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By Heidi Sutton

For too short a time, the classic tale of “Pinocchio” comes to life on Theatre Three’s stage in a most magical way. While most are familiar with Walt Disney’s 1940 animated feature, Theatre Three’s original retelling, written by Jeffrey Sanzel and Douglas J. Quattrock, is suggested from the 1883 children’s novel, “The Adventures of Pinocchio,” by Carlo Collodi.

Annabelle the Fairy (Krystal Lawless) has spent two centuries trying to earn her magic wand so that she can fly. Summoned before Ondine, the good and righteous Queen of the Fairies (Ginger Dalton), she is given one last chance to prove her worth or she has to leave the land of the fairies forever. 

Matt Hoffman and Steven Uihlein in a scene from ‘Pinocchio’

Teaming up with Cassandra the Magic Cricket (Michelle LaBozzetta), she is tasked with getting Geppetto (Steven Uihlein), a miserable and lonely woodcarver (think Scrooge), to care about people the same way he cares about wood.

Annabelle decides to cast a spell on the wood, making it talk, and Geppetto is inspired to carve it into a wooden boy he names Pinocchio (Matt Hoffman). Things go sour quickly as Pinocchio constantly misbehaves; so Annabelle casts another spell on him where his nose grows every time he tells a lie.

However, when Pinocchio gets mixed up with con artists Ferdinand Fox (Emily Gates), Carpacious Cat (Nicole Bianco) and Ranklin Rat (C.J. Russo) and is tricked into giving them all of Geppetto’s money, things go from bad to worse. Will Annabelle ever get her wings? Will Ferdinand, Carpacious and Ranklin get their comeuppance? Will Pinocchio ever become a real boy? 

Jeff Sanzel skillfully directs a cast of eight adult actors who take this delightful tale and run with it. There’s a lot to cover in an hour and a half, but the story flows nicely and keeps the audience at the edge of their seats.

The three troublemakers!

The musical numbers, accompanied on piano by Doug Quattrock, are lighthearted and entertaining, from “Lovely Thoughts” by Annabelle to “Bad Harmony” by the trio of con artists, to the wonderful “The Festival El Grande.” Choreography by Nicole Bianco fits the story perfectly and the costumes by Teresa Matteson and Toni St. John are sweet and fun.

There are so many special moments in this show, made even grander thanks to the addition of 40 children from the theater’s summer acting camp who play various extras including fairies and townspeople. 

Much to the delight of the young audience, the actors utilize the aisles often and special effects are around every corner. Annabelle and Cassandra hide under a magic umbrella that deems them invisible, Pinocchio’s nose really grows and wait until you see what falls from the ceiling at the end! Theatre Three has taken a story that is over 130 years old and given it new life. Grab the kids and catch a performance of “Pinocchio.” They will love you for it.

Souvenir fairy wands are sold for $10. Meet the cast in the lobby after the show.

Theatre Three, located at 412 Main St. in Port Jefferson, presents “Pinocchio” through Aug. 10. Children’s Theatre continues with “A Kooky Spooky Halloween” from Oct. 5 to 26 and “Barnaby Saves Christmas” from Nov. 23 to Dec. 28. All seats are $10. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

See more photos from the show online at www.tbrnewsmedia.com.

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Photo by Peter Lanscombe, Theatre Three Productions Inc.

The final two shows for “Cinderella” at Theatre Three, 412 Main St., Port Jefferson will be held on Aug. 8 at 11 a.m. and Aug. 9 at 1:30 p.m. The classic love story finds its power in a pumpkin a palace, a prince—and a young girl whose belief in herself can overcome any obstacle. When her Fairy Godmother adds a dash of excitement, the magical possibilities are endless. Don’t miss this musical enchantment for the entire family!

Children’s theater continues with “Pinocchio” from Aug. 2 to 10; and “A Kooky Spooky Halloween” from Oct. 5 to 26. All seats are $10. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Read the review here: http://tbrnewsmedia.com/theater-review-theatre-threes-cinderella-is-a-fairy-tale-for-the-ages/

Image from PJDS

The Port Jefferson Documentary Series will host a special summer screening of “Woodstock: Three Days That Defined a Generation” at Theatre Three, 412 Main St., Port Jefferson on Monday, July 29 at 7 p.m. 

With never-before-seen footage, the documentary tells the story of the political and social upheaval leading up to those three historic days, as well as the extraordinary events of the concert itself, when near disaster put the ideals of the counterculture to the test. 

