she shouted.

While I wasn’t surprised by the ending to a story filled with mournful songs and that Hermes told us was sad, I chuckled as she tried to change the script from the balcony.

Yes, it was great to be out and to appreciate the show, the music, and the other guests.

All the world, as Shakespeare suggested, is a stage, including for the appreciative members of the audience.

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Mel Gonzales and Fatima-Zhara Amir a scene from 'The Showing'. Photo by Alla Ilyasova

‘Showing’

The Setauket Neighborhood House, 95 Main St., Setauket presents a workshop production of a brand new play produced by Hidden Well Theatre titled Showing on Nov. 5 at 2 p.m. and again at 6 p.m. What’s a gender reveal party without a heaping helping of disaster? Set in the hours leading up to a pregnant woman’s gender reveal party, Showing is an immersive, site-specific play about the ways we strive to make meaning in spaces where there is only chaos and cake. Tickets are $16 in advance at hidden-well-theatre.weebly.com/showing.html or $20 (cash only) at the door. For more information, email [email protected].

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Open cast call

Save the date! Theatre Three, 412 Main St., Port Jefferson, will hold open auditions for Pride@Prejudice, by Daniel Elihu Kramer, adapted from Jane Austen’s novel, on Sunday, Nov. 27 and Wednesday, Nov. 30, at 7 p.m. Seeking four versatile performers to play over two dozen characters. Performances will be held from April 7 to May 6, 2023. Bring a picture/resume. Rehearsals begin in February. For full details visit http://theatrethree.com/auditions.html.

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Open cast call

Theatre Three, 412 Main St., Port Jefferson, will hold open auditions for the musical revue Side by Side by Sondheim on Sunday, Nov. 13 at 10 a.m., and Tuesday, Nov. 15 at 7:30 p.m. Seeking 3 to 4 strong vocalists with storytelling abilities (prepare 32 bars of (1) Stephen Sondheim song – preferably a piece from Side by Side by Sondheim); and one actor to serve as narrator (Prepare monologue available on Theatre Three’s website.) Callbacks to be determined.  Please bring picture/resume. Rehearsals begin in December. For full details visit http://theatrethree.com/auditions.htm.

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A scene from 'A Killer Day'

Halloween comes around a week early to the Playhouse at St. Paul United Methodist Church, 270 Main St., Northport as it plays host to the 13th Annual Northport One-Act Play Festival – “Halloween Edition.” The new plays that make up this year’s festival all share something in common. Each embraces the strange, sometimes scary aspects associated with All Hallows Eve, whether as a comedy or drama.

The plays featured in the festival will be performed twice each, once as a matinee and once in the evening at the theater They will be brought to the stage by directors and actors from the Long Island theater community.

Program 1 will be presented on Saturday, October 22nd at 3:00 p.m.

Program 2 will be performed on Saturday, October 22nd at 7:30 p.m. and Sunday, October 23rd at 3:00 p.m.

PROGRAM SCHEDULE

Program 1: Saturday, October 22nd at 3:00 p.m.
Mortal Lives by Seth Freeman

Date Night in Roissy by Les Abromovitz

Fall of the House of Hasenpheffer by Michael Casano

Grave’s Anatomy by Rich Rubin

Program 2: Saturday, October 22nd at 7:30 p.m. and Sunday, October 23rd at 3:00 p.m.

Meeting Acute by Chuck Smith

The Psychic by John Passadino

Bite Me by Pete Mergel

Margo by Peter Scarpinato

A Killer Day by Joe Bulvi

Admission is $25 to each of the four festival performances. You can reserve tickets for the festival (recommended) at www.northportplays.com or call (631) 223-8053.

 

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The Theatres at Suffolk County Community College presents I Love You You’re Perfect Now Change at the Shea Theater, Islip Arts Building, 533 College Road, Selden on Oct. 21 and 22 at 7:30 p.m. and Oct. 23 at 2 p.m. With book and lyrics by Joe DiPietro and music by Jimmy Roberts, I Love You You’re Perfect Now Change is a musical revue celebrating the mating game. Directed by Marie Danvers, his crowd-pleasing comedy takes on the truths and myths behind that contemporary conundrum known as “the relationship.”

*Mature Content*

Theatre 119
Islip Arts Building
Suffolk County Community College
Ammerman Campus, Selden

  • General admission: $14
  • Veterans and students 16 years of age or younger: $10.00.
  • Suffolk students with current ID: One FREE ticket

For tickets call (631) 451-4163 or Purchase Online

See video Interview with Marie Danvers, Suffolk County Community College Distinguished Theatre Alumna and Broadway Veteran here.

 

 

 

 

 

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The cast of A Kooky Spooky Halloween. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Heidi Sutton

Theatre Three was at full capacity last Saturday morning as families with young children came to celebrate the spookiest season with the return of the wonderful musical, A Kooky Spooky Halloween. 

Written by Jeffrey Sanzel and Steve McCoy, it tells the story of a kind ghost named Abner Perkins (Steven Uihlein) who has just graduated from Haunting High School and has been assigned to be the spooksperson for Ma Aberdeen’s Boarding House (known for being the most haunted house in Harrison Corner USA and for having the best toast!) as its last ghost, Baron Von Yost, has recently retired. Abner is given a diploma and a medallion of invisibility and is sent on his way. 

But Abner has a secret — he’s afraid of the dark! The only person who knows his secret is his best friend Lavinda the Witch (Danielle Pafundi) who gives him a nightlight and promises to help him get settled in.

Abner’s first day of haunting is on Halloween and he comes upon Ma Aberdeen (Ginger Dalton) and her boarders the perplexing Petersons — Paul (Liam Marsigliano), Penelope (Stephanie Moreau) and their son Pip (Sean Amato) — and Kit Garret (Samantha Fierro), a girl who “just came from a small town to a big city with a suitcase in her hand and hope in her heart,” stuffing goodie bags for trick-or-treaters in the kitchen.

In one of the funniest scenes in the show, Abner tries out a series of spells, making the group stuff the bags in double time, dance, do jumping jacks, sing, spin like a top, quack like a duck and stick to each other. Just as he is about to undo the last spell, fellow graduate ghost with a grudge Dora Pike (Beth Ladd) appears, steals his medallion of invisibility and nightlight and heads to the bottom of Black Ridge Gulch, the deepest, darkest gorge in the entire world (where it’s really, really dark). Now visible, Abner must convince the sticky strangers to help him get his medallion back. Will he succeed or will his fear of the dark take over?

With the message that everyone deserves to be understood, director Jeffrey Sanzel has assembled an incredible cast to tell this sweet story, with action, suspense, hilarious hijinks, Halloween jokes, and all around fun. The amazing costumes by Jason Allyn, special effects, futuristic lighting and the catchy songs, accompanied on piano by Douglas Quattrock, with special mention to “It’s Ma Who Makes the Toast” and the great rap number “A Need for Speed,” tie it all together for the perfect holiday treat. Your kids will love it!

Ghost pumpkin souvenirs will be sold before the show and during intermission and costumes are encouraged. Meet the entire cast in the lobby on your way out for a keepsake photo.

Theatre Three, 412 Main St., Port Jefferson presents A Kooky Spooky Halloween on Oct. 15 and 22 at 11 a.m. and Oct. 16 at 3 p.m. Running time is one hour and 10 minutes with intermission. Children’s theater continues with Barnaby Saves Christmas from Nov. 19 to Dec. 30. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

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