Theater

By Julianne Mosher

There are 525,600 reasons to head to the Smithtown Performing Arts Center and see their rendition of Rent.

Directed by Kevin Burns, the show opens in the heart of Manhattan’s East Village in the late 1980s with this exquisite rock opera originally written by Jonathan Larson. A modern-day musical, loosely inspired by Giacomo Puccini’s “La Boheme,” Larson created the script based on where he was living in the early 90s — in a rundown apartment with several roommates all just trying to survive and, of course, pay rent. 

Set in the middle of the AIDS epidemic, the musical follows the stories of several people, a group of friends and acquaintances, living with addiction, abuse, AIDs, homelessness and more. But despite the heavy topics, Larson’s opera-styled score brings humor and wit to situations that are not for the faint of heart. 

We open with Roger (Zach Johnson) and Mark Cohen (David Reyes), an aspiring singer and filmmaker, sitting in their cold apartment during Christmas. Roger’s girlfriend passed away and while grieving, he meets his new neighbor, Mimi (Alisa Barsch) who asks him to “light her candle” during a power outage. 

We learn of Benny (Trentin Chalmers), a friend-turned-businessman who is trying to evict the old comrades from their underwhelming living space, and we meet Tom Collins (Shiloh Bennett) who’s an anarchist professor living with HIV who falls for the positive and eccentric Angel (Ruben Fernandez), a drag queen street performer. 

Eventually we’re introduced to Maureen (Jess Ader-Ferretti), Mark’s artist ex-girlfriend who left him for Joanne (Michelle Demetillo) a strong-willed lawyer. 

This is a beautifully crafted story of love and loss. 

With a  minimalist set, each and every actor uses their talents of voice and expression to give the scenery life, plus the costumes are straight out of the Broadway musical (1996) turned film (2005). That being said, the cast is so impressive that if one were to listen to their live performance and then the recordings of the original cast, you’d think it’s the same group. 

With the band right on stage in the middle of the action, you learn of the hopes and dreams of the characters, experience loss and eventually find hope. In the three hours of viewing time, this emotional roller-coaster is definitely worth it. You’ll laugh, you’ll cry and you’ll experience a whole new outlook on life. 

Johnson, Reyes, Barsch, Chalmers, Bennett, Ader-Ferretti and Demetillo’s performances on opening night were stellar. The talent of the main cast deserves two thumbs up, and of course, Fernandez embodies the beautiful Angel, both in and out of drag, perfectly — plus, he can dance in heels. 

But the ensemble cast need a round of applause, too. The several roles each and every one of them play isn’t at all confusing, especially since there are several story lines happening at one given time. In fact, those in the background help ground the rest of the group and make the storylines even better.

So, go buy your tickets now because there’s “no day but today” and you deserve to go “out tonight!”

The Smithtown Performing Arts Center, 2 E. Main Street, Smithtown presents “Rent” through Oct. 22. Tickets are $35 adults, $32 seniors (55 and older), $28 students (21 and under). To order, call 1-800-595-4849 or visit www.smithtownpac.org.

By Julianne Mosher

Theatre Three kicks off its 53rd season with the award-winning musical The Prom. Set in current day New York City and Indiana, The Prom brings humor and color to an important issue facing the nation — LGBTQIA rights.

Let me explain. Expertly directed by Jeffrey Sanzel, this high energy show starts off with four narcissistic Broadway stars who receive a terrible review about their latest play and their personalities. In order to gain positive feedback to counteract the reviewer’s comment of them being self-obsessed, they learn a trending news story happening in Indiana: a lesbian high school student was not allowed to bring her girlfriend to their prom which incited a riot of the local townspeople. 

The actors, Dee Dee Allen (Linda May), Barry Glickman (Ryan Nolin), Angie Dickinson (Sari Feldman) and Trent Oliver (Brian Gill) – along with the public relations rep, Sheldon (Jason Allyn) hitch a ride west to “selflessly” help the high schooler, Emma (Jae Hughes) gain back her prom. 

