Theater

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Join the Smithtown Center for the Performing Arts for a musical production of Mo Willems’ Don’t Let the Pigeon Drive the Bus! on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown on various dates from Aug. 28 to Sept. 17.

It’s not easy being the Pigeon — you never get to do ANYTHING! But when the bus driver has a crisis that threatens to make her passengers (gasp!) late, maybe that wily bird CAN do something. Featuring an innovative mix of songs, and feathers, Don’t Let the Pigeon Drive the Bus! The Musical! is sure to get everyone’s wings flapping.

Tickets are $18 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.

Volunteers at a previous Dickens Festival in Port Jefferson line up for the Giant Puppet Parade. Photo by Heidi Sutton

Hear ye! Hear ye! Casting of “street characters” for the 25th annual Port Jefferson Charles Dickens Festival on Dec. 4 and 5 is currently underway. Adults, teens and children are needed for scripted scenes and improv as well as some singing and dancing. No experience necessary. Participants have the option of joining for a portion of the festival weekend or for the long haul for the rehearsals and scenes. An informational meeting will be held on August 24 at 7 p.m. at the Port Jefferson Village Center, 101 E. Broadway, Port Jefferson. For more information, email Karen at [email protected].

Aiko Tanaka

Save the date! Theatre Three, 412 Main St., Port Jefferson hosts the 15th annual Long Island Comedy Festival on Friday, Aug. 27 and Saturday, Aug. 28 at 8 p.m. Hosted by Paul Anthony, Friday’s comedians include John Santo, Aiko Tanaka, Eric Haft and Chris Roach. Saturday’s comedic line-up includes Talia Reese, Dennis Rooney, Mark DeMayo and Richie Byrne. Tickets are $35 per person per show. To order, call 631-928-9100 or visit www.theatrethree.com.

From left, Michael and Deborah Livering and Terri Morrissey with an announcement that PAS will reopen in September. Photo from PAS

By Michael Tessler

What is a community without theatre? Theatre brings us comfort, joy, a sense of wonder, togetherness, and an appreciation for life. For children, especially those lucky enough to find themselves on stage, it is a great escape and a wonderful place to learn about humanity and its many expressions. It is a safe way to learn and explore. For theatre kids like me, it is a home away from home and the place you can truly feel most like yourself. 

For so many children in our community, the Performing Arts Studio (PAS) of New York at 224 East Main Street in Port Jefferson is the beating heart of our hometown. Mayor Margot Garant has called it a “hidden gem.” Right now, this incredible staple of our village is in need of our help. 

For 25 years, a dynamic trio who has brought music, laughter, tears, and every imaginable expression of the arts to a small but magical theatre in Port Jefferson. They are a gift to this community. Deborah and Michael Livering  and Terri Morrissey were some of the first people to ever believe in me. They are true professionals. Class acts who have impeccable talent and have chosen to dedicate their lives to helping young performers find themselves and immerse themselves in all the wonder and adventure theatre has to offer. 

This small studio is unique. Its black box stage is cozy but limitless. Countless children have spent their days after school and summer breaks discovering themselves and the magic of the arts. This is a place where lifelong friends are made. I would know; even two decades later and my old cast members still feel like family. 

Times Beacon Record News Media has been the beneficiary of PAS’ great talent as well; our paper’s first original film One Life to Give and its sequel, Traitor, featured several veteran actors trained at PAS including Dave Morrissey, Jr. and Max Golub.

A veteran of Broadway, Deborah Livering has taken her remarkable voice and talent and used it to uplift a new generation of performers. Her husband Michael is a master of the keyboard and Miss Terri is the most beautiful and pure soul you’ll ever meet — the lessons she’s taught me and countless other children have guided us through life and endure long after curtain call.

PAS has been closed due to COVID-19 since March of 2020 and forced to downsize. The show must go on and our friends at PAS need our help. They’ve launched a GoFundMe with plans to reopen in September and the community has already been pouring in with words of encouragement and much needed donations. 

Theatre isn’t just great entertainment. It is the embodiment of community — countless individuals coming together to make something truly magical. Let’s help make sure live theatre makes a roaring comeback in Port Jefferson. You can support PAS by donating at https://gofund.me/89cc325e.

