Kids

By Heidi Sutton

Barnaby, Santa and Franklynne in a scene from the show.

This weekend the Village of Port Jefferson will celebrate its 23rd annual Charles Dickens Festival. Among the many events to attend this year will be Theatre Three’s production of “Barnaby Saves Christmas.” Written 15 years ago by Douglas Quattrock and Jeffrey Sanzel, the adorable musical, with its wonderful score and dance numbers, is the perfect way for families with young children to kick off the holiday season.

It’s Christmas Eve at the North Pole and Barnaby, the smallest elf in Elf School, is busy making a toy that Santa requested — a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest. When he realizes that Santa has left without it, he enlists the help of Franklynne, the littlest reindeer, to track down Santa and give the toy to him.

S.B. Dombulbury is up to his old tricks again!

During their adventures they meet Sarah and Andrew who teach them about Hanukkah and the Festival of Lights. They also bump into the sneaky S.B. Dombulbury and his henchperson Irma who are trying to ruin Christmas by stuffing all the chimneys with coal.

As director, Sanzel has assembled an outstanding cast to convey the story.

Eric Hughes returns for his third year as Barnaby, perfectly capturing his character as just wanting to fit in, and Michelle LaBozzetta tackles the role of Franklynne (It’s spelled with two n’s and a y — that makes it a girl’s name!) with just the right amount of spunkiness one would expect from a flying fawn. Andrew Lenahan is incredible in the dual role of Santa and Andrew, and Ginger Dalton is charming as both a slightly confused Mrs. Claus and Sarah.

Nicole Bianco and K.D. Guadagno play Crystal and Blizzard, two of Santa’s elves who are constantly hypnotized by S.B. Dombulbury to help him carry out his evil plan and at one point chase Barnaby and Franklynne through the audience like zombies in one of the funniest moments in the show. As a special treat, Jason Furnari, who originated the role of Barnaby, plays Sam the stressed-out head elf. However, it is the comedy tag team of Steven Uihlein as S.B. (spoiled brat) Dombulbury and Dana Bush as Irma that steal the show with their many antics. Their journey to redemption is heartfelt.

Santa’s elves, Barnaby, Sam, Blizzard and Crystal

The nine songs, accompanied by Quattrock on piano, are delightful, with special mention to “Miracles” and “Within Our Hearts.” The costumes, designed by Teresa Matteson and Toni St. John, are fun and festive as is the choreography by Bianco, and the special effects through the use of lighting is magical.

With the underlying message to “be the very best you can be,” “Barnaby Saves Christmas” is a beautiful story of hope, miracles and love. Don’t miss this one.

Souvenir elf and reindeer dolls will be available for purchase during intermission. Stay after the show for a photo with Santa Claus if you wish — the $5 fee goes to support the theater’s scholarship fund — and meet the rest of the cast in the lobby. Running time is one hour and 10 minutes with one intermission. Booster seats are available.

Theatre Three, 412 Main St., Port Jefferson will present “Barnaby Saves Christmas” through Dec. 29. Children’s theater continues with “Jack & the Beanstalk” from Jan. 19 to Feb. 23. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

New York City Ballet’s Brittany Pollack and Daniel Ulbricht are this year’s special guests. Photo courtesy of New York Dance Theatre

New York Dance Theatre, under the direction of former New York City Ballet soloist Frank Ohman, will present its 37th season of “The Nutcracker” at Hofstra University, 1000 Hempstead Turnpike, Hempstead, on Saturday, Dec. 15 and Sunday, Dec. 16 with performances each day at noon and 5 p.m. 

Special guest artists Daniel Ulbricht and Brittany Pollack of New York City Ballet return to perform as the Sugarplum Fairy and her Cavalier.   

Over the years, Frank Ohman has created original dances and scenes that have been incorporated into the ballet, but as a former student and soloist under George Balanchine he is one of a select few authorized to use the original pas de deux choreography of his mentor. Ohman will continue his tradition of playing the role of the grandfather in the party scene that opens the ballet.

The role of Clara’s mysterious godfather Herr Drosselmeier will be played by former New York City Ballet soloist Robert Maiorano.   

With the elegant Christmas party scene, the drama of the magical growing Christmas Tree, the Battle of the Toy Soldiers and Giant Mice, the live Snow Storm and the brilliant dancing in the Land of the Sweets, “The Nutcracker” appeals to all ages.