The screening will be followed by an interview with co-screenwriter/editor Don Kleszy. $8 advance sale tickets are now available at www.portjeffdocumentaryseries. Tickets will also be sold at the door (cash only). For further info, call 631-473-5220.

By Heidi Sutton

Who doesn’t love a good fairy tale, especially one like “Cinderella,” which is reputed to be one of the most adapted and re-interpreted children’s stories of all time?

To the delight of all the little princesses out there, Theatre Three in Port Jefferson kicks off its 2019-20 children’s theater season with an original musical retelling of the “rags to riches” tale through Aug. 9. With book, music and lyrics by Douglas J. Quattrock, this version of “Cinderella” combines Charles Perrault’s classic tale with Mark Twain’s “The Prince & the Pauper” to produce a lovely afternoon at the theater.

Perrault (Steven Uihlein) serves as narrator as well as “squire to the sire” and transports audiences to the kingdom of King Charming (Andrew Lenahan) who wishes to retire to Boca Raton and pass the crown to his son, Prince Charming (Matt Hoffman). However, the king feels that his son should get married first and invites all eligible maidens to a royal ball.

The squire delivers the invitations to the home of Cinderella (Meg Bush) who after 300 years is still being treated badly by her stepmother Lady Jaclyn (Nicole Bianco) and stepsisters Gwendolyn (Michelle LaBozzetta) and Madeline (Krystal Lawless). When Cinderella asks if she can go to the ball, her stepmother tells her she has to do all her chores first, including washing the cat, but we all know how that ends. 

Left behind while the step meanies go to the ball, the poor girl is visited by her fairy godmother, Angelica (Emily Gates) who cooks up a beautiful gown and sends her on her way.

Meanwhile, the prince concocts a plan to switch places with the squire in hopes of meeting a girl who will like him “for who he is, not what he is.” Things go horribly wrong at the ball, thanks to the ill-mannered stepsisters, and it ends before Cinderella can get there. When she finally arrives, Cinderella is greeted by a squire (the prince) who asks her to dance because “the band is paid till 1.” Will she take him up on his offer? Will they waltz the night away?

Directed by Jeffrey Sanzel, the eight-member cast does an excellent job in portraying this adorable story. One of the funniest scenes is when the prince and squire show up at Cinderella’s house with the glass slipper and the stepsisters and even stepmother try it on with the same result: “I think it’s on. All hail the queen! Ouch, take it off!”

Accompanied on piano by Douglas J. Quattrock, all of the sweet musical numbers are wonderfully choreographed by Nicole Bianco, with a special nod to “Please, Mother, Please!” and “A Girl Like Me (and a Boy Like You).” 

The costumes, designed by Teresa Matteson and Toni St. John, are flawless, from the royal garbs worn by the king and prince to the fancy gowns worn at the ball. The wings on the fairy godmother even light up — a nice touch. Lighting design by Steve Uihlein along with some special effects pull it all magically together.

If you’re looking for something to do with the kids for the summer, Theatre Three’s “Cinderella” fits the bill perfectly. Souvenir wands are sold before the show and during intermission. Meet the cast in the lobby after the show.

Theatre Three, 412 Main St. in Port Jefferson presents “Cinderella” through Aug. 9. Children’s theater continues with “Pinocchio” from Aug. 2 to 10; and “A Kooky Spooky Halloween” from Oct. 5 to 26. All seats are $10. For more information or to order, call 631-928-9100 or visit www.theatrethree.com. See more photos online at www.tbrnewsmedia.com.

Photos by Peter Lanscombe, Theatre Three Productions Inc.

A sensory-friendly performance of 'Cinderella' will be held on July 7. Photo from Theatre Three

By Melissa Arnold

Jason Furnari was 11 years old when he appeared onstage for the first time as part of a school production. Acting immediately became his passion, and he was eager to be in as many shows as possible.

Jason Furnari

One day, Furnari’s school took a field trip to Theatre Three in Port Jefferson. His life would never be the same. “As soon as I saw the stage I knew I had to be up there,” recalled Furnari, now 34. He auditioned for his first Theatre Three show in 2002, and soon became one of the theater’s full-time actors, appearing in local shows and becoming a part of their professional touring troupe. His credits include “The Laramie Project,” “A Christmas Carol,” “The Adventures of Peter Rabbit” and “Barnaby Saves Christmas,” to name a few.

In a gesture of gratitude to the theater, Furnari has announced that his Port Jefferson Station based real estate company, EXIT Realty Island Elite, will sponsor Theatre Three’s Children’s Theatre and offer complimentary tickets to its sensory-friendly performances. 