I’d also strongly encourage you to visit my dear friend Jeffrey Sanzel and the amazing folks at Theatre Three as they return to live shows. How blessed we are as a community to have stages filled with so much love and endless talent. Tickets are on sale now! 

Michael Tessler is a film and television producer living in Los Angeles. He previously served as Director of Media Productions for TBR News Media and is a proud PAS alum.

Photo from John W. Engeman Theater
The John W. Engeman Theater, 250 Main St., Northport released the following statement on August 3:
Due to the recent increase in Covid-19 cases and our ever changing public health safety environment, all patrons of The John W. Engeman Theater at Northport will need to be fully vaccinated* with an FDA-authorized vaccine to attend a performance. All patrons entering the theater must show proof of vaccination with their valid ID. A Vaccination Card or Excelsior Pass are both acceptable forms of proof.

At this time, we echo the CDC’s recommendation that all patrons wear a mask inside the theater unless actively eating or drinking.

Proof of vaccination will be required of all patrons over the age of 12. Children under the age of 12 may still attend performances with a fully vaccinated adult, but they will be required to wear a mask throughout their time at the theater.

Please understand these measures are in place for the safety and health of our patrons, employees and our community as a whole. We hope to continue providing beautiful memories and productions for as long as possible and these protocols will help us to do so. We thank you in advance for your cooperation and please feel free to contact us if you have any questions.

“Fully vaccinated” means the performance date you are attending must be:

At least 14 days after your second dose of the Pfizer-BioNtech or Moderna COVID-19 vaccine, or

At least 14 days after your single dose of Johnson & Johnson’s Janssen COVID-19 vaccine.

The John W. Engeman‘s COVID-19 protocols remain subject to change. Any changes will be clearly communicated to ticket holders in advance of their performance.

By Heidi Sutton

The John W. Engeman Theater celebrates the return of children’s theater with a production of Disney’s The Little Mermaid Jr., an abbreviated version of the 1989 animated classic based on the Hans Christian Andersen fairy tale. With music by Alan Menken, book by Doug Wright and lyrics by Howard Ashman and Glenn Slater, the show, which opened last Saturday morning, begins with the seafaring number “Fathoms Below” and never loses its momentum.

Directed by Steven Dean Moore, with musical direction by Nicki Winzelberg and choreography by Becky Grace Kalman, the story centers around Princess Ariel, the youngest mermaid daughter of King Triton, who is obsessed with the world above and longs to trade in her fish tail for a pair of legs, much to the dismay of her father. 

When she falls in love with Prince Eric, Ariel strikes a bargain with her aunt, the evil sea witch Ursula, to become human. There is a catch however — Ariel must give up her voice and Eric must fall in love with her in three days or she will lose her soul forever. With the help of her best friend Flounder, the court composer Sebastian the crab, and a seagull named Scuttle, Ariel sets off to follow her heart. Will love conquer all or will revenge strike it down?

Katie Dolce is perfectly cast as the strong-willed Ariel and her solo, “Part of Your World,” is breathtaking. She shares a nice chemistry with Matthew Rafanelli, her charming Prince Eric, who holds his own with “One Step Closer” where he teaches a mute Ariel how to dance in one of the most endearing moments in the show.

In his debut at the Engeman, T. Ramsey Pack is incredible as Sebastian. With a spot on Jamaican accent, a calming presence, and flawless comedic timing, Pack is the perfect crabby crustacean tasked with keeping an eye on Ariel and pulls off the show’s two most elaborate numbers, “Under the Sea” and “Kiss the Girl,” with ease. He even walks like a crab! 

Jae Hughes’ amazing talents abound in the role of Scuttle and shines in the tap-dancing number “Human Stuff” while teaching Ariel all about dinglehoppers, thingamajigs and snarfblatts, la-di-da! And AnnaBelle Deaner, as bestie Flounder, is in perfect harmony with Ariel’s sisters — Allana (Ella Piscatello), Aquata (Angelina Miller), Atina (Elizabeth Dolce), Adella (Amelia Freiberger), Arista (Jenna Hammelman) and Andrina (Meaghan McInnes) — in “She’s in Love.” 

The role of Ursula is shared by Jennifer Collester and Samantha Carroll. During Saturday’s show, Collester gave a powerful performance of the villainous sea witch — her version of “Poor Unfortunate Souls” will give you chills. And Suzanne Mason and Ryan McInnes are downright creepy as the slithering moray eel minions Flostam and Jetsam. Great job!