In all, a cast of 80 children, preprofessional and professional dancers will bring this classic story ballet to life on the stage of the university’s John Cranford Adams Playhouse. The children’s roles are performed by students of the Frank Ohman School of Ballet in Commack, representing a variety of towns in Nassau and Suffolk counties.

Tickets for this full production ballet are $42 adults, $32 seniors and children 12 and under. To order, visit  www.ohmanballet.org or call 631-462-0964. 

Reviewed by Jeffrey Sanzel

“Not to brag (well, this is my story, so I guess if I’m going to brag, this is the place to do it, right?) but my house is the most beautiful, most magical, most jaw-droppingly fabulous place in the world …”

So begins Jenna Gavigan’s charming young adult novel “Lulu the Broadway Mouse,” appropriately subtitled “Tiny Dreamer. Big Dream.” And what is the protagonist’s house? It is the Shubert Theatre, located at 225 West 44th Street in New York City. Here is where the sassy young mouse and her family work and reside.

Jenna Gavigan

Gavigan made her Broadway debut as a teenager in the 2003 “Gypsy” revival, which starred Bernadette Peters. It is clear that Lulu is both a celebration of the author’s experience as well as a peek behind the curtain. “Show business is an uncertain path full of highs and lows, hills and valleys, sunshine and clouds … but still …” The tale (tail?) paints a picture of a theater world that is both exciting and challenging, full of rewards and disappointments — but, most of all—lessons in life.

Lulu works with her mother in the wardrobe department and has one goal:to perform on a Broadway stage. While it’s a daunting proposition, she is a wonderful role model of inspiration and drive:

“Here’s the thing, though. In case you’d forgotten. I know I’m eloquent and funny and it’s easy to forget … I’m a mouse. A darn cute and talented one, but, well mice can’t be on Broadway. At least, none of us ever have been. I know it’s not fair. It’s just the way it is. True, plenty of things never happened until they did. No one had ever walked on the moon until that Neil Armstrong guy did it.”

Lulu we learn (like all mice) can talk. “We can talk everywhere … but so far, only theatre people listen.” Gavigan creates a mythology with the story of a seamstress, Bet, who befriends Poppy, the first mouse ever to work in the building. It is a wonderful story in the narrative’s rich tapestry. “These mice are here to help us,” says Bet. “They’re our coworkers, not our enemies.” 

Lulu’s world is populated with a winning variety of characters including the stage manager, the child wrangler, the dance captain, backstage staff, actors and, of course, the show’s star, the regal-yet-kind Stella James. “What’s important is to remember that it takes a team, a village, a family to put on a Broadway show and take care of the theatre.” Here is the bustle of theater life, the demands of rehearsals and the excitement of performance. And we are appropriately reminded that it is not just the performers but everyone from box office to backstage who make the magic.

Driving the story is the arrival of young and diminutive Jayne, the new understudy for the show’s child star, Amanda. Amanda is the epitome of selfish and self-absorbed; she is a bully and a manipulator.  “Sometimes dreams come with terms and conditions. Sometimes dreams come with Amanda.” But Gavigan ultimately presents a dimensional character, whose harshness is rooted in a deep-seated insecurity.

What ensues in this enchanting work and how Lulu pursues her dream make for an eventful and engaging journey: “Because everyone — no matter what size or species — deserves to live their dream.”

While the book will be embraced by children (and adults) with a passion for theater, the lessons that are offered are universal and told in a way that all readers will embrace the joy that is both the heart of Lulu and Lulu the Broadway Mouse.

Recommended for middle school readers, “Lulu the Broadway Mouse” is available at your local Barnes & Noble bookstore; can be ordered at Book Revue in Huntington; and is online at Running Press Kids, Hatchette Book Group; Barnes & Noble; and Amazon. For more information on the author, visit iamjennagavigan.com and on Twitter and Instagram @Jenna_Gavigan.

By Heidi Sutton

The holiday season has arrived at the Smithtown Center for the Performing Arts, and while adults can enjoy a performance of “White Christmas,” younger audiences can go see Ken Ludwig’s “Twas the Night Before Christmas.” The adorable show runs through Dec. 30.

Directed by Christine Boehm, the play opens on a snowy Christmas Eve with Uncle Brierly (Tom Catt) reading Clement C. Moore’s classic poem, “Twas the Night Before Christmas” to the audience. He gets as far as, “Not a creature was stirring, not even a mouse” only to be interrupted by Amos the mouse (Jae Hughes) who is in fact stirring, cookie dough that is, to make cookies for Santa in hopes that he’ll show up this year.