Set in a small town with big religious and conservative values, Emma is ostracized, bullied and is blamed for the school board cancelling the prom…until the stars show up dripping in glitter and voicing their opinions with their big personalities and  sharing with the world how they are helping Emma. 

With standout performances by Hughes, they make you feel strong emotion for the drama they are going through in the show. While the play has many highs, a lot of laughs and catchy musical numbers, the show will bring you to tears – especially if you know someone who has gone through a struggle with acceptance.

Interestingly, several details from The Prom were actually based on real-life events. In 2010, Mississippi student Constance McMillen was not admitted into her prom with her girlfriend – and the parents there also tried to separate the straight kids from the LGBTQIA students.

McMillen went to court. Her case was taken by the ACLU and was awarded a payment of $35,000 from the school district that hurt her. They then implemented a non-discrimination policy. 

But while Hughes’ emotional journey, and the main purpose of this show, is heavy and starting of a movement, you can appreciate May, Nolin, Feldman, Gill and Allyn’s silly, charismatic personalities to lighten the mood. You’d actually believe they are Broadway stars with their stellar performances. In fact, everyone on the stage from the main characters to the ensemble deserves constant standing ovations for their professionalism and talent. Even the smallest roles were noticed.

Throughout the show, secrets are unveiled, twists are made and conflict ensues, keeping the audience engaged from start to finish. The set design, by Randall Parsons, is completely reminiscent of a high school auditorium – especially when it gets decorated for the big dance. Allyn and Joe Kassner’s costume design are also impressive. The big personalities of the Broadway stars required a lot of glitter and that’s exactly what they had. Plus, Rico’s Clothing, based in Center Moriches, donated the men’s formal wear for the show. 

All in all, the show is something you could watch over and over, laughing and crying (in a good way!) every time. Theatre Three’s The Prom is an important play that will make people think the following: We are all human, love is love, and “I wish I had a friend like Barry to help me dress up for my prom!”

Don’t miss this one.

Theatre Three, 412 Main St., Port Jefferson presents The Prom on the Mainstage through Oct. 21. Tickets are $40 adults, $32 seniors, $20 students, and $20 children ages 5 and up. To order, please call 631-928-9100 or visit www.theatrethree.com.

By Rita J. Egan

When a bio-musical is a success, audience members leave inspired and feeling as if they traveled back in time. That’s precisely what the John W. Engeman Theater’s cast and crew have accomplished for theatergoers with their production of Beautiful: The Carole King Musical, which opened Sept. 14.

New York theater lovers first experienced the production on Broadway at the Stephen Sondheim Theatre from January 2014 to October 2019. The jukebox musical, with book by Douglas McGrath, explores Carole King’s earlier musical and life experiences woven into the beautiful tapestry of this prolific songwriter and singer’s career. 

The production takes the audience on a musical journey from Carole’s first step into the entertainment world in 1958, when at 16 she sold her first song to publisher Don Kirshner, to her career-transforming album Tapestry.

While working for Kirshner, Carole meets lyricist Gerry Goffin at Queens College and collaborates with him professionally. The pair become romantically involved and young parents while creating hits for groups such as The Drifters and The Shirelles. During their partnership, Carole and Gerry enjoy a friendly competition with the songwriting team of Cynthia Weil and Barry Mann. Unfortunately, Carole and Gerry’s marriage is rocky, leading to divorce. However, the split propels the songwriter to branch out and sing her own music.

The Engeman production is masterfully directed by Paul Stancato, which is apparent in the actors’ fabulous portrayals of the iconic personalities and how they smoothly transition from one scene to another.

Stephanie Lynne Mason does an extraordinary job portraying Carole as a humble, modest songwriter who lacks confidence in her looks and singing talents. However, as the musical progresses, Mason seamlessly evolves into a more confident Carole, ready to take on Carnegie Hall. 