One of the most entertaining scenes of the show takes place in the palace kitchen with Chef Louis. Elizabeth Dolce takes this delicious role and runs with it, literally, as she attempts to serve Sebastian for dinner. Her version of “Les Poissons,” complete with a French accent and a chase scene, is hilarious!

Supporting cast members also include Justin Autz as Prince Eric’s confidant Grimsby, always by his side; Moore Theobald as the head sailor on Prince Eric’s ship; and Logan Dolence as King Triton, a protective and loving father.

As an added bonus, a large screen in the background changes with the scenery (the deck of a ship, Ariel’s grotto, the beach, the castle, etc) and shows scenes from the movie which are hard to replicate on stage including when Ariel saves Prince Eric from drowning and when Ariel gives her voice to Ursula. A nice touch. 

The incredibly beautiful costumes by Laura McGauley, from the colorful merfolk outfits and wigs, royal palace garbs, Scuttle’s feathers, Ursula’s tentacles, and iridescent eel puppets are the icing on the cake.

The cast and creative team have composed a wonderful morning of live theater. Don’t miss this one! 

The John W, Engeman Theater, 250 Main St., Northport presents Disney’s The Little Mermaid Jr. Saturdays at 11 a.m. and Sundays at 10:30 a.m. through Aug. 22. The Disney theme continues with Beauty & the Beast Jr. from Sept. 25 to Oct. 31. All seats are $20. For more information or to order, call 631-261-2900 or visit www.engemantheater.com.

All photos by Corinne Wight

A view of the bell tower from the Vanderbilt Mansion courtyard. Photo by Cayla Rosenhagen

By Cayla Rosenhagen

Cayla Rosenhagen

Passing through the elaborate iron gates leading into the Vanderbilt Eagle’s Nest estate, visitors are swept back through time to a decade long gone. Guests are immersed in the decadent Gold Coast era of Long Island’s history. 

For many years, the Eagle’s Nest mansion and the rest of the Vanderbilt Museum and Planetarium in Centerport have been one of my favorite locations to explore. My family and I are frequent visitors. On July 16th, we had the pleasure of returning to the Vanderbilt property to attend the 31st annual Shakespeare Festival.

Eagle’s Nest, a 24-room Spanish Revival mansion, was constructed by famed architects Warren and Wetmore by order of William K. Vanderbilt II, great-grandson of Cornelius Vanderbilt in 1910. In 1950, the estate and grounds were transformed into an education center, inviting the public to come visit and live like a Vanderbilt.

On the evening of our visit, Shakespeare’s “As You Like It,” was being performed by the Carriage House Players in the grand, cobblestone courtyard situated in the middle of the manor. Arriving early to picnic on the back garden terrace, we indulged in delectable take-out from a local café. We set up our lawn chairs by the fountain, where we had a breathtaking vista. Across the well-manicured, grassy slopes, Northport Bay stretched calmly between us and the peninsula of Eaton’s Neck. It was a clear evening and the Sound with Connecticut beyond it was in perfect view. Robins foraged nearby and swallows practiced their aerial acrobatics overhead.

Shortly before the play began, we gathered in the courtyard with several dozen other audience members to take our seats. The courtyard, an ideal setting to watch one of the Bard’s most beloved plays, was illuminated by intricate iron lanterns and string lights overhead. Lined with garden beds of vibrant flora, the space radiated with Mediterranean splendor. The half-moon shone brightly over the terracotta-roofed belltower above the portcullis entrance. 

The play itself was a joy to watch. The actors truly enraptured the wit, humor, and magic of Shakespeare. By the time the show ended with an extended applause, the sun had set, and the stars appeared above us in the twilight sky. As the other guests exited, I took a moment to myself on the back patio, soaking up the enchanting moment. In a dream-like state, I watched the glimmering fireflies over the lawn and gazed out upon the water. Sailboats, only visible in the night by their multihued lights, paraded by with chiming bells. A faint melody of whimsical, classical music filled the salty, sea air. As I left the fairytale-like setting, I knew I would be back there again soon.