Turns out that Amos and his best human friend Emily (Lorelai Mucciolo) were left off the Naughty or Nice list last year by Santa and didn’t receive any presents.

As they lament over their misfortune, an elf named Calliope (Lisa Naso) arrives to investigate. Seems a lot of children were left off the list last year, and Calliope enlists the help of Emily and Amos to prevent this from happening again. With only a few hours left until Christmas Day, the three set off on an airplane to the North Pole on a quest to find this year’s Naughty and Nice list and to save Christmas. When they arrive at Santa’s workshop, they discover that a former elf, Sir Guy of Gisbourne (Catt), with the help of his sidekick Mulch (Anthony Panarello), sold the children’s Christmas list to retailers last year and plans to do it again this year. Can they be stopped in time?

Hilarity ensues with a chase scene through the audience, a surprise appearance from Amos’ brother (the incredible Hughes in a dual role), an exciting sword fight, a special visit by Santa and even a little snow in the theater at the end with the underlying message to make life an adventure.

With a running time of approximately one hour with a 15-minute intermission, this action-packed family-friendly show is the perfect first introduction to live theater. Booster seats are available. Meet the cast in the lobby after the show for a holiday photo.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present Ken Ludwig’s “Twas the Night Before Christmas” through Dec. 30 followed by Disney’s “Aladdin Jr.” from Jan. 12 to Feb. 24. All seats are $15. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org

By Heidi Sutton

It’s beginning to look a lot like Christmas, especially at Theatre Three in Port Jefferson. Beautifully decorated for the holidays, the historic theater is currently presenting its annual production of Charles Dickens’ “A Christmas Carol,” a community treasure that is celebrating its 35th season. 

Based on Charles Dickens’ 1843 novel of the same name, the story is a familiar one that needs to be retold often as a reminder to keep the spirit of Christmas in our hearts all year round. 

Adapted for the stage by Theatre Three’s Executive Artistic Director Jeffrey Sanzel, it tells the tale of Ebenezer Scrooge (Sanzel), a man who has allowed himself to succumb to the mighty dollar and lives in the world of business. When we meet Scrooge for the first time, he is a bitter and stingy and feared man who has a particular abhorrence for Christmas and charity. He considers the poor and needy to be lazy. “I cannot afford to make idle people merry,” he sneers.

It is only when he is visited by the ghost of his business partner Jacob Marley (Andrew Lenahan) on Christmas Eve that he is given a shot at redemption. Enveloped in the chains he has forged in life, Marley tells Scrooge he will be visited by three spirits — the ghosts of Christmas past, present and future, who eventually help him discover the true meaning of Christmas and save his immortal soul.

With the Ghost of Christmas Past (Michelle LaBozzetta) we visit Scrooge as a young boy, left alone at boarding school for Christmas; as an apprentice at Fezziwig’s where he falls in love with Belle; and the exact point when he meets Marley (“and so it began”) and his life begins to unravel.

A “cheeky” Ghost of Christmas Present (Stephen Wangner) brings Scrooge to his clerk Bob Cratchit’s (Douglas Quattrock) home where he sees an ailing Tiny Tim and to his nephew Fred Halliwell’s (Steven Uihlein) home to understand how his late sister’s son feels about him.

Finally, the daunting Ghost of Christmas Yet to Come (Steven Uihlein) shows Scrooge the shadows of what is yet to come, including his own death and how those around him are affected. The harrowing experience is exactly what the miser needs to turn his life around. 

The Victorian set and costumes designed by Randall Parsons, lighting by Robert W. Henderson Jr., musical direction by Brad Frey and the many special effects produce a beautifully executed well-oiled machine with powerful performances from the entire cast. 

Arrive a little early and be treated to a selection of Christmas carols by the actors in the lobby and stay afterward for a photo keepsake with Scrooge. The $5 fee goes to support the theater’s scholarship fund.

Theatre Three, 412 Main St., Port Jefferson will present Charles Dickens’ “A Christmas Carol” through Dec. 29. Please note all evening shows begin at 7 p.m. Tickets are $20 per person through November; $35 adults, $28 seniors and students in December. For more information or to order tickets, call 631-928-9100 or visit www.theatrethree.com.