As Act I closes, Mason’s rendition of “One Fine Day,” after the songwriter finds out her husband hasn’t been faithful, nails the heartbreak Carole must have felt when she heard the news. Mason demonstrates that depth again during the reprise of “Will You Love Me Tomorrow” during the second act, and toward the end of the show, she has everyone feeling as if they are sitting in Carnegie Hall listening to a Grammy Award-winning star.

Jack Cahill-Lemme perfectly captures Gerry’s turmoil as he deals with depression and is so convincing as a womanizer that it’s difficult not to get upset at him when Gerry breaks Carole’s heart. As for his singing, his delivery of “Pleasant Valley Sunday” in Act II sounds even better than the Monkees’ version.

Sarah Ellis as Cynthia is everything you would expect from a successful songwriter — fun, flirty and sexy. From her first number, “Happy Days/Cynthia,” audience members know they will be in for a treat with Ellis on stage.

Noah Berry is perfect as the hypochondriac Barry, who falls in love with Cynthia. He delivers an energized and impressive “We Gotta Get Out of This Place” in the second act. The musical is also filled with some funny lines, and Ellis and Berry skillfully lighten the mood.

Playing Carole’s mother, Genie Klein, is Laura Leigh Carroll, who portrays her with just the right amount of strength and love. Devon Goffman is perfect in his portrayal of Don Kirshner, acting as a respected patriarch who balances motivating his ensemble of songwriters with caring about them as people.

A review of the Engeman’s production of Beautiful wouldn’t be complete without a mention of the ensemble members. Early in Act 1, the ensemble treats the audience to “1650 Broadway Medley.” This number is just a preview of what’s in store for the audience from the talented singers and dancers as most of them hit the stage later to sing pop classics, stealing the spotlight from the main characters.

Cory Simmons, Damien DeShaun Smith, Dwayne Washington and Leron Wellington are suave and debonair as The Drifters. Their renditions of “Some Kind of Wonderful,” “Up on the Roof” and “On Broadway” are swoon-worthy.

Renee Marie Titus, Zuri Washington, Cecily Dionne Davis and Cece Morin bring to the stage all the glamor, style and talent of The Shirelles with “Will You Love Me Tomorrow.” Davis returns to the stage and shines once again as fictional singer Janelle Woods singing “One Fine Day,” and Morin as Little Eva sounds fantastic singing “The Loco-motion.” Joe Caskey and Jack B. Murphy as The Righteous Brothers also deliver a powerful “You’ve Lost that Lovin’ Feelin’.”

The Engeman musicians, led by Jeff Cox, are equally impressive on all the tunes. Kyle Dixon has done a phenomenal job creating a stage design that is versatile yet eye-catching with golden-colored sliding panels, and costume designer Dustin Cross has captured the fun and glamor of the 1960s perfectly.

The beauty of Engeman’s Beautiful: The Carole King Musical is that theatergoers don’t have to be fans of the artist or the songs of the 1960s to enjoy a spectacular night of entertainment. The cast and crew have once again crafted a production worthy of Broadway.

The John W. Engeman Theater, 250 Main Street, Northport presents Beautiful: The Carole King Musical through Oct. 29. Tickets range from $85 to $95. For more information, call 631-261-2900 or visit www.engemantheater.com.

All photos courtesy of The John W. Engeman Theater.

See a preview of the show here.

Theatre Three's 'A Christmas Carol' cast of 2022. Photo courtesy of Theatre Three

Theatre Three, 412 Main St., Port Jefferson will hold Young People’s auditions (ages 8–17) for its 39th annual production of the holiday classic Charles Dickens’ A Christmas Carol on Tuesday, Sept. 19, at 7 p.m. 

They will be double-casting nine roles (for a total of eighteen young people). Readings are provided. A Christmas carol (“Christmas Is Coming”) will be taught. Rehearsals begin late September and are weeknights (beginning at 7 p.m.); Saturdays (mornings or afternoons); and Sundays (mornings, afternoons, or evenings). Young people must appear in half of the performances, including the student matinees. Performances will be held from Nov. 11 to  Dec. 30, 2023.

 For full details visit http://theatrethree.com/auditions.html. For more information, call 631-928-9100.