Throughout the summer, the museum hosts live theatrical performances in the courtyard every Wednesday and Friday at 8 p.m. and on Sundays at 7 p.m. This year, the featured plays are “As You Like It,” “Titus Andronicus,” and “Richard III.” Tickets for the shows are $20 for adults and $15 for seniors and children. In addition to plays, the Vanderbilt grounds also host a variety of other events. These include tours of the mansion and museum exhibitions, magic shows, concerts, art workshops, yoga classes, and a wide array of planetarium shows at the Reichert Planetarium for the whole family’s enjoyment. Please see their website, vanderbiltmuseum.org, for more details.

Cayla Rosenhagen is a local high school student who enjoys capturing the unique charm of the community through photography and journalism. She serves on the board of directors for the Four Harbors Audubon Society and Brookhaven’s Youth Board, and is the founder and coordinator of Beach Bucket Brigade, a community outreach program dedicated to environmental awareness, engagement, and education. She is also an avid birder, hiker, and artist who is concurrently enrolled in college, pursuing a degree in teaching.

By Heidi Sutton

For the second year in a row, the Smithtown Center for the Performing Arts will present outdoor performances of Disney’s Moana Jr. on the grounds of the Smithtown Historical Society through Aug. 14. With a new performance space behind the Frank Brush Barn, a larger and more elaborate set, fresh choreography and the return of most of the original cast, the show launched last Thursday night and brought the house down.

The Cast:
Moana: Gabriella Fugon
Maui: Michael Gualtieri
Gramma Tala: Gianna Oppedisano
Sina: Adrienne Porti
Chief Tui: Logan O’Leary
Tamatoa: Alia Romanelli
Pua: Zachary Podair
Hei-Hei: Lorelai Mucciolo
Chief Ancestor I: Max Lamberg
Chief Ancestor I: Dylan O’Leary
Chief Ancestor II: Gabby Blum
Chief Ancestor III: Gabrielle Arroyo
Right Claw: Derek Hough
Left Claw: Justin Walsh Weiner
TeFiti/TeKa: Savannah Shaw
Ensemble/Claw Understudy: Ari Spiegel
Ensemble: Jonathan Setzer

The strong-willed daughter of Chief Tui and his wife Sina, Moana lives on the Polynesian island of Motunui, never straying beyond the safety of the lagoon. When the island’s coconuts turn black and the fish in the lagoon disappear, she follows the advice of her grandmother and sets sail on a journey across the Pacific Ocean to find the demigod Maui, so that he might help her restore the heart of Te Fiti, the Polynesian goddess of earth and life, and save her people from starvation.

Along the way, the pair stop at Lalotai, the Realm of Monsters, to retrieve Maui’s magical fishhook from Tamatoa, a giant coconut crab, and battle the volcanic demon Te Kā.

Directed by Courtney Braun and Jordan Hue, with musical direction by Melissa Coyle, the stage adaptation follows the 2016 animated film Moana closely and hits all the right notes with the wonderful songs by Lin Manuel-Miranda from the film including “Where You Are,” “How Far I’ll Go,” “Shiny,” “I Am Moana (Song of the Ancestors)” and “You’re Welcome.”

The young energetic cast does an excellent job in retelling the story.

Reprising her role as Moana, Gabriella Fugon is perfectly cast and tackles her solos with confidence and ease. Her rendition of “How Far I’ll Go” could easily match that of Auli’i Cravalho (the voice of Moana in the film). Her vocals are flawless.

Michael Gualtieri is equally matched as the self-centered and egotistical Maui. His rendition of “You’re Welcome” is magnificent. 

While the entire cast has strong voices, special mention must also be made for Logan O’Leary in “Where You Are,” and Alia Romanelli in “Shiny.”

The show itself is a visual feast for the eyes. Costumes by Ronald R. Green III are colorful and fun with Polynesian dresses, grass skirts, leis and flowers in the hair. The set, designed by Michael Mucciolo, is quite impressive. Everywhere you look the legends and traditions of the Polynesian people are evident with Moana’s traditional camakau (canoe) and oar as the centerpiece. Long flowing sheets in shades of blue are used to represent waves and a screen print depicts the beach and ocean. 

As with many children’s theater productions, there is a moral to the story, best described by co-director Courtney Braun. “Moana really provides a lesson for each individual audience member. A journey of self-love and passion for some, the importance of family for others, and most importantly — a strong message of perseverance and overcoming fears.”