All photos by Brian Hoerger

By Melissa Arnold

Whether you’ve been playing carols for weeks or are just now contemplating putting up the tree, the end of Thanksgiving signals the official arrival of the holiday season. If this is the most wonderful time of the year in your house, there’s no better way to enjoy it than by catching “Elf`The Musical” at the John W. Engeman Theater in Northport.

Based on the beloved 2003 film starring Will Ferrell, “Elf” tells the story of a little boy who crawls into Santa’s gift bag and ends up at the North Pole. Raised as an elf, the ever-growing Buddy has no idea he’s really human, even though he’s a terrible toymaker. When Buddy learns the truth about his identity, he sets out on a journey to New York City to reconnect with his roots and find his family.

Insulated by the always cheery atmosphere of Christmastown, it’s an understatement to say Buddy faces culture shock upon arriving in the Big Apple. But it will take a lot to keep Buddy from spreading Christmas cheer, especially to the person that needs it most: his Scrooge-y father.

“Elf” made its Broadway debut in 2010 with book by Bob Martin and Thomas Meehan and music by Michael Sklar and Chad Beguelin. Devoted fans of the film will appreciate the show’s faithfulness to the original script, including Buddy’s classic one-liners that make it so iconic. The musical numbers aren’t especially memorable and feel unnecessary at points, but they do open up the opportunity for some great dance routines.

The production begins with Santa (Gordon Gray) inviting the audience to join him as he reads the story of Buddy the Elf. There’s something so fun about these moments that allow actors to interact with the crowd and draw viewers in. And the little details in Santa’s scenes (his oversized chair with a bag of Doritos and the remote control stuffed in the cushion) feel genuine and cozy. Gray’s portrayal of Santa is effortless, funny and truly believable — his belly laughs will make you wonder if he’s the real deal.

Erik Gratton is no stranger to the role of Buddy. He also starred in the national tour of “Elf” and last year’s Madison Square Garden production. While it’s hard to shake off the image of Will Ferrell in that famous green hat, Gratton leaves it all on the stage with tons of energy and all the zany enthusiasm Buddy deserves. His first experience and subsequent obsession with a paper shredder will have you in stitches. It’s also worth noting that he approaches the show’s rare emotional moments with surprising tenderness. Gratton will break your heart at the end of the first act during “World’s Greatest Dad (Reprise).”

After fantasizing endlessly about what life with his dad will be like, Buddy meets his overworked, agitated publisher father, Walter Hobbs (Joe Gately). Tension rolls off Gately in waves, and when Hobbs loses his temper, Gately fills the theater with powerful, roaring tirades. He’s a wonderful foil to Christianne Tisdale and Zachary Podair, who play Hobbs’s wife Emily and young son Michael. Tisdale and Podair have great chemistry as mother and son, and their duets in “I’ll Believe in You” and “There Is a Santa Claus” were personal favorites.

Of course, Buddy’s life is further turned upside down when he finds himself smitten with a beautiful, yet world-weary Macy’s employee, Jovie (Caitlin Gallogly). Gallogly is delightfully edgy and jaded for the majority of the show, making her character’s eventual thawing that much more enjoyable. She also has one of the strongest voices in the cast, and her vocals in “A Christmas Song” and “Never Fall in Love With an Elf” are a treat for the ears.

The ensemble in “Elf” has several different roles to play, from elves in Santa’s workshop to retail employees and bitter mall Santas. They deserve major props for their elf scenes — since elves are tiny, the actors perform on their knees. It’s no small feat to sing and dance to “Christmastown” from that position!

Choreographer Mara Newbery Greer and associate choreographer Tiger Brown are to be applauded for their hard work with the cast. The intense tap dancing in “Nobody Cares About Santa” is another impressive surprise.

Set designer Nate Bertone creates a whimsical backdrop for the show, grounded by huge arches covered in snowflakes. The giant logos for Macy’s and Greenway Press are eye-catching, as are the creative use of props and background silhouettes to show scene changes in real time. While musical director Charlie Reuter and the small orchestra are tucked out of sight in the pit, they provide the perfect, almost cartoonish, accompaniment to this silly show.

All told, director Matt Kunkel has led the Engeman’s cast of “Elf” in a production that’s loads of fun for the whole family — a perfect fit for the holiday season.

A note on content: “Elf” does contain some brief mild language and lighthearted innuendo that most children won’t notice. The show is generally appropriate for all ages.

If you have some extra money to spare, consider making a donation after the show to the Ecumenical Lay Council Food Pantry, which supports more than 150 local families each week. Cast members will collect donations as you leave. For more information, call 631- 261-4357.