By Heidi Sutton

Every five years or so, Theatre Three reaches deep into its vault of scripts and pulls out a gem. This time it’s Alice’s Most Decidedly Unusual Adventures in Wonderland, an original musical based on the colorful characters sprung from Lewis Carroll’s imagination for his 1865 much-loved children’s novel, Alice’s Adventures in Wonderland, and its sequel, Through the Looking Glass in 1871. The show opened on Aug. 4 to a packed house.

With the message to be true to yourself and to find your own voice, this year’s production, written by Jeffrey Sanzel, features a brand new score by Douglas J. Quattrock, exquisite costumes by Jason Allyn and a cast of over 35 actors who seamlessly play multiple roles.

Directed by Sanzel, the show opens on a rainy day at Camp Carroll Woods. The campers are bored and the camp counselor tries to keep them entertained indoors with a sing-along. A white rabbit suddenly appears but only one of the campers, Alice (Jillian Sharpe), can see him. In a curious pursuit, she tumbles down a rabbit hole and ends up in Wonderland where her “unusual adventure” begins.

With The Cheshire Cat (Kiernan Urso) always in the shadows, a strong-willed Alice must match wits with a list of bizarre characters as she takes part in a “What’s My Name?” contest with The Caterpillar (Heather Rose Kuhn); joins a tea party with The Mad Hatter (Steven Uihlein), The March Hare (Kaitlyn Jehle) and The Dormouse (Hazel Kamath); catches a ride with The White Knight (Liam Marsigliano); meets Tweedledee (Kaitlyn Jehle) and Tweedledum (Heather Rose Kuhn); and is invited to a game of croquet by The Queen of Hearts (Ginger Dalton), all while trying to catch up with The White Rabbit (Ava Garcia) and find her way home. When the kingdom’s tarts go missing, Alice is accused of stealing and must stand trial. Will she find her voice in time? 

Of course, a show like this would not be possible without the supporting cast — members of Theatre Three’s summer acting workshops play numerous roles including campers, contestants in a game show, flowers and a deck of playing cards.

The music and dance numbers, accompanied on piano by Douglas Quattrock, are terrific, especially “Here” with Alice and The Cheshire Cat; “Tea!” by the Mad Hatter, “Song of a Very Sad Knight” by The White Knight; “A Question of Belief” by Alice, and “Let the Good Times Roll” by The Queen of Hearts (“Nothing cheers me up like a good clean chop!”)

Full of whimsy and loaded with riddles, the play is a lot of nonsense, as Alice would say, but it sure is fun to watch as it gives a fresh feel to the story of the adventurous little girl following that dutifully late white rabbit through a maze of imaginative vignettes. Meet the cast in the lobby after the show for a keepsake photo.

Theatre Three, 412 Main St., Port Jefferson presents Alice’s Most Decidedly Unusual Adventures in Wonderland on Aug. 11 at 11 a.m. and Aug. 12 at 11 a.m and again at 2 p.m. Children’s theater continues with A Kooky Spooky Halloween from Oct. 7 to 21 and the holiday classic Barnaby Saves Christmas from Nov. 18 to Dec. 30. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com. 

The John W. Engeman Theater, 250 Main St., Northport will present ‘Urinetown The Musical’ on Monday, Aug. 7 and Tuesday, Aug. 8 at 7 p.m. The show is performed entirely by The John W. Engeman Studio’s audition-only elite Select Players.

Winner of three Tony Awards, three Outer Critics Circle Awards, two Lucille Lortel Awards and two Obie Awards, ‘Urinetown’ is a hilarious musical satire of the legal system, capitalism, social irresponsibility, populism, environmental collapse, privatization of natural resources, bureaucracy, municipal politics, and musical theatre itself! Hilariously funny and touchingly honest, Urinetown provides a fresh perspective on one of America’s greatest art forms.

​In a Gotham-like setting, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people, a hero decides that he’s had enough and plans a revolution to lead them all to freedom!