Don’t miss this one.

While folding chairs are available, theatergoers are welcome to bring blankets or chairs for seating. Mats are available for smaller children who would like to sit up front. Bathrooms are available on the premises and merchandise and water will be sold before and after the event (debit or credit only).

The Smithtown Center for the Performing Arts presents Moana Jr. on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown on various dates and times through Aug. 14. Running time is one hour with no intermission. Tickets are $18 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.

By Barbara Anne Kirshner

Main Streets all across our great nation are home to local theatres with their sparkling neon lights inviting us in to enjoy the enchantment of musicals, comedies and dramas. However last March, due to an unprecedented pandemic that forced the entire world to shut down, theatres suddenly fell into darkness, becoming specters of their former selves. But recently one by one those extinguished lights were turned back on once more illuminating Main Streets as they proudly announce the resurrection of live theatre.

Theatre Three, housed in that distinguished 160-year-old historic building in Port Jefferson, reopened its Mainstage doors on July 16th with the heartwarming fan favorite, The Fantasticks.

Kudos to Jeff Sanzel for celebrating the comeback of live theatre with this much loved classic. We need to escape into an endearing romantic musical right now and Theatre Three delivers. The message of The Fantasticks, that we can all survive and grow, is especially meaningful as we rise once more from a world ravaged by.

This allegorical tale is loosely based on the 1894 play The Romancers (Les Romantiques) by Edmond Rostand. Tom Jones (libretto and lyrics) and Harvey Schmidt (music) created a show that holds the distinction of being the world’s longest running musical having premiered at the Sullivan Street Playhouse off-Broadway on May 3, 1960 accumulating 17,162 performances before it closed on January 13, 2002, after 42 years. A revival opened August 23, 2006 at The Theater Center off-Broadway where it ran through June 4, 2017. 

Simplicity accompanied by theatricality are key elements to The Fantasticks and are exquisitely displayed through the light romance of a girl and the boy next door against a backdrop of minimal set by Randall Parsons with a small platform, two benches, two trunks, streetlight and a piano. Lighting design by Robert Henderson, Jr. helps create the intimacy, the magical moonlight and the reality that comes with the sun. 

Director Jeffrey Sanzel has assembled a versatile cast with actors called upon to not only sing, dance and act but play musical instruments.

Steve McCoy is captivating as the swashbuckling narrator El Gallo who weaves an irresistible spell immersing us in this timeless tale. With the beautifully melodic and pivotal song “Try to Remember,” he entreats us to return to a time of innocence   “When life was slow and oh, so mellow” and if we remember then “follow, follow, follow.” He is the conjurer creating romance, then mischief.

The Mute portrayed by Michelle LaBozzetta provides the only concrete tones to this intentionally abstract show. She is the wall separating the houses; she gracefully throws confetti into the air representing the change of seasons and she passes out props.

Meg Bush as Luisa/The Girl with her operettic soprano in addition to her ability to play both the flute and guitar is unique. Her Luisa personifies innocence. She is the dreamer, the moonstruck girl who pleads, “I am special. Please, God, please, don’t let me be normal.” We can’t help but empathize. Matthew Hoffman as Matthew/The Boy with his resonant tenor adds a depth of emotion to Jone’s lyrics. His seductive saxophone embraces Schmidt’s jazzy score.

Kyle Imperatore as Bellamy/The Girl’s Father and Jeffrey Hoffman, Hucklebee/The Boy’s Father give delightfully comedic performances as their pretense of a feud tricks their children into falling in love. Hoffman is a multi-talented force who smoothly transforms from musical conductor and pianist to Hucklebee and back again. 

The fathers know all too well that the feud must appear to finally come to an end. They enlist El Gallo to “kidnap” Luisa so Matt can be her hero by rescuing her. To assist in staging this first class abduction, El Gallo calls upon The Old Actor (Henry) played by Jeffrey Sanzel and his sidekick, The Man Who Dies (Mortimer) played by Steven Uihlein. Their antics are so much fun the moment they climb out of their costume box.

It is interesting to note that Tom Jones played the role of The Old Actor in the original Off-Broadway production and in the 2006 revival Jones recreated the role in addition to directing as Sanzel is doing in this production.