See “Elf The Musical” now through Dec. 30 at the John W. Engeman Theater, 250 Main St., Northport. Tickets range from $73 to $78 with free valet parking. For more information or to order, call 631-261-2900 or visit www.engemantheater.com.

Photos by Michael DeCristofaro

Photo by Mark A. Suban

On Saturday, Nov. 17 the Centerport United Methodist Church, 97 Little Neck Road, Centerport will kick off the holidays with its Santaport Fair, an annual holiday fair and marketplace featuring an array of boutiques, games and crafts for children, a luncheon cafe and professional photographs with Santa, from 10 a.m. to 3 p.m. Call 631-261-5222 or visit www.centerportumc.org.

The cast of '26 Pebbles'. Photo by Heidi Sutton

By Melissa Arnold

In the world of high school theater, it’s pretty common to see a troupe of eager teens take the stage to perform a lighthearted comedy or timeless musical. David Kramer knows that, and he’s certainly enjoyed directing shows in those genres many times before. But in the past several years, the director of Mount Sinai High School’s theater program has moved to exploring deeper topics for the benefit of both actors and audiences.

Kramer has devoted more than 40 years to arts education. He taught music in the Miller Place School District for 39 years and was also involved with the after-school theater program. In 2014, he was hired to direct both the annual drama and musical for Mount Sinai High School. The opportunity has enabled him and his students to be able to bring plays that “hope to spark conversations of timely, mature social issues” to the community, including “The Laramie Project,” “And Then They Came for Me,” “Twelve Angry Jurors” and “Our Town.”

On Nov. 13 and 17, Mount Sinai High School will present “26 Pebbles,” a poignant and timely one-act drama about how the citizens of Newtown, Connecticut, grieve and attempt to recover in the wake of the Dec. 14, 2012 massacre of 20 children and 6 adult staff members at Sandy Hook Elementary School.

This show builds upon Mount Sinai’s growing reputation for tackling difficult topics and societal issues through its drama program.

“I always thought there should be high-quality shows that expose young adults to different aspects of the human condition as well as theater skills,” Kramer said. “I’m not looking to crush them. I’m looking to help them develop a sensitivity to what’s going on in society. My goal is to use theater to encourage change.”

Kramer selected “26 Pebbles” for its focus on current events, including gun violence and the ensuing debate about safety in schools. Several school districts on Long Island now employ armed guards, so Kramer found the show relevant to local audiences. He was also touched by the story of a former student whose child attended Sandy Hook Elementary School at the time of the shooting.

While some of the auditioning students admitted that they initially weren’t excited over Kramer’s selection, he said they all agreed it was an important story that needed telling. During auditions, Kramer showed students a trailer of the show and asked them to read from portions of the script. The result is a cast that connects deeply to the show’s message and is passionate about sharing it with audiences.

Playwright Eric Ulloa spent months in Newtown conducting dozens of interviews for “26 Pebbles,” which uses a docudrama format to tell the story of Sandy Hook through a variety of perspectives. While the original script calls for each actor to play multiple characters, Kramer chose to expand the cast by assigning individual roles. The stories of parents, teachers, first responders, clergy and community members are all represented by a cast of 24 students in grades 9 through 12. The set for the show is deliberately sparse and unfinished, conveying that both the national conversation on gun violence and Newtown’s recovery are ongoing.

Kramer is extremely proud of his students and their dedication to telling the story of Sandy Hook with respect, honesty and powerful emotion. To prepare for the show, Kramer asked the cast to write mock sympathy notes to families who lost loved ones in the shooting, allowing them to connect and empathize with the people they portray.

“The souls of [the people of Newtown] are embedded in these students for the hour and a half they’re on that stage … they have shown incredible realism and growth. I think whoever comes to this show will be incredibly taken by it.”

Mount Sinai High School, located at 110 N. Country Road, Mount Sinai, will present “26 Pebbles” at 7 p.m. Nov. 13 and 17. Tickets are $10 at the door. Runtime is approximately 90 minutes. There is no violence in the show, but it is recommended for mature audiences only. For information, call 631-870-2800 or 631-870-2882.