“I love acting so much because you get to go onstage for a few hours and tell a story. If people are having a bad day, you can bring a smile to their face,” Furnari said. “Every day when we go onstage, we get to see how much the kids really enjoy live theater. They get a glimmer in their eye, and I wanted as many people as possible to experience that joy.” 

That desire to do good has run through the entirety of Furnari’s career journey. He studied nursing, worked in restaurants, and ultimately launched a successful real estate career, helping families find their dream homes. All the while, he continued to do occasional shows with Theatre Three, hoping for the day he could give back to them, too.

Furnari’s moment finally came during rehearsals for “Barnaby Saves Christmas” this past December. Jeffrey Sanzel, executive artistic director of the theater, was preparing the cast for their upcoming sensory-friendly performance. 

Each Children’s Theatre production has one performance that is specifically tailored to those with sensory processing disorders or other special needs. The shows provide lower volume levels, remove sudden noises, leave the house lights on and are accepting of audience noise and movement. Sensory-friendly shows also offer complimentary social stories, booklets which explain the parts of the theater, its employees, what to expect at a show and more, all accompanied with helpful pictures.

“I was talking to them about the sensory-friendly shows, and I said that I would love for someone to come along and underwrite those performances, so we could just give the tickets away for free and we wouldn’t have to charge,” Sanzel recalled. “Jason pulled me aside and said, ‘I’ll do it.’ He committed in that moment and [the free tickets] began immediately with the next show. “I was stunned but not surprised because Jason is such a profoundly generous person. It was an amazing moment for us.”

In addition to underwriting the sensory-friendly shows, EXIT Realty Island Elite will be the official sponsor for Theatre Three’s children’s performances for the 2019-20 season. 

Jason Furnari, center, in a scene from last year’s ‘Barnaby Saves Christmas’

Vivian Koutrakos, managing director at Theatre Three, noted that, while the theater is a not-for-profit, they still have expenses and need support. “At the theater, we want to treat everyone equally and provide an experience that anyone can enjoy, regardless of their needs,” Koutrakos said. “I’ve known Jason for a long time, and he’s done so well for himself. He always wanted to give back to the theater and make sure it was cared for, even when he didn’t have the means to do so himself.”

Sensory-friendly performances at Theatre Three began in 2016 when the parent of an actor with special needs encouraged Sanzel to pursue it. Since then, he said the feedback from audiences has been overwhelmingly positive.

“The families and organizations that come to the sensory-friendly shows are so appreciative and grateful,” Sanzel said. “And now that we’ve eliminated the costs, it’s an opportunity they’ll always be able to enjoy.”

Theatre Three is located at 412 Main St., Port Jefferson. Upcoming sensory-friendly children’s performances include “Cinderella” on July 7; “A Kooky Spooky Halloween” on Oct. 6; “Barnably Saves Christmas” on Nov. 24; “Little Red Riding Hood” on Jan. 19, 2020; “Hansel and Gretel” on March 8, 2020; “The Adventures of Peter Rabbit” on April 19, 2020; and “Snow White and the Seven Dwarfs” on May 31, 2020. All shows begin at 11 a.m. and tickets are free. 

For more information or to make a reservation, please call 631-928-9100 or visit www.theatrethree.com.

Theatre Three, 412 Main St., Port Jefferson will hold an open cast call for “Jekyll & Hyde: The Musical” on Wednesday, July 10 at 7 p.m. and Saturday, July 13 at 1 p.m. Seeking actors-singers who move well (ages 17 to 60s). All roles open except General Glossop and Lady Beaconsfield. Prepare 32 bars from the song of your choice and be prepared to move. Please bring picture/resume if available. Rehearsals begin in late July. Performances will be held from Sept. 14 to Oct. 26. For further details, call 631-928-9202 or visit www.theatrethree.com/auditions.html.

By Heidi Sutton

From now through June 22, children and adults alike are invited to follow the yellow brick road on Main Street in Port Jefferson (yes, there is an actual yellow road painted on the sidewalk) through the double doors of Theatre Three to see a wondrous stage version of L. Frank Baum’s “The Wizard of Oz.”

First published in 1900 as a children’s book titled “The Wonderful Wizard of Oz,” the classic story has given rise to many sequels, spin-offs and adaptations including radio shows, musicals and the iconic 1939 MGM film starring a 16-year-old Judy Garland.  