​Inspired by the works of Bertolt Brecht and Kurt Weill, Urinetown is an irreverently humorous satire in which no one is safe from scrutiny. Praised for reinvigorating the very notion of what a musical could be, Urinetown catapults the “comedic romp” into the new millennium with its outrageous perspective, wickedly modern wit and sustained ability to produce gales of unbridled laughter.

URINETOWN THE MUSICAL is directed by ANDREW MCCLUSKEY and choreographed by SABRINA KALMAN.

The Creative Team includes GINA SALVIA (Musical Director), LAURA MCGAULEY (Costume Design), EDWARD READ (Lighting Design), MELISSA PROCOPIO (Sound Design),ISABELLE KTENAS (Production Stage Manager), JENNIFER COLLESTER (Director of Production) and RICHARD DOLCE (Producing Artistic Director).

The cast of URINETOWN includes ABIGAL ANDERS, KIERAN BROWN, RICHIE CAMPBELL, ANNABELLE DEANER, ELI DEMACOPOULOS, FRANCIS DENTRONE, LIZZIE DOLCE, DIANA FOGEL, CASSIDY GILL, JULIA GORDON, TARA GRECO, DEREK HOUGH, BRADEN HUGHES, COOPER KEIL, NATALIE KUNKEL, MAX LAMBERG, ALEXANDRA MARTIN, MEAGHAN MCINNES, ALEXA OLIVETO, MADDIE QUIGLEY, VIOLET RADGOWSKI, JORDAN REILLY, LEAH ROMERO, JACOB SOLOMON, ARI SPIEGEL, LOGAN TAYLOR, ETHAN THODY, ANGELICA VIVIANI, SAMANTHA ZAFFERY, and RAY ZERNER.

Tickets are $25 for all performances. They may be purchased by calling 631-261-2900, going online at www.engemantheater.com, or by visiting the Engeman Theater Box Office at 250 Main Street, Northport.

 

By Heidi Sutton

The John W. Engeman Theater closes its 2022-2023 children’s theater season with the timeless tale of Cinderella, much to the delight of all the little princesses that showed up to last Saturday morning’s performance. With music by Jeanne Bargy and Jim Eiler and book and lyrics by Eiler, the story closes follows the original with a few hilarious twists and turns along the way.

We first meet the fairy godmother who “with a wave of a wand can make all of your wishes come true.” Looking at a list of the neediest cases of the day she discovers Ella, an orphan who lives with her evil stepmother and two demanding stepsisters Henrietta and Gertrude. Ella is treated like a servant and has to sleep in the kitchen by the fire, giving her the nickname Cinderella.

The audience is then whisked away to the castle where King Darling III is making arrangements to throw a ball so that his son Prince Charming can find a girl to marry before his 21st birthday. Invitations are sent out and as always poor Cinderella must stay behind but her fairy godmother will make things right. With a little bit of magic she turns a pumpkin into a royal coach and a handful of cinders become a beautiful ball gown complete with glass slippers. At the ball the prince is immediately smitten with Cinderella as they waltz the night away. But the stroke of midnight changes everything.

Directed and choreographed by Danny Meglio, the fast-paced production is clever, funny and charming. 

Olivia Giorgio is perfectly cast as Cinderella. Her recurring solo, “What Will Become of Me?” is heartfelt. Her fairy godmother, played to the hilt by Lacey Cornell, comes down into the audience often to talk to the children, giving time for set changes, and is often “invisible” on stage, assessing the situation before taking action. 

Natalie Seus has much fun in her role as the evil stepmother as do Alyssa Infranco and Miranda Jo Demott as the stepsisters who invent a special dance at the ball, the Sneeze Polka, which the entire audience is invited to take part in. 

Michael Fasciano draws the most laughs in his role as the extremely near-sighted King Darling III who is always walking in the wrong direction or mistaking one person for another. If not for the assistance of the Royal Guards, played by Jae Hughes and Gabe Cruz, he would’ve walked right off the stage!