Chakira Doherty’s costumes help to reinforce the mood from Luisa’s floating dress emphasizing the innocent, dream-like quality to El Gallo’s dashing long black coat. Sari Feldman’s choreography supplies the right touch of theatricality particularly in the frenzied “The Abduction Ballet” and the frenetic “Round and Round.”

Theatre Three’s production of The Fantasticks is charming and entertaining with catchy songs that you leave the theatre singing.

Theatre Three, 412 Main St., Port Jefferson presents The Fantasticks on Fridays and Saturdays at 7 p.m. and Sundays at 3 p.m. through Aug. 15. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photo from East End Arts

East End Arts & Humanities Council, Inc. has announced the winners of the 2021 Teeny Awards. An award ceremony was broadcast live from the Westhampton Beach Performing Arts Center on July 11.

And the winners are:

LEAD MALE IN A PLAY, Kiernan Urso in the role of George Spelvin in “The Actor’s Nightmare” at Longwood

LEAD FEMALE IN A PLAY, Jessica Soledad in the role of Juror #8 in “12 Angry Jurors” at Hampton Bays

SUPPORTING MALE IN A PLAY, Isaiah Mraz in the role of Corey in “Our Place” at Southold

Photo from East End Arts

SUPPORTING FEMALE IN A PLAY, Emma Martinez in the role of Betty-Sue in “It’s Always the Butler” at Shelter Island

LEAD MALE IN A MUSICAL/MINI-MUSICAL, Kiernan Urso in the role of Dr. Jekyll/Mr. Hyde in “Jekyll & Hyde” at Longwood

LEAD FEMALE IN A MUSICAL/MINI-MUSICAL (TIE)

Angelina Milici in the role of Lucy Harris in “Jekyll & Hyde” at Longwood
Juliet Rand in the role of Lady of the Lake in “Spamalot: The Socially Distant Concert-ish Version” at Southold

SUPPORTING MALE IN A MUSICAL/MINI-MUSICAL, Quinn Bruer in the role of Taunter, Herbert, & Monk in “Spamalot: The Socially Distant Concert-ish Version” at Southold

SUPPORTING FEMALE IN A MUSICAL/MINI-MUSICAL, Zoe Richardson in the role of One-Eyed Pete in “Take Ten!” at Pierson

OUTSTANDING PERFORMER IN A PLAY, MUSICAL/MINI-MUSICAL, OR MUSICAL REVUE (TIE)

Silas Jones in the role of Dance Captain in “Anything Goes” in the Musical Revue: “Pandemic Pandemonium of 2021” at East Hampton
Brenna Kiernan in the Musical Revue: “A Broadway Revue” at Rocky Point

OUTSTANDING CHOREOGRAPHY

Elizabeth and Jacqueline Gluck for “I Feel Pretty” in the Musical Revue: “The Southampton Broadway Revue”

OUTSTANDING POSTER DESIGN (TIE)

Vanessa Aurigue for “Jekyll & Hyde” at Longwood Belle Penny for “Our Place” at Southold

JUDGES CHOICE

“Jekyll & Hyde” at Longwood “Les Misérables” at Miller Place

BEST SOLO PERFORMANCE IN A MUSICAL REVUE, Zoe Richardson for “Dream a Little of Me” in “Take Ten!” at Pierson

BEST DUET/TRIO PERFORMANCE IN A MUSICAL REVUE, Tessa Cunningham, Brenna Kiernan & Samantha Leversen for “Webber Love Trio” in the Musical Revue: “A Broadway Revue” at Rocky Point

BEST GROUP PERFORMANCE IN A MUSICAL REVUE, “Seize the Day” in the Musical Revue: “Hope Rising” at Riverhead

BEST MASTER OF CEREMONIES/HOST/NARRATOR IN A MUSICAL REVUE, Johan Arias as Master of Ceremonies in “The Southampton Broadway Revue” at Southampton

BEST MUSICAL PERFORMANCE IN A VIDEO, Camryn Trant for “Stupid with Love” at Mattituck

BEST MONOLOGUE PERFORMANCE IN A VIDEO, Michael Marziliano for “Trinculo (The Tempest)” at Bellport

For the full list of the nominees & winners, visit www.eastendarts.org

For more information or details about the ceremony please contact Teeny Awards Coordinator Kasia Klimiuk at 516-297- 4123 or email [email protected]