When Dorothy Gale from Kansas is swept away by a tornado, she is dropped in the Land of Oz and must make her way to the Emerald City to ask the Wizard to help her and her dog Toto get home. Along the way she befriends alternate versions of her family and neighbors including The Scarecrow, The Tinman and Cowardly Lion who protect her from the Wicked Witch of the West who wants Dorothy’s magic ruby slippers.

Theatre Three’s stage version, adapted by John Kane with music and lyrics by Harold Arlen and E.Y. Harburg, follows the original MGM screenplay, leaving in additional verses to the songs, secondary script and musical numbers like “The Jitterbug” that didn’t make the final cut in the film. We learn the backstory about The Tinman (a bit macabre) and The Cowardly Lion (think “The Lion King”) and why the Winkies always chant “Oh wee-Oh, we-ohhhhh um.” The result is a fresh take on a beloved favorite.

Presenting a mainstage production of “The Wizard of Oz” with numerous sets, song and dance numbers and costume changes is not an easy feat, but Director Jeffrey Sanzel has assembled a talented cast of over 30 actors who pull it off with ease.

Ashley Ferraro is perfectly cast as Dorothy and her rendition of “Somewhere Over the Rainbow” is enchanting. Dorothy’s faithful pet Toto is played by the adorable Miss Mia Donatuti who elicits many “Oh my’s” from the audience every time her four paws hit the stage or she peaks out of the basket.

So nice to see Jim Sluder back on Theatre Three’s stage, this time as Dorothy’s favorite, The Scarecrow, who is convinced he has no brain. Eric J. Hughes plays The Tinman who has plenty of heart but tends to rust a lot and Andrew Lenahan is the perfect Cowardly Lion and gives us a glorious performance of “If I Only Had the Nerve.” 

Linda May is outstanding as Almira Gulch/ Wicked Witch of the West. Close your eyes and you’ll swear Margaret Hamilton is on stage. May’s rendition of the famous line “I’ll get you my pretty, and your little dog too!” followed by that shrill cackle will send chills down your spine. 

Special mention should be made of The Munchkins, who, with their high little giggles, are a sweet addition to the story. Their big number, “Munchinkland,” complete with The Lollipop Kids and The Lullaby League, brings the house down.

The sets, designed by Randall Parsons, are impressive as well. Large painted panels slide back and forth, revealing the different scenes while posters depicting the cover and pages from the storybook adorn the edges of the stage. Taking a cue from the 1939 film, Uncle Henry and Auntie Em’s Kansas farm uses muted colors of browns and greens and then, in true Technicolor fashion, Dorothy and Toto arrive in Munchkinland where every color in the rainbow is utilized. 

In a stroke of genius, Sanzel uses flower umbrellas as props which, when opened, are the perfect hiding spot for Munchkins and make for a beautiful field of poppies. And wait until you see the special effects!

Accompanied by a powerhouse orchestra led by conductor Jeffrey Hoffman, the show’s big musical numbers are wonderfully choreographed by Jean P. Sorbera. Costumes by Chakira Doherty are a work of art.

In the end, the adventures of Dorothy, The Scarecrow, The Tin Man and The Cowardly Lion reinforce the power of friendship and that there really is no place like home.

In his director’s notes, Sanzel writes, “In our mind’s eye, we see this unusual quartet, arms linked, traveling down an unknown road. And herein lies the heart: The emphasis is in the journey. Growth comes from the venture and the efforts we make not just for ourselves but for those who walk the road with us.”

Dedicated to the faithful and young at heart, L. Frank Baum’s “The Wizard of Oz” closes out Theatre Three’s 2018-19 season as a vibrantly colorful rainbow. Don’t miss this wonderful family show.

Magic wands are sold before the show and during intermission and photos with Dorothy, Toto, The Tinman, The Cowardly Lion and The Scarecrow are available after the show. Donations are being accepted for St. Jude’s Children’s Hospital. Also, take a chance at a raffle to win Almira Gulch’s bicycle. 

Theatre Three, located at 412 Main St., Port Jefferson will present “The Wizard of Oz” on the Mainstage through June 22 with a special evening start time of 7 p.m., Saturday matinees at 2 p.m. and Sunday matinees at 3 pm. Running time is 2 hours 10 minutes with a 15-minute intermission. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, please call 631-928-9100 or visit www.theatrethree.com.

All photos by Brian Hoerger, Theatre Three Productions Inc.