The handsome Ryan McInnes makes a fine Prince Charming who only wants to marry for love. A highlight of the show is when he and the Royal Guards come into the audience and give little girls a chance to try on the glass slipper before the stepsisters have a go at it. 

Special mention must also be made of the costumes and wigs designed by Laura McGauley. From Cinderella’s dress to the fairy godmother’s robe to the purple wigs on the stepsisters, everything was magical.

Light-up wands are sold before and during intermission, costumes are encouraged and booster seats are available. Meet, greet and get autographs from the entire cast in the lobby after the show. An autograph page is conveniently located at the back of the program.

The John W. Engeman Theater, 250 Main St., Northport presents Cinderella on Saturdays and Sundays through Aug. 27. The 2023-2024 season kicks off with The Wizard of Oz from Sept. 23 to Oct. 29 and Frosty from Nov. 25 to Dec. 31. All seats are $20. To order, call 631-261-2900 or visit www.engemantheater.com.

New show at the Engeman Theater is a smash hit

By Julianne Mosher

Grab your favorite cocktail, a Hawaiian-print shirt and head on down to Northport to go wastin’ away again in Margaritaville at the John W. Engeman Theater. 

Its latest show, Jimmy Buffet’s Escape to Margaritaville, isn’t only for “Parrot Heads” or Buffet enthusiasts — it has something for everyone: a really good time. 

The show starts out following a part-time bartender/part-time singer, Tully, (who’s also a full-time ladies’ man) at his job on an island in the sun. Working at a tourist spot, he’s introduced to a visitor named Rachel who’s on location for a work trip/bachelorette party for her best friend, Tammy. 

A complete overachiever and workaholic, Rachel isn’t really expecting anything but gathering soil at the local volcano for her project. But Tully, intrigued by her, attempts to befriend her and eventually falls hard in love. 

Through the beachy sounds of Jimmy Buffet, the audience is taken on a journey of the island, learning the backstories (good and bad) of all the characters inhabiting it. Not only will the show make you laugh out loud, but you’ll be out of your seat singing along to popular hits including “Fins,” “Why Don’t We Get Drunk and Screw,” “Cheeseburger in Paradise,” and, of course, “Margaritaville.”

Directed and choreographed by Keith Andrews, the entire cast deserves accolades for their performance. Sam Sherwood (Tully) is a true star, while Amanda Bailey (Marley), Maggie Bera (Tammy), Hunter Brown (Brick) and Meadow Nguy (Rachel) shine alongside him. 

Dan Sharkey, who plays the questionable and somewhat lost J.D., will have you laughing and falling in love with his character, especially after you learn more about how he landed on the island. 

And if you like piña coladas, or any other fruity drinks, make sure you head to the theater a bit early for a pre-show where visitors can hop on stage, grab a beverage and listen to some tunes sung by the cast as if they are victors to the resort themselves!

That being said, the set design feels like you’re in the Caribbean or somewhere in Hawaii. Beautiful tropical flowers in bright, summer colors line the stage, while the house band (who is typically seated beneath the stage) performs live music front and center. 

But while the show primarily takes place at the resort, the cast does a great job with extras to flip between Tammy’s apartment, the airport, a restaurant in the states and of course, the volcano. Yes, there’s an active volcano that smokes right in the background. However, don’t worry — it hasn’t been active in years… when it killed real estate agents who were vacationing for a conference a few decades ago… (You’ll learn that backstory if you come by).

So, make sure you change into your shirt with a fun, bold print, put on your sandals and take a shot of tequila before you head down to The Engeman for a fantastic and fun night out because, remember, it’s always 5 o’clock somewhere!

The John W. Engeman Theater, 250 Main St., Northport presents Jimmy Buffet’s Escape to Margaritaville through Aug. 27. Showings include Thursdays and Fridays at 8 p.m., Saturdays and 3 p.m. and 8 p.m., and Sundays at 2 p.m. Some Wednesdays and Sunday evenings are available. Tickets are $80 or $85 for Saturday evenings. To order call 631-261-2900 or visit www.engemantheater.com.