Photo from WMHO

Ward Melville Heritage Organization’s Educational & Cultural Center in Stony Brook village hosted the Long Island’s Got Talent 2018 finals on Oct. 19. Caitlin Beirne of St. James took first place (winner of $6,000 scholarship from Five Towns College and $1,000 cash from Green Towers Group); Sara Caliguiri of St. James was in second place (winner of $5,000 scholarship from Five Towns College); and Michael Lomando of Centereach, third place (winner of $4,000 scholarship from Five Towns College). 

Pictured in the back row, from left, Aidan Hopkins, bassist/Mint Band; Matt Broadbent, trumpet/Mint Band; Varun Jindal, drums/Mint Band; Deborah Boudreau, WMHO education manager; Michael Lomando, solo vocalist and guitar; Jay Sangwan, guitar/Mint Band.

Pictured in the front row, from left, Sara Caliguiri, solo vocalist and keyboard; Max Tuomey, vocalist; Ben Fogarty, keyboardist/Mint Band; Jordan Amato, solo vocalist; Caitlin Beirne, solo vocalist; Lydia Korneffel, solo vocalist. Congratulations to all the winners! Watch for details in the spring of 2019 for next year’s contest at www.wmho.org.

A scene from 'Mid90s' Photo courtesy of A24

By Kyle Barr

The real question with films like “Mid90s” and other throwbacks to the days of the childhoods of those born in the ’80s and ’90s is really how far you can get with callbacks and brand recognition. 

It has worked well in some places, such as with the hit Netflix show “Stranger Things,” but a movie still needs a storyline to fill out the space left between brand name dropping and scenes of, “Oh, don’t you remember this? Wasn’t this fun?” Well, “Mid90s,” which opened in theaters Oct. 21, is an interesting take on nostalgia, one that shows the ugly sides of childhood without any kind of judgment.

Sunny Suljic in a scene from ‘Mid90s’

“Mid90s” takes place in Los Angeles during the titular 1990s as the California skating scene was at its peak. Young Stevie (Sunny Suljic) lives in a dysfunctional house with abusive older brother Ian (Lucas Hedges) and his co-dependent mom Dabney (Katherine Waterston). While riding his bike Stevie sees a young group of skaters at a distance and decides to infiltrate that friend group, despite the fact he has never ever skated in his life. The skaters, made up of pro-skater hopeful Ray (Na-kel Smith), party-hopper F**** (Olan Prenatt), lonely Ruben (Gio Galicia) and the reserved filmmaker Fourth Grade (Ryder McLaughlin), start taking a liking to the young kid, who they nickname Sunscreen.

Stevie, while learning to skate, also falls into the seedier elements of the scene, the ones involving drugs and alcohol. He picks up terrible habits, acting out against his family. His friends are tested even harder when it becomes evident Ray is coming closer and closer to becoming pro, potentially leaving all those who look up to him behind.

It’s a movie called “Mid90s,” so it’s obvious that first-time director Jonah Hill, most known for his roles in films like “The Wolf of Wall Street,” is trying to make some kind of declaration of this time period. Unlike something like “Stranger Things,” the brands, music and albums so notorious from the era aren’t just set dressing but are integral to the theme. Stevie goes into his brother’s room and looks through his music, full of recognizable band names, just so he could give him a birthday gift in the next scene, which he then tosses on the table like he’s just received rotten fruit. The recognizable posters on Stevie’s wall are swapped out later once he starts to love the skating culture.

Sunny Suljic and Na-kel Smith in a scene from ‘Mid90s’

But what really drives the film’s forward momentum is the intense theme of skating as a relief from home life. Though it’s not so much an escape from problems, skating is shown as a way to connect with people on a deep spiritual level. It’s revealed relatively late in the film how each of the main characters has an imperfect home life, and that the friendship they have with each other is what keeps them all sane. 

Though it’s not a long movie, running at about the 90-minute mark, Hill doesn’t make this film overstay its welcome. That’s not to say there aren’t moments that makes one think this is a first-time directorial effort, small sequences that don’t add up, camerawork that pushes in a little too close to faces and a few other niggling details.

The film is also explicit in a number of ways, some of which involve the main character who is supposedly 13 years old, according to the film. Be sure to come at this flick without a sense of judgment for the characters, as the film itself makes it plain it doesn’t wish to judge them as well.

I was never a skater as a kid, but I knew those who were. Even if you have some sort of interest to dive into a time and place that few can honestly say they were a part of, then “Mid90s” should be a good run of some vicarious nostalgia.

Rated R for pervasive language, sexual content, drug and alcohol use and violence, “Mid90s” is now playing in local theaters.

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