By Heidi Sutton

Spring is in the air and that means the return of one of the most adorable children’s shows on the planet — “The Adventures of Peter Rabbit” at Theatre Three in Port Jefferson. Written by Jeffrey Sanzel and the late Brent Erlanson, with music by Kevin F. Story, the show is based on “The Tale of Peter Rabbit” by Beatrix Potter.

Published in 1901, the story and its endearing illustrations were inspired by Potter’s pet rabbits, Benjamin Bouncer and Peter Piper. It has been translated into 36 languages, and with 45 million copies sold, is one of the best-selling books of all time.

Going against his mother’s wishes, Peter Rabbit (Eric J. Hughes) is always sneaking into Mr. McGregor’s garden to satisfy his insatiable appetite for parsley, tomatoes and string beans. His partner in crime, cousin Benjamin Bunny (Steven Uihlein), is just as naughty, eating all the carrots he can find and this constant marauding is testing the farmer’s patience. It’s a cat and mouse, or should I say, farmer and hare game that is about to go terribly wrong.

Directed by Sanzel, the show is fast-paced and action-packed with so many wonderful scenes often taking place off stage and among the audience. Flopsy, Mopsy and Cottontail (Nicole Bianco, K.D. Guadagano and Michelle LaBozzetta) spend much of their time looking for their wayward brother and cousin throughout the theater and enlist the young audience’s help to find them before Mrs. Rabbit (Elizabeth Ladd) comes back from the market and the McGregors (Andrew Lenahan and Emily Gates) chase Peter and Benjamin down the aisles in an attempt to save their garden.

Over the years, I’ve seen this show at least 10 times, but this latest production is the best one yet. Perhaps it is because the cast is able to utilize the Mainstage set of “The Miracle Worker,” adding Peter’s bedroom for the first time and giving the show more dimension. Maybe it is the revamped choreography by Nicole Bianco or the creative lighting by Steven Uihlein. Possibly it is the boundless enthusiasm from the cast, drawing their energy from the constant giggles and laughs from the children and parents in the audience or that the songs are by now classic and timeless. 

Whatever the reason, this gem of a show is like a fine wine and just gets better with age.

Souvenir bunnies are sold before the show and during intermission for $5. Join the entire cast in the lobby for a meet and greet on your way out.

Theatre Three, 412 Main St., Port Jefferson will present “The Adventures of Peter Rabbit” through April 27 with special performances during spring break. After a brief hiatus, children’s theater continues with “Cinderella” from July 6 to 27 followed by “Pinocchio” from Aug. 2 to 10. Tickets are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lancombe, Theatre Three Productions Inc.

By Heidi Sutton

From Mainstage productions to children’s theater, to concerts and film screenings, comedy shows and improv, Theatre Three always has a lot to offer. However, it is the Festival of One-Act Plays that many look forward to each year with eager anticipation. 

Showcasing six original works selected from 425 submissions, the 22nd annual festival opened last weekend for a nine-performance run in the intimate setting of The Ronald F. Peierls Theatre on the second stage. 

Directed by Jeffrey Sanzel, each short play is exciting; some dark, some funny, some sad, with lots of twists and turns. It is the unknown, the unfamiliar that makes it all so entertaining to watch. 

The show kicks off with Tom Slot’s “Playlist to Have a Crisis To.” Teenager Alexis (Nicole Bianco) has just hit a burglar dressed in a Santa Claus suit (Stephen T. Wangner) with an encyclopedia and he’s on the floor unconscious. She calls her girlfriend Tanya (Michelle LaBozzetta)to come over to wait for the police to arrive. When the man wakes up he claims to be the real Santa Claus. He knows things only Santa would know, but everyone knows he’s only a legend, right? And if he is real, will Alexis always be known as the girl who beat up Father Christmas?

Next up is “For a Moment in the Darkness, We Wait” by Libby Leonard, the touching story of two gay men, the older Bernard (Douglas Quattrock) and teenager Connie (Ryan Schaefer) struggling to hide their sexual identity in New York City the 1940s. You feel their pain, their frustration and their sadness in this emotional performance. 

The mood lightens greatly with “Perfectly Normal” by J. Joseph Cox, a hilarious look at the changing workplace. Antoine Jones, Suzie Dunn, Steve Wagner, Nicole Bianco and Ginger Dalton star in this delightful comedy. There’s a new boss in town and we hear of the workplace changes from breakroom gossip. “He swept in here like the Gestapo!” Employees are disappearing, Human Resources is boarded up, cavity searches are being conducted, and the final blow, coffee has been replaced by tea. This is normal?