The cast of 'Pippin'. Photo courtesy of The Community Playhouse of Northport

By Melissa Arnold

When a playwright starts working on a new script, they carefully describe the setting, time period, and each character. They may provide information about a character’s intended gender, age, physicality and singing voice. These traits are meant to serve as guides for directors as they select actors for the show.

All this might sound simple on paper, but in reality, it means that an otherwise talented actor may not be a good fit for certain roles. This is especially true for older adults, where opportunities for people in their age group are unfortunately few and far between. 

The Community Playhouse of Northport (CPN) works hard to create an atmosphere that’s welcoming to all kinds of actors, especially those with little to no experience. Each summer, they host a special “Bucket List Production” of a classic musical with a unique twist – all the lead actors are over 45, and all the ensemble members are over 30.

For people who have passed the age threshold for many theatrical roles, the accommodation is a dream come true.

The Bucket List shows began last summer, when a dedicated group of theater families formed the not-for-profit Community Playhouse of Northport. Their predecessor, the Northport Community Theater, was dissolved in 2021. 

“Many of us were friends before CPN formed — some of us were previous performers or had kids who knew each other from community theater,” said Amy Schombs, who handles publicity for the group. “We thought it might be fun to create an opportunity for those of us who’d like to be onstage but are often not in the right age group, or maybe they’ve never had any theater experience before.” 

This year’s Bucket List Production is Pippin, an energetic and surprising tale following the son of the historical King Charlemagne as he searches for fulfillment in young adulthood.

It’s also a show-within-a-show — the majority of the characters are part of a talented, sometimes zany group of performers who bring Pippin and Charlemagne’s story to life. This dynamic allows smaller ensemble roles to take center stage, which isn’t typical in a musical.

Schombs is also an ensemble performer for the show and admitted that getting onstage for the first time since high school was a big step out of her comfort zone.

“My mother took me to musicals all the time as a child and I grew up loving theater. I did some shows during high school and took a few acting classes in college, but that was it,” she recalled. “About 10 years ago, my then-teenage son decided to try out for his high school’s musical, and my whole family fell in love with theater.”

But it hasn’t been easy, she noted.

“At first it was really hard and intimidating, especially as someone who can’t read music and has no real experience. It’s been like speaking a foreign language at times,” Schombs said. “But it’s so much fun and I’m so glad I took a chance and decided to challenge myself.”

Scott Stevenson is in his early 70s, and thanks to Bucket List he’s making his theatrical debut as a comedic ensemble member.

“I’ve always enjoyed going to theater performances, and I’m comfortable onstage because I sing in a barbershop chorus based out of Five Towns College. I found myself going to shows and thinking, ‘You know, I bet I could do that,’” said Stevenson, who worked in the maritime industry prior to retirement. “My wife saw an advertisement for the Bucket List auditions in the paper and encouraged me to go for it.”

Stevenson showed up to audition and sang a few fast-paced bars of “I’m Gonna Live Till I Die” by Frank Sinatra. Not long after, he learned that he made the cast of Pippin. 

“I’ve been so impressed with everyone in the group, and they’ve been so welcoming to me as a newcomer,” he said. “It feels wonderful to try something new. To anyone out there who has ever had the dream of performing, I would encourage them to get out there and do it. Don’t let the chance pass you by.”

Seizing the opportunity comes up often for the Bucket List cast, the majority of whom have day jobs, families and other responsibilities. Executive director Suzie Lustig couldn’t be happier to have them.

“It had always been a hope of mine to bring this [Bucket List] idea to the Playhouse,” said Lustig, who is also the organization’s CEO. “There’s a lot of incredible talent on Long Island, and it’s very competitive. It gets harder as you get older — someone who’s a novice at an older age may not have a shot at participating in some shows elsewhere.”

The cast includes teachers on summer vacation, an IT professional, stay-at-home parents, a psychologist and many more.

“This cast is phenomenally committed — everyone is so enthusiastic and brings so much heart because they really want to be there, even after working all day and sacrificing their summer nights and weekends to make it happen,” Lustig said. “They come from all walks of life, but the cast has become great friends through this production.”