“Family by Numbers” by Arianna Rose is the heartbreaking story of a family that loses a son in a hiking accident. Beautifully written, it  begins when the parents first meet, get married, raise three boys and then struggle with their tragic loss and one less number. Powerful performances all around by Steve Ayle, Linda May, Dylan Robert Poulos, Steven Uihlein and Ryan Schaefer.

After intermission, Rich Orloff’s “The Unforgivable Sin of Forgiveness” takes the stage. A wife (TracyLynn Conner) confesses to her husband (Antoine Jones) that she has been having an affair for three years. His response? “I know.” Taken aback, the wife turns the tables and demands to know why he hasn’t let on that he knew all this time. “You lied to your wife when all these years I’ve been faithful six days out of seven?” she exclaims in disbelief.

The final and longest act, “The Making of Medea’s Medea” by Chas Belov, is where the production of Medea’s modern-day retelling of her own story of revenge is played out on Theatre Three’s Mainstage while being turned into a documentary. We meet Medea, Jason, the actors that play them, the actors that play the part of the employees at Theatre Three, psychologists, Greek playwrights and more. The entire cast takes part with special mention to Linda May as the heartbroken and vengeful Medea.

With an excellent lineup and incredible cast, this festival is not to be missed. Get yourself a ticket before they sell out.

Sponsored by Lippencott Financial Group, Theatre Three, 412 Main St., Port Jefferson will present the 22nd annual Festival of One-Act Plays through May 5. Running time is 2 hours with a 15-minute intermission. All seats are $20. To order, call 631-928-9100 or visit www.theatrethree.com.

‘The most important day I remember in all my life is the one on which my teacher, Anne Mansfield Sullivan, came to me. I am filled with wonder when I consider the immeasurable contrast between the two lives which it connects.’   — Helen Keller

By Heidi Sutton

Theatre Three continues its 49th season with William Gibson’s beautiful play “The Miracle Worker,” the inspirational story of Helen Keller and her teacher Annie Sullivan.

Born in Alabama in 1880, Helen Keller was afflicted with an unknown illness (possibly scarlet fever) at the age of 19 months that left her deaf, blind and mute. By the age of 7, she had become frustrated in her dark and silent world and frequently threw tantrums to get what she wanted. 

In a final attempt to help her before having her institutionalized, her parents reached out to the Perkins School for the Blind, which sent its top student, 20-year-old Annie Sullivan, to live with the family and teach the child sign language. Helen would later recount that the day she met Sullivan was her “soul’s birthday.”

Expertly directed by Bradlee E. Bing (“12 Angry Men”), the dramatic production keeps the audience fixated from the beginning — a darkened stage where we hear Helen’s parents realize what has happened to their baby — to the final climactic water-pump scene where we all feel a lump in our throats.

From the moment Sullivan arrives, Helen is determined to fight her every step of the way. Used to being spoiled, she sees no need to learn the alphabet or eat with a utensil. The tumultuous relationship between teacher and pupil is played out in the physically violent scenes choreographed by Steven Uihlein. Forks and spoons and plates of food are often strewn about the stage, and the two often engage in outright brawls on the floor. It is exhausting to watch but also succeeds in revealing Sullivan’s determination to show Helen how to communicate through “a light of words.”

Not making any headway and with constant interference from the family, Sullivan moves Helen to the seclusion of the garden shed. Given only two more weeks to make a breakthrough, she tells the girl, “Now I have to teach you one word — everything.”

Eleven-year-old Cassandra La Rocco is superb as Helen, while Jessica Mae Murphy (“The Addams Family”) is outstanding as Sullivan in the roles made famous by Patty Duke and Anne Bancroft.

The supporting cast is equally impressive, with powerful performances by Michael Newman as Helen’s Civil War veteran father, Captain Keller; Susan Emory as her overindulgent mother, Kate; Eric J. Hughes as the half-brother James; Linda Pentz as Aunt Ev; and Cameron Turner and Meredith Szalay as servants Percy and Viney.

The elaborate set by Randall Parsons; costumes by Teresa Matteson and Toni St. John; and lighting design by Stacey Boggs tie everything together to produce a wonderful evening at the theater. The standing ovation on opening night was well deserved. Don’t miss this show. It will leave a lasting impact on your heart and soul.

Theatre Three, 412 Main St., Port Jefferson will present “The Miracle Worker” through April 28. Running time is 2 hours with a 15-minute intermission. The Mainstage season closes with “The Wizard of Oz” from May 18 to June 22. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 and up. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions Inc.

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