Schombs hopes that visitors will take a chance on the unconventional performance, and maybe even consider auditioning in the future. 

“I think there’s a bit of surprise for those who come to see us, because some people come in knowing we’re not experienced performers, but by the end we impress them with how hard we’ve worked and what we’ve been able to achieve,” she said. “Everyone should have items on their bucket list that push them and encourage them to try new things. I think the Playhouse provides an amazing way to do that.”

The Community Playhouse of Northport will present Pippin at 7:30 p.m. July 20 through July 22, with an additional 3 p.m. performance on July 22. Performances are held at the Harborfields High School Auditorium, 98 Taylor Ave, Greenlawn. Tickets are $15. To purchase or for more information about CPN and future Bucket List Productions, visit www.communityplayhousenorthport.org or call 631-683-8444.

The cast of 'Seussical Jr'. Photo by Heidi Sutton/TBR News Media

By Heidi Sutton 

Written in 2000 by Tony winners Lynn Ahrens and Stephen Flaherty, Seussical the Musical is a love letter to Theodor Seuss Geisel, aka Dr. Seuss, featuring stories from his  most famous children books including “Horton Hears a Who,” “Horton Hatches an Egg,” “Gertrude McFuzz,” “McElligot’s Pool” and “Oh the Thinks You Can Think!”

Now the Smithtown Center for the Performing Arts, in partnership with the Smithtown Historical Society, pays tribute to the creative genius by bringing his colorful characters to life in an outdoor production of Seussical Jr. on the historical society’s grounds through Aug. 17.

Acted out entirely in rhyme, the Cat in the Hat serves as narrator and introduces us to Horton the Elephant who one day hears a cry for help and discovers a floating speck of dust containing the town of Whoville. After safely placing it on a clover flower, the Wickersham Brothers steal it and hand it off to Vlad Vladikoff the black-bottomed eagle who drops it in a field of thousands of clover. Horton is then tricked into sitting on Mayzie LaBird’s egg for 51 weeks, is captured by hunters and eventually sold to the circus. When Gertrude McFuzz finds the clover and give it back to Horton, he is put on trial by Sour Kangaroo for “sitting on an egg and talking to a speck.” Will this faithful pachyderm ever catch a break? What will happen to the citizens of Whoville? Only Judge Yertle the Turtle will decide.

During last Saturday’s opening performance, the 13-member young adult cast — Eldan Bazile, Kat Conway, Alexa Gallery, Erin Risolo, Samantha Rubin, Molly Sanges, Ava Ross, Robby Boswell, Alex Eskin, Julia Gallery, Julia Jackson, Caroline Nuzzo, and Lorelai Mucciolo — did a phenomenal job transporting the audience to the Jungle of Nool. Other cast members include Katie Lehmann, Amanda Sidman, Kendall Danley, Allison Heidrich and Medha Rao.

The wonderful songs, including the catchy introduction “Oh, The Thinks You Can Think!” by the entire cast, to “Horton Hears a Who,” “Notice Me Horton,” an uplifting rendition of “It’s Possible,” Horton and Jojo’s duet, “Alone in the Universe,” and “Solla Sollew,” are perfectly executed. 

Using limited props, costumes and sets, the summer stock theater show is the perfect way for these young actors to hone their craft, with the audience seated less than 4 feet from the stage, and small children lounging on blankets in front of them. They learn to ignore the distractions such as a car beeping, a plane flying overhead or a child suddenly jumping up to grab a snack, as well as coping with the weather and bugs. Teamwork also plays a major role in this valuable experience of a lifetime. 

In the end, the audience walks away from this musical extravaganza with the inspiring message that “a person’s a person, no matter how small,” to follow your dreams and let your imagination fly. 

Smithtown Performing Arts Center presents Seussical Jr. at their outdoor stage on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown with no intermission on Thursdays Fridays and Saturdays through Aug. 17. All seats are $18.50. To order, call 800-595-4849 or visit www.smithtownpac